How To Make Triple A Graphics
ฝัง
- เผยแพร่เมื่อ 21 พ.ค. 2021
- A small look into how triple a studios do their graphics
mp40 model by Elliot Griffiths sketchfab.com/3d-models/mp40-...
Music: Bluesy Vibes - Doug Maxwell
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Twitter: / garbaj2
Website: garbaj.net
Github: github.com/GarbajYT - เกม
TIL that the "wood" on the mp40 is actually bakelite
Ok, thank you for sharing this useful information.
Ok
nice
Ok
yea
expected a meme about lots of motion blur, lense dirt, bloom, camera shake
sorry to disappoint ;)
@@garbaj quite opposite actually. though i already knew about pbr :)
@@zweetband perfect description
or puddles of water everywhere
@@theonlyplain i think it is more of a gta v modding kinda of style
Yes, crank up bloom/glow will directly boost your game from AA to AAA
unironically this
wet roads for more graphix
dont overdo it or you'll burn player's eyes and end up with AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA which noone is ready for yet
rofl
"hello and welcome todays game , we have picked an AAAAAAHHHHH game , lets start"
So, lets go, its physics theory time.
A roughness map is there to simulate the microsurface detail of an object. When light hits a surface it gets scattered, sometimes a lot, sometimes a little. How much depends on the overall roughness or smoothness of the surface. This creates the specular highlight, that white dot in the eye, the rippling sheens across a fancy car, the anime shine of glasses, the shing of a sword catching the sunlight etc. etc. etc.
A smooth surface, like a mirror, will reflect almost perfectly, whereas a rough surface, say, a cloth shirt, will not reflect the highlight very well at all. Hence the roughness map, black means it's completely smooth, white means it's completely rough, so no highlights for you >:(
Moving on to specular maps. They're kind of the reverse of roughness... kinda... you see you have to know what the metalness map works to know how these maps change things, because you generally don't use metalness with a specular map. So metalness maps... let's go.
When light gets reflected, it will generally be the colour of the light source. Except with metallic materials, then it will be the colour of the object. To explain:
- Orange Light hits Blue Non-Metal surface: Orange Highlight is reflected
- Orange Light hits Blue Metal surface: Blue Highlight is reflected
That's where the metalness map comes in, to explain what is metal and what isn't.
Now comes in specular maps. While they're kinda the reverse of roughness maps, what they allow you to do is manually decide the colour of the specular highlight.
- Orange Light hits Blue surface with Green specular data: Green Highlight is reflected.
This gives you more control over how your objects look, but can be finnicky... and often reality breaking... unless you wanted to do like, pools of oil or something... but it's more versatile, which is its strength. A quirk of specular maps is to make a metal, the albedo (or diffuse, it's just the colour map really) must be black, with the colour going into the specular map instead.
Hope that clears up... stuff...
thanks, I think I'm beginning to understand!
Wow, thank you so much for explanation!
I think, I saw this trick with specular map colours in Team Fortress 2 on weapons with specialized/professional killstreak counter applied
Not sure though, maybe they're just overlaying semitransparent diffuse texture on top, like enchanted items' glow in Minecraft
@@AlexProGear I haven't played an awful lot of TF2, it could be that but I reckon that's an emissive map with the roughness turned way way down and the material set to metal. I'd have to look into it :)
Btw, Emissive maps are basically albedo/colour maps that ignore lighting and just show the full colour of the object, basically making it 'glow' although all the bloom/actual glow will likely be added later, it just brightens the surface of an object
That's fucking awesome.
To be precise, specular controls the light that bouce off non-dielectric materials (materials with metalness=0.0). Any system that take energy consrvation into account, use it to make the "exposure" of the highlights coherent to the enviorement. So basically, if you have a base color set to 1.0 (white) and a specular at 1.0, it bouce off more energy that the object takes, breaking the law of physics. That's why usually you want to leave the specular at 0.5 and work with the saturation and value of the base color.
Also, it is adviced to use the metalness as a on-off value, except some rare cases.
EDIT: I recently got this comment bumped up and I see I wrote something partially wrong. PBR materials are already made for correctly follow the rules of the physics of light, so if you set specular to 1.0 it's not wrong at all, just quite rare.
I finally know why Cyberpunk took half of my fucking memory.
