Beautiful performance...I like the idea of putting the clarinettist on stage, since the basset horn plays such an important role in this still, in my opinion, undervalued opera. Tito should be listened to by all Mozartians. It contains many wonderful arias like this...some with obbligato basset horn...like "non piu di fiori"...and absolutely heavenly choruses! Don't pay any attention to critics who say that the composer didn't have his heart in it. Mozart said that he turned Tito into a "real" opera, and there is no reason to think that he was not satisfied with his efforts. Let your ears be the judge of that!
Brilliant--who knew this scene would work as an interior monologue, or with a second self that is the self's artist-musician? The musicality is outrageous and the pauses are daring. Thank you.
This is exquisite. The beautiful phrasing of both the singer and the basset horn, the gorgeous voice, the intelligent and expressive staging... Marry me, both of you!
what a fabulous performance. love the silences and i am sure the audience was enchanted, since there was minimal noise. gorgeous singing on both of them. impossible to play in such positions. i saw her live at La Scalla, last year in Capuletti and she was fabulous
Both artists, Marianne & Florian, must have channeled W.A. Mozart himself directly from the spirit realm to pull off this excellent performance - never witnessed anything that compares in my entire life, way beyond words - Elysium for opera lovers & a privilege to listen......
How can you say Antimusical...this performance is astonishing and the staging and acting are incredibly professional and researched. Mozart is about characters, feelings and inner emotions, and this acting reminds me what I am feeling inside me when I play and listen to his Music. Are you 100% sure that there are changing of tempos? In that point that you mention in the score, there is written "dolce" and nothing else, and the clarinet is alone... you don't think that it can be interpreteted in a different way?
Замечательный дуэт голоса и инструмента! Солисты-феноменальные!Bravissimi! Странные паузы у дирижера и сама сцена из спектакля(весь спектакль не видела,возможно в целом эта сцена не выглядит непонятно)
In the Netherlands there is a group of opera fundamentalists who fiercely reject this production - without even having seen or heard it :-) theaderks.wordpress.com/2018/05/08/https-theaderks-wordpress-com-2018-05-08-la-clemenza-di-tito-verzengend-vertolkt-door-teodor-currentzis-musicaeterna/
Crebassa is a very good and sensible singer, as well as a basset hornist. But the staging is horrible and completely tasteless, and lots of detail from the musical side as well. Such extreme changing of tempo are nonsense and antimusical! I would just wish Ms Crebassa to avoid this kind of staging and this kind of tasteless conductors.
Oh Annika, I think you let miss all feeling for what music really is: express the state of soul in a special situation. It has much to do with RUBATO. And it is theatre, and MOZART!
I saw this performance... I can only say it was stunning, breathtaking and definitely one of the best musical performances i ever saw andheard. It touched the heart and soul with every note and I also loved the staging. It was one very rare occasion, when we had the feeling Mozart himself was there. Thank you the two extraordinary artists, a wonderful and outstanding orchestra and choir and an outstanding Currentzis.
@@michaelfuting2403 And I think that you completely miss the general culture and the musical taste. If every singer on stage would change the tempo in this way depending on the "state of soul" there would be a complete chaos. It is just non-professional and if you are not able to express this "state of soul" at least with respect to the notes and tempo written by composer (and, if you still do not now it - the composer is the autor of the opera, not the conductor and not the stage director!) so please change the profession. And leave Mozart in peace please, he is here a main victim!
@@desideria747 Thank you for this teachment. But the exacct execution of the score would be a job for a computer. There is allways a range of freedom for INTERPRETATION. And in this case, I am sure that Mozart himself had enjoyed this, if he could SEE AND HEAR THIS. Because he was a great man of theatre , so great as Shakespeare, not only a musician...
@@desideria747 Oh God, thank you for this teachment. But an exact execution of the score would be a job for a computer. There is allways a range of freedom for INTERPRETATION. I am sure that Mozart would like this, if he could SEE & HEAR THIS. Because he was not only a musician - also a man of theatre like William Shakespeare, deeply interested in human beings.
Wunderbar gesungen! Aber was soll das mit den ganzen musikalischen Veränderungen? Hätte Mozart das gewollt, hätte er das geschrieben. Leider tut das dem Stück nicht gut, es fällt auseinander. Die Pausen sind zu lang, nicht gefüllt. Entspricht nicht dem "drive" der Musik.
Beautiful performance...I like the idea of putting the clarinettist on stage, since the basset horn plays such an important role in this still, in my opinion, undervalued opera. Tito should be listened to by all Mozartians. It contains many wonderful arias like this...some with obbligato basset horn...like "non piu di fiori"...and absolutely heavenly choruses! Don't pay any attention to critics who say that the composer didn't have his heart in it. Mozart said that he turned Tito into a "real" opera, and there is no reason to think that he was not satisfied with his efforts. Let your ears be the judge of that!
Nessuno è mai riuscito ad interpretare questa aria con tale intensità espressiva e qualità vocali. Marianne Crebassa è divina
Je crois que c’est la plus belle interprétation que j’ai vue à ce jour !
Brilliant--who knew this scene would work as an interior monologue, or with a second self that is the self's artist-musician? The musicality is outrageous and the pauses are daring. Thank you.
0:46 that "sarò qual più ti piace" is mesmerizing. bring tears to my eyes. so beautiful performance.
This is exquisite. The beautiful phrasing of both the singer and the basset horn, the gorgeous voice, the intelligent and expressive staging...
Marry me, both of you!
This is a basset clarinet, only later Florian Schuele plays the basset horn, in a duet with Vitellia.
She's great! Thank god for talent and commitment to hard work!
