Finally someone knows how to use color boost! And great choice on Blaine. Dehancer, I'd recommend having any reviews you have from people go through every step like Blaine did (including Davinci settings).
Big thumbs up!!! Thank you for going through the details. I have to say Dehancer is an amazing plugin, especially for amateur like me, and your video helps make everything so easy to follow... love it!!!
Camera profiles in Dehancer are designed to interpret low contrast (Log) video to normal contrast (Rec.709). Creative shooting modes (e.g. S-Cinetone), as well as video with normal contrast (e.g. HLG) do not need gamma curve interpretation and can be used as is, while Rec.709 should be selected in the Input of the plugin.
when im grading my dji mavic 3 pro (dlog) footage in the dwg colorspace and i choose "dvr wg/intermediate" as a source in the dehancer plugin inbetween a colorspace transform from dlog to dwg (before) and dwg to rec709 (after dehancer) my scopes get crushed in the highlights and shadows (which is bad as far as i know). but when selecting rec709 as a source it doesnt crush (but its not correctly setup). any idea how i can make it work?
I am way beyond confused and thinking of switching back to Windows just because of a monitoring issue? Sorry for my ignorance but I have been looking everywhere online for the last 2 hours on how to setup my MacBook M2 display and/or Resolve Studio 19 to be able to use Dehancer (edit: or just color grading in general) during color grading and getting the same results when exporting to different platforms such as TH-cam, IG, web… I just don’t understand, way too many options and people saying different things it is so confusing
@@Dehancer i dont Unterstand haha..i mean in the pro Version i have for example Kodak 2383 and fuji3513 AS a Print Option..have i in the lite Version any Print Option 😬
@@foksfinest6541 Dehancer Lite plugin doesn't have an option for print media selection. In this plugin, films are always 'printed' on Kodak Endura Glossy Paper.
I think dehancer an amazing plug in, did you ever think to add a section where you can add artifacts of vintage lenses or stylize even more your look with creative chromatic aberration or stuff like these?
How do you manage the colour space when using Davinci Wide Gamut? I like to set my timeline to DWG, then input the colour space as my camera. I can never work out what you're supposed to then put into Dehancer - is it just davinci wide gamut? If I use Rec 709 and input my specific camera details into Dehancer it looks totally whack every time.
Shooting in Log gamma gives more space for correction, however Dehancer works well with any normal contrast source shot in Rec.709 or HLG. Camera profiles in Dehancer are designed to interpret low contrast (Log) video to normal contrast (Rec.709). Creative shooting modes (e.g. S-Cinetone), as well as video with normal contrast (e.g. HLG) do not need gamma curve interpretation and can be used as is. There is no problem for Dehancer to color grade any normal contrast source. Just select Rec.709 as Input and use Dehancer Film Developer tool or your familiar host settings to adjust any source abnormalities.
Thanks for the tutorial, Blaine. I’m pretty sure for the node-based workflow at the end of your video, when Dehancer Source is set to DWG/Intermediate, it’s expecting DWG, not Rec.709. If you wish to grade with DWG, the Timeline Color Space should be set to DWG on the color mgmt page and the input CST ought to be ARRI logC3 to DWG, not Rec.709. Clamping a large color space like ARRI LogC3 down to a tiny one like Rec.709, followed by a huge one like DWG seems counter-intuitive. Timeline DWG, Input CST DWG, Dehancer DWG, Output CST Rec.709 would be proper color mgmt AFAIK. Anyhow, thanks again for the tutorial.
Please read the 'Quick Guide' on our website, as this topic is covered in great detail. With DWG workflow in the Project Settings set Output to Rec.709.
@JonPais +1. I'm confused too about last example. My workflow is: In the project settings Timeline CS is DWG and Output CS is Rec709-A, then in node tree CST (RED to DWG) -> Dehancer (Input is DWG) -> CST (DWG to Rec709-A).
if there is no camera profile in the list, can i use color science davinci yrgb, timeline color space 709 A, and then use CST node, and then add dehancer node with source 709?
If there is a dedicated profile in Dehancer, we suggest you use it first. If for some reason it is not an option, you can use any available means (CST, IDT, factory Luts, manual de-Log) for interpreting your source material in Rec.709 for further processing with Dehancer.
DWG was covered in both a project based color management at 14:45 and node based at 16:54. If you are referring to the output color space at 15:02, this is because we want rec709 as our final output. we are still working within DWG in this scenario.
@@BlaineWestropp1 Timeoine colour space should be DWG not REC709. REC709 is for output only and DWG is the big colour space you want to have your image live when you are making adjustments. Look it up. @FrankGlencairn is right.
