You can buy the individual songs of this as well as more of my work here: faryafaraji.bandcamp.com/album/the-janissary Music composed and/or arranged by Farya Faraji. With this, I wanted to tell the life of a Janissary soldier through the musical styles representative of a Janissary’s life, from Balkanic music to Anatolian rythms, Alevi songs, Ottoman Classical music and more. Some of the compositions are entirely mine, others are my arrangements of folk music or existing melodic patterns from these regions. Many thanks to Dimitris Athanasopoulos of the One Man’s Noise channel for providing the direction and vocals for the Epirotic text we brought to life here. Female vocals by Sumru Ağıryüyrüyen. The Janissaries were the elite troops of the Ottoman Empire. Conscripted by force through the devşirme child-levy system, they were taken from Christian Balkan families, converted into Islam and made into the most ferocious standing army of Europe for centuries. * Overture A taksim (freeform, non-rythmic improvisation in Greek, Turkish, Arabic etc music) in the makam Hüseyni. (A makam is a melodic mode). The instrument I used is the kopuz, an instrument closely linked to the mysticism of Alevi Islam, which was the root culture of the Janissary Corps. * My Mother’s Song: The song is Chereshko, a Bulgarian folk song. The instrumentation consists of a Balkan tambouras and kaval flutes. The lyrics speak of a cherry tree that can’t bear fruits. A young man walks past the tree and asks it why it doesn’t bear any fruits. The tells him that two young lovers stood beneath it and swore that if they did not marry each other, the tree would dry out. * Devşirme - When They Took Me This piece brings in the Turkish bağlama and the bendhir. The makam (mode) used is a mixture of Bayat, Nawa Athar and Hijazkar, the latter with microtonal modifications. A Balkan kemane is also heard at the end. The usul (rythmic structure in Turkish music) used is Devr-i-Hindi, a 7/4 aksak (asymmetric time signature, defined in Turkish music as the compound addition of multiple symmetric time signatures). * Ανάθεμά σε, βασιλιά - Thrice be Damned, Emperor The story behind this passage is an interesting one. I did some digging during my research and found this text from a lost song. The text dates back to Ottoman times, and expresses the sorrow of people whose young boys were taken into the devşirme system. The song is known to have been from Epirus, and whilst the melody has been lost, I did some guesswork and asked for the assistance of Dimitris from the One Man’s Noise channel. He provided me with examples of traditional Epirotic songs that use the 15 syllable structure of this poem; one of the primary metres of Medieval and post-Medieval Greek poetry, also called decasyllabic verse. We used the melody of the Epirotic song Βασιλικέ μου τρίκλωνε, which uses the συρτό στα τρία dance. The instrumentation uses the mainland Greek lauto and kaval flutes. Greek text: Ανάθεμά σε, βασιλιά, και τρις ανάθεμα σε, με το κακό οπόκαμες, και το κακό που κάνεις. Στέλνεις, δένεις τους γέροντας, τους πρώτους τους παπάδες Να μάσης παιδομάζωμα, να κάμης γενιτσάρους. Κλαιν' οι γοναίοι τα παιδιά, κ' οι αδελφές τ' αδέλφια, Κλαίγω κ' εγώ και καίγομαι και όσο θα ζω θα κλαίγω. Πέρσι πήραν τον γιόκα μου, φέτο τον αδελφό μου.
* To Anatolia I wanted to signal the journey eastwards by leaning into a sound that is distinctly Anatolian. The makam is a mixture of Bayat and Kurdi. The instrumentation consists of a bağlama and Anatolian duduk/mey, (often used by Hollywood composers as the lazy go-to for anything remotely oriental, even Indian or Morrocan, but the instrument is specific to the Caucasus and Anatolia, with Armenian roots). The usul is in a 9/8 aksak, comprised of the addition of three measures of three; very commonly used in the Balkans and Anatolia. Turkish lyrics: Gel gel, canım, gel. English translation: Come, my can*, come. *Can is difficult to translate literally. It is borrowed from a Persian literally meaning “my life,” and is used as a term of endearment in both Persian and Turkish, however in this context it is closely tied to the Janissary culture, rooted in the Alevi-Bektashi practice of Islam. Alevis often call one another “can,” as did the Janissaries. * Istanbul: Queen of Cities This passages reuses my Constantinople leitmotif. I leaned entirely into the Hollywood-esque aesthetic that I refer to as Orientalist, which is itself an imitation of how Middle-Eastern countries began adapting the Western orchestra in the last two centuries. This kind of recognisable sound is simply the usage of a Western orchestra, but with Eastern techniques where every note copiously uses portamento and glissando. I believe this Orientalist aesthetic, which is effectively how Westerners perceive Middle-Eastern music, to thematically fit the point of view of a non Middle-Easterner seeing the gayeway to the East for the very first time. * Welcome to the Corps Another taksim in the Hüseyni makam using the kopuz, once again signalling the strong Alevi nature of the Janissary corps. In this, they were similar to European military-religious organisations like the Templars or Hospitaliers; religious knight-like figures with a strong devotion to a specific form of religion and a “patron saint,” in this case Hacı Bektaş-ı Veli, the Muslim mystic who began Alevism, and whose early followers blessed the nascent Janissary corps. * Tevhid - My New Faith This is an Alevi folk song. Such songs would have routinely been sung by the Janissaries during zikr-the Sufi religious ceremony of singing songs and entering trances in remembrance of God. The instruments are ones commonly used by Alevis today: the bağlama, the kopuz and the Kurdish tanbour. Allah Allah İllallah La İlahe İllallah Ali̇ Mürşi̇t Güzel Şah Şahim Eyvallah Eyvallah La İlahe İllallah Hak Muhammed-ali̇ Dostum Kerem Kilmak Si̇ze Geldi̇ Hari̇ci̇ler Mansur’u Asti Nesi̇mi̇’yi̇ Yüze Geldi̇ (2) Fatma Ana Fi̇rkate Düştü Uçmak Kapilarin Açti İmam Hasan Zehi̇r İçti̇ Münafiktan Eza Geldi̇ Allah Allah İllallah La İlahe İllallah Ali̇ Mürşi̇t Güzel Şah Şahim Eyvallah Eyvallah La İlahe İllallah Şi̇mi̇r Mervan Karşi Geldi̇ Kerbela Al Kanla Doldu Şah Hüseyi̇n Şehi̇t Oldu Yezi̇tlerden Eza Geldi̇ Akti İmamlarin Kani İmam Zeynel Mürvet Kani Ana Rahmi̇nde Zi̇ndani Levh-i̇ Kalem Mi̇ Yaza Geldi̇(2) Allah Allah İllallah La İlahe İllallah Ali̇ Mürşi̇t Güzel Şah Şahim Eyvallah Eyvallah La İlahe İllallah Ol Münafik Yüzü Kara Dost Dost Dost Kurban Kast Eyledi̇ İmam Bakir’a Pi̇r Pi̇r Pi̇r Kurban Hak Buyurdu İmam Cafer’e Deni̇zi̇ Yutmağa Geldi̇ Di̇dar Gözleri̇ Gözümden Sevdasi Da Gi̇tmez Özümden İmam Musa-i̇ Kazimdan İmam Ali̇ Riza Geldi̇ (2) Allah Allah İllallah La İlahe İllallah Ali̇ Mürşi̇t Güzel Şah Şahim Eyvallah Eyvallah La İlahe İllallah Taki̇’ni̇n Darina Durduk Dost Dost Dost Kurban Naki̇’ye Can Feda Kildik Pi̇r Pi̇r Pi̇r Kurban Kendi̇ Özümüzden Si̇tem Sürdük Can Cesetten Teze Geldi̇ Hasan-ül Askeri̇ Sensi̇n Erenlere Mi̇hr-i̇ Kansin Mehd’i̇ Sahi̇p Zamansin Ali̇yel Mürteza Geldi̇ Hünkar-i Evli̇ya Geldi̇ Allah Allah İllallah La İlahe İllallah Ali̇ Mürşi̇t Güzel Şah Şahim Eyvallah Eyvallah La İlahe İllallah Hüseyi̇n’i̇m Der Yara Neden Yaralandik Çare Neden Konan Göçtü Bu Haneden Şi̇mdi̇ Sira Bi̇ze Geldi̇ Hü * Gülbang - The Janissary Oath The structure of this piece is again based on Sufi Zikrs, which use rythmic breathing and the daf drums as conduits towards a trance through repeated motion like head banging. The lyrics are the very oath that Janissaries took historically, called a gülbang, a sort of prayer or oath. Turkish lyrics: Allah Allah İllallah, Baş üryan, Sine püryan, Kılıç al kan, Bu meydanda nice başlar kesilir, Hiç olmaz soran. Eyvallah! Eyvallah! Kahrımız kılıcımız, düşmana ziyan. Kulluğumuz padişaha ayan, Üçler, yediler, kırklar! Gülbang-ı Muhammmedî, Nur-i Nebî, Kerem-i Ali, Pirimiz Sultanımız Hünkâr, Hacı Bektaş-ı Veli, Demine devranına, Hu diyelim Huuuuuuu! * Mehter Marşı - The Janissary Anthem This is my humble attempt at writing an Ottoman mehter. Mehter is the style of music of the Mehteran, the oldest known military bands in the world, which will directly influence the West in its formation of its own military bands, as seen today in America. The music of the Mehteran is characterised by loud, powerful percussion and the use of the zurna, a reed instrument with a piercing quality. Performances of Mehter marches begin with the announcement of the arrival of the Head Mehter, who salutes his musicians, is saluted back by them, the announces the beginning of the playing with “Ya Allah!” Lyrics in Turkish. Vakt-i sürûru sefâ, Mehterbaşı Hey! Hey! Merhabâ ey mehterân! Merhabâ, Mehterbaşı! Hasduuur! Haydi! Ya Allah! Dinle, dinle iyi dinle, Kâfir konuşur, Of of! Bize merhamet et, O ne büyük bir kuvvet, O ne büyük bir devlet! Aman! Kâfir, dinle iyi dinle, Osmanın kılıcı geldi, Fetih zamanı geldi, Devlet-i-aliyye geldi! * Savaşlar - The Wars I Fought A military piece using the zurna, bağlama and kopuz, and an Ottoman Classical ensemble of qanun, oud and tembur. The first is representative of the mehter, military aspect of the Janissaries, the second two of their Alevi Bektashi aspect, and the third of their allegiance to the Imperial state. The makam travels between Hüseyni and Bayat. * İstanbul Peşrev - The Peacetime Years This is an arrangement of my Istanbul not Constantinople leitmotif in the form of Ottoman Classical Music’s peşrev, a musical form in Ottoman Classical Music characterised usually by a 4/4 usul, never an aksak one. One of the primary aspects of peşrev is that the usul is always very long, and can go up as much as 200 measures; in other words, the percussional pattern isn’t as repetitive and simple as the one heard in the Janissary Oath part; instead the percussional beats keep progressing in new ways, and the pattern can be minutes long instead of seconds long; it can be thought of as a whole song of its own that is developed continuously, only with percussions instead of pitch. * Topkapı Peşrev - My Rise to the Sublime Porte I wanted to represent the occasional rise of Janissaries to high positions of power by writing a two part Ottoman Classical piece. Ottoman Classical music refers to the complex pieces characterised by usage the ensemble use of oud, qanun, tembur, kemenche and ney, in contrast to folk instruments like the bağlama and kopuz. Technically only the first part of this which is in a symmetrical usul is a peşrev, as the second part, which is my new leitmotif for the House of Osman itself, is in 5/8, an aksak, which by definition does not meet the features of a peşrev. * Zaman - The Passing of the Years The main melody is not mine but instead composed by Turkish qanun players. This style of music is a more contemporary Turkish one, with strong Western influences of counterpoint and riff producing functional harmony. * Var Git Ölüm - The Bullet The poem is by Karacoğlan, a 17th century Anatolian ashik (bard), a major figure of folk poetry, centred around nomadic and village lifestyles as opposed to the Imperial poetry of the Ottoman courts. Lyrics in Turkish: Ölüm ardıma düşüp de yorulma Var git ölüm bir zaman da yine gel Akıbet alırsın komazsın beni Var git ölüm bir zaman da yine gel Çıkıp boz kurtlayın ulaşamadım Yalan dünya sana çıkışamadım Eşimle dostumla buluşamadım Var git ölüm bir zaman da yine gel Karac'oğlan der ki derdim pek beter Bahçede bülbüller şakıyıp öter Anayı atayı dün aldın yeter Var git ölüm bir zaman da yine gel
An idea for the next symphony: The encounters between Ottoman Janissaries and Austrian Landsknechte on the battlefield during the 16th century Austrian-Turkish wars or the Janissaries and Hungarian soldiers during the battle of Mohács.
*We have a handwritten family tree. our grand grand ancestor was a Janissary who was belong to 26th brigade of janissaries. he died at 1626. Its like to feel my known oldest ancestor in this musics. Greetings from Albanian*
Amazing, my ancestors also took part in the Bagdat campaign of Sultan Murad IV around the same time, 1620’s but they were timarli sipahi and since that time they settled in Irak as Turkmens
The key is do what I do: just copy the best traditional music out there haha. Turkey and Balkans did the homework over hundreds of years and I just copied theirs 👀
I mean he's Farya Faraji, he always makes magic with his voice, hands, and genius, the man's a literal legend in the making and if he ever becomes a popular composer for games and movies I would literally love it and buy the movies and games he has worked on because this man literally has magic in his hands, truly a glorious creation of God that I have the privilege of listening to.
do you realise that a lot of what you are calling turkish culture, been directly taken from bizantine empire culture? Actually majority of what is now seen as turkish is directly stolen from greek culture - including music, caligraphy, architecture, language, clothing, even food.