... and half of your drive space, half of your money, and half of your soul. I know it's too late for you to refund, but try to warn the others. :(
That and probably event ticks
@CavFanOneThree Agreed. Gets too much shit for being overhyped. I didn't play through the whole game, but it was fun while I did. Also all the glitches were funny as fuck.
Halo 5 for me
HALF?
JUST HALF?
Using the "glow" effect to achieve a high budget look is a nice joke. :D Most games(including AAA) do the "glow" so badly, it's shameful.
true true, I wouldnt mind if we got away from glow a bit
it is called bloom
@@musikalniyfanboichik glow*
@@AkariInsko No, it is indeed called Bloom, A post-processing effect, which is what actually puts most of the meat on the finished product of what you actually see in a game.
Screen Space Reflections, SSAO (Ambient Occlusion that is processed by the engine, as opposed to being added as a texture.) Anti-aliasing, Volumetric Fog, etc etc. Is most of what adds up the amount of memory a game uses, as well as what really makes it look good.
The motto that my old teacher taught me "The first 95% of a game will be done in the first 50% of the time you have, that last 5% is what will take the rest."
@@ajallen212 glow*
"Roughness" basically describes how "not-shiny" a part is, as in something with 0 roughness can be mirrorlike (depending on other factors) while something with 100% roughness is basically as reflection absorbing as it can get.
So 100% roughness would be absolute black as it absorbs every wavelength of light and therefore leaves none to be reflected into your eyeholes.
Or the more logical answer is that it just isn't shiny.
@@Corzappy Not quite, in PBR light is either reflected or refracted. The roughness determines how much of this light is reflected. The remaining refracted light is used to give the colour of the object. Therefore a shiny object reflects a lot of light hence the bright spot and there is little refracted to represent the surfaces colour (hence why these bright shiny spots are the colour of the light source and not the surface). A fully rough object would not reflect any light and all light would be refracted and provide just the colour of the albedo. This however only applies to dielectrics. Metals are handled differently within PBR (hence the metalness map)
@@Corzappy game engines don't interpret the light wavelength, that's all
@@Corzappy Not entirely. Unlike older shading models that allowed you to make physically inaccurate changes like the actual specularity (reflectivity) of a surface, PBR roughness does _not_ describe how reflective something is. Instead, it describes literally how rough a surface is on a nearly microscopic level (indirectly affecting the strength of the reflections). A surface that is at maximum roughness will still reflect light, but not as much as a surface that is perfectly smooth.
@@Corzappy with PBR, roughness 1 still keeps the texture of the object, and just doesnt show visible reflections.
Specular maps are paired with the roughness maps, the specular map shows how reflective the object is. The ambient occlusion map is for indicating where self shadows are because it's much more efficient to have it baked in to a texture.
You can still use specular maps, but avoid using them if you ever want to make realistic graphics. Specular mapping is an old method that was used (along with shininess) to add detail to specular reflections and, as you said, describe how strong they should be. I guess you can call it an imitation of roughness maps - it tried to achieve realism by simply multiplying the specular component, without actually caring about what makes materials less/more reflective. Now that the PBR model is widely adopted, just use a roughness map - its contents will be plugged to a cool function (google "BRDF" or "rendering equation") that will make everything look much more realistic (prettier in all light conditions) and simpler to work with than if you used a specular map.
I agree on the part about AO though.
@@agodelianshock9422 Hm I'm not quite sure I get what you mean. For me it actually seems that the old games had more plastic-looking materials. The good old Phong model couldn't really simulate microfacets so adding reflections made everything look like a cheap plastic replica from aliexpress... Maybe it's the fact that we started toning down color saturation to make it look more like the real world, which also made the textures look more depressing (yeah just like the real world). Or it's the tonemapping (since we do HDR) that makes it look soft... Anyways, you can still use PBR and get nice colors if you saturate your albedo map, use stronger lighting or add some post-processing (see far cry 3). But don't add too much bloom.
Specular maps are not used at all in a PBR model - if you want physically accurate materials, you _never_ alter the material's specular level directly.
@@micha9552 all modern games either use metalness-roughness or spec gloss.
gloss is just inverted roughness. the games are still using that map to simulate microsurface details.
the specular map nowadays is only a color map which determines the color reflected by the surface. while the metalness workflow ensures conservation of energy, the specular color workflow is preferred by many artists. every single recent Call of Duty game, for example, uses specular color. rainbow six siege, on the other hand, uses a metalness/roughness.
