Brahms: Horn Trio Op.40 [Melnikov, Faust, van der Zwart] (Period instruments)
ฝัง
- เผยแพร่เมื่อ 12 มิ.ย. 2024
- Performers:
-Alexander Melnikov (Fortepiano)
-Isabelle Faust (Violin)
-Teunis van der Zwart (Horn)
Instruments:
- Restored Bösendorfer (1875)
- Stradivarius with gut strings (1704)
- Waldhorn (19th century)
1: Andante - 0:00
2: Scherzo, Allegro - 8:00
3: Adagio mesto - 15:04
4: Finale, Allegro con brio - 22:48 - เพลง
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This is the best recording of this piece by miles. The sound of the horn's stopped notes adds a whole new dimension that is missing from performances on modern instruments.
The adagio mesto is one of the most hauntingly beautiful pieces I have ever heard. I absolutely love it, and every other part of the piece. I absolutely love listening to Teunis van der Zwart. Really makes me love the natural horn
Truly a wonderful trio! I played the piano part to this in college when I was 20. What a thrill that I had met both a French hornist and a wonderful violinist! Chamber music was the most wonderful aspect of my undergraduate piano major pursuits! I LOVE music and though it has been a rough life, music has always been and will always be my salvation! Thank you Brahms and all composers for your beautiful souls and musical spirits!
좋는 곡에 멋진 연주~ ^*^
You and me both. I played this (on horn) in college and a little after college and after 15 years the piece calls to me again and I must find a way to perform it. Music is always with us.
@@valkhorn I had the great good fortune to know Myron (Mike) Bloom during the several years when he was living in Paris and playing under Barenboim. He left Cleveland soon after the death of George Szell. He was never truly happy in Paris, feeling displaced. Mike was a fine, sensitive man. For me, the Brahms piece is a musical avatar of Myron Bloom.
4th mov seems very hard!
@@josephlecher6814 it's a Brahms chamber work; the piano part is guaranteed to be monstrous...
I was actually, physically freezing shivering at the end of the adagio mesto and warmed right back up by the finale. This man was a great genius, all those moments of torturous self-doubt should have been wiped out by this piece alone.
I performed this piece many times during my career with the Horn. Most fun was in Salzburg in the summer of 1985…with a wonderful Japanese pianist who jumped in at the last minute because the original pianist took sick. The violinist was the assistant concertmaster of the Munich Philharmonic. I had a great time and played also on the natural horn. The balance problems that occur with a modern instrument are much fewer with the „Naturhorn“ but you still need a violinist who is not afraid to „dig in“. I have some reservations about the tempi in the Scherzo and the final movement. The opening movement I found quite convincing…the Adagio not so much but still very good. However, Brahms wasn’t a friend of rushed tempo. He wanted every single note to be perceptible. I know this piece inside and out…but someone hearing the two faster movements for the first time might be dazzled by the virtuosity but miss a lot of the wonderful details. This piece is one of Brahms‘ most inventive and passionate works…it needs room to breathe.
I would say, especially the Scherzo is spot on in tempo. Never heard it played slower. And if someone did play it slower I would probably call it a drag. The finale could be indeed a tiny bit slower. But not much.
It's a natural horn! Unbelievably perfect intonation!
It takes a good ear and a good right hand :)
@@valkhorn yes, and being very brave
But what was that at 1:53?
@@finosuilleabhain7781 😅fair enough
This is the piece in my young years that SOLD me on Brahms....Still brings tears......had to learn all his chamber music....HAD TO! performed the piano part many times. most gratifying piano writing ever. of course there's an alternate viola part for the horn. Thank you GOD@!!!!!!
dg viola. piano, organ, guitar, etc
20:27 Magical moment. I love how it anticipates the following movement's main theme.
What a modern artist, i love this trio!!