Being Janissary was a way of life. Soldiers were thought carpentry,blacksmithing,cooking for the core and all other necessary life skills. They were followers of Bektashi order and not very strict. They were also sent to allied countries to teach them about modern warfare. A unit could build a bridge or blow up a bridge. They had the knowledge to shape the world around them. They were disciplined elite shock troops who where trusted with vital missions. Most janissaries rose to high ranks such as pashas, viziers or grand viziers. They got more and more powerful within time and rioted which eventually led to disbandment.
@@aliosman0 th-cam.com/video/I9FbicDRp5E/w-d-xo.htmlsi=0vgLjlvKy3IFv9s_ (This is the oldest known Ottoman mehter march and was played during the siege of Belgrade Castle by Ottoman forces.)
@@aliosman0 th-cam.com/video/I9FbicDRp5E/w-d-xo.htmlsi=YwWPLrVrkxyqcxxg (This is the oldest known Ottoman mehter march and was played during the siege of Belgrade Castle by Ottoman forces.(
As a Turk whose both side of the family was expelled from the Balkans after the Russo-Turkish war, I found a lot of myself in this work. Especially who am i part hit differently. Thank you my friend.
This reminded of something I had forgotten until now. When I was a young kid, I read this short story about a boy who was raised as a girl so that he would not be taken for a janissary. Then at a certain age, like 12, maybe, his dad cut his braids and said that from now he's a boy and also he's married to the girl he used to play with. Again, to avoid the conscript. It made a huge impression on me because as a girl he was called by a feminised version of his name, which is also my name. Also, the story is told by the boy himself as an old man as he is knitting and I just loved the idea of a grandpa that knits. I had forgotten all that. I think the story is "the only journey of his life" by Georgios Viziinos? Wow. Thanks for bringing back all this stuff.
The epirotic singing is absolutely perfect, captures the emotion and the wishes of the epirotes. "Thrice be damned Emperor, thrice be damned" I guess this has already happened since the legacy of the Osman dynasty has been tarnished and in the last centuries they received the bad end of the stick
Janissaries needs to be portrayed in entertainment industry more than just ''Muh evil Ottomans'' and ''Heroic TURKS marching into battle''. There's a lot of interesting Janissary stories like some of them returning to their homeland (Most famously Skanderberg), one stuck in an Italian town named Moana that protected people against tax collectors or many reaching to the position of Sadrazam the second most powerful man in the empire and still remembering their past like Sokolovics. The concept seems both harsh, heroic and melancholic and full of potential for great stories but instead we got 200th Viking and Samurai movies/games.
Sadly middle eastern history, including later Greek and Balkan history is rarely shown in western media. There is so much potential, even the Byzantines
@@g1u2y345 late Byzantine and early Ottoman history is one of the most colorful yet most overlooked part of world history and if not for Kings&Generals people outside of Balkans would still be uninterested to the subject
no one stops the turks/greeks to make their own proper movies. take some million €/$ and go to hollywood. Turks are way to lazy and uninterested for that. Watch some turkish news/late night talkshows, they all say the same:"why dont we make movies". instead turks make the 200ths flavor of fake ottoman bs series and potray incompetent sultans as heroes.
@@patmorris9692 you are objectively speaking a Slave. do you deny this? and why is wrong ? on what you base your morality on? and prove to me objectively not subjectively that no one owns you and you are not slave jo ahead inferior peasant Anglo European
Mesmerizing piece 😊 The Janissaries are the face of Modern Standing Army and they were one of the main reasons for the successes of Ottomon Empire in the 14th century. After this the concept of Standing Armies became prevalent as we see today in forces around the world.
faces of the balkan kids who were stolen from their parrents then forced to convert to islam and then used as weapons to kill their own parents and nattions
@Ivan π££ how can a child who has taken when he was 7-8 years old and raised by Turkish Muslim families can still remember Christianity and believe it? They were subjects and slaves of the Sultan. So they were believing whatever their master believed.
@Ivan π££ The information of the village where they were taken and their families were recorded in official documents. They knew where were they from and who were their families. Mostly they were returning as muslim rich aristocrats to their home. But most of them were getting married and staying in Anatolia or istanbul
Many families even wanted their children to become janissaries. Not everyone had the opportunity to work for high wages in the world's first modern army. Of course, some families did not want it, their number is less.@@cagr7916
@Ivan-mb1pd These were taken from orphans between the ages of 8-18 or mostly from poor families. These children received their primary education with Turkish families. Gifted children enter an education system where they can later become ministers of state. They would be bureaucrats here. Others had to pass exams to become soldiers. Those who passed were trained according to their abilities until the age of 23. There were artillerymen, tunnellers, janissary marchers, grenadiers, infantrymen... many groups. Additionally, many families wanted their children to become janissaries. Not everyone had the chance to work for high wages in the world's first modern and permanent army.
I love how chaotic the melody is in Son Savaşim compared to Savaşlar. That combined with the "falling tone" of the background instruments really evokes the feeling of an aged soldier, many years past his prime, fighting a battle he knows will be his last.
@@turkmenist40 they are. And they are supressed. Turkey never was an ethnic "pure" state and never will be. Kemal would roll in his grave if he'd know what your president is doing right now.
BRO I haven't heard it, but saw 1 hour long, the first chapters all named in different languages... This'll be a helluva trip, looks like a movie but in music.
Yes, considering the Janissary initially were levied male children from Christian populations, and then converted to Islam and sworn to the Sultan as private soldiers, the symphony makes for one cohesive story.
@@faryafaraji Finally heard it, really liked it, the battle parts, the Greek parts, but above all the growing old one was the best. Keep the magnificent music coming
Your compositions make me realise even more how sad it is us modern people don't seem to do much oral/song storytelling anymore. There is something to be said about the power of song.
"Tawhid" refers to the monotheistic belief that Allah is one and only. The words refer to Bektashi culture and Alevi belief. For this reason, the lyrics refer to the difficulties experienced by the Prophet of Islam and his friends such as "Hazrat Ali". Among these words, we also hear the words "La Ilaha Illallah" expressing the unity of Allah.
@@masterblaster848 Well.. everyone was slave except the Ottoman Monarchy, they also treated local Turks as a slave too lol. Serbs were made Janissary and not only that, there were some Serbian women who were married with our Sultans and so next Sultans became half Serbian,Greek,Bulgarian,Albanian. There were also a lot of Serbian grand viziers in Ottoman Empire aswell ( Prime Minister ) such as Sokolovic. In Ottoman Empire they didn't care about nation or nationalism, the biggest thing which important was are you muslim ? If you were a Muslim then u would be good.
@@someoneyoulike1180 Ottoman empire is our, Ottoman empire followed Turkish traditions, founder of empire was a Turk, and first offical language was Turkish
@@DoofyGilmore1299 Osmanlı İmparatorluğu Türkler tarafından kurulmuştur fakat daha sonradan devşirmelerin ele geçirdiği bir ülkedir. Adı üstünde ''İmparatorluk'' yani multi-kültürel bir devlet, Osmanlının bel kemiği olan Yeniçeri Birliği sırf Devşirme idi, adamlar Yunan,Arnavut,Boşnak,Bulgar,Sırp diye gidiyordu Türk yoktu adam gibi orduda. Sadrazamların bir çoğuda yabancıydı, Osmanlıya en büyük damgaları vurmuş Sokollu Mehmet Paşa, İbrahim Paşa gibi vezirler Boşnak ve Yunandır. Osmanlıyı sahipleniyor seviyoruz fakat gerçekleri göz ardı etmemek gerekir, bugün bu adamlarda Osmanlıyı bizim kadar sahiplenmeye hakkı var çünkü onlarında dedeleri zamanında devşirilip bizim adımıza kılıç salladılar, gerçekler böyle.. ha sonra isyanda ettiler o ayrı mesele.
c'est magnifique et tellement poignant. tu nous fait voyager dans le temps et dans l'âme héroïque d'un Janissaire. que Dieu te garde et te bénisse Farya. tu es vraiment extraordinaire.
I am consistently blown away by the quantity and quality of your music and the fact that it's available for free. You are genuinely a genius, Farya, and a blessing for every history lover. Thank you for all you do!
The symphonies from hugely important historical figures is itself a great thing, but this especially personal point of view from some unnamed nobody is just incredibly moving. More of this alongside your already incredible discography.
Thanks man! I remember you saying something about how music helps us humanise past people, I think it was on Theophano’s Wedding; but whatever it was, you’re right, getting into the lives of those normal people is often even more moving
My favorite part was the return to Byzantium/Constantinople/Istanbul , such a lovely tune, it follows so well your previous iterations on that motif. I hope we get a "full" version someday! The Ottoman/Turkish layer of history there is just as fascinating as the Byzantine past. Ive been in awe of that city since besieging it in Age of Empire II more than twenty years ago, shed a tear or two when I finally got to visit it. It is the most enchanting place on Earth. Now your music is inextricably linked to it in my mind.
Its really awesome! I wish the "Ben kimim? -Who am I" part was longer.I really like your art and I hope your music reaches more people and you get more recognition because you deserve it! Love from Türkiye !
I use Ublock so I don't see any add, but if an artistic piece is financed by Sponsors or used as a signboard for commercial purposes, then it is morally questionnable for it contributes to unregulated globalization, liberalism and capitalism @AnatoliaTodayEn More ethic ways of financing art is to directly sponsor it as a patreon or with insitutional/carritative fundraising. I know very right it is hard to be rewarded when we work on Ytb, but Ytb and Twitch advertising system is a curse that doesn't even profit youtubers such as Farya. Debout, les damnés de la terre, debout, les forçats de la faim !
The moment I heard the first note of the Istanbul section I uttered "Constantinople" then proceeded to gaze off as I was musically introduced to how much it had changed, in its own beautiful way
Let me share a Janissary chant with you: Hakikatin deryâsına dalan kimdir? (Who is the one who dived into sea of Truth?) Kanını Hakk livâsına çalan kimdir? (Who is the one who applied his own blood on the Banner of Al-Haqq/Truth?) Bâtıl idi,zâhir oldu.Bulunmaz cevâhîr oldu. (Our land was unknown but it became famous like a rare jewelry) Gaipten bir haber geldi,alan kimdir?Hakk,Eyvallah! (The news has come from the Void,who is the one who took it?The Truth,God first!) Kanadı Hakk tellerinden (His wings are made of strings of Truth) Çıkıp Kenân illerinden (By leaving the Land of Canaan) O gerçeğin yollarından gelen kimdir? (Who is the one who walk on the Path of Reality?)
@Ivan π££ prove it and I will be Christian too🤝🏼🌹✝️ I will worship Jesus lord Christ who is the son of God and God himself and God got breastfed by his creation and crucified by his creation and humiliated by his creation 😎. amazing God..........
@Ivan π££ Say, “He is Allah, [who is] One, Allah, the Eternal Refuge. He neither begets nor is born, nor is there to Him any equivalent” (Quran 112:1-4) God does not follow the laws of His creation, the law of life, rather He is the One that created these laws in the first place, for us in our time and the place in which we live. He is free from matter. God is above both time and space and lives independently of them. God, who created them, has to exist outside of them. If he was limited by time or space, he could not be God. Just like one that might create an electronic device, he has to live outside of it. It is impossible for a God who is timeless and unconstrained by space to come into existence when He Himself created time and space. The laws of creation and life do not apply to God. therefore, nothing of his creation applies to Allah and this concept of God is highly feared by atheists who cannot have any argument against quite literally. and this concept of God dismiss christianity as their God got breastfed and destroys Judaism as the rabbis in Judaism won an argument against God in their talmud book. only Islam has this concept of God that non can bring any argument against.
I've listened to this piece countless times and each time a different part speak to me in particular. Can't wait to hear you next creation. Your work is amazing! I grew up in the Greek/Turkish border region, so this symphony really hit home for me.
Love the difference between 'The Wars I thought' and 'My Last Battle' in his last battle, the offtone notes and string background show the fatigue in our soldier, and an ominous foreboding to his end, music really is a language.
What makes the Janissarys powerful on the battlefield is they bring there pain with them. When the enemy is on the feild of battle and when the facts of who you are killing strikes you your reason to fight dies no matter what they have done no matter the mass murder of your commrads still they lived a life to live and these peoples all there life is is this. Your will to draw sword into them dies as you die soon after.
So many of your symphonies have such a cinematic feel that they wouldn’t feel out of place in a high quality production. They really tell a story. Some of my fav parts is Tehvid, Gulbank, and Who Am I. The latter especially packs so much story potential in a few minutes of emotional song. As I learn animation, I hope to transport some of your best musical pieces into the world of animation.
Janissaries were really "Janissaries" until the period of Murat III. After Murat III ruined the Janissary corps, the Janissaries constantly opposed the innovations and rebelled. If Mahmut II had not abolished the Janissary corps, the Ottoman Empire could have collapsed earlier.