Specular maps are NOT used with roughness. They are used with glossiness maps, that the spec/gloss BRDF which is the old way, everyone now is using the much better metal/rough BRDF, which is a lot more simple, as the metallic texture is binary, either has black or white, and the roughness is gray.
The specular workflow included color information in the specular texture, which means that editing the textures without the original project is impossible, as they cannot be "reversed".
there's also animation, particle design, special effects, LOD effects, post-processing, performance optimization, environmental ambient occlusion, lootboxes, elephants, continuous delivery, corporate meetings and a coffee maker, all of those are important when making a 3d model
@@dreamy97836 LOD is very important, although you can usually get away with some cheap hacky solutions for it.
@@freddymathews Never said LODs aren't important
"lets touch bases about the forward-thinking internally motivated people person who works well under pressure model you are creating"
Not all that you told on the beggining like ... well i think you never said good on any of that so yes thanks that all that we got But Not What we want or deserve? and is that the begging we not seeing more manual lods like ue5?
The coffee maker is even more important when making 2D
I've learned everything and nothing at the same time
Great video though
that's why I'm here :D
Same lol
yup
@@garbaj daily dose of internet
i agree but atleast i had fun while i was at it
I've been a 3D modeler for over 10 years.
3D models always start with high detail in a modeling software.
The bump map and other detail maps are rendered from the high detail model.
Then, the actual 3D model is simplified to reduce resource requirements.
And when you apply your maps, it gives the simple 3D model a detailed appearance.
This is actually how the industry has been doing it for decades.
Very interesting, thank you for sharing this
This only addresses the Normal/Bump map aspect of the model though. Unless you're painting the object in like Marmoset after sculpting it, you still need to do all the texturing work after the fact. Which actually brings the object to life before any Engine rendering features contribute to its life-like appearance.
@@soop8765 Check out substance painter for that.
Yeah just like they made yoda not perfect in episode 6, but the grain of the 35mm camera gives it shape
"Don't ask me how this works because I don't know." This is every class in physics and chemistry
this is every class in every slightly more abstract subject
Hopefully that will clear up with more research into quantum mechanics. Right now we don't even know if atoms are made of particles or vibrating quantum fields, so it's kinda hard to give definitive answers on how anything works lol
literally all my Game Art uni lectures
followed steps. have become a triple a graphic millionaire but all I want to do is make everything look like a ps1 game
the natural evolution of a game dev tbh
Suffering from success
New Blood moment
I want to make a game that looks just like Tools of Destruction 🤣
Nintendo, is that you?
one step closer to my outer space minecraft mmo with guns and realistic graphics that's coming out next month
UPLOAD DEVLOGS
@@giorgiorp4676 my mom wont let me use bandicam :,(
@@swishfish8858 obs.
@@swishfish8858 screencastify
@@swishfish8858 your phone's front camera
Ambient Occlusion models the fact that where two surfaces meet at a sharp angle, there is shadows. Specular Highlights are the bright spots on reflective materials. The other maps are sampled by the shaders on each point of the model (either texel, or vertex), and it blends between the two shaders (one metallic one rough etc) where white is one shader and black is the other.
holy shit first time i've seen someone use godot outside of a tutorial
i applaud you
I'm not actually the first. Miziziziz has been doing it for a lot longer than I
Finally I realized the use of these images, I literally ignored it
I... what? You literally never questioned why your fancy tubrosquid models all came with five different textures? Lmao
@@swishfish8858 prolly a beginner, give him a break 😄
your power level just increased
ambient occlusion maps is basically defining the shadow of an object's crevasses, and usually gives the object/mesh some additional depth detail.
Yeah, they trip me the fuck out because I know the mesh details don't exist at all, yet ... fffffsgdjskdjsidijsj
To clarify a little on this, what an ambient occlusion map does is give the renderer a value that determines how much light different areas should receive. A completely white (1.0) AO map means that everything receives the same, full, amount of light (as if you weren't using AO at all), and black (0.0) means that no light should reach there. It's one of the easiest texture channels to make yourself and one that makes sense.
When thinking about PBR rendering it helps to keep physics in mind, such as albedo not really being "color" in a sense, but what parts of the visible light spectrum the surface DOES NOT absorb, like how real life leaves appear green because their "albedo" is absorbing much of the rest of the spectrum.