I know this is a month old but for best functionality, including built-in camera profiles, Dehancer requires 709. If not using certain features then other color spaces will work just fine
Dehancer supports ACES pipeline. We have a fantastic articles on suggested workflow. We also have a 'Help' section on our website (Manuals, FAQ included) - www.dehancer.com/help/installation_setup And we suggest that you check out this article on our blog, too - blog.dehancer.com/articles/what-is-aces-and-how-to-use-it-in-davinci-resolve/
Hii, I Have a question, I am using a non color managed work flow,. my time color space is DWG/intermediate and output color space is rec709 gamma2.4. in my first CST I convert Slog 3 into DWG and in my last cst i convert DWG in rec709 gamma 2.4 after that i place dehancer node. So my question is what Input option i should I use for this dehaner node, rec709 or DWG/Rec709 option?
Following your description, looks like your pipeline is a bit unusual, as the final conversion to Rec.709 output is not needed within the DVR/WG workflow, if properly set up. Please follow our Quick Guide for OFX plugin and the corresponding video tutorial, which covers these topics as well.
Hi! Sure, there will be more tutorials, follow the announcements. If you lack saturation somewhere, there’s a dedicated option for this. Try to adjust the Film Developer -> Color Boost setting to reveal more color in your footage. Also mind your Print and Color Head settings (white balance) to render colors properly
The way Dehancer render colors while operating in DWG versus REC709 is so confusing. Really wish there was some deep technical video about that. The difference isn't little, it's expected shadows will not have same lifted faded quality as in DWG they aren't clipping so early which is ok, but everything else are completely off: contrast, pivot, colors they are just too different between DWG and REC in a strange way. Analog range limiter also behaves unpredictable shifting the temperature. In a tests with grayscale ramp it is clear that curves are different. Take a look at simple Fuji 3513 Print on grayscale ramp: in REC709 on a waveform it has that "broken" shape in the shadows in a red channel (as same as stock Resolve one), in DWG it suddenly disappear making curve much softer in that same region. Wondering why this so.
From basic tutorials on color grading to advanced techniques in film emulation, our new 'Learn' section on the website is dedicated to helping maximize the knowledge in film emulation and color grading. Please, check it out. Additionally, we suggest contacting our support team if you feel that performance is lacking.
I mean it's fine but for us real colorists we would never sacrifice time-efficiency color correcting from the beginning in Dehancer. I usually put Dehancer on a group per scene. Each clip should be adjusted first on Davinci, you have after and more accurate tools there. For example, If you have a Mini controller or a pro controller, you will go director to color-correct your image using the RAW tools as it will give you more control over your image, later you can go into minor details on your primaries, and finally on Dehancer.
Hi! Currently we are concentrated on the development of our iOS app, but maybe one day we'll start to work on Android app as well. You can also try an alternative to the app - Dehancer Online, which works in any browser and on any device and can be used for photos
We have fantastic blog articles on suggested workflow. We also have a 'Help' section on our website (Manuals, FAQ included). Additionally, we suggest looking through our playlists here where we have a lot more useful info.
This guy is so good he’s explaining the details of details I love this
Finally someone knows how to use color boost! And great choice on Blaine. Dehancer, I'd recommend having any reviews you have from people go through every step like Blaine did (including Davinci settings).
Will keep that in mind!
Blaine was a wonderful choice to have do this tutorial!
Great tutorial. Dehancer user here from release, and it keeps getting better!
Thank you for the continued support!
Blaine was an excellent choice! Gets right to the useful information, very helpful.
Great to hear!
Very helpful, especially explaining the differences between the exposures. Also, saving project settings?? A big bonus. I didn't know!
Glad you found it helpful!
Big thumbs up!!! Thank you for going through the details. I have to say Dehancer is an amazing plugin, especially for amateur like me, and your video helps make everything so easy to follow... love it!!!
You're very welcome! :)
This was super useful! Thanks 🙌
You're so welcome!
i have a question..
on the node based output in the end of the video, shouldnt be the output gamma be 709-A for mac? why Rec709 there?
Camera profiles in Dehancer are designed to interpret low contrast (Log) video to normal contrast (Rec.709). Creative shooting modes (e.g. S-Cinetone), as well as video with normal contrast (e.g. HLG) do not need gamma curve interpretation and can be used as is, while Rec.709 should be selected in the Input of the plugin.
when im grading my dji mavic 3 pro (dlog) footage in the dwg colorspace and i choose "dvr wg/intermediate" as a source in the dehancer plugin inbetween a colorspace transform from dlog to dwg (before) and dwg to rec709 (after dehancer) my scopes get crushed in the highlights and shadows (which is bad as far as i know). but when selecting rec709 as a source it doesnt crush (but its not correctly setup).
any idea how i can make it work?
Have you had the chance to contact our support team?