@@alwijr2753 Surprisingly no, The Janissary order ended after the “Auspicious Incident” in 1828. For a while now, the Janissaries grew corrupt and disloyal to the sultanate. They had a history of starting revolts and killed. Mahmud II’ father and predecessor Selim III. That’s why he decided to end their old order, out of fear that he might be killed next by them. That and the army was in need of modernization.
I just realized you can more or less perfectly map the Hero's Journey onto this: Call to Adventure: Devsirme - When They Took Me/Anathema se Vasileia - Thrice Be Damned Emperor Crossing the Threshold: To Anatolia/Istanbul - Queen of Cities Challenges and Temptations: Welcome to the Corps/Tehvid - My New Faith Abyss/"Belly of the Whale": Gulbank - The Janissary Oath Tranformation: Mehter Marsi - The Janissary Anthem Apotheosis: Savaslar - The Wars I Fought/Istanbul Pesrev - The Peacetime Years/Ben Kimim - Who Am I?/Topkapi Pesrev - My Rise to the Court Refusal of the Return: Zaman - Growing Old/Son Seferim - My Last Campaign/Son Savasim - My Last Battle End: Var Git Olum - The Bullet/Olum - Death
A breathtaking symphony! You take sounds from different nations and make something wonderful of them, always having such an intimate understanding of the situation! Εύγε for your great research, empathy and artistry!
Absolutely brilliant! I could feel the moods literally in my stomach, could't stop the video for one moment! It was just like being transported through time to the scenes. I'm familiar with the history of the Ottoman Empire, the history of the Janissaries, especially in the context of the invasions to and ultimately the occupation of large parts of Hungary.
This music is beyond beautiful, it also carries a story that is epic, romantic, as big as life itself and transcends time. Also, Bulgarian folk songs are like space itself!
Every new upload is amazing, every song surprises me at the morning or the evening. No words are good enough to describe how mesmerizing your music is, everytime I'm in a kind of trance by the melody. All the best!
It's an emotional thing, I can say that as a Bulgarian. I'm sure Greek and Serbian listeners will agree to that as well. The devshirme was a dreaded practice. Still, sometimes, some families felt it as a chance of social rising. Complicated, as everything in the Balkans. Great music, as always! Even as a modern man, I've had my fair share of delicate, difficult relationship with Istanbul. Used to live there for some time, loved the City. But then, there followed a hard breakup, so it has remained a bittersweet memory to me. I have a love-hate relationship with the Queen of Cities. Is there any other way of knowing Constantinople at all? Actually, I'm writing a book about it.
Not many children were taken from the Greeks. Most Albanians, Bosnians, Croats and those living in the Bosnian geography were preferred. 90% of the Janissaries consisted of them.
Beautiful piece of work! This masterpiece is one of a kind because it tells the story of a Janissary through a musical perspective. It is to be noted that many historical sources from the 14th and 15th centuries note that many Balkan families were also willing to give away their children to the Ottomans as they knew that life as Janissaries meant more opportunities and a better life than in the Balkans. Many famous Ottoman grand viziers were ethnic Greeks, Albanians, Serbs, etc. Please keep up the amazing content ❤
As for the "willing" and "many" at that, in the above statement, I must say that is a false exaggeration. it is something that is simply too painful for Indeed MANY of us that follow Farya and his work, even in this 21st century. Be careful and tread lightly.
This is not true, most parents didn't give away their children to blood tax willingly, there were some that did that is true but it is a myth used to justify the practice as beneficial. It is in the end a mass conscription practice from youth and wasn't seen favorable by the parents, even with the rules in place like it couldn't be the only son of the family, and that only 1 boy taken from every so many families in a village. No need to try to justify practices of past states with modern morality.
Yes some families might be willing to give their children to the state but i think it is impossible to make a generalisation about a topic like this because in my opinion, we really don't have enough written resources from eyes of jannisarries. To be honest even if i had a 5 or 7 sons i wouldnt want give any of them but i live by modern morals. However, we can't deny the fact that jannisary corps was one the strongest , might be the strongest interest group at Ottoman Empire from its foundation to 1826 and being a jannisary was a hell of privilage in a society based on a godlike ruler and remaning are its slaves/servants regardless of their ethnicity and religion. Thats why during 16th century ethnic Turks started to get in Jannisary corps. By 17th century they become hereditary class located at heart of the Empire and held a immense poliitcal power and leverage against imperial council.
Beautiful. I really like the idea of giving historical figures their own symphonies, it feels like a rare thing to find and so far I think you've done them all justice
How amazing each of your symphonies are, and I am in love with your longest one yet! It captures so well the tragic circumstances of a Janissary's recruitment, but also his glamorous military career and eventual sad death. This symphony is also such a treat for me, because it comprises of such a wide selection of my favorite music (Anatolian and Balkan). Plus, the Ottoman version of your Constantinople leitmotif was a surprise to be sure, but a welcome one!
With some people talking about how being taken as a janissary was "good because of the education" I like that there are artists who portray it truthfully.There is a bulgarian legend about a janissary meeting his long lost sister and remembering something not from her face but from a necklace she wore,after which he releases her instead of taking her for the Sultan's harem
@@dggmn2109 They are not murders to their families. They were accepted as janissaries who will appoint later many influential position in the caliphate.
@@dggmn2109 their mothers and sisters? Don't go ultranationalist. They are the force of the Ottoman caliphate. They did not kill their brothers or sisters . They kill those who try to rebel against the Ottoman caliphate.
@@Historic_Tales Their sister and brothers rebel agaisnt the ottomans do you also realise that 99% of ottomans are islamised Greeks, Armenians, Slavs etc and 1% ethnic asiatic turks right?
Whenever I hear such music, or read about janissaries, I cannot help but feel sad for all those who were taken from their mothers, forced into Islam, and by blood shaped to be sultan's perfect soldiers... It's just sad. But it is over now, and there's not much we can do except feel sorry for all of those children taken from their homes... May God grant them eternal peace.
And oh this symphony is glorious, Farya never fails to capture the spirit of the Ottoman Empire. It resembles the Eastern Roman Empire but you know it's different and the Constantinople segments were very nice, never expected to hear the Ottoman version of it.
Turkish classical music is highly influenced by the Eastern Rome and orthodox church. we Turks respect and glorify the Byzantine heritage as well. greetings from Istanbul
For me, Farya is on par with Hans Zimmer, Vangelis and Maurice Jarre in epicness and he even exceeds them when taken into account the historicity of his music and his genius in creating interesting thematic crossovers.
Great art my friend. I am from Istanbul. I am history freak man. Anatolia,Balkans are great combination in every part of world history. Janissaries has a very magnificent history. Thank you for your great job.
Magnificent and terrifying.... These scars will never heal. I am Bulgarian and I like the Turks. Sometimes I have discussions with friends or relatives about the Ottoman times and I support the idea that it wasn't so oppressive as our historians and politicians try to describe it. Life in Western Europe was worse until 18 century. But when they ask me: "What about the blood tax?" I don't have an answer....
@@БоянБогданов-ю6оhi from Türkiye komşu. Remember the house of Osmans real nightmare was us, Turks. Search Celali revolts in anatolia. Read how denisty genocide us. Search Serbian janissary called "kuyucu murad pasha" You will understand what that empire really was. After that long loop of reading you'll understand we Turks were victims of house of Osmsn worse than you were. Last tip. Search ww1 Turkish side. See how sultan betray us. Now humanitiy turn back those days. Ultra rich above and every one else below. Understand Ottoman empire really is and prepare yourself and those close to you to new age. Salutes.
Tek kelime ile : mükemmel Var git ölüm ezgisine ayrı bayıldım, Aytekin Ataş’ın versiyonundan çok farklı olması ayrı bir güzel. Devşirme olmayan çerilerimiz ve sipahilerimiz için böyle mükemmel bir çalışma daha bizi ayrı gururlandırır, özellikle bizi, Anadolu’nun yörük Alevilerinden olan çerilerimiz için.
Listening to this... is wonderful and painful for the soul. At one of the historical reenactment festivals I attended, there was a soldier (he is participating in the current military operations). One day I saw him have a panic attack. and since then the desire to cuddle up to him and hug him has not left me. I had to curb the impulses of this misplaced pity. So... I have similar feelings for this soldier from the cover of the video
Dearest Farya, no matter my personal feelings on this subject, this Symphony is indeed masterful. It captures history as it was and is mesmerizing to all of us listening to it. Even if difficult, emotions are evoked as it is heart wrenching, it's all there. The power of music (μουσικη = musike = the art of the Muses), is yours.
Janisseries (actually must yeniçeri it means new soldier from Turkish) early time they chosen was a war slaves like a ghulam system from Seljuk Sultanate. But after ıts change from devşirme system and they took a boys of ethnic groups (Gayrimüslim). They was a hard training 8 years and then go to war. Special soldier of Sultan they first mission protect the Sultan into the war.
What a wonderful piece of art! I highly reccomend this beautfiul art anyone near me. Thank you for your work dear @faryafaraji. As a Turk, I deeply feel the life of my ancestors, especially at the "tevhid" part.
Don't misunderstand being Janissary. It was a great chance to be manager of Ottoman. There are a lot of pashas in Ottoman history, coming from Janissary. They managed all nations living in the empire, including Turks and other nations, have different religions. Ottoman didn't consider Janissaries as just solders. They were considered as officers, served for government in all positions from a solder to the second of empire after sultan. We are also proud of Janissaries. Allah bless their souls.
Don't misunderstand it either.. These jannisaries were ripped from their families, forcefully converted to Islam and made to forget their identities.. Please don't try to whitewash your history.
(Just lyric for my favorite part so I don't scroll to oblivion) Tevhid Allah Allah İllallah La İlahe İllallah Ali̇ Mürşi̇t Güzel Şah Şahim Eyvallah Eyvallah La İlahe İllallah Hak Muhammed-ali̇ Dostum Kerem Kilmak Si̇ze Geldi̇ Hari̇ci̇ler Mansur’u Asti Nesi̇mi̇’yi̇ Yüze Geldi̇ (2) Fatma Ana Fi̇rkate Düştü Uçmak Kapilarin Açti İmam Hasan Zehi̇r İçti̇ Münafiktan Eza Geldi̇ Allah Allah İllallah La İlahe İllallah Ali̇ Mürşi̇t Güzel Şah Şahim Eyvallah Eyvallah La İlahe İllallah Şi̇mi̇r Mervan Karşi Geldi̇ Kerbela Al Kanla Doldu Şah Hüseyi̇n Şehi̇t Oldu Yezi̇tlerden Eza Geldi̇ Akti İmamlarin Kani İmam Zeynel Mürvet Kani Ana Rahmi̇nde Zi̇ndani Levh-i̇ Kalem Mi̇ Yaza Geldi̇(2) Allah Allah İllallah La İlahe İllallah Ali̇ Mürşi̇t Güzel Şah Şahim Eyvallah Eyvallah La İlahe İllallah Ol Münafik Yüzü Kara Dost Dost Dost Kurban Kast Eyledi̇ İmam Bakir’a Pi̇r Pi̇r Pi̇r Kurban Hak Buyurdu İmam Cafer’e Deni̇zi̇ Yutmağa Geldi̇ Di̇dar Gözleri̇ Gözümden Sevdasi Da Gi̇tmez Özümden İmam Musa-i̇ Kazimdan İmam Ali̇ Riza Geldi̇ (2) Allah Allah İllallah La İlahe İllallah Ali̇ Mürşi̇t Güzel Şah Şahim Eyvallah Eyvallah La İlahe İllallah Taki̇’ni̇n Darina Durduk Dost Dost Dost Kurban Naki̇’ye Can Feda Kildik Pi̇r Pi̇r Pi̇r Kurban Kendi̇ Özümüzden Si̇tem Sürdük Can Cesetten Teze Geldi̇ Hasan-ül Askeri̇ Sensi̇n Erenlere Mi̇hr-i̇ Kansin Mehd’i̇ Sahi̇p Zamansin Ali̇yel Mürteza Geldi̇ Hünkar-i Evli̇ya Geldi̇ Allah Allah İllallah La İlahe İllallah Ali̇ Mürşi̇t Güzel Şah Şahim Eyvallah Eyvallah La İlahe İllallah Hüseyi̇n’i̇m Der Yara Neden Yaralandik Çare Neden Konan Göçtü Bu Haneden Şi̇mdi̇ Sira Bi̇ze Geldi̇ Hü Gulbang Allah Allah İllallah, Baş üryan, Sine püryan, Kılıç al kan, Bu meydanda nice başlar kesilir, Hiç olmaz soran. Eyvallah! Eyvallah! Kahrımız kılıcımız, düşmana ziyan. Kulluğumuz padişaha ayan, Üçler, yediler, kırklar! Gülbang-ı Muhammmedî, Nur-i Nebî, Kerem-i Ali, Pirimiz Sultanımız Hünkâr, Hacı Bektaş-ı Veli, Demine devranına, Hu diyelim Huuuuuuu! Mehter Marsi Vakt-i sürûru sefâ, Mehterbaşı Hey! Hey! Merhabâ ey mehterân! Merhabâ, Mehterbaşı! Hasduuur! Haydi! Ya Allah! Dinle, dinle iyi dinle, Kâfir konuşur, Of of! Bize merhamet et, O ne büyük bir kuvvet, O ne büyük bir devlet! Aman! Kâfir, dinle iyi dinle, Osmanın kılıcı geldi, Fetih zamanı geldi, Devlet-i-aliyye geldi!