A black albedo (0,0,0) map means that the surface absorbs the whole color range and leaves nothing to bounce to the camera, unless added specularity/metallic/roughness channels allows it to.
With that in mind, picture a completely white (1.0) albedo that absorbs NO LIGHT, then put a grey (0.5) ambient occlusion map on that. The result will be a grey surface, as you're basically saying "absorb 0.5 of both red, green and blue light here", but our minds will interpret it on screen as if this "white" surface is in the shade.
so should I turn it on or off lol
AO isnt a shadow map.
@@IPpainting it might be reductive and inaccurate to call it that, sure, and no one here called it that, but you define areas that occludes ambient light; you literally map shaded areas on an object.
This is actually a really good “textures for dummies” video. I kinda wish you touched more on AO though since we use AO maps to as a mask for a lot of detail like scratches and dirt/grime.
Ambient Occlusion is basically the shadow that appears when two surfaces are super close to each other. For example, if you had two walls making a corner, that corner would have AO.
I love how you simplify stuff and not going into too many details that it actually kinda good for newcomers or student who want to get into graphic design and let them know what are these things gonna use for :D
I honestly forgot that ao maps existed. Might be useful :)
indeed
ya
Geef me een pauze!
how to make AAA game 2004-2013 : GLOW 10000000000
Cant wait for this to blow up. Great straight to the point content, well made sir
This channel talks to both game developers and players at the same time and boy do I love it
Good job :D
How to make a game look like AAA game.
Step 1: pay someone else to make the models
Step 2: repeat step 1🤣
ditch the emoji
@@codingidiot6754 k
What does this even mean, ofc it's like that, triple a literally means made by a higher budget/company
@@codingidiot6754 cringe
1) steal models from illegal sites
2) put different style models into the game
3) make a kickstarter for your MMORPG you worked so much on. *cough*
The title should be : introduction to image textures
yes in a completely straightforward logical world
@@Shadow77999 indeed
Or some of them
What is an "image texture"?
@@DasAntiNaziBroetchen basically an image which has a color/texture and is applied to 3d objects
been here since 150 subs! Keep up the great work!
That's how informational video should be small, nice and to the point! Good job sir
This was actually really great, a really nice intro for beginners.
your channel is a godsend
Eyyy :D
don't make the same mistake I did, I thought ambient occlusion maps are useless and later I realized they are freaking important!!! always try to use them if gotten the chance
And if your too lazy to make em/ find em use SSAO. This will deatroy performance but laziness > performance = [insert big game companies] motto
Well they kind of are since you can just bake them into the albedo
@@udese730 You can't if you're going for PBR, AO should only blocks ambient light. Darkening the albedo will block any light
@@beach54000 So do light sources aimed directly at the model ignore the AO map? I always wondered why Source has a dedicated map for that when Valve just bakes AO into their albedo textures in every model I've ever examined, and that might be the answer.
Ambient Occlussion is basically "corner shadow". Basically, when 2 faces are close to eachother, they block eachother's possible lighting, making it darker. It's basically a shadow map generated by the model's (and maybe even normal map's) own geometry.
wow this was a short video, but really informational! Thank you so much for this video, I enjoyed!
Don't forget to set metalness from 0 to 1! if you don't the metalness map basically isn't accounted for. Also, you can cut down on some memory usage but using ORM maps (AO, Roughness, Metalness). It's just those three maps smashed into one texture using the RGB channels (AO in red, Roughness in green, Metalness in blue). *Now* you have AAA graphics (sorta).
I just tried setting metalness to 1 and it made a huge difference and now I feel dumb. Thank you for the heads up :)
Was looking for this comment.
This is great, I unironically love this. You got another subscriber!
unironically reddit moment
Simple and informative video. Very nice!
I never thought I could watch a tutorial and lose knowledge, but here I am.
my job here is complete
I don't even know why I watch Miziziz's low poly tutorials when this taught me how to do AAA in less than two and a half minutes.
... Are you implying everyone who can do triple A graphics should be doing them at all times? See you in 10 years when you finish your first demo
@@Crowborn this is a joke
just add a bunch of lens flares and it's ready
You deserve more subscribers man. Keep up the good work!
Wish you had made this video when I was just getting started in game art. Thank you for this, I hope other people find it helpful!
I don’t know why, but I feel like buying that man a coffee.