Danke vielmals für das Präsentieren der Noten. Erst daraus wurde mir klar, wie anspruchsvoll der Klavierpart ist! Hut ab vor allen, die so etwas spielen können! Ein wunderbares Stück in wunderbarer Wiedergabe!
Amazing how the written f in the horn give such a "lontano" effect. Beautiful rendition.
One perhaps can not grasp Brahms at first glance because he is difficult with his themes harmony and rhythm. He is a master of his music. I love Brahms his style is unique.
I usually have some trouble with Brahms, not really "feeling" his pieces until after repeat listens. This is not one of those times. I don't think Brahms has ever hit me with immediate enjoyment like this before, especially the rhythmically playful fast movements. And such a lively, impassioned performance!
Are you Mrs. Malaprop, out of Thackeray?
I think that Brahms is a very accessible composer. I don't know why many people say that it requires a lot of effort to get into his works.
@@ClassicalMusicAndSoundtracks I don't know that I can explain it well. I think Brahms occupies a strange in-between stylistically, where he's using rich Romantic harmonic language, but usually not in a very emotive way, at least compared to Wagner, Liszt, people like that. Much of his music doesn't have the immediate sweetness melodically of someone like Schubert either. So his music, neither all that dramatic nor all that catchy, can easily come off as dry and turgid, at least until repeat listens reveal the beauty of the details.
Please don't misunderstand, I say this as someone who has given Brahms some patient listening, largely because Schoenberg liked him so much and Schoenberg is one of my all time favorites, and I have fallen in love with some of brahms's best pieces, like the fourth symphony, the piano concertos, the first string quartet (which is actually fairly Schoenberg -esque) an so on.
@@mikesimpson3207 This is exactly the point: I think that the melodies of Brahms are nice, so his music is accessible.
I don't find his melodies difficult.
What a great piece! What a great composer! What great players! What great instruments! How great that you put the sheets!
Un verdadero Maestro! El adagio es una página perfecta en la historia de la música.
What a revelation! I usually am not a fan of this work because it always sounds like the musicians are trying to say something that is not there resulting in an incomplete interpretation. What a joy this recording is to listen to over and over again!
Un capolavoro. Una registrazione bellissima!
Johannes Brahms:Esz-dúr Kürttrió Op.40
1.Andante 00:00
2.Scherzo:Allegro - Molto meno allegro 08:00
3.Adagio mesto 15:04
4.Finálé:Allegro con brio 22:48
Isabelle Faust-hegedű
Alexander Melnikov-zongora
Teunis van der Zwart-kürt
Köszönöm az értékelést
Köszönöm az értékelést
Köszönöm az értékelést
@@davidrehak3539 igen,
Great piece, awsome performance! Many thanks for the upload.
Bellissimo brano e bellissima esecuzione!
Johannes Brahms; The Emperor of Romantic chamber music
WOW!
I really like the dactylic rhythmic and melodic motive of this piece (although it sounded like anapest to me initially - somehow the double quavers sounded like a strong beat?) 😊 Beautiful music 💕
I can’t play the right and the left hand together bc my brain can’t count 2 different beats at once. Help
8:00
10:23
16:46
22:48
28:01
3:23 whole tone scale... 8:53 reminds me 16th century music for a few seconds
Dear friends, i´m learning this peace by now, and just very curious, why on minute 2:33 piano playing es2 instead of es1, how it written?
❤
22:48
メモ 2:15▶︎5:06
Nice performance....however, it doesn't sound like a fortepiano---wouldn't be historically accurate either.
Yeah, it's an 1875 Bosendorfer so practically a modern grand piano
@@calebhu6383that's still a period piano.
Faust and her horrible, fractured, anemic, weedy sound.
Classical musicians roast that much XD ?
WAY too fast and loud. What's your hurry? How Brahms would have laughed!
This is so funny, lol. Brahms himself said people performed his music too thickly and too slowly. He said he preferred a faster tempo and lighter interpretation and that's why he preferred French musicians over German musicians to play his music.