An extremely impressive album. The devshirme system has actually been used for centuries, but the Ottoman Empire made this system the most professional. Sometimes this happened by the will of the family and sometimes by force. Thank you for this album that takes you on a journey through history.
The symphony evokes the feelings and experiences of many young boys in the Balkans had to go through during that time as this is about the tragic yet complex story of how they were taken from their families to serve as soldiers to the Sultan and later rose to power (becoming the one of the Pashas) in the imperial court which they may or may not become pawns in a political power struggle between court officials, bodyguards and eunuchs. One of the first times I learned more about Turkish history was from the TV series Magnificent Century and the sequel Kösem. Although it is a heavily fictionalized soap drama about the relationship between the Sultan and his harem, it did give me insight into what the imperial palace was like.
Muhteşem Yüzyıl and Kösem are so good haha, it’s hyper fictionalised as you said but it’s some of the most fun I’ve ever had, and it does capture the overall spirit of the age if not all the costume and historical aspects
As an Algerian we are proud to have known , have been trained and have mixed with the brave Janissaries ( mostly from Yougoslavia) , 5 to 10% of Algerians are descendant of Janissaries ( innAutonomous Algeria Janissaries married, very far from the sight of the Ottaman capital who prohibited that )
Amazing work! The last song is actually a Bulgarian folklore song called "Черешко, чьорна вишничко/ Chereshko, chyorna vishnichko". The lyrics are: Thracian Bulgarian dialect: Chereshko, chyorna vishnichko, prolet prez teb ga mina, ti beshe cvetya cvetila, pak rozhba ne si rodila. Dali te slana popari, ili te slantse izgori? Nito me slana popari, nito me slantse izgori. Noshtez prez mene minoha, troitsa turci zaptii, dor tri robinki karaha, i trine zhelno placheha. ====================== English translation: Cherry, black sour cherry, when spring came to you you had blossomed and still you haven't given birth to a child. Did the hoarfrost scald you or did the Sun burn you? Neither the hoarfrost scalded me, nor did the sun burn me. Last night around me three Turks - janissaries passed, they were leading three slave girls, all three of which were griveously crying.
I really love this for 2 reasons: - First obviously being the music is absolutely amazing. - Second though is that I believe each sequential song tells a story of the life of a Janissary soldier. The second song being Bulgarian leads me to believe the story is from the perspective of a Christian Bulgarian boy who was taken by the Ottomans because of devşirme, the taking of Balkan (Bulgaria being Balkan makes sense) Christian children and raising them with Islamic teachings and usually making them Janissaries, which can be seen in the following songs. For example, My New Faith being Islam (which can be backed up with the newly used Islamic terms like "illallah") and The Janissary Oath being him becoming a Janissary solider or in the process of becoming one. The rest is just the life of him as a Janissary soldier, fighting wars until he eventually passes away, assumably in his last battle since the last two songs are "The Bullet" and "Death" which could just be interpreted as him being shot resulting in his death. May be obvious to some, maybe not to others, just thought id point out my observations :)) Great work once again
Thanks, Farya, it was my first symphony by you, and that was really great experience! I guess it's a perfect, ready-to-use film or TV series soundtrack.
Reposting for myself and anyone else interested, thank you @jestercel for the lyrics ❤ 19:10 - Tevhid Allah allah illallah La ilahe illallah Ali mürşit güzel şah Şahım eyvallah eyvallah La ilahe illallah Hak muhammed-ali dostum Kerem kılmak size geldi Hariciler mansur'u astı Nesimi'yi yüze geldi Nesimi'yi yüze geldi Fatma ana firkate düştü Uçmak kapıların açtı Imam hasan zehir içti Münafıktan eza geldi Münafıktan eza geldi Allah allah illallah La ilahe illallah Ali mürşit güzel şah Şahım eyvallah eyvallah La ilahe illallah Şimir mervan karşı geldi Dost dost dost kurban Kerbela al kanla doldu Pir pir pir kurban Şah hüseyin şehit oldu Yezitlerden eza geldi Yezitlerden eza geldi Aktı imamların kanı İmam zeynel mürvet kanı Ana rahminde zindanı Levh-i kalem mi yaza geldi Levh-i kalem mi yaza geldi Allah allah illallah La ilahe illallah Ali mürşit güzel şah Şahım eyvallah eyvallah La ilahe illallah Ol münafık yüzü kara Dost dost dost kurban Kast eyledi imam bakır'a Pir pir pir kurban Hak buyurdu imam cafer'e Denizi yutmağa geldi Denizi yutmağa geldi Didar gözleri gözümden Sevdası da gitmez özümden Imam musa-i kazımdan Imam ali rıza geldi Imam ali rıza geldi Allah allah illallah La ilahe illallah Ali mürşit güzel şah şahım eyvallah eyvallah La ilahe illallah Taki'nin darına durduk Dost dost dost kurban Naki'ye de can feda kıldık Pir pir pir kurban Kendi özümüzden sitem sürdük Can cesetten teze geldi Can cesetten teze geldi Hasan-ül askeri sensin Erenlere mihr-i kansın Mehd'i sahip zamansın Aliyel Mürteza geldi Hünkar-ı evliya geldi Allah allah illallah La ilahe illallah Ali mürşit güzel şah Şahım eyvallah eyvallah La ilahe illallah Allah allah illallah La ilahe illallah Ali mürşit güzel şah Şahım eyvallah eyvallah La ilahe illallah
The first time I heard your story of the Janissaries, I would see an air of tragedy because they lost everything to still serve as an emperor who lived surrounded by concubines but I studied more . I also saw them with other faces as formidable warriors who deserve to be remembered for eternity after all, not the best warriors are born from tragedy.
It isn't as tragic as you are making it out to be as most didn't see cruelty when their children where taken but rather opportunity as boys who were to become janissaries came from poor slave families so they had a better chance to get a High position in the sultans court or become renowned soldiers if they were taken to be trained . And coming to your other part in which we pretty much villainized the Ottoman Sultans as lustful emperors who did nothing but hang around in the harem is partially incorrect as the first half of the Ottoman sultans actively participated in campaigns and they were the ones to create the devshirme system . The later Ottoman sultans as you said became interested in the harem and became detached from the empire like all other empires .
@@AhmadHassan-wh8pe in this very video under which you commend, there is a folk song that carries the voices of those families. You can hear it directly from them if they were happy with the situation or not. Also, "participated in campaigns", spreading death and destruction all over the place, is far more villainising than "chilling in the harem" could ever hope to be.
The actual tradegy is, that many of those children were made to fight against their own people after being turkified and islamisized. There are many stories about encounters of parents with their now hostile children after decades.
This is an excellent work. I really appreciate that. There should be so many stories. The Janissaries were always in favor of innovation, open to change, and always sided with the most compassionate and progressive princes. Each of them received a good education. Turkish and many other languages were taught. They had the chance to participate in cultural activities, both religious and cultural, that no one could reach at that time. During their tenure, they had the opportunity to travel to many places and get to know different geographies and cultures. There were no planes or vehicles like there are today. Very few people would have the opportunity to see different places. Almost all people in the world died where they were born, and the distances they could travel throughout their lives were very limited. (Except for migrating tribes) When the Janissaries finished their duties and retired, they would buy lands or properties in Istanbul and its surroundings with their large property/gold wealth, or they would go to their own family's lands or the places they liked among the lands they visited and settle down and establish a second spring life for themselves. These retired Janissaries were so knowledgeable and respected in the lands they settled that they were always consulted wherever they went. They would gain the trust of local people. It was known that people always gathered around a janissary, even in local problems. Therefore, even the cultural heritage left by the retired Janissaries became a reference point for other nations, especially in the Balkans, who were able to live their own cultures freely within the Ottoman Empire. This is one of the reasons why there was no rebellion in the Balkans for centuries. The fact that each nation practices its own religion and culture is a factor, but in addition, the Janissaries have a lot of positive influence. Even though their stories started as devshirme, and perhaps a Janissary did not actually convert his religion, they were always loyal to the Ottoman Sultan and the State, and they represented their identity as a 'Janisaary' and 'Turk' in the first place.
Very nice music. I was not expecting it. I'm supposely a descended of Janissary and or Mamluk in Tunisia. My family name can also be seen in one of your Title (Son Seferim)
You can buy the individual songs of this as well as more of my work here: faryafaraji.bandcamp.com/album/the-janissary
Music composed and/or arranged by Farya Faraji. With this, I wanted to tell the life of a Janissary soldier through the musical styles representative of a Janissary’s life, from Balkanic music to Anatolian rythms, Alevi songs, Ottoman Classical music and more. Some of the compositions are entirely mine, others are my arrangements of folk music or existing melodic patterns from these regions. Many thanks to Dimitris Athanasopoulos of the One Man’s Noise channel for providing the direction and vocals for the Epirotic text we brought to life here. Female vocals by Sumru Ağıryüyrüyen.
The Janissaries were the elite troops of the Ottoman Empire. Conscripted by force through the devşirme child-levy system, they were taken from Christian Balkan families, converted into Islam and made into the most ferocious standing army of Europe for centuries.
* Overture
A taksim (freeform, non-rythmic improvisation in Greek, Turkish, Arabic etc music) in the makam Hüseyni. (A makam is a melodic mode). The instrument I used is the kopuz, an instrument closely linked to the mysticism of Alevi Islam, which was the root culture of the Janissary Corps.
* My Mother’s Song:
The song is Chereshko, a Bulgarian folk song. The instrumentation consists of a Balkan tambouras and kaval flutes. The lyrics speak of a cherry tree that can’t bear fruits. A young man walks past the tree and asks it why it doesn’t bear any fruits. The tells him that two young lovers stood beneath it and swore that if they did not marry each other, the tree would dry out.
* Devşirme - When They Took Me
This piece brings in the Turkish bağlama and the bendhir. The makam (mode) used is a mixture of Bayat, Nawa Athar and Hijazkar, the latter with microtonal modifications. A Balkan kemane is also heard at the end. The usul (rythmic structure in Turkish music) used is Devr-i-Hindi, a 7/4 aksak (asymmetric time signature, defined in Turkish music as the compound addition of multiple symmetric time signatures).
* Ανάθεμά σε, βασιλιά - Thrice be Damned, Emperor
The story behind this passage is an interesting one. I did some digging during my research and found this text from a lost song. The text dates back to Ottoman times, and expresses the sorrow of people whose young boys were taken into the devşirme system. The song is known to have been from Epirus, and whilst the melody has been lost, I did some guesswork and asked for the assistance of Dimitris from the One Man’s Noise channel. He provided me with examples of traditional Epirotic songs that use the 15 syllable structure of this poem; one of the primary metres of Medieval and post-Medieval Greek poetry, also called decasyllabic verse. We used the melody of the Epirotic song Βασιλικέ μου τρίκλωνε, which uses the συρτό στα τρία dance. The instrumentation uses the mainland Greek lauto and kaval flutes.
Greek text:
Ανάθεμά σε, βασιλιά, και τρις ανάθεμα σε,
με το κακό οπόκαμες, και το κακό που κάνεις.
Στέλνεις, δένεις τους γέροντας, τους πρώτους τους παπάδες
Να μάσης παιδομάζωμα, να κάμης γενιτσάρους.
Κλαιν' οι γοναίοι τα παιδιά, κ' οι αδελφές τ' αδέλφια,
Κλαίγω κ' εγώ και καίγομαι και όσο θα ζω θα κλαίγω.
Πέρσι πήραν τον γιόκα μου, φέτο τον αδελφό μου.
* To Anatolia
I wanted to signal the journey eastwards by leaning into a sound that is distinctly Anatolian. The makam is a mixture of Bayat and Kurdi. The instrumentation consists of a bağlama and Anatolian duduk/mey, (often used by Hollywood composers as the lazy go-to for anything remotely oriental, even Indian or Morrocan, but the instrument is specific to the Caucasus and Anatolia, with Armenian roots). The usul is in a 9/8 aksak, comprised of the addition of three measures of three; very commonly used in the Balkans and Anatolia.
Turkish lyrics:
Gel gel, canım, gel.
English translation:
Come, my can*, come.
*Can is difficult to translate literally. It is borrowed from a Persian literally meaning “my life,” and is used as a term of endearment in both Persian and Turkish, however in this context it is closely tied to the Janissary culture, rooted in the Alevi-Bektashi practice of Islam. Alevis often call one another “can,” as did the Janissaries.
* Istanbul: Queen of Cities
This passages reuses my Constantinople leitmotif. I leaned entirely into the Hollywood-esque aesthetic that I refer to as Orientalist, which is itself an imitation of how Middle-Eastern countries began adapting the Western orchestra in the last two centuries. This kind of recognisable sound is simply the usage of a Western orchestra, but with Eastern techniques where every note copiously uses portamento and glissando. I believe this Orientalist aesthetic, which is effectively how Westerners perceive Middle-Eastern music, to thematically fit the point of view of a non Middle-Easterner seeing the gayeway to the East for the very first time.
* Welcome to the Corps
Another taksim in the Hüseyni makam using the kopuz, once again signalling the strong Alevi nature of the Janissary corps. In this, they were similar to European military-religious organisations like the Templars or Hospitaliers; religious knight-like figures with a strong devotion to a specific form of religion and a “patron saint,” in this case Hacı Bektaş-ı Veli, the Muslim mystic who began Alevism, and whose early followers blessed the nascent Janissary corps.