I am way beyond confused and thinking of switching back to Windows just because of a monitoring issue? Sorry for my ignorance but I have been looking everywhere online for the last 2 hours on how to setup my MacBook M2 display and/or Resolve Studio 19 to be able to use Dehancer (edit: or just color grading in general) during color grading and getting the same results when exporting to different platforms such as TH-cam, IG, web… I just don’t understand, way too many options and people saying different things it is so confusing
Please, check out the ‘Learn’ section on our website where we provide a lot of useful information - articles, manuals, guides and more.
Really solid, Blaine. I enjoyed this tutorial
Glad to hear it!
Hello 😬 which print options i have in dehancer lite ?
which host are you referring to?
@@Dehancer i dont Unterstand haha..i mean in the pro Version i have for example Kodak 2383 and fuji3513 AS a Print Option..have i in the lite Version any Print Option 😬
@@foksfinest6541 Dehancer Lite plugin doesn't have an option for print media selection. In this plugin, films are always 'printed' on Kodak Endura Glossy Paper.
I think dehancer an amazing plug in, did you ever think to add a section where you can add artifacts of vintage lenses or stylize even more your look with creative chromatic aberration or stuff like these?
More and more dirt is always on our roadmap, but at the moment we prioritise the film emulsion features over camera optics and filters.
👌
I had to double check the channel name when you opened the video hahah
@@FjodorvS 😎
@@FjodorvS haha same!
How do you manage the colour space when using Davinci Wide Gamut? I like to set my timeline to DWG, then input the colour space as my camera. I can never work out what you're supposed to then put into Dehancer - is it just davinci wide gamut? If I use Rec 709 and input my specific camera details into Dehancer it looks totally whack every time.
Hi! Please, check out our 'Quick Guide' on DaVinci (it's in the 'Learn' section on our website).
Beautifully done!🫡
Thank you! Cheers!
Any more of these Davinci tutorials coming?
Yes, in the nearest future.
does it only work with log footage or also with any picture profile? i.e., natural profile on panasonic in rec.709
Shooting in Log gamma gives more space for correction, however Dehancer works well with any normal contrast source shot in Rec.709 or HLG.
Camera profiles in Dehancer are designed to interpret low contrast (Log) video to normal contrast (Rec.709). Creative shooting modes (e.g. S-Cinetone), as well as video with normal contrast (e.g. HLG) do not need gamma curve interpretation and can be used as is.
There is no problem for Dehancer to color grade any normal contrast source. Just select Rec.709 as Input and use Dehancer Film Developer tool or your familiar host settings to adjust any source abnormalities.
@@Dehancer Thanks a lot
Thanks for the tutorial, Blaine. I’m pretty sure for the node-based workflow at the end of your video, when Dehancer Source is set to DWG/Intermediate, it’s expecting DWG, not Rec.709. If you wish to grade with DWG, the Timeline Color Space should be set to DWG on the color mgmt page and the input CST ought to be ARRI logC3 to DWG, not Rec.709. Clamping a large color space like ARRI LogC3 down to a tiny one like Rec.709, followed by a huge one like DWG seems counter-intuitive. Timeline DWG, Input CST DWG, Dehancer DWG, Output CST Rec.709 would be proper color mgmt AFAIK. Anyhow, thanks again for the tutorial.
Please read the 'Quick Guide' on our website, as this topic is covered in great detail.
With DWG workflow in the Project Settings set Output to Rec.709.
@JonPais +1. I'm confused too about last example. My workflow is: In the project settings Timeline CS is DWG and Output CS is Rec709-A, then in node tree CST (RED to DWG) -> Dehancer (Input is DWG) -> CST (DWG to Rec709-A).
if there is no camera profile in the list, can i use color science davinci yrgb, timeline color space 709 A, and then use CST node, and then add dehancer node with source 709?
If there is a dedicated profile in Dehancer, we suggest you use it first.
If for some reason it is not an option, you can use any available means (CST, IDT, factory Luts, manual de-Log) for interpreting your source material in Rec.709 for further processing with Dehancer.
@@Dehancer how about using timeline color space rec 709 gamma 2.4 in mac?
@@alvinfauzie We have all sorts of valuable and helpful info here on our site in the ‘Help’ section and our blog, too.
Why would you set your timeline color space to 709 and not the much wider Davinci wide?
DWG was covered in both a project based color management at 14:45 and node based at 16:54. If you are referring to the output color space at 15:02, this is because we want rec709 as our final output. we are still working within DWG in this scenario.
@@BlaineWestropp1 Timeoine colour space should be DWG not REC709. REC709 is for output only and DWG is the big colour space you want to have your image live when you are making adjustments. Look it up. @FrankGlencairn is right.
