This plug in is a game changer when it comes to matching cameras! One thing I didn't mention is that after the Node with the plug-in, you can continue to grade as normal and start building your look!
Spend 10 min to manually match 2 shots filmed on a same angle with the same subject? What is the purpose of the plugin then? And still not even close, look at the vectroscope.
How is this any different than using a couple of CSTs and converting both cameras to, say, Arri Log-C prior to grading? Converting all my cameras to Log-C prior to grading has worked really well for me in the past. Can Cinematch really make a difference?
Color space transform simply transforms your footage to the output gamut and color space you’ve selected. Cinematch matches the sensors before the transformation. There’s a lot less secondary grading needed with cinematch.
Sidney's answer below is absolutely right, the CSTs in Resolve are just generic transforms that convert your footage to the correct space for further grading, but CineMatch actually matches the footage. Check out www.cinematch.com/why-cinematch for an overview, or download the free trial and test out the difference for yourself
@@sidneybakergreen ok so I will have to change my process, the footage from the red looks orange, skin tones are quite bad. And I currently would not want to pay to have someone correct it all, rather learn to do it myself to save some cash for hard times. Aaaand finally getting the DJI drone footage to match is proving to be hard as well.
This plug in is a game changer when it comes to matching cameras! One thing I didn't mention is that after the Node with the plug-in, you can continue to grade as normal and start building your look!
Spend 10 min to manually match 2 shots filmed on a same angle with the same subject? What is the purpose of the plugin then? And still not even close, look at the vectroscope.
Sidney...
Sidney!
I've been looking for this for months!
THANK YOU!
Hey that’s me
Another awesome tutorial!!! 😊😊😊
Good tutorial💪❤
I liked that video! Thanks for making it -- it helped cause you're good at explaining :)
Good job men 👍
Does this work with ACES and/or Davinci Wide Gamut?
well done
Would you use this to clean up IR pollution from Tiffen NDs on bmpcc 6k pro?
Hello bro thanks for the tutorial
How is this any different than using a couple of CSTs and converting both cameras to, say, Arri Log-C prior to grading? Converting all my cameras to Log-C prior to grading has worked really well for me in the past. Can Cinematch really make a difference?
Color space transform simply transforms your footage to the output gamut and color space you’ve selected.
Cinematch matches the sensors before the transformation. There’s a lot less secondary grading needed with cinematch.
Sidney's answer below is absolutely right, the CSTs in Resolve are just generic transforms that convert your footage to the correct space for further grading, but CineMatch actually matches the footage. Check out www.cinematch.com/why-cinematch for an overview, or download the free trial and test out the difference for yourself
hey sidney quick question how do you expose for your zlog footage
ETTR protecting the highlights unless I grade In HDR
I'm wondering if this is any different from me using the inbuilt Resolve LUTs to convert my footage, they look quite different :-Y
It is
@@sidneybakergreen ok so I will have to change my process, the footage from the red looks orange, skin tones are quite bad. And I currently would not want to pay to have someone correct it all, rather learn to do it myself to save some cash for hard times. Aaaand finally getting the DJI drone footage to match is proving to be hard as well.
When they add Z Cam as a source, I'll buy this immediately.
Zcam can be a source :)
@@sidneybakergreen great! They should update the drop down menu on their site! I was going by that. Will try out the demo.
@@joenicklo We currently support the ZCam E2 and the E2-S6 - if you download the latest version of the trial plugin it should show them
is this cinematic really har don system? I mean new m1 chips with 16gb ram
It wasn't for me
how to equalize a couple of videos in rec 709 in this plugin ?
This plug-in works specifically with camera's log profiles. In the case you're describing, I'd recommend ACES.
@@sidneybakergreen what is ACES ?
@@ВасяПупкин-ы3ь9т academy color encoding system
Seem like you have a small IR pollution on G2