[CC] Lyrics & Meaning: raama nee samaana evaru - Kharaharapriya - TM Krishna
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- เผยแพร่เมื่อ 13 ก.ย. 2024
- [Click on the Captions button for subtitles]
Harper Collins' launch of TM Krishna's book "A Southern Music" was followed by a delightful concert. TM Krishna began with this Tyagaraja masterpiece in raga Kharaharapriya, accompanied by Vidwan HK Venkatram (violin) and Vidwan Arun Prakash (mridangam).
The concert also included taanam in Janaranjani, kritis in Saraswati Manohari and Neelambari, and a shloka in Khamas.
The uncrowned king Madurai Somu Pillai's baaNi rules everywhere.
Outstanding …he has learnt it from
His guru Sri semmangudi. SSI was a master of kharaharaprya…
Krishna Sir....I think Tyagaraja Swamy has taken re-birth as you, No doubt....if we listen ur song by closing eyes, We feel same Tyagaraja Swamy singing in front of us....👌👌👌👏👏👏🙏🙏🙏🎼
tmk sir who can be your equal?
very creative raga mudraa... good part of arun is he make us to listen core part of the sangathis without a signe of any domination
A Graceful composition of Saint Tyagaraja.... in Karaharapriya ...
super
Muralikrishnan PR h
Muralikrishnan PR ramaneesamanarevru
T M krishna takes us along with him to a different level of enjoyment. Waht imagination ! saipremi
There is no camparison
the inimitable TMK singing this kriti with a lot of vishranthi I never heard this kriti this way every vidwan or vidushi indulge into gimmickery with the words 'paluku paluku' and with the pallavi itself as 'ramani samanamevaru' thanks a ton to TMK and his introspective raga bhava
I agree TMK sings neraval as his abundant creativity guides. But that does not mean others are bad and what you call gimmicks of others could be their way of interpretation and there are sections of audience who are as ignorant as I am and enjoy their singing too. Comparison should be avoided and enjoy each on his her own merits. Or else we will be no better the Raja ARR fans. Any day I prefer TMKs neraval take on "meenalochani" in meenakshi memudham. Introspection in excess is also not welcome since the audience is always a mixed one and come to be entertained not educated.
Some start the kriti as Neesamanam evaruomitting ramaat start
my kodi pranams to T.M KrishnaJi
I totally agree with Mr.TS.Gopal. I am not well verse in carnatic music. But I am the person who deeply involved along with flow of music. In this kriti, TMK has mesmerised me fully. Thanks a lot to him and his accompaniments.
balsubramaniyan venkatraman i
balsubramaniyan venkatraman
@12.48 aaaha!!!!!.Mind Blowing.
TM Krishna has sung this Thyagaraja's composition so beautifully.
Wonderfull. Congratulation. 🎉 ❤.
Marvelous singer!
Soulful rendition ....Thank you Krishnaji!!!!!!
message received loud and clear and not one wasted breath
Most devine music which I could connect instantly
Krishna!.... nee samaanamevaru???
Correct,Arunadri !You said it all. THis is equivalent to saying all the following comments. I agree with you !
கிருஷ்ணா அருமையாகப் பாடுகிறார் என்பதில் மிக மகிழ்வே.
பலுகு பலுகுலகு தேந-
ஒலுகு மாடலாடு ஸோதர் -
உலுக ல ஹரி த்யாக ராஜ
குலவிபூ ஷ ம்ருது ஸுபா ஷ (ராம) - என்று பாடவேண்டும்.
Wonderful rendition
Sri TM Krishna accompanied by Sri HK Venkatram and Sri Arun Prakash will perform at Bangalore Fort on Saturday April 18, 2015 at the World Heritage Day concert organized by INTACH Bangalore, in collaboration with Archaeological Survey of India. 7:30 pm onwards.
very nice ...very nice...!
Very nice.
very special Dr vijaydev
Many namaskarams krishna sir..
Genius
Fantastic music!.
Thanks.
superb karaharapriya
SUPER..
super...
I love this song but haven't seen it sung by other famous artists. Would love to particularly hear from Nedunuri Krishnamurthy , Voleti Venkateswarlu or even Malladi Brothers.
+Babi Ati The rendition by Sri Nedunuri Krishnamurthy is linked in one of the comments below.
th-cam.com/video/EaPfzGeMx-Y/w-d-xo.html
Semmangudi Srinivasa Iyer has sung this song beautifully!
This was one of Shri Chembai Vaidyanatha Bhagavatar's popular songs. I have heard my father mention how Chembai rephrased "Rama Nee" to "RamaNi Nee Samaanamevaru" appreciating T. Rukmani who was accompanying him on the violin.