* Tevhid - My New Faith
This is an Alevi folk song. Such songs would have routinely been sung by the Janissaries during zikr-the Sufi religious ceremony of singing songs and entering trances in remembrance of God. The instruments are ones commonly used by Alevis today: the bağlama, the kopuz and the Kurdish tanbour.
Allah Allah İllallah
La İlahe İllallah
Ali̇ Mürşi̇t Güzel Şah
Şahim Eyvallah Eyvallah
La İlahe İllallah
Hak Muhammed-ali̇ Dostum
Kerem Kilmak Si̇ze Geldi̇
Hari̇ci̇ler Mansur’u Asti
Nesi̇mi̇’yi̇ Yüze Geldi̇ (2)
Fatma Ana Fi̇rkate Düştü
Uçmak Kapilarin Açti
İmam Hasan Zehi̇r İçti̇
Münafiktan Eza Geldi̇
Allah Allah İllallah
La İlahe İllallah
Ali̇ Mürşi̇t Güzel Şah
Şahim Eyvallah Eyvallah
La İlahe İllallah
Şi̇mi̇r Mervan Karşi Geldi̇
Kerbela Al Kanla Doldu
Şah Hüseyi̇n Şehi̇t Oldu
Yezi̇tlerden Eza Geldi̇
Akti İmamlarin Kani
İmam Zeynel Mürvet Kani
Ana Rahmi̇nde Zi̇ndani
Levh-i̇ Kalem Mi̇ Yaza Geldi̇(2)
Allah Allah İllallah
La İlahe İllallah
Ali̇ Mürşi̇t Güzel Şah
Şahim Eyvallah Eyvallah
La İlahe İllallah
Ol Münafik Yüzü Kara
Dost Dost Dost Kurban
Kast Eyledi̇ İmam Bakir’a
Pi̇r Pi̇r Pi̇r Kurban
Hak Buyurdu İmam Cafer’e
Deni̇zi̇ Yutmağa Geldi̇
Di̇dar Gözleri̇ Gözümden
Sevdasi Da Gi̇tmez Özümden
İmam Musa-i̇ Kazimdan
İmam Ali̇ Riza Geldi̇ (2)
Allah Allah İllallah
La İlahe İllallah
Ali̇ Mürşi̇t Güzel Şah
Şahim Eyvallah Eyvallah
La İlahe İllallah
Taki̇’ni̇n Darina Durduk
Dost Dost Dost Kurban
Naki̇’ye Can Feda Kildik
Pi̇r Pi̇r Pi̇r Kurban
Kendi̇ Özümüzden Si̇tem Sürdük
Can Cesetten Teze Geldi̇
Hasan-ül Askeri̇ Sensi̇n
Erenlere Mi̇hr-i̇ Kansin
Mehd’i̇ Sahi̇p Zamansin
Ali̇yel Mürteza Geldi̇
Hünkar-i Evli̇ya Geldi̇
Allah Allah İllallah
La İlahe İllallah
Ali̇ Mürşi̇t Güzel Şah
Şahim Eyvallah Eyvallah
La İlahe İllallah
Hüseyi̇n’i̇m Der Yara Neden
Yaralandik Çare Neden
Konan Göçtü Bu Haneden
Şi̇mdi̇ Sira Bi̇ze Geldi̇ Hü
* Gülbang - The Janissary Oath
The structure of this piece is again based on Sufi Zikrs, which use rythmic breathing and the daf drums as conduits towards a trance through repeated motion like head banging. The lyrics are the very oath that Janissaries took historically, called a gülbang, a sort of prayer or oath.
Turkish lyrics:
Allah Allah İllallah,
Baş üryan,
Sine püryan,
Kılıç al kan,
Bu meydanda nice başlar kesilir,
Hiç olmaz soran.
Eyvallah! Eyvallah!
Kahrımız kılıcımız, düşmana ziyan. Kulluğumuz padişaha ayan,
Üçler, yediler, kırklar!
Gülbang-ı Muhammmedî,
Nur-i Nebî,
Kerem-i Ali,
Pirimiz Sultanımız Hünkâr,
Hacı Bektaş-ı Veli,
Demine devranına,
Hu diyelim Huuuuuuu!
* Mehter Marşı - The Janissary Anthem
This is my humble attempt at writing an Ottoman mehter. Mehter is the style of music of the Mehteran, the oldest known military bands in the world, which will directly influence the West in its formation of its own military bands, as seen today in America. The music of the Mehteran is characterised by loud, powerful percussion and the use of the zurna, a reed instrument with a piercing quality. Performances of Mehter marches begin with the announcement of the arrival of the Head Mehter, who salutes his musicians, is saluted back by them, the announces the beginning of the playing with “Ya Allah!”
Lyrics in Turkish.
Vakt-i sürûru sefâ,
Mehterbaşı Hey! Hey! Merhabâ ey mehterân! Merhabâ, Mehterbaşı! Hasduuur! Haydi! Ya Allah!
Dinle, dinle iyi dinle,
Kâfir konuşur,
Of of! Bize merhamet et,
O ne büyük bir kuvvet,
O ne büyük bir devlet!
Aman!
Kâfir, dinle iyi dinle,
Osmanın kılıcı geldi,
Fetih zamanı geldi,
Devlet-i-aliyye geldi!
* Savaşlar - The Wars I Fought
A military piece using the zurna, bağlama and kopuz, and an Ottoman Classical ensemble of qanun, oud and tembur. The first is representative of the mehter, military aspect of the Janissaries, the second two of their Alevi Bektashi aspect, and the third of their allegiance to the Imperial state. The makam travels between Hüseyni and Bayat.
* İstanbul Peşrev - The Peacetime Years
This is an arrangement of my Istanbul not Constantinople leitmotif in the form of Ottoman Classical Music’s peşrev, a musical form in Ottoman Classical Music characterised usually by a 4/4 usul, never an aksak one. One of the primary aspects of peşrev is that the usul is always very long, and can go up as much as 200 measures; in other words, the percussional pattern isn’t as repetitive and simple as the one heard in the Janissary Oath part; instead the percussional beats keep progressing in new ways, and the pattern can be minutes long instead of seconds long; it can be thought of as a whole song of its own that is developed continuously, only with percussions instead of pitch.
* Topkapı Peşrev - My Rise to the Sublime Porte
I wanted to represent the occasional rise of Janissaries to high positions of power by writing a two part Ottoman Classical piece. Ottoman Classical music refers to the complex pieces characterised by usage the ensemble use of oud, qanun, tembur, kemenche and ney, in contrast to folk instruments like the bağlama and kopuz. Technically only the first part of this which is in a symmetrical usul is a peşrev, as the second part, which is my new leitmotif for the House of Osman itself, is in 5/8, an aksak, which by definition does not meet the features of a peşrev.
* Zaman - The Passing of the Years
The main melody is not mine but instead composed by Turkish qanun players. This style of music is a more contemporary Turkish one, with strong Western influences of counterpoint and riff producing functional harmony.
* Var Git Ölüm - The Bullet
The poem is by Karacoğlan, a 17th century Anatolian ashik (bard), a major figure of folk poetry, centred around nomadic and village lifestyles as opposed to the Imperial poetry of the Ottoman courts.
Lyrics in Turkish:
Ölüm ardıma düşüp de yorulma Var git ölüm bir zaman da yine gel Akıbet alırsın komazsın beni Var git ölüm bir zaman da yine gel
Çıkıp boz kurtlayın ulaşamadım Yalan dünya sana çıkışamadım Eşimle dostumla buluşamadım Var git ölüm bir zaman da yine gel Karac'oğlan der ki derdim pek beter Bahçede bülbüller şakıyıp öter Anayı atayı dün aldın yeter Var git ölüm bir zaman da yine gel
@@faryafaraji Do you have the lyrics to the "Tevhid" section too?
Just added them! seems I forgot :)
An idea for the next symphony: The encounters between Ottoman Janissaries and Austrian Landsknechte on the battlefield during the 16th century Austrian-Turkish wars or the Janissaries and Hungarian soldiers during the battle of Mohács.
@Byzantine Historian Thank you Sir!
*We have a handwritten family tree. our grand grand ancestor was a Janissary who was belong to 26th brigade of janissaries. he died at 1626. Its like to feel my known oldest ancestor in this musics. Greetings from Albanian*
you are a muslim now?
Cool!
cringe.
Amazing, my ancestors also took part in the Bagdat campaign of Sultan Murad IV around the same time, 1620’s but they were timarli sipahi and since that time they settled in Irak as Turkmens
so you actually like the fact that they kidnapped your grand grand ancestor from his parents? If so, I have so many questions...
How this guy produces blockbuster-tier music on the regular is beyond me.
The key is do what I do: just copy the best traditional music out there haha. Turkey and Balkans did the homework over hundreds of years and I just copied theirs 👀
I mean he's Farya Faraji, he always makes magic with his voice, hands, and genius, the man's a literal legend in the making and if he ever becomes a popular composer for games and movies I would literally love it and buy the movies and games he has worked on because this man literally has magic in his hands, truly a glorious creation of God that I have the privilege of listening to.
It's the frequency that astonishes me like he uploads gold after gold WEEKLY
He is singing in old Ottoman Turkish which we don't speak anymore. It's beyond imagination the level of culture this guy has.
@@faryafaraji bro did you sing all the song especially Tevhid one. İf you are not Turkish your accent is super cool damn
Hard and realistic, exactly like Turkish. As a Turk, I would like to thank everyone who contributed, it's great.
do you realise that a lot of what you are calling turkish culture, been directly taken from bizantine empire culture? Actually majority of what is now seen as turkish is directly stolen from greek culture - including music, caligraphy, architecture, language, clothing, even food.
Being Janissary was a way of life. Soldiers were thought carpentry,blacksmithing,cooking for the core and all other necessary life skills. They were followers of Bektashi order and not very strict. They were also sent to allied countries to teach them about modern warfare. A unit could build a bridge or blow up a bridge. They had the knowledge to shape the world around them. They were disciplined elite shock troops who where trusted with vital missions. Most janissaries rose to high ranks such as pashas, viziers or grand viziers. They got more and more powerful within time and rioted which eventually led to disbandment.
Mehter is the oldest Military Band in the world, i recommend people to check other marchs of the Mehter too
Unfortunately original mehter marches were lost to time. The contemporary mehter marches are from the late 19th and 20th centuries, as far as I know.
@@aliosman0That is true, Enver Pasha had them written.
@@aliosman0 th-cam.com/video/I9FbicDRp5E/w-d-xo.htmlsi=0vgLjlvKy3IFv9s_
(This is the oldest known Ottoman mehter march and was played during the siege of Belgrade Castle by Ottoman forces.)
@@aliosman0 th-cam.com/video/I9FbicDRp5E/w-d-xo.htmlsi=YwWPLrVrkxyqcxxg
(This is the oldest known Ottoman mehter march and was played during the siege of Belgrade Castle by Ottoman forces.(
As a Turk whose both side of the family was expelled from the Balkans after the Russo-Turkish war, I found a lot of myself in this work. Especially who am i part hit differently. Thank you my friend.
did u found about ur serbian roots? or?
regards
Well.....talk about pushing invaders away
@@justinianthegreat1444 Your ancestors were invaders as well, just unsuccessful ones
i mean jassaries are slavic slaves serving turks
Ameen, I have very Slavic roots even though I'm a levant slav.
This reminded of something I had forgotten until now. When I was a young kid, I read this short story about a boy who was raised as a girl so that he would not be taken for a janissary. Then at a certain age, like 12, maybe, his dad cut his braids and said that from now he's a boy and also he's married to the girl he used to play with. Again, to avoid the conscript.
It made a huge impression on me because as a girl he was called by a feminised version of his name, which is also my name. Also, the story is told by the boy himself as an old man as he is knitting and I just loved the idea of a grandpa that knits.
I had forgotten all that.
I think the story is "the only journey of his life" by Georgios Viziinos?
Wow. Thanks for bringing back all this stuff.
That is a really interesting story, I’m gonna have to look for it, thanks for the anectode!
The epirotic singing is absolutely perfect, captures the emotion and the wishes of the epirotes.
"Thrice be damned Emperor, thrice be damned"
I guess this has already happened since the legacy of the Osman dynasty has been tarnished and in the last centuries they received the bad end of the stick
Janissaries needs to be portrayed in entertainment industry more than just ''Muh evil Ottomans'' and ''Heroic TURKS marching into battle''. There's a lot of interesting Janissary stories like some of them returning to their homeland (Most famously Skanderberg), one stuck in an Italian town named Moana that protected people against tax collectors or many reaching to the position of Sadrazam the second most powerful man in the empire and still remembering their past like Sokolovics. The concept seems both harsh, heroic and melancholic and full of potential for great stories but instead we got 200th Viking and Samurai movies/games.
Sadly middle eastern history, including later Greek and Balkan history is rarely shown in western media. There is so much potential, even the Byzantines
@@g1u2y345 late Byzantine and early Ottoman history is one of the most colorful yet most overlooked part of world history and if not for Kings&Generals people outside of Balkans would still be uninterested to the subject
no one stops the turks/greeks to make their own proper movies.
take some million €/$ and go to hollywood.
Turks are way to lazy and uninterested for that.
