A good warm up routine, do you also do particular hand stretches or shaking to help move the blood, circular breathing or helicopter arms? Doing semiquaver quartets on singular scale notes is a great way to remind the left hand to play with legal too ;)
My favourite warm up is to start directly to my piece by playing a specific/hard part with no rythms yet, just playing fully each notes at 60bpm and being in a meditative process analysing all the movement of my fingers and feel the muscles used.
This is refreshing. She is stating that she uses established pieces to warm up. I always thought that the guitarists stating that they played so many scales and arpeggios to warm up were BS artists at best. This young lady is an amazingly gifted technical guitarist and all her tips seem more realistic rather than contrived.
First time I Search TH-cam ‘classical guitar learner’ and I luck across this. Yay! Can see starting up piano again and now starting classical guitar and studying Music Theory on TH-cam are going to mutually reinforce and benefit each other. You have a new follower - and love the bright and breezy teaching style
Thanks. Short, honest, and informative with lots of ideas to try out. I too have circulation issues (Raynaud's etc) so keep a hot cup of tea/coffee handy for warm my hands on periodically - then after a while they suddenly 'glow'. I've started to use the Tarrega's Complete Technical Studies (UE14431, Karl Scheit) as a change to doing standard scales, but start at number 78 as that's right hand and then move to left hand. Look forward to Part 2.
@@Abdullah-fb6oc I’m just sharing positivity and make people maybe smile, so don’t learn a word ( simp ) and try it on me !! اكو فرق بين simp ونشر كلمة جميلة
Love this thank you it’s helping me I just bought a nylon guitar I’m a classical pianist but playop on steel, electric guitar but wanna learn classical guitar sovbad
Hey Alexandra, this is very motivational for me because practice is often sooo mundane; I'll use this for my electric guitar playing (left hand) also...THANKS!
Thank you good teacher. When I am reborn, I will be able to play the guitar. Interesting form earrings. A cool sweater with wide cuffs. You are very fashionable.
It's preference because different lengths and shapes change the tone and plucking dynamics, some shapes and lengths are not ideal for obvious reasons while other shapes and lengths are within acceptable variable range. Also, it depends on whether you want to make a shape that isn't just for arpeggios and scales, but tremolo too, or flamenco techniques, etc. More skin vs more nail, etc. A nice balance between the skin and nail is ideal for a tone that is balanced and loud enough.
My problem is I cannot play with nails. I have been playing a long time and play not perform reasonably challenging pieces. I would still advise students to endeavour using nails if they hope to get to a high level.
Wow.. you make me wanna do both, never touch and never stop touching my guitar ever again... Also I need to tell you this... You've got a really beautiful soft looking perfectly white coloured neck :) So does your guitar! Marc
@@Lutronn I'm so glad that nobody asked for your opinion but decided to give it to me anyways... I deem honestly ment compliments a rather delightful thing to say. Here's one for you, strange man hiding behind Lutron: I am certain you would be a very kind person if you decided to drop your gaming name and allow some light into your room :)
@@Lutronn I gave somebody my honest thoughts about their video, I did not bother telling other people whether or not something was weird to say or not... Look I get it, you are looking for attention. Seek it elsewhere. If Alexandra thinks it is creepy that I told her that she has a really beautiful soft looking perfectly white colored neck, she can feel free to hit that button or notify me. Marc Hermann is my real name..Makes sense right? But the point is that the recipient of my compliment has the right to judge how it makes them feel, not some kid hiding behind "Lutron". If you did not want to argue, especially not on a comment section, why then start it in the first place ? Also, I highly appreciate you not writing back! :)
I love your playing and really enjoying your channel. I bought myself a Cordoba C5 a while ago, but not really played it yet. Where's a good place to start or a good beginner's book - thanks
GREAT video! Thank you! Carry on! It's cool to explain us, how to train. Because the methods of organisation of everyday practice is the most important thing for musicians.
