Sounds great, I love and use this technique regularly. Really nice on piano as well, and any situation where one might need to carve out some space in the middle during a mix.
Nice tutorial 👍 I use this technique for making my small room sound bigger with drums! I use this as room mics on the far end of the room from the drums and point the cardioid mic at the wall (about 3-4 feet from the wall, and closer to the ceiling than not, pointed away from the drums). Then slam them with a compressor. Works great!
Would love a video on how to use UAD plugins to emulate a complete analog tape recording and mixing. For example how and where to add preamps, tape, EQs, busses and master track plugins as if to recreate a complete analog tape session. Thank you so much your plugins are great
Remember: the side mic (ambience) in mono will disappear. Because the Side + (L) AND the side - (R) will null in mono. M/S is very cool, but no one ever talks about the side mic disappearing in mono.
Just to confirm... the BX Digital v3 plugin is placed on the 'insert' of the 'side microphone' track? Definitely will try m/s with this plugin. The common way to matrix/ decode works great for m/s, but I'd like to try using this plugin!
Yes more uad native stuff, come on guys, but something really important is, you guys are planing to make your native plugins function with machine activation?? because there are moments that i dont want to be online and of course dont want a usb stick connected. Also, something less important, put a mix knob for the compressor in your channel strips and update your presicion series especially the eq and limiter/maximizer. A plugin version from the fender deluxe you have in your pedal and the voxac30. Thanks
Works wonderfully, vocals sit in mix perfectly. Vocals sound like part of the band. I sent side to two auxs , panned one left and one right, flipped phase on right. Both auxs were prefader so I turned down fader on side track. I had to balance the mid and two hard panned auxs to get my sound. Then I grouped them all added a vocal chain, and listened as the vocal just about mixed it's self into mix. Ignorance is a terrible disability. Thank you UA!!!!!😊
Always 10 years behind everyone else. Do you even pay attention to modern production techniques? Or have you just had elvis on repeat this whole time? Get your plugins running natively. We dont want your DAW or the Interface or an Apollo or anything else from you. Get your plugins converted over before 2025.
@@thegreatdestroyer6506 Yes. modern techniques require more than 33 plugins. modern sound, including mine, requires 15+ plugins per mixer insert. ~80-150 mixer inserts plus synths and instruments. thats about 1700 individual “plugin” instances. Besides that fact, i should be able to use the software i paid for without a proprietary hardware unit. its almost 2025 not 1995.
More videos like this please! About microphones and recordings techniques.
Sounds great, I love and use this technique regularly. Really nice on piano as well, and any situation where one might need to carve out some space in the middle during a mix.
Nice tutorial 👍 I use this technique for making my small room sound bigger with drums! I use this as room mics on the far end of the room from the drums and point the cardioid mic at the wall (about 3-4 feet from the wall, and closer to the ceiling than not, pointed away from the drums). Then slam them with a compressor. Works great!
Excellent video and editing! Keep them coming!
Brit is the best!!
Would love a video on how to use UAD plugins to emulate a complete analog tape recording and mixing. For example how and where to add preamps, tape, EQs, busses and master track plugins as if to recreate a complete analog tape session. Thank you so much your plugins are great
Make more Uad native plugins!!! we need the SSL stuff!!! Api560, Culture Vulture, Neve 1084!!!! Please! =)
How/with what microphone was her voice recorded in this video?
It sounds so natural and smooth!
Remember: the side mic (ambience) in mono will disappear. Because the Side + (L) AND the side - (R) will null in mono. M/S is very cool, but no one ever talks about the side mic disappearing in mono.
Why do you have to be so awesome???? I like M/S for drum room mics and acoustic guitars. I had a Cascade X-12 Ribbon Mic that was great for that.
Just to confirm... the BX Digital v3 plugin is placed on the 'insert' of the 'side microphone' track? Definitely will try m/s with this plugin. The common way to matrix/ decode works great for m/s, but I'd like to try using this plugin!
Yes more uad native stuff, come on guys, but something really important is, you guys are planing to make your native plugins function with machine activation?? because there are moments that i dont want to be online and of course dont want a usb stick connected. Also, something less important, put a mix knob for the compressor in your channel strips and update your presicion series especially the eq and limiter/maximizer.
A plugin version from the fender deluxe you have in your pedal and the voxac30. Thanks
Brit rules
im hoping the next UAFX pedal will be a hiwatt dr103 in a box
we dont see enough of those!
If recording in dry environment, is there any benefit to useing this technique?
There is ALWAYS ambiance and depth. Even a "dead" room will have an effect. It's worth a listen, you may be surprised what you get.
@@jergervasi3331 thank you I will
Works wonderfully, vocals sit in mix perfectly. Vocals sound like part of the band. I sent side to two auxs , panned one left and one right, flipped phase on right. Both auxs were prefader so I turned down fader on side track. I had to balance the mid and two hard panned auxs to get my sound. Then I grouped them all added a vocal chain, and listened as the vocal just about mixed it's self into mix. Ignorance is a terrible disability. Thank you UA!!!!!😊
@@markwilson1446 Excellent! Congrats!
Great video.
Are her toes bolted to floor? Her heels keep popping up. I rather see Ben nodding enthusiastic for an hour 😂
Bobble head Ben we called him!! 🤣🤣
@@UniversalAudiohahahah that’s hilarious 😅
👍🏻
@@UniversalAudioYou need to make some Ben Bobbleheads.😅
Did you forget your Sparks ? 😢
PLEASE FOR THE LOVE OF GOD MAKE A PLUGIN OF THE SHURE LEVEL LOCK!
Cool tutorial! To me it sounded a bit out of phase at end of both examples. Right at the end when the fills came in and the cymbal..?
Now restart without the cards ;)
M/S sounds weird and the side signal disappears when collapsed to mono
PHEW... Thought the comments we're gonna be riddled with: ''Men Of Culture *bottle clink emoji''*
What does that mean?
Always 10 years behind everyone else. Do you even pay attention to modern production techniques? Or have you just had elvis on repeat this whole time? Get your plugins running natively. We dont want your DAW or the Interface or an Apollo or anything else from you. Get your plugins converted over before 2025.
They have native plugins?
And I love my Apollo, what happens in 2025? 😂
Eh, they have native plugins?
@@thegreatdestroyer6506 13 or 17?
@@connorharris1900 33 at the moment. Yes, there a lot more. But I guess your modern production technique requires more.
@@thegreatdestroyer6506 Yes. modern techniques require more than 33 plugins. modern sound, including mine, requires 15+ plugins per mixer insert. ~80-150 mixer inserts plus synths and instruments. thats about 1700 individual “plugin” instances. Besides that fact, i should be able to use the software i paid for without a proprietary hardware unit. its almost 2025 not 1995.