Dehancer Pro Review - Film Emulation and Effects for DaVinci Resolve
ฝัง
- เผยแพร่เมื่อ 30 ก.ค. 2024
- Dehancer Pro OFX is a DaVinci Resolve OFX plugin for emulating the look, feel, and flaws of analogue film with your digital video footage. In this video I take you on a walkthrough of all Dehancer features while color grading some footage from start to finish.
Disclaimer: This video is not paid for or sponsored. Dehancer did provide me with a copy of the plugin for the purposes of creating this review, but have not seen this video prior to publication. All opinions are my own.
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Reference Links
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⚡️ Download free trial of Dehancer Pro OFX For DaVinci Resolve
www.dehancer.com/store/photo/...
🎁 Use promo code DOMINEY for 10% off any Dehancer product.
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Chapters
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0:00 Intro
1:14 Where to apply Dehancer
1:52 Assigning input source
4:30 Color correction
5:22 Assign film profile
6:39 Expand
7:14 Print emulation
8:16 Color density
10:02 Color head
11:30 Film grain
13:43 Halation
14:47 Bloom
15:26 Vignette
16:25 Film breath
17:13 Gate weave
17:56 False color / Output
18:32 Final result and thoughts
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Gear Used to Create This Video
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Camera: geni.us/x1qWvob
Lens: geni.us/DlD0
Monitor/Recorder: geni.us/lH7lITS
Microphone: geni.us/qmVjq63
Audio recorder: geni.us/ABAEu
Key light: geni.us/cElYW
Fill light: geni.us/sxel38
⬇️ My C-Log to Rec.709 LUTs for the R5/R6
dominey.gumroad.com/l/yqCnV
Complete gear list: kit.co/todddominey
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Follow and Contact Me Elsewhere
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Instagram: / dominey
Twitter: / tdominey
Blog: dominey.blog
Photography: dominey.photo
Email: dominey@gmail.com
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Music
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All music via Musicbed. 30-days free through this link!
www.musicbed.com/invite/uxZ1j
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Affiliate Disclosure
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Some of the links in this description will direct you to online stores where I may earn referral credits from qualifying purchases at no additional cost to you. If you want to shop and support this channel, you may also use the following storewide links.
🛒 Amazon: geni.us/gotoamazon
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Thanks, Todd. During an appearance on Cullen Kelly's Grade School, the colorist Jill Bogdanowicz revealed a secret to accenting texture without it looking over-processed. While working on Joker, the colorist used Live Grain - which separates out the red, green and blue channels, creating grain that resembles scanned film - to accentuate the texture in the cooler, darker backgrounds while de-emphasizing grain in the warmer, red tones of the talent's skin. This can be accomplished with Dehancer and Resolve in a number of ways, but because I find isolating skin tones too tricky, I just use the depth map and reduce grain in the subject. It makes a dramatic difference to just plopping the same amount of grain on the entire image. You'll see this technique often used in films. Cheers.
Thanks for this Todd,and greetings from Sydney. I am intrigued how @Dehancer will work in an iOS workflow, either in the DaVinci App or preferably with LumaFusion for whom I am a beta tester. I arrived at your video after going down a rabbit hole of Pro Mist, Glimmerglass and CineBloom reviews - and realise that the optimum solution is to selectively craft the desired ‘look’ in post, rather than compromise the crisp high bitrate source image by impacting high grade glass with a hardware filter whilst filming. Love your work…
Great tutorial 😍Wish you would have demonstrated on few more clips
ive noticed that if im using curves before dehancer on node tree i cant do matt look, they work little bit different, could you explain/help?
Damn thank you for this. Also, ngl you somehow look like Tony Northrup lol
What if I set the Timeline color space to DWG when I'm in a non-color-managed workflow? Do I still need to set the input source as Rec.709 in Dehancer?
Thanks for sharing! If I shot the video in the Standard/regular profile (not log) ... what should my profile setting in DaVinci Resolve be set to?
Rec 709 for your camera
isnt it slow on your mac?
Fantastic overview. Though I would have liked to see a little more of the "bloom" effect. Even though you personally don't like it, it's very popular.
if only They can figure out a way to get that phot-chemical color of film. not sure what that would require but everything looks amazing.