My first reaction upon starting this video was that the title isn’t necessarily appropriate, because this is really more of a general walkthrough of a classical student’s warm-up & practice routine (someone who already has a lot of knowledge of guitar & even classical guitar under their belt) rather than part one of anything like an initial, introductory tutorial on playing classical guitar (which would need to start with the absolute basics of finger positioning, classical fingerpicking technique & how it differs from other guitar styles, ideally introducing the difference between nail vs no nail playing, etc.). As a newbie to classical guitar that’s the kind of stuff I’ve been watching a lot of & was looking for. However, I’m glad that I watched the whole video anyway. Sometimes it can be very useful & motivating to get some idea of where you’re going- what the basic techniques & posture & the relatively boring 1-2 octave scales I was introduced to in middle school band are building foundations towards. I’ve played regular guitar for a long time, but I never revisited the memorization of scales or got a real sense of what those patterns represent or how exactly how they fill out the whole neck & fit together. In particular, Alexandra’s demonstration of 3 octave scales inspired me to compare the charts for a 2 octave scale against charts showing the location of every note in the same scale across the entire neck, & using that more complete view really opened up a whole world for me, because it allows you to see every unique path by which a scale can be built (every possible linear combination of locations on the neck where the notes in the scale occur). I started practicing E major not only as the 3 octave pattern she demonstrates- which I do recommend people memorize separately as well- but also path through E major by going further up the 6th string, or the 5th string, or zig-zagging across multiple positions. This practice of really getting to intimately know the major scale pattern has also really helped me make progress familiarizing myself with exactly where the different notes of the musical alphabet fall fret & string-wise, up high in areas I’d never committed to memory, which has given me a much more full familiarity with the instrument & improved ability to improvise (learning about the CAGED pattern/system has also helped with that, although I’ll warn people that a lot of the people making videos about that subject are not very good teachers & seem to just be using it to sell various “instant guitar mastery” schemes). After E major I moved on to E harmonic minor as per Alexandra’s recommendation, & I’m so glad I learned this scale as one of my first (after the G-shaped pentatonic scale I learned as a kid, & having learned to construct at least the Lydian, Ionian, & Mixolydian modes of the major scale). E harmonic minor is sooo beautiful, & I also have found it to be a very useful scale to learn across the entire neck the way I did with E major, because since E harmonic minor has that one unique 3 half-step jump between the 6th & 7th scale degrees, that stand-out feature serves as an excellent landmark (whereas when it’s all half-steps & half-steps, as in the major scale, before you really understand it, the pattern can just look like overwhelming randomness). The unique feature of this one big, 3 fret, one-&-a-half-step intervals, provides such a useful landmark to orient yourself around; you can find that gap anywhere on the neck & you know that the notes on either side of it are C & D#, & that the octave (E) is one fret up from the D#. Between that & just getting familiar with where the Es are across the neck, that alone can really simplify getting used to where particular notes are found, & understanding how scales fit into the 6 string format. Here I’ve got to shout out Michael Pillitiere, whose video series starting with the video titled “Building The Better Guitar Scale - Pt. 1 An Algorithm for Every Scale, Mode, & Position” also helped completely transform my understanding of how scales work. Anyone who’s working on this stuff- watch that video. It’s amazing. Scott Paul Johnson’s video on “How To Use the CAGED System to Play a Solo” was also very informative, but that’s specifically teaching CAGED, whereas but the Building A Better Guitar Scale video is about how all scales are constructed on guitar. E harmonic minor has also just been enormous fun to improvise over (you can literally just pluck the open 6th string for a bass note every 4, 8, or 16 beats & improvise slowly & methodically, maybe mix up the bass notes if you’re feeling adventurous, & come up with absolutely gorgeous, mysterious, music with a vibe ranging from Egyptian to Middle Eastern to potentially even Latin). I’ve noticed that E harmonic minor seems to offer a lot of latitude to experiment with throwing in certain notes that are a half-step out of “key” (I know E harmonic minor isn’t a “key” per se) but which fit & resolve smoothly, which has made it great for me to get a feel for when modal interchange can be used appropriately. And having so many half-step intervals in the scale means there are a lot of opportunities to add flourishes by hammering on a half-step up (from F# to G, B to C, or or D# to E) & then pulling back off, as well as that descent from D# to C to B to A just sounding so good & offering so many creative options… I just love this scale, & finding one that actually has informed my playing & offered a sound I actually can see myself using has been a strong motivator to actually bother exploring & learning other scales. Anyway, this video gave me a lot of good ideas for practice & warm-up routines to engage in as I get deeper into classical guitar. Between the patterns of string crossings I learned from Brandon Acker (one of the best classical guitar channels I’ve come across), which I’m currently practicing both fingerstyle & with a pick, & the arpeggios & scales shown here, crucially practiced using the method/advice from Brandon Acker’s “5 Common Practice Mistakes” video, I feel like I’ve made more progress technique-wise over the last 3 weeks of consistent, deliberate, mindful, well-directed practice, than I did in years of playing with my old habits. So thanks very much for providing this info! Anyone who isn’t finding this video useful- that may be because you’re just too early in the process of learning for it to be. I do think glancing ahead can be helpful, so by all means watch & keep this stuff in mind- but definitely watch/read some more introductory stuff, get a grip on the fundamentals (ideally both technique & music theory), & I’m sure a lot of this will start falling into place for you like it’s just starting to for me now!