@@BlaineWestropp1 I was referring to 2:12
I know this is a month old but for best functionality, including built-in camera profiles, Dehancer requires 709. If not using certain features then other color spaces will work just fine
@@TemenaPEno this is not true. Their website clearly shows multiple workflows for the various profiles
Thanks very much for this video. Can I ask, what camera and lens did you shoot your talking head stuff on?
Thank you for watching! That is definitely the question that only Blaine himself can answer.
I asked Blaine…it was shot on an Alexa mini LF with a contax Zeis 28 mm
@@Asomers322 thanks very much!
will dehancer work with CGI videos? rendered in ACES?
Dehancer supports ACES pipeline.
We have a fantastic articles on suggested workflow. We also have a 'Help' section on our website (Manuals, FAQ included) - www.dehancer.com/help/installation_setup
And we suggest that you check out this article on our blog, too - blog.dehancer.com/articles/what-is-aces-and-how-to-use-it-in-davinci-resolve/
Hii, I Have a question, I am using a non color managed work flow,. my time color space is DWG/intermediate and output color space is rec709 gamma2.4. in my first CST I convert Slog 3 into DWG and in my last cst i convert DWG in rec709 gamma 2.4 after that i place dehancer node. So my question is what Input option i should I use for this dehaner node, rec709 or DWG/Rec709 option?
Following your description, looks like your pipeline is a bit unusual, as the final conversion to Rec.709 output is not needed within the DVR/WG workflow, if properly set up. Please follow our Quick Guide for OFX plugin and the corresponding video tutorial, which covers these topics as well.
Can you have someone do a tutorial on how to create a LUT in dehancer that you can use on set for reference? That would be very helpful.
Will let the team know!
Hello do you have Eastman 100T 5247 Film Negative Profile ? Thanks
Hey! We do not. You can check out the updated camera profile list here: www.dehancer.com/profiles.
@@Dehancer Thank you
Can you do a tutorial on an outdoor scene? Im seeing the plugin kill the colors on forest greenery.
I would recommend just adding a Hue shift for yellow>green, seems to work for me, also pick a film emulation that isn't de-saturating greens too much.
Hi! Sure, there will be more tutorials, follow the announcements.
If you lack saturation somewhere, there’s a dedicated option for this. Try to adjust the Film Developer -> Color Boost setting to reveal more color in your footage. Also mind your Print and Color Head settings (white balance) to render colors properly
The way Dehancer render colors while operating in DWG versus REC709 is so confusing. Really wish there was some deep technical video about that.
The difference isn't little, it's expected shadows will not have same lifted faded quality as in DWG they aren't clipping so early which is ok, but everything else are completely off: contrast, pivot, colors they are just too different between DWG and REC in a strange way. Analog range limiter also behaves unpredictable shifting the temperature. In a tests with grayscale ramp it is clear that curves are different. Take a look at simple Fuji 3513 Print on grayscale ramp: in REC709 on a waveform it has that "broken" shape in the shadows in a red channel (as same as stock Resolve one), in DWG it suddenly disappear making curve much softer in that same region. Wondering why this so.
From basic tutorials on color grading to advanced techniques in film emulation, our new 'Learn' section on the website is dedicated to helping maximize the knowledge in film emulation and color grading. Please, check it out. Additionally, we suggest contacting our support team if you feel that performance is lacking.
That was very helpful! Thank you🥂
So glad!
Thanks so much for the video, this helped!
Glad it helped!
It is very useful and interesting, a very good tutorial
Glad it was helpful!
@@Dehancer I have tried it in my last video 🙂
Thank you!!
You're welcome!
Very Good, thanks.
Our pleasure!
Thanks!👍
Welcome! :)
well done, thx!
Glad it helped! :)
awesome!
Thanks!
the best
Thank you!!!!!👑👑👑
Very glad you enjoyed it!!
I mean it's fine but for us real colorists we would never sacrifice time-efficiency color correcting from the beginning in Dehancer.
I usually put Dehancer on a group per scene.
Each clip should be adjusted first on Davinci, you have after and more accurate tools there.
For example, If you have a Mini controller or a pro controller, you will go director to color-correct your image using the RAW tools as it will give you more control over your image, later you can go into minor details on your primaries, and finally on Dehancer.
Please, dehancer in android
Hi! Currently we are concentrated on the development of our iOS app, but maybe one day we'll start to work on Android app as well. You can also try an alternative to the app - Dehancer Online, which works in any browser and on any device and can be used for photos
You forgot the most important part : how to export in the diff colors spaces
We have fantastic blog articles on suggested workflow. We also have a 'Help' section on our website (Manuals, FAQ included). Additionally, we suggest looking through our playlists here where we have a lot more useful info.
@@Dehancer Ok thanks for the answer