Watch some turkish news/late night talkshows, they all say the same:"why dont we make movies".
instead turks make the 200ths flavor of fake ottoman bs series and potray incompetent sultans as heroes.
So you’re proposing the glorification of a slavery system. Got it!
@@patmorris9692 you are objectively speaking a Slave. do you deny this? and why is wrong ? on what you base your morality on? and prove to me objectively not subjectively that no one owns you and you are not slave jo ahead inferior peasant Anglo European
Mesmerizing piece 😊
The Janissaries are the face of Modern Standing Army and they were one of the main reasons for the successes of Ottomon Empire in the 14th century. After this the concept of Standing Armies became prevalent as we see today in forces around the world.
faces of the balkan kids who were stolen from their parrents then forced to convert to islam and then used as weapons to kill their own parents and nattions
@Ivan π££ how can a child who has taken when he was 7-8 years old and raised by Turkish Muslim families can still remember Christianity and believe it? They were subjects and slaves of the Sultan. So they were believing whatever their master believed.
@Ivan π££ The information of the village where they were taken and their families were recorded in official documents. They knew where were they from and who were their families. Mostly they were returning as muslim rich aristocrats to their home. But most of them were getting married and staying in Anatolia or istanbul
Many families even wanted their children to become janissaries. Not everyone had the opportunity to work for high wages in the world's first modern army. Of course, some families did not want it, their number is less.@@cagr7916
@Ivan-mb1pd These were taken from orphans between the ages of 8-18 or mostly from poor families. These children received their primary education with Turkish families. Gifted children enter an education system where they can later become ministers of state. They would be bureaucrats here. Others had to pass exams to become soldiers. Those who passed were trained according to their abilities until the age of 23. There were artillerymen, tunnellers, janissary marchers, grenadiers, infantrymen... many groups. Additionally, many families wanted their children to become janissaries. Not everyone had the chance to work for high wages in the world's first modern and permanent army.
I love how chaotic the melody is in Son Savaşim compared to Savaşlar. That combined with the "falling tone" of the background instruments really evokes the feeling of an aged soldier, many years past his prime, fighting a battle he knows will be his last.
My prayers for all the turkish & syrian people after earthquakes.....
And Kurdish And Arménien
Sağolasın kardeş
@@erenbunul6672 Türkiyede yaşayan Ermeniler mi
@@turkmenist40 evet gardas
@@turkmenist40 they are. And they are supressed. Turkey never was an ethnic "pure" state and never will be. Kemal would roll in his grave if he'd know what your president is doing right now.
У меня мурашки по коже... Это бесподобно. Драматично, монументально. Спасибо.
BRO
I haven't heard it, but saw 1 hour long, the first chapters all named in different languages... This'll be a helluva trip, looks like a movie but in music.
Thanks my man, grab the audio popcorn whenever you’re ready haha
Yes, considering the Janissary initially were levied male children from Christian populations, and then converted to Islam and sworn to the Sultan as private soldiers, the symphony makes for one cohesive story.
@@faryafaraji Finally heard it, really liked it, the battle parts, the Greek parts, but above all the growing old one was the best. Keep the magnificent music coming
Your compositions make me realise even more how sad it is us modern people don't seem to do much oral/song storytelling anymore. There is something to be said about the power of song.
The Tevhid part is just so good. Thank you for your creation
no translation for that ? wonder why .....!
@@E001-f8g I don't know what's going through your mind, but the words don't contain any diabolical mystery.
"Tawhid" refers to the monotheistic belief that Allah is one and only. The words refer to Bektashi culture and Alevi belief. For this reason, the lyrics refer to the difficulties experienced by the Prophet of Islam and his friends such as "Hazrat Ali". Among these words, we also hear the words "La Ilaha Illallah" expressing the unity of Allah.
@@anlkutay5328 Can you provide me the link for this separate song?
@@durainashraf6339 sorry but as far as i know there is no separate link available.
It kills me that you still don't have 100k subscribers. I will do my best to spread your work here in Turkey.
There is a teaching in my family that the first of my ancestors was a janissary who returned to his true roots in Serbia.
Well Ottoman Empire was a roof for Serbs,Turks,Albanians,Greeks,Bulgarians etc. if today a Turk says Ottoman Empire is mine, so do Serbian can aswell.
@@someoneyoulike1180Serbs foutght against Ottoman yoke. We were slaves in that empire.
@@masterblaster848 Well.. everyone was slave except the Ottoman Monarchy, they also treated local Turks as a slave too lol. Serbs were made Janissary and not only that, there were some Serbian women who were married with our Sultans and so next Sultans became half Serbian,Greek,Bulgarian,Albanian. There were also a lot of Serbian grand viziers in Ottoman Empire aswell ( Prime Minister ) such as Sokolovic. In Ottoman Empire they didn't care about nation or nationalism, the biggest thing which important was are you muslim ? If you were a Muslim then u would be good.
@@someoneyoulike1180 Ottoman empire is our, Ottoman empire followed Turkish traditions, founder of empire was a Turk, and first offical language was Turkish
@@DoofyGilmore1299 Osmanlı İmparatorluğu Türkler tarafından kurulmuştur fakat daha sonradan devşirmelerin ele geçirdiği bir ülkedir. Adı üstünde ''İmparatorluk'' yani multi-kültürel bir devlet, Osmanlının bel kemiği olan Yeniçeri Birliği sırf Devşirme idi, adamlar Yunan,Arnavut,Boşnak,Bulgar,Sırp diye gidiyordu Türk yoktu adam gibi orduda. Sadrazamların bir çoğuda yabancıydı, Osmanlıya en büyük damgaları vurmuş Sokollu Mehmet Paşa, İbrahim Paşa gibi vezirler Boşnak ve Yunandır. Osmanlıyı sahipleniyor seviyoruz fakat gerçekleri göz ardı etmemek gerekir, bugün bu adamlarda Osmanlıyı bizim kadar sahiplenmeye hakkı var çünkü onlarında dedeleri zamanında devşirilip bizim adımıza kılıç salladılar, gerçekler böyle.. ha sonra isyanda ettiler o ayrı mesele.
c'est magnifique et tellement poignant. tu nous fait voyager dans le temps et dans l'âme héroïque d'un Janissaire. que Dieu te garde et te bénisse Farya. tu es vraiment extraordinaire.
Merci beaucoup Isabelle, je suis honoré!
I am consistently blown away by the quantity and quality of your music and the fact that it's available for free. You are genuinely a genius, Farya, and a blessing for every history lover. Thank you for all you do!
Love how you incorporated the language differences in the timelines. Shows the Yuniçeri's background and story.
The ending is by far one of the most beautiful and heartbreaking endings I have heard in symphonic-form music, possibly ever.
Awesome job frfr
The symphonies from hugely important historical figures is itself a great thing, but this especially personal point of view from some unnamed nobody is just incredibly moving. More of this alongside your already incredible discography.
Thanks man! I remember you saying something about how music helps us humanise past people, I think it was on Theophano’s Wedding; but whatever it was, you’re right, getting into the lives of those normal people is often even more moving
@@sedoskovelha123 No i think you got it spot on my guy
nice point
My favorite part was the return to Byzantium/Constantinople/Istanbul , such a lovely tune, it follows so well your previous iterations on that motif. I hope we get a "full" version someday! The Ottoman/Turkish layer of history there is just as fascinating as the Byzantine past.
Ive been in awe of that city since besieging it in Age of Empire II more than twenty years ago, shed a tear or two when I finally got to visit it. It is the most enchanting place on Earth. Now your music is inextricably linked to it in my mind.
Thanks Étienne! I also fell in love with the city when I visited for the first time in 2021, it’s a magical place
Its really awesome! I wish the "Ben kimim? -Who am I" part was longer.I really like your art and I hope your music reaches more people and you get more recognition because you deserve it!
Love from Türkiye !
Thanks alot arkadaş, love from Canada
For their own benefit only :) money!
@@dgrszkyp good for him
I use Ublock so I don't see any add, but if an artistic piece is financed by Sponsors or used as a signboard for commercial purposes, then it is morally questionnable for it contributes to unregulated globalization, liberalism and capitalism @AnatoliaTodayEn More ethic ways of financing art is to directly sponsor it as a patreon or with insitutional/carritative fundraising. I know very right it is hard to be rewarded when we work on Ytb, but Ytb and Twitch advertising system is a curse that doesn't even profit youtubers such as Farya.
Debout, les damnés de la terre, debout, les forçats de la faim !
tevhid part was very good.
I've been following you for over 2 years and I respect you a lot, man.
The moment I heard the first note of the Istanbul section I uttered "Constantinople" then proceeded to gaze off as I was musically introduced to how much it had changed, in its own beautiful way
Let me share a Janissary chant with you:
Hakikatin deryâsına dalan kimdir?
(Who is the one who dived into sea of Truth?)
Kanını Hakk livâsına çalan kimdir?
(Who is the one who applied his own blood on the Banner of Al-Haqq/Truth?)
Bâtıl idi,zâhir oldu.Bulunmaz cevâhîr oldu.
(Our land was unknown but it became famous like a rare jewelry)
Gaipten bir haber geldi,alan kimdir?Hakk,Eyvallah!
(The news has come from the Void,who is the one who took it?The Truth,God first!)
Kanadı Hakk tellerinden
(His wings are made of strings of Truth)
Çıkıp Kenân illerinden
(By leaving the Land of Canaan)
O gerçeğin yollarından gelen kimdir?
(Who is the one who walk on the Path of Reality?)
Amazing! Thanks you
Thanx Bro! Eyvallah ❤️
@Ivan π££ prove it and I will be Christian too🤝🏼🌹✝️ I will worship Jesus lord Christ who is the son of God and God himself and God got breastfed by his creation and crucified by his creation and humiliated by his creation 😎. amazing God..........
@Ivan π££ Say, “He is Allah, [who is] One, Allah, the Eternal Refuge. He neither begets nor is born, nor is there to Him any equivalent” (Quran 112:1-4)
God does not follow the laws of His creation, the law of life, rather He is the One that created these laws in the first place, for us in our time and the place in which we live. He is free from matter. God is above both time and space and lives independently of them. God, who created them, has to exist outside of them. If he was limited by time or space, he could not be God. Just like one that might create an electronic device, he has to live outside of it. It is impossible for a God who is timeless and unconstrained by space to come into existence when He Himself created time and space. The laws of creation and life do not apply to God.
therefore, nothing of his creation applies to Allah and this concept of God is highly feared by atheists who cannot have any argument against quite literally.
and this concept of God dismiss christianity as their God got breastfed and destroys Judaism as the rabbis in Judaism won an argument against God in their talmud book. only Islam has this concept of God that non can bring any argument against.
@Ivan π££ answer the question Hindu how many rakat in al fatiha? or in al Qaida? القاعدة؟
I've listened to this piece countless times and each time a different part speak to me in particular. Can't wait to hear you next creation. Your work is amazing! I grew up in the Greek/Turkish border region, so this symphony really hit home for me.
Love the difference between 'The Wars I thought' and 'My Last Battle' in his last battle, the offtone notes and string background show the fatigue in our soldier, and an ominous foreboding to his end, music really is a language.
Thank you for another lovely story written through music.
What makes the Janissarys powerful on the battlefield is they bring there pain with them. When the enemy is on the feild of battle and when the facts of who you are killing strikes you your reason to fight dies no matter what they have done no matter the mass murder of your commrads still they lived a life to live and these peoples all there life is is this. Your will to draw sword into them dies as you die soon after.
Much much love from Romania! Your music could be great for historic movies/documentaries as well. I wish you much success, you deserve it!
Mulțumesc Serban, much love from Canada!
Здравствуйте, Фарья👋🏼. Ваши видео замечательны! У вас талант! 👏🏽👏🏽👏🏽 БРАВО! Продолжайте в том же духе! Привет с Северного Кавказа!🏔🗻⛰🇷🇺
Вам привет из Анапы! Под каждым Вашим словом готова подписаться.
Wapsuama wara
Comme un signe de mon Grand Aieul❤via vos extraordinaires compositions cher FARYA🌹GRATITUDE🌷
So many of your symphonies have such a cinematic feel that they wouldn’t feel out of place in a high quality production. They really tell a story. Some of my fav parts is Tehvid, Gulbank, and Who Am I. The latter especially packs so much story potential in a few minutes of emotional song. As I learn animation, I hope to transport some of your best musical pieces into the world of animation.
As a person from Karbala, listening to "My new faith" in this day in particular, gave me goosebumps.
Ur basrawi brother agrees
It's hard for me to translate, but the words are very beautiful too. You already understand somethings but it also touches on almost all imams.
@@baltai3123 exactly
Janissaries were really "Janissaries" until the period of Murat III. After Murat III ruined the Janissary corps, the Janissaries constantly opposed the innovations and rebelled. If Mahmut II had not abolished the Janissary corps, the Ottoman Empire could have collapsed earlier.
@Ivan π££ i highly doubt that,the issue wasn't them acting like Christians was it?
@@alwijr2753 Surprisingly no, The Janissary order ended after the “Auspicious Incident” in 1828. For a while now, the Janissaries grew corrupt and disloyal to the sultanate. They had a history of starting revolts and killed. Mahmud II’ father and predecessor Selim III. That’s why he decided to end their old order, out of fear that he might be killed next by them. That and the army was in need of modernization.