Sir T. M. Krishna,
I request you to Kindly keep the integrity of the words. Tene + Oluku becomes Teneloluku. If and when when pausing after Tene, kindly use Oluku. "Loluku" sounds odd as there is no word as such. The only reason for this request is there are so many followers looking up to you and the chances are very high that they sing the same and it carries from generation to generation.
sir the original patham of the kriti is PALUKU PALUKULAKU TENELU OLUKU and not TENE OLUKU as you mention even in SUBBARAMA DIKSHITAR'S book on tyagaraja kritis and the walajapet patham,tillaistanam patham of tyagaraja sishya parampara these are the words and this is the patham the truth is that TYAGARAJASWAYMY USED THE PLURAL OF SODARULU WHOSE PALUKULU TENELOLUKUNU HENCE SODARU'LU' AND TENE'LU' HENCE THE PLURALITY OF CASE IS NOTICED
regards
Dear Mr. Neelotpal
Firstly, I liked your name Neelotpal. It is like tene (honey). Secondly, it is correct that Tenelu + Oluku = Teneloluku. Thirdly, I liked you pointing out Sodarulu and Tenelu (this kind of prasam is typical of Tyagaraja - My Guru Late Sri T. K. Govinda Rao told me).
Coming back to my second point, Mr. T. M. Krishna has been consistently singing by splitting Tene BIG BREAK Loluku maata when he sings the nereval. My appeal to the singer has been not to break Tene "Pause" and then say loluku. Instead, sing it as one word - Teneloluku. I wrote an email to him in this regard few years back.
As such, there is no word in Telugu called "loluku". And it sounds very odd. If you say Tene and then pause one must say oluku and not loluku. No Telugu dictionary defines that word. The better thing for the singer would have been to say Teneloluku without a pause/break. Again, my concern is, there are so many followers doing the same mistake - or shall we call it an aberration.
Thanks,
Murali
I agree sir
the grammatical aspect of the language comes to the fore here the GUNA SANDHI connects the two words into one TENELU OLUKU as TENELOLUKU but the great musicologist maestro PROF SRIPADA PINAKAPANI GARU also held the same view that sahitya should be split as 'paluku palukulaku tene loluku for the roopakam to set in .he used to hold a view that if one wants to savour the sahitya why don't they sit at home and read a commentary on tyagarajaswamy's sahitya acumen why do they come to listen to a sangeeta kutcheri where they find faults with the splitting of the syllables AS A TORCH BEARER OF THE TANJAVUR BANI WHICH WAS TAUGHT TO HIM BY THE LATE RANGARAMANUJA IYENGARVAL,he had clear view about things related to kriti singing,though I beg to differ from the GURU of legends like VOLETI,NEDUNURI,MALLADI BROTHERS that sahitya is secondary in a katcheri I respect your deep interest in the clear enunciation of lyrics my salutations to you as an esteemed, fortunate disciple of the GREAT TKG SIR
regards
avunu muraLee krishna garoo ! deenni ee gaayakulu entha baagaa ardham chesukunTE vaaru thyagaraaju gaariki nyaayam chEsina vaaru avuthaaru . kaanee bhaavam ardham sangeetham anthagaanoo mukhyamE ani ardham avuthundanTaaraa ?? naaku sandEhamE !!
Prabha Anipindi Most artists are very well aware that Carnatic music revolves around the compositions. Hence, they make it a point to know and understand the meaning of the song, if not each and every word. They know the meanings of the songs very well and also the context in which they may have been composed. And that is why they pick the nereval spots very intelligently, enhancing the sahitya bhava of the chosen sentence (at least, that is the purpose of nereval theoretically), without compromising the raga bhava. The only problem is, they may not know the sandhis and samasams involved in the song, as much as a person who learnt the language in the schools, like you and me does. This is understandable, because when we sing a Sanskrit krithi, we may not know the meaning of every word, although we understand the overall meaning.
People like M. D. Ramanathan, G. N. B., Patnam Subramaniam Iyer, among others learnt the language and wrote compositions in Telugu!!! Also, Late Sri Musiri Subramaniam Iyer placed lot of emphasis on Sahithya bhava. Their school of thought clearly says sahitya bhava is very important in Carnatic music. While artists know the sahityam very well and some might ignore it in the name of Vidwat pradarshana. That is an unfortunate trend.
can you please upload the entire concert.
1000000000000 likes
SUPER.
No Flash Please @ 0.40 :)
I want to say in Tamil.இந்த அளவுக்கு ஶ்ரீ ராமசந்ர்ர மூர்த்திய பாடறதுக்கு அத்ருஷ்டம் பண்ணியது ராமனா. க்ருஷ்ணாவா?
Krishna neeku samanam evuru ledu
(y) waav thankz fa posting this video :)
There was a beautiful Entha vedukondu rendition in the same concert? Any chance you could upload that?
Sabarinath Subramania
Is this available for purchase anywhere? I've searched on iTunes, but unfortunately couldn't find this rendition. Any pointers will be greatly appreciated.
Ravi Bhagavatula
@glasstronomer, sir, do you have the rest of this concert? Thank you
rAma nI samAnamevaru raghu vamshOddhAraka (samAnamevaru, nI samAnamevaru)
anupallavi
bhAma maruvampu molaka bhaktiyanu panjarapu ciluka
caraNam
paluka palukulaku tEnelOluku mATalADu sOdarugala
hari tyAgarAja kula vibhUSaNa mrdu bhASaNa
I like that Beautiful girl
1930s "Raama nee samaanamevaru" rendition by Ud. Abdul Karim Khan:
th-cam.com/video/Hp1-HgUVGNM/w-d-xo.html
Thanks for the link. It is beautiful .