Man no shit i learned here more then from a 20 minutes 5 part boring series about making games. And when I saw the title i got an insipration to move my ass and continue my game. Thanks
glad to hear it! Make that game
Fantastic quick explanation of PBR shading!!
That was so simple explanation and so useful for newbie, thanks alot
I'm mildly surprised that metallic and roughness maps aren't merged together, since there's only 1 channel per
There is a difference between smooth metallic and non-metallic surfaces. Metals i think reflect light of all colors and diamagnetics somewhat.. no? Think of a mirror and white porcelain. While they are both white and smooth, mirror is metallic and creates reflection of its surrountings, while porcelain is diamagnetic and is... like, whiter than surround color
They already do that - packed maps
I thought this was going to be a joke.
Turned out to be helpful. Thanks
you earned a new sub in just 2 minutes
This is the start of a new channel and a video genre
I make and texture 3d models! I've been doing it for the past 6 years and its super fun :)
Diffuse: Base color, pretty much the same as albedo but albedo is used in physically based materials.
AO: typically used to emphasize corners and edges. Great for exposing dirt and grime
Roughness: How shiny something is. value of 0 being a mirror, value of 1 being mat finish.
Specular: How much luster something has (can make things look like they glow without using a physical light)
Normal: Adds detail by giving the model extra lighting information. Detail favoring performance.
Height: Similar to Normal but the mesh is actually broken down (tessellated) and new geometry is created. Detail favoring quality.
In what engine/tool is emissive named "specular" as you are implying here?
I've never seen it called that, except in non-PBR workflows. And even there, it's used for something else.
@@DasAntiNaziBroetchen source and blender
I think this was supposed to be a joke, but I actually found this useful lol
Cool video, it made me chuckle :)
This is such a unique channel. Just a chill dude who feels like a homie explaining video games and making jokes. Hell yeah.
Game engines read the roughness maps by black being smooth white being rough it, like displacement maps.
thanks, didn't realize it was so simple!
@@garbaj Gloss maps are just the inverse of rough maps too. :)
Tried to follow the tutorial, accidentally made Call of Battlefield Modern Warefare 2077 Battle Royale and I am now being sued by every game company. Please help.
its easy just dig to the earths core noone is gonna look there
QUICK SAY THAT YOU ARE CHINESE
or Indians
i can tell this is gonna be one of those small channels that's just gonna blow up
Well condensed information, gr8 vid
Metallic and roughness can be coded into 1 texture in different channel colors, you can even fit emissive in there as well (if needed). If every model had 5 textures like you've shown it would be very unoptimized. Also, ambient occlusion can be baked with base diffuse color, but it's not always done.
While you are somewhat correct, you're also forgetting about texture compression and the ability to have different resolutions for different textures.
But, where are the water puddles?
I don’t know why but it made me SO happy that you said “magazine well” and “grip panel.”
2 minutes and I know more about video game graphics than I've ever learned before. You deserve millions of subs, my friend, thank you!
In a roughness map white is rough and black is smooth/shiny
so that's really not straight forward who tf came up with that(
@@iver1343 becase black is zero and white is 255. So max roughness maps nicely to max white and max slippery maps to black which translate to 0 roughness
Do you need to tweak/invert an axis in the normal map for that? If you do, what did you use?
It's been a long time since I play around with importing models to game engines. One of the pain was to convert the textures to be compatible with the engine. And worse, I used to use cryengine which uses specular-glossiness PBR workflow instead of the popular metallic-roughness workflow, so I have to convert every textures to that workflow.
I used to use Photoshop which I can individually edit an image channel like to invert the green channel of a normal map for instance, but I haven't found other tools to help me with this. I am unable to use Photoshop at the moment.
I havent had any such issues in Godot. Literally drag and drop with no issues. No need to convert textures or tweak axes for the most part. There always GIMP as an PS alternative if you absolutely must use cryengine however
green channel of normal map may have to be flipped depending on directx/opengl.
same for gloss vs roughness maps etc
This is really late, but do you have Cryengine's FBX importer plugin? I've dragged and drop Mixamo models into CE and it seemed to work just as well as with Unity or Unreal. Unreal in fact I find the most annoying since half my stuff came in transparent and I had to switch everything to opaque and then make sure that the nodes were plugged into the right places. Not every model is like this in Unreal, but it's annoying when it is. Easy to do do, just a pain in my ass either way lol.