@@lehmackermann8994 Basically they became the new Praetorian guard
@@marseldagistani1989 yup, very corrupt and extorted the emperor’s instead of protecting them like they were supposed to
What did Sultan Murad III do?
I love your Greek and Spanish material, but this might be my favorite behind your Alexander Symphony now. Excellent work.
Very well done! I like how you included a personal journey towards your musical tracks. It gives the track a historical experience, keep going!
The life of a Janissary in 1 hour. Great job Farya. 👏
I just realized you can more or less perfectly map the Hero's Journey onto this:
Call to Adventure: Devsirme - When They Took Me/Anathema se Vasileia - Thrice Be Damned Emperor
Crossing the Threshold: To Anatolia/Istanbul - Queen of Cities
Challenges and Temptations: Welcome to the Corps/Tehvid - My New Faith
Abyss/"Belly of the Whale": Gulbank - The Janissary Oath
Tranformation: Mehter Marsi - The Janissary Anthem
Apotheosis: Savaslar - The Wars I Fought/Istanbul Pesrev - The Peacetime Years/Ben Kimim - Who Am I?/Topkapi Pesrev - My Rise to the Court
Refusal of the Return: Zaman - Growing Old/Son Seferim - My Last Campaign/Son Savasim - My Last Battle
End: Var Git Olum - The Bullet/Olum - Death
A breathtaking symphony! You take sounds from different nations and make something wonderful of them, always having such an intimate understanding of the situation! Εύγε for your great research, empathy and artistry!
Absolutely brilliant! I could feel the moods literally in my stomach, could't stop the video for one moment! It was just like being transported through time to the scenes. I'm familiar with the history of the Ottoman Empire, the history of the Janissaries, especially in the context of the invasions to and ultimately the occupation of large parts of Hungary.
19:10 dakka ile cosdum.Bütün Türkmen Kizilbas DNAm ayaklandi.Muhtesem bir Symphonie olmus.Ya Allah Ya Muhammed Ya Ali
Hu!
Hu
WHAAT!!!... I just had goosebumps while listening!!... Amazing work!
I definitely love this story of Janissaries.
This music is beyond beautiful, it also carries a story that is epic, romantic, as big as life itself and transcends time. Also, Bulgarian folk songs are like space itself!
Especially the “tevhid” part is super catchy and beautiful. Big thanks from Turkey. I love your music so so much.
Every new upload is amazing, every song surprises me at the morning or the evening. No words are good enough to describe how mesmerizing your music is, everytime I'm in a kind of trance by the melody. All the best!
Thanks alot for the kind words Miloš!
This is the most beautiful composition of music ive ever heard. Thrice be damned emperor is my favourite so far but my new faith is a close second
It's an emotional thing, I can say that as a Bulgarian. I'm sure Greek and Serbian listeners will agree to that as well. The devshirme was a dreaded practice. Still, sometimes, some families felt it as a chance of social rising. Complicated, as everything in the Balkans. Great music, as always!
Even as a modern man, I've had my fair share of delicate, difficult relationship with Istanbul. Used to live there for some time, loved the City. But then, there followed a hard breakup, so it has remained a bittersweet memory to me. I have a love-hate relationship with the Queen of Cities. Is there any other way of knowing Constantinople at all? Actually, I'm writing a book about it.
Not many children were taken from the Greeks. Most Albanians, Bosnians, Croats and those living in the Bosnian geography were preferred. 90% of the Janissaries consisted of them.
@@birmonoteist1840 Wish me good luck with my publisher, then:) That was the kindest comment I've ever read.
@@yusufklc2962 Boşnaklar ve arnavutlar en sadık olandı
Thank you for your nuanced perspective. I find that refreshingly honest, instead of overly demonizing or overly glorifying. Very refreshing.
Beautiful piece of work! This masterpiece is one of a kind because it tells the story of a Janissary through a musical perspective. It is to be noted that many historical sources from the 14th and 15th centuries note that many Balkan families were also willing to give away their children to the Ottomans as they knew that life as Janissaries meant more opportunities and a better life than in the Balkans. Many famous Ottoman grand viziers were ethnic Greeks, Albanians, Serbs, etc.
Please keep up the amazing content ❤
As for the "willing" and "many" at that, in the above statement, I must say that is a false exaggeration. it is something that is simply too painful for Indeed MANY of us that follow Farya and his work, even in this 21st century. Be careful and tread lightly.
Lol at devsirme romanticization
The reason she was willing was taken from poor families in the Balkans, there were conditions for this, 1 person was taken from each village anyway.
This is not true, most parents didn't give away their children to blood tax willingly, there were some that did that is true but it is a myth used to justify the practice as beneficial. It is in the end a mass conscription practice from youth and wasn't seen favorable by the parents, even with the rules in place like it couldn't be the only son of the family, and that only 1 boy taken from every so many families in a village. No need to try to justify practices of past states with modern morality.
Yes some families might be willing to give their children to the state but i think it is impossible to make a generalisation about a topic like this because in my opinion, we really don't have enough written resources from eyes of jannisarries. To be honest even if i had a 5 or 7 sons i wouldnt want give any of them but i live by modern morals. However, we can't deny the fact that jannisary corps was one the strongest , might be the strongest interest group at Ottoman Empire from its foundation to 1826 and being a jannisary was a hell of privilage in a society based on a godlike ruler and remaning are its slaves/servants regardless of their ethnicity and religion. Thats why during 16th century ethnic Turks started to get in Jannisary corps. By 17th century they become hereditary class located at heart of the Empire and held a immense poliitcal power and leverage against imperial council.
Beautiful. I really like the idea of giving historical figures their own symphonies, it feels like a rare thing to find and so far I think you've done them all justice
How amazing each of your symphonies are, and I am in love with your longest one yet! It captures so well the tragic circumstances of a Janissary's recruitment, but also his glamorous military career and eventual sad death. This symphony is also such a treat for me, because it comprises of such a wide selection of my favorite music (Anatolian and Balkan). Plus, the Ottoman version of your Constantinople leitmotif was a surprise to be sure, but a welcome one!
Thanks alot! Yeah this was basically just an excuse to work on an hour of Balkan-Anatolian music haha
bro you're spoiling us with 1 hour of quality content
With some people talking about how being taken as a janissary was "good because of the education" I like that there are artists who portray it truthfully.There is a bulgarian legend about a janissary meeting his long lost sister and remembering something not from her face but from a necklace she wore,after which he releases her instead of taking her for the Sultan's harem
There is also a Greek song like that (a janissary who burnt his own village and recognised his mother there) and similar songs all over the Balkans
@@dggmn2109 They are not murders to their families. They were accepted as janissaries who will appoint later many influential position in the caliphate.
@@Historic_Tales How are not murderers of their families when they kill they brothers and sisters? so what if they have influential positions.
@@dggmn2109 their mothers and sisters? Don't go ultranationalist. They are the force of the Ottoman caliphate. They did not kill their brothers or sisters . They kill those who try to rebel against the Ottoman caliphate.
@@Historic_Tales Their sister and brothers rebel agaisnt the ottomans do you also realise that 99% of ottomans are islamised Greeks, Armenians, Slavs etc and 1% ethnic asiatic turks right?
This one is certainly my favourite, alongside of Nineveh 627 AD. 🖤 Farya, I am so grateful that you do all this for us.
...Nje muzike Magjepsese ❤🎉!!!Ju faleminderit Shume, Farya!!!
I did not expect anything like this, this has been the best surprise I've had in a while! Absolutely love it so far!
Thanks Boris, I really wanted my Serbian and other Balkan subscribers to enjoy this one :)
Zaman touched me in the most deepest part of my soul, i dont have words, but it is melancolic and beautiful
Whenever I hear such music, or read about janissaries, I cannot help but feel sad for all those who were taken from their mothers, forced into Islam, and by blood shaped to be sultan's perfect soldiers... It's just sad. But it is over now, and there's not much we can do except feel sorry for all of those children taken from their homes... May God grant them eternal peace.
Did not expect this drop and this is reminiscent of some of your byzantine pieces
And oh this symphony is glorious, Farya never fails to capture the spirit of the Ottoman Empire.
It resembles the Eastern Roman Empire but you know it's different and the Constantinople segments were very nice, never expected to hear the Ottoman version of it.
Turkish classical music is highly influenced by the Eastern Rome and orthodox church. we Turks respect and glorify the Byzantine heritage as well. greetings from Istanbul
@@sinanermis5541 glorify? Turn the Hagia Sofia into a Church again then.
For me, Farya is on par with Hans Zimmer, Vangelis and Maurice Jarre in epicness and he even exceeds them when taken into account the historicity of his music and his genius in creating interesting thematic crossovers.
Great art my friend. I am from Istanbul. I am history freak man. Anatolia,Balkans are great combination in every part of world history. Janissaries has a very magnificent history. Thank you for your great job.
Magnificent and terrifying.... These scars will never heal. I am Bulgarian and I like the Turks. Sometimes I have discussions with friends or relatives about the Ottoman times and I support the idea that it wasn't so oppressive as our historians and politicians try to describe it. Life in Western Europe was worse until 18 century. But when they ask me: "What about the blood tax?" I don't have an answer....
@@БоянБогданов-ю6оhi from Türkiye komşu. Remember the house of Osmans real nightmare was us, Turks. Search Celali revolts in anatolia. Read how denisty genocide us. Search Serbian janissary called "kuyucu murad pasha" You will understand what that empire really was. After that long loop of reading you'll understand we Turks were victims of house of Osmsn worse than you were. Last tip. Search ww1 Turkish side. See how sultan betray us. Now humanitiy turn back those days. Ultra rich above and every one else below. Understand Ottoman empire really is and prepare yourself and those close to you to new age. Salutes.
Tek kelime ile : mükemmel
Var git ölüm ezgisine ayrı bayıldım, Aytekin Ataş’ın versiyonundan çok farklı olması ayrı bir güzel.
Devşirme olmayan çerilerimiz ve sipahilerimiz için böyle mükemmel bir çalışma daha bizi ayrı gururlandırır, özellikle bizi, Anadolu’nun yörük Alevilerinden olan çerilerimiz için.
Listening to this... is wonderful and painful for the soul. At one of the historical reenactment festivals I attended, there was a soldier (he is participating in the current military operations). One day I saw him have a panic attack. and since then the desire to cuddle up to him and hug him has not left me. I had to curb the impulses of this misplaced pity. So... I have similar feelings for this soldier from the cover of the video
Dearest Farya, no matter my personal feelings on this subject, this Symphony is indeed masterful. It captures history as it was and is mesmerizing to all of us listening to it. Even if difficult, emotions are evoked as it is heart wrenching, it's all there. The power of music (μουσικη = musike = the art of the Muses), is yours.
Janisseries (actually must yeniçeri it means new soldier from Turkish) early time they chosen was a war slaves like a ghulam system from Seljuk Sultanate. But after ıts change from devşirme system and they took a boys of ethnic groups (Gayrimüslim). They was a hard training 8 years and then go to war. Special soldier of Sultan they first mission protect the Sultan into the war.
How you are so talented i may never know, i really appreciate everything you post on your channel. My favourite part was is Queen Of Cities.
Some of your best work yet man, well done absolutely blown away
What a wonderful piece of art! I highly reccomend this beautfiul art anyone near me. Thank you for your work dear @faryafaraji. As a Turk, I deeply feel the life of my ancestors, especially at the "tevhid" part.
Wow. This is so impressive. Amazing work. Thank you for sharing details and background about each piece.
28:34 im super impressed with this part
Search for Mehter, and you will find many similar pieces like this
@@furkankaynar6491 oh thank you i appreciate it
Don't misunderstand being Janissary. It was a great chance to be manager of Ottoman. There are a lot of pashas in Ottoman history, coming from Janissary. They managed all nations living in the empire, including Turks and other nations, have different religions. Ottoman didn't consider Janissaries as just solders. They were considered as officers, served for government in all positions from a solder to the second of empire after sultan. We are also proud of Janissaries. Allah bless their souls.
Don't misunderstand it either.. These jannisaries were ripped from their families, forcefully converted to Islam and made to forget their identities.. Please don't try to whitewash your history.
They have not made to forget nothing, Skanderberg is the most famous.
Aynen Vlad'ı da Tecavüz ettiler süper ya(!).