Well done!!! I must follow her career because I have a hunch it's going to be huge!
Incredibly touching and absolutely great! Mozart, Stadler and Bedini would surely be endlessly thrilled!
what a fabulous performance. love the silences and i am sure the audience was enchanted, since there was minimal noise. gorgeous singing on both of them. impossible to play in such positions. i saw her live at La Scalla, last year in Capuletti and she was fabulous
I love this so much. Sung with so much feeling and determination
Потрясающая постановка! Потрясающий дуэт!!! Браво!!!
Both artists, Marianne & Florian,
must have channeled W.A. Mozart himself
directly from the spirit realm to pull off this excellent performance
- never witnessed anything that compares in my entire life,
way beyond words - Elysium for opera lovers
& a privilege to listen......
no me canso de mirarlo......bravi¡¡¡
Love to hear this voice, over and over again❤❤❤
Marianne you are a godess of the bel canto!🥰💖💚💘
How can you say Antimusical...this performance is astonishing and the staging and acting are incredibly professional and researched. Mozart is about characters, feelings and inner emotions, and this acting reminds me what I am feeling inside me when I play and listen to his Music.
Are you 100% sure that there are changing of tempos? In that point that you mention in the score, there is written "dolce" and nothing else, and the clarinet is alone... you don't think that it can be interpreteted in a different way?
Juste magnifique.Bravo
Incredibly powerful performance!!!
Perfecta!
I saw this at Salzburg. In comparison with all the other singers her voice was so rich she sounded miked up. Brava!
Was this sung live? I find it hard to believe she can project her voice so effortlessly with her mouth hardly moving....
Génial! Bravo!
Brava Maria, bravo Florian , bravo Currentzis!!!
Абсолютный шедевр, просто потрясающе!!!!!!
Incroyable Marianne!
Fantastica!!!!!!!!
Non ho mai sentito nulla di più bello|||
Brava diva!❤❤❤❤
Marianne Crebassa est exceptionnelle
Una spanna sopra a tutte❤
A delight!
Stand user: Sextus
Stand name: Basset Clarinet
Она потрясающая!)
Quelle image épouvantable ! Heureusement il y a divine marianne
Wow !!
Maravillosa Marianne. La dirección musical, un bodrio, y la escénica, otro.
Замечательный дуэт голоса и инструмента! Солисты-феноменальные!Bravissimi! Странные паузы у дирижера и сама сцена из спектакля(весь спектакль не видела,возможно в целом эта сцена не выглядит непонятно)
Génial la mise en scène !
Yees!
If that's not astonishing then what
Dislike?! Are you serious?)
In the Netherlands there is a group of opera fundamentalists who fiercely reject this production - without even having seen or heard it :-) theaderks.wordpress.com/2018/05/08/https-theaderks-wordpress-com-2018-05-08-la-clemenza-di-tito-verzengend-vertolkt-door-teodor-currentzis-musicaeterna/
For the unnecessary pauses
@@НатальяСимонова-и4ъ It's not just music, it's drama. So the pauses are there for dramatic tension. If you want something bland go listen to a CD.
mamascarlatti thank you for describing) long pauses are absolutely unnecessary in this drama, Mozart wrote how it works
De quelle production s'agit il ?
Preciosa aria en una bonita interpretación con una puesta en escena ridícula.
Crebassa is a very good and sensible singer, as well as a basset hornist. But the staging is horrible and completely tasteless, and lots of detail from the musical side as well. Such extreme changing of tempo are nonsense and antimusical! I would just wish Ms Crebassa to avoid this kind of staging and this kind of tasteless conductors.
Oh Annika, I think you let miss all feeling for what music really is: express the state of soul in a special situation. It has much to do with RUBATO. And it is theatre, and MOZART!
I saw this performance... I can only say it was stunning, breathtaking and definitely one of the best musical performances i ever saw andheard. It touched the heart and soul with every note and I also loved the staging. It was one very rare occasion, when we had the feeling Mozart himself was there. Thank you the two extraordinary artists, a wonderful and outstanding orchestra and choir and an outstanding Currentzis.
@@michaelfuting2403 And I think that you completely miss the general culture and the musical taste. If every singer on stage would change the tempo in this way depending on the "state of soul" there would be a complete chaos. It is just non-professional and if you are not able to express this "state of soul" at least with respect to the notes and tempo written by composer (and, if you still do not now it - the composer is the autor of the opera, not the conductor and not the stage director!) so please change the profession. And leave Mozart in peace please, he is here a main victim!
@@desideria747 Thank you for this teachment. But the exacct execution of the score would be a job for a computer. There is allways a range of freedom for INTERPRETATION. And in this case, I am sure that Mozart himself had enjoyed this, if he could SEE AND HEAR THIS. Because he was a great man of theatre , so great as Shakespeare, not only a musician...
@@desideria747 Oh God, thank you for this teachment. But an exact execution of the score would be a job for a computer. There is allways a range of freedom for INTERPRETATION. I am sure that Mozart would like this, if he could SEE & HEAR THIS. Because he was not only a musician - also a man of theatre like William Shakespeare, deeply interested in human beings.
:/
Wunderbar gesungen! Aber was soll das mit den ganzen musikalischen Veränderungen? Hätte Mozart das gewollt, hätte er das geschrieben. Leider tut das dem Stück nicht gut, es fällt auseinander. Die Pausen sind zu lang, nicht gefüllt. Entspricht nicht dem "drive" der Musik.
Une direction d'une vulgarité atroce, tant tout est souligné. Inécoutable, et ça fait peine pour Marianne Crebassa.
Worst Mozart's director Ever