Ambient occlusion is a map that calculates the zones on the model where light would have difficulties to reach creating shadow zones, you can multiply it on top of the albedo for a more rustic and wear down look or use it as a utility map to add more detail in the crevaces of your model. Specular maps you don't use if you are usibg roughness since they are part of a different map workflow but you could imagine them as the (1-roughness map)
Great video. Nice and helpful.
now I'm as good as EA
That's a pretty low bar to set for yourself, I know you can do better than that 😂
@@jlewwis1995 but they have got pretty juicy graphics mind you
next: how to microtransactions
@@garbaj wow, calm down satan
@@geraldofrancisco5206 no, no, keep going.
nice
great videos bro!
Thank you for making this game dev chuckle
Well Diablo3/Torchlight/League of Legends use only Diffuse + AO + bump maps baked into single channel Diffuse that then they paint over. So AAA graphics means different things.
interesting! I guess any kind of graphics a AAA company produces would be considered AAA lol
But league of legends isn't developed by a triple A company, just a mere indie studio somewhere in CA
AAA is not a measurement of graphics quality, it is a measurement of the game's budget.
@@kiwifrogg we are talking about only graphics not overall scope
@@BrainAirways That is my point, there is no such thing as AAA graphics.
Oooo, shots fired at the big games developers :D
Kinda the opposite, it just shows how hard this shit is, and it ain't even a complete guide or one on one
thank you for the Garbaj guide
I honestly had no idea how many layers were used in making models. I used to think it was just a single texture map on a model. This is super interesting!
FINALY
Give me a tutorial how to make a sliding movement pls :) btw love ur vids
th-cam.com/video/y8oJcA9X8-Y/w-d-xo.html
@@obamabruhmoment3145 dude
sliding movement aint weapon sway
@@youcanchangehandlewithin14days oh, ok i misunderstood your comment
that was a really good UV
after 0:12 i was fully expecting (and hyped for) an instructional video where every single step is just paying someone to do it for you
How to make triple a graphics: Well I dont really know for the most part
I first saw a 'texture map' back when I played vice city
Tommy looked real fat.
Thank you sir for your explanation of years of education on what 3d texture mapping even is, and stuffing it all into less than 2 and a half minutes. ezpz
In my experience, I love how VR games are getting people into game content creation, and learning about how to texture a 3d model using these types of maps.
0/10 everyone knows you need a really good water shader and volumetric lightning, and screen space reflections because why not?
I love your videos dud
thanks lol. yes no AAA game is complete without fancy water shaders
Actualy all of these images could be compressed for performance (except Normal Maps that already contain RGB information by itself) without loss of quality, but I have not tested them on godot.
If I can give you some ideas for future videos:
• ORM / ARM texture map: can combine 4 images in 1 (AO, Rough, Metalic and Alpha), can be done easily in Blender Composer or Photoshop).
• Image extensions: can cause some discussion. I prefer .DDS (BC1 4bpp) for maximum compression, this format is the lightest and does not support Alpha, I place alpha maps in ORM-A for maximum quality and performance.
Anyway, best of luck bro.
Really great video, I love talking about game development, that's why I also find ways to break games and glitch through barriers, I'm actually the first one to figure out how to glitch out of the map in Skater XL
That "buy me a coffee" was so random it made me thumbs up the vid.
Do thats why nobody liked my games.
I forgot the glow
never forget the glow
How to do AAA graphics
*let someone with actual talent do it for you*
_BLOOM_
boom, COD
boom, Cod guy that make my day
I like how straight to the point this video is
i like this
nicely done
this has nothing to do with "how to make triple a graphics"
all this describes is how to do game graphics. as in, any (that is 3d).
this is good videos right here brother. have a great day
Ngl loved the vid, short and sweet
1:09- RIP Slayer, May you rest in my favorite music playlist
I think the concept of any sort of straight-up image that simply stores information instead of having it calculated/physically modeled has always been a very cool concept to me, it's like the image itself is the variable rather than programmed values.
Thanks, I now work for triple A games making MP40 textures.
bro i cant believe you went from the game at 2:05 to the game in 2:15 after just a couple weeks in development bro thats so cool bro!!
I don't think I'll ever need a use for this but I'm still watching it
Thought that this would be a meme video and I was pleasantly surprised
lovely video!
great vid thx !
Im pretty sure ambient occlusion maps work with the normal and bump maps to show what parts of the object are obscured from light providing corner shadows