(Just lyric for my favorite part so I don't scroll to oblivion)
Tevhid
Allah Allah İllallah
La İlahe İllallah
Ali̇ Mürşi̇t Güzel Şah
Şahim Eyvallah Eyvallah
La İlahe İllallah
Hak Muhammed-ali̇ Dostum
Kerem Kilmak Si̇ze Geldi̇
Hari̇ci̇ler Mansur’u Asti
Nesi̇mi̇’yi̇ Yüze Geldi̇ (2)
Fatma Ana Fi̇rkate Düştü
Uçmak Kapilarin Açti
İmam Hasan Zehi̇r İçti̇
Münafiktan Eza Geldi̇
Allah Allah İllallah
La İlahe İllallah
Ali̇ Mürşi̇t Güzel Şah
Şahim Eyvallah Eyvallah
La İlahe İllallah
Şi̇mi̇r Mervan Karşi Geldi̇
Kerbela Al Kanla Doldu
Şah Hüseyi̇n Şehi̇t Oldu
Yezi̇tlerden Eza Geldi̇
Akti İmamlarin Kani
İmam Zeynel Mürvet Kani
Ana Rahmi̇nde Zi̇ndani
Levh-i̇ Kalem Mi̇ Yaza Geldi̇(2)
Allah Allah İllallah
La İlahe İllallah
Ali̇ Mürşi̇t Güzel Şah
Şahim Eyvallah Eyvallah
La İlahe İllallah
Ol Münafik Yüzü Kara
Dost Dost Dost Kurban
Kast Eyledi̇ İmam Bakir’a
Pi̇r Pi̇r Pi̇r Kurban
Hak Buyurdu İmam Cafer’e
Deni̇zi̇ Yutmağa Geldi̇
Di̇dar Gözleri̇ Gözümden
Sevdasi Da Gi̇tmez Özümden
İmam Musa-i̇ Kazimdan
İmam Ali̇ Riza Geldi̇ (2)
Allah Allah İllallah
La İlahe İllallah
Ali̇ Mürşi̇t Güzel Şah
Şahim Eyvallah Eyvallah
La İlahe İllallah
Taki̇’ni̇n Darina Durduk
Dost Dost Dost Kurban
Naki̇’ye Can Feda Kildik
Pi̇r Pi̇r Pi̇r Kurban
Kendi̇ Özümüzden Si̇tem Sürdük
Can Cesetten Teze Geldi̇
Hasan-ül Askeri̇ Sensi̇n
Erenlere Mi̇hr-i̇ Kansin
Mehd’i̇ Sahi̇p Zamansin
Ali̇yel Mürteza Geldi̇
Hünkar-i Evli̇ya Geldi̇
Allah Allah İllallah
La İlahe İllallah
Ali̇ Mürşi̇t Güzel Şah
Şahim Eyvallah Eyvallah
La İlahe İllallah
Hüseyi̇n’i̇m Der Yara Neden
Yaralandik Çare Neden
Konan Göçtü Bu Haneden
Şi̇mdi̇ Sira Bi̇ze Geldi̇ Hü
Gulbang
Allah Allah İllallah,
Baş üryan,
Sine püryan,
Kılıç al kan,
Bu meydanda nice başlar kesilir,
Hiç olmaz soran.
Eyvallah! Eyvallah!
Kahrımız kılıcımız, düşmana ziyan. Kulluğumuz padişaha ayan,
Üçler, yediler, kırklar!
Gülbang-ı Muhammmedî,
Nur-i Nebî,
Kerem-i Ali,
Pirimiz Sultanımız Hünkâr,
Hacı Bektaş-ı Veli,
Demine devranına,
Hu diyelim Huuuuuuu!
Mehter Marsi
Vakt-i sürûru sefâ,
Mehterbaşı Hey! Hey! Merhabâ ey mehterân! Merhabâ, Mehterbaşı! Hasduuur! Haydi! Ya Allah!
Dinle, dinle iyi dinle,
Kâfir konuşur,
Of of! Bize merhamet et,
O ne büyük bir kuvvet,
O ne büyük bir devlet!
Aman!
Kâfir, dinle iyi dinle,
Osmanın kılıcı geldi,
Fetih zamanı geldi,
Devlet-i-aliyye geldi!
Why Farya has only 184K subs and not a 100 times more is a question not even Aristotle himself would be able to find answer to.
As a Turk, I would like to thank everyone who contributed, it's great.
Hey Farya, I love the music that your are doing. Thanks for all the melodic beauty. Please add these songs to spotify as well.
Talent like this only comes by every so often, this guy's gotta be destined for monumental levels of fame.
👌 absolutely amazing, thank you for making this masterpiece
una hora? pues será la hora mas hermosa y gloriosa de mi día
Es un Orgullo Compartir con ustedes un Nuevo Video De esta gran Servidor
It feels like a journey. Spectacular acuistic arrangements that emotionally and spiritually befitting.
An extremely impressive album. The devshirme system has actually been used for centuries, but the Ottoman Empire made this system the most professional. Sometimes this happened by the will of the family and sometimes by force. Thank you for this album that takes you on a journey through history.
Да это прям готовые саундтреки для исторического фильма.
İstanbul 13:30 - tevhid 19:10 - Gülbank 23:14 - zaman 46:30
The symphony evokes the feelings and experiences of many young boys in the Balkans had to go through during that time as this is about the tragic yet complex story of how they were taken from their families to serve as soldiers to the Sultan and later rose to power (becoming the one of the Pashas) in the imperial court which they may or may not become pawns in a political power struggle between court officials, bodyguards and eunuchs. One of the first times I learned more about Turkish history was from the TV series Magnificent Century and the sequel Kösem. Although it is a heavily fictionalized soap drama about the relationship between the Sultan and his harem, it did give me insight into what the imperial palace was like.
Muhteşem Yüzyıl and Kösem are so good haha, it’s hyper fictionalised as you said but it’s some of the most fun I’ve ever had, and it does capture the overall spirit of the age if not all the costume and historical aspects
As an Algerian we are proud to have known , have been trained and have mixed with the brave Janissaries ( mostly from Yougoslavia) , 5 to 10% of Algerians are descendant of Janissaries ( innAutonomous Algeria Janissaries married, very far from the sight of the Ottaman capital who prohibited that )
Amazing work! The last song is actually a Bulgarian folklore song called "Черешко, чьорна вишничко/ Chereshko, chyorna vishnichko". The lyrics are:
Thracian Bulgarian dialect:
Chereshko, chyorna vishnichko,
prolet prez teb ga mina,
ti beshe cvetya cvetila,
pak rozhba ne si rodila.
Dali te slana popari,
ili te slantse izgori?
Nito me slana popari,
nito me slantse izgori.
Noshtez prez mene minoha,
troitsa turci zaptii,
dor tri robinki karaha,
i trine zhelno placheha.
======================
English translation:
Cherry, black sour cherry,
when spring came to you
you had blossomed
and still you haven't given birth to a child.
Did the hoarfrost scald you
or did the Sun burn you?
Neither the hoarfrost scalded me,
nor did the sun burn me.
Last night around me
three Turks - janissaries passed,
they were leading three slave girls,
all three of which were griveously crying.
I really love this for 2 reasons:
- First obviously being the music is absolutely amazing.
- Second though is that I believe each sequential song tells a story of the life of a Janissary soldier. The second song being Bulgarian leads me to believe the story is from the perspective of a Christian Bulgarian boy who was taken by the Ottomans because of devşirme, the taking of Balkan (Bulgaria being Balkan makes sense) Christian children and raising them with Islamic teachings and usually making them Janissaries, which can be seen in the following songs. For example, My New Faith being Islam (which can be backed up with the newly used Islamic terms like "illallah") and The Janissary Oath being him becoming a Janissary solider or in the process of becoming one. The rest is just the life of him as a Janissary soldier, fighting wars until he eventually passes away, assumably in his last battle since the last two songs are "The Bullet" and "Death" which could just be interpreted as him being shot resulting in his death.
May be obvious to some, maybe not to others, just thought id point out my observations :)) Great work once again
Thanks, Farya, it was my first symphony by you, and that was really great experience!
I guess it's a perfect, ready-to-use film or TV series soundtrack.
Another masterpiece of well researched and authentically composed musical history. Outstanding as always.
Mehmed ll: *Declares himself Kayser-I-Rûm*
Janissaries: *Ok guys let's go Praetorian*
Underrated comment
Augustus pfp spotted, like granted
@@hobo_ytt45 Thanx bro, I hereby declare you an honorary citizen of Rome.
@@janstaniszewski536 Thats funny cause I’m actually gonna visit next summer. ROMA INVICTA!
@@hobo_ytt45 Why does everyone get to visit Urbs Aeterna except me??? Anyway, enjoy your stay, amicus.
Reposting for myself and anyone else interested, thank you @jestercel for the lyrics ❤
19:10 - Tevhid
Allah allah illallah
La ilahe illallah
Ali mürşit güzel şah
Şahım eyvallah eyvallah
La ilahe illallah
Hak muhammed-ali dostum
Kerem kılmak size geldi
Hariciler mansur'u astı
Nesimi'yi yüze geldi
Nesimi'yi yüze geldi
Fatma ana firkate düştü
Uçmak kapıların açtı
Imam hasan zehir içti
Münafıktan eza geldi
Münafıktan eza geldi
Allah allah illallah
La ilahe illallah
Ali mürşit güzel şah
Şahım eyvallah eyvallah
La ilahe illallah
Şimir mervan karşı geldi
Dost dost dost kurban
Kerbela al kanla doldu
Pir pir pir kurban
Şah hüseyin şehit oldu
Yezitlerden eza geldi
Yezitlerden eza geldi
Aktı imamların kanı
İmam zeynel mürvet kanı
Ana rahminde zindanı
Levh-i kalem mi yaza geldi
Levh-i kalem mi yaza geldi
Allah allah illallah
La ilahe illallah
Ali mürşit güzel şah
Şahım eyvallah eyvallah
La ilahe illallah
Ol münafık yüzü kara
Dost dost dost kurban
Kast eyledi imam bakır'a
Pir pir pir kurban
Hak buyurdu imam cafer'e
Denizi yutmağa geldi
Denizi yutmağa geldi
Didar gözleri gözümden
Sevdası da gitmez özümden
Imam musa-i kazımdan
Imam ali rıza geldi
Imam ali rıza geldi
Allah allah illallah
La ilahe illallah
Ali mürşit güzel şah
şahım eyvallah eyvallah
La ilahe illallah
Taki'nin darına durduk
Dost dost dost kurban
Naki'ye de can feda kıldık
Pir pir pir kurban
Kendi özümüzden sitem sürdük
Can cesetten teze geldi
Can cesetten teze geldi
Hasan-ül askeri sensin
Erenlere mihr-i kansın
Mehd'i sahip zamansın
Aliyel Mürteza geldi
Hünkar-ı evliya geldi
Allah allah illallah
La ilahe illallah
Ali mürşit güzel şah
Şahım eyvallah eyvallah
La ilahe illallah
Allah allah illallah
La ilahe illallah
Ali mürşit güzel şah
Şahım eyvallah eyvallah
La ilahe illallah
The first time I heard your story of the Janissaries, I would see an air of tragedy because they lost everything to still serve as an emperor who lived surrounded by concubines but I studied more .
I also saw them with other faces as formidable warriors who deserve to be remembered for eternity after all, not the best warriors are born from tragedy.
Well in a way janissaries will have their revenges when they will become the pretorian guard of ottoman, dethroning emperors that displease them.
It isn't as tragic as you are making it out to be as most didn't see cruelty when their children where taken but rather opportunity as boys who were to become janissaries came from poor slave families so they had a better chance to get a High position in the sultans court or become renowned soldiers if they were taken to be trained . And coming to your other part in which we pretty much villainized the Ottoman Sultans as lustful emperors who did nothing but hang around in the harem is partially incorrect as the first half of the Ottoman sultans actively participated in campaigns and they were the ones to create the devshirme system . The later Ottoman sultans as you said became interested in the harem and became detached from the empire like all other empires .
Put your children in the poor slave families' position and then refer to how tragic it really was.
@@AhmadHassan-wh8pe in this very video under which you commend, there is a folk song that carries the voices of those families. You can hear it directly from them if they were happy with the situation or not.
Also, "participated in campaigns", spreading death and destruction all over the place, is far more villainising than "chilling in the harem" could ever hope to be.
The actual tradegy is, that many of those children were made to fight against their own people after being turkified and islamisized. There are many stories about encounters of parents with their now hostile children after decades.
As a Pomak in Turkey, the story of Janissaries has always been meaningful to me, they are my ancestors. Good work Farya 👍🏻.
Bro i you are a Pomak you are Greek... This f@cking country has neglected you and you consider yourselves as Turks. What a pity.
This is an excellent work. I really appreciate that. There should be so many stories.
The Janissaries were always in favor of innovation, open to change, and always sided with the most compassionate and progressive princes. Each of them received a good education. Turkish and many other languages were taught. They had the chance to participate in cultural activities, both religious and cultural, that no one could reach at that time. During their tenure, they had the opportunity to travel to many places and get to know different geographies and cultures. There were no planes or vehicles like there are today. Very few people would have the opportunity to see different places. Almost all people in the world died where they were born, and the distances they could travel throughout their lives were very limited. (Except for migrating tribes)
When the Janissaries finished their duties and retired, they would buy lands or properties in Istanbul and its surroundings with their large property/gold wealth, or they would go to their own family's lands or the places they liked among the lands they visited and settle down and establish a second spring life for themselves.
These retired Janissaries were so knowledgeable and respected in the lands they settled that they were always consulted wherever they went. They would gain the trust of local people. It was known that people always gathered around a janissary, even in local problems. Therefore, even the cultural heritage left by the retired Janissaries became a reference point for other nations, especially in the Balkans, who were able to live their own cultures freely within the Ottoman Empire.
This is one of the reasons why there was no rebellion in the Balkans for centuries. The fact that each nation practices its own religion and culture is a factor, but in addition, the Janissaries have a lot of positive influence.
Even though their stories started as devshirme, and perhaps a Janissary did not actually convert his religion, they were always loyal to the Ottoman Sultan and the State, and they represented their identity as a 'Janisaary' and 'Turk' in the first place.
Very nice music. I was not expecting it. I'm supposely a descended of Janissary and or Mamluk in Tunisia. My family name can also be seen in one of your Title (Son Seferim)
Allahuma Barik. Mind giving us a little history?
This is incredible. A tale of a life in an hour! You are a genius Farya!