Hola amiga! I have to Say that since i Saw the video of You playing Asturias i got impressed and i'm your fan. Congratulations for being such a good guitar player! Can i ask you where are you from? And how old were You when you started to play the guitar?
A good warm up routine, does she also do particular hand stretches or shaking to help move the blood? Doing semiquaver quartets on singular scale notes is a great way to remind the left hand to play with legal too ;)
One thing is very important: whatever you do as a warm up or routine (scales, arpeggios, exercices), you should always do it musically. Always play it as if it was a piece of music, with expression. Otherwise you will play mechanically. It's an error I made when I was young, so I want to warn other young guitarists. Technique should never be separated from music.
Очень интересные советы. Рекомендую русскоязычным пользователям ютуба включить на видео Александры переводчик на русский язык с русскими субтитрами, ставить на паузу и медленно просматривать субтитры, для прочтения и понимания советов гитаристки по разогреву рук и т.п. интересные советы.
Great video. As far as your hands getting cold. Try putting a hat on. You loose most of your body heat through your head, and then the arteries in your arms and legs start to shunt down in an effort to force more warm blood to your vital organs. The result is your hands and feet get cold.
Hope you all enjoyed! Looking forward to Saturday for part 2 😊
Yes, I enjoyed! What if I am looking for a full classical guitar course?
@@Jel.Awesh.M I am looking for the same thing
😃👍🤗
A good warm up routine, do you also do particular hand stretches or shaking to help move the blood, circular breathing or helicopter arms?
Doing semiquaver quartets on singular scale notes is a great way to remind the left hand to play with legal too ;)
Thank you Alexandra! Your suggestions are very helpful. I am looking forward using Villa Lobos as a right hand warm up.
i had to play that back at the start, i though she said "welcome to this sick ass channel"
this channel is though
me too
Lol sm
is that NOT what she said lol
Same 😂😂😂
My favourite warm up is to start directly to my piece by playing a specific/hard part with no rythms yet, just playing fully each notes at 60bpm and being in a meditative process analysing all the movement of my fingers and feel the muscles used.
Guitargasm.
This is refreshing. She is stating that she uses established pieces to warm up. I always thought that the guitarists stating that they played so many scales and arpeggios to warm up were BS artists at best. This young lady is an amazingly gifted technical guitarist and all her tips seem more realistic rather than contrived.
The talent, dedication and memorization skills involved in playing classical guitar just boggles my mind.
First time I Search TH-cam ‘classical guitar learner’ and I luck across this. Yay! Can see starting up piano again and now starting classical guitar and studying Music Theory on TH-cam are going to mutually reinforce and benefit each other. You have a new follower - and love the bright and breezy teaching style
I thought she said "sick ass channel"
LMAOOO
Thank you Alexandra.
This is exactly the kind of content I was hoping to see more of. Not just instruction but opinions and thoughts. Thank you.
Love you and thank you, Alexandra.
Never thought being given a lecture about such a start-up thing from the master. It's beneficial for me because I'm a music dilettante.
Warm up you cold hands under warm water. Cold hands warm heart ♥️
THANK YOU alexandra . From Thailand
Thanks. Short, honest, and informative with lots of ideas to try out. I too have circulation issues (Raynaud's etc) so keep a hot cup of tea/coffee handy for warm my hands on periodically - then after a while they suddenly 'glow'. I've started to use the Tarrega's Complete Technical Studies (UE14431, Karl Scheit) as a change to doing standard scales, but start at number 78 as that's right hand and then move to left hand. Look forward to Part 2.
Excellent video!
My favorite nowadays classical guitar player shame I missed the first part. Gotta work and being in a different time zone
Well... it would seem that I have some catching up to do! Alas, such is the adventure, gratias infinito!
Great Video ..We loves Siccas videos here in 🇧🇷
I used to be a trombonist and a singer. I watched this to look at her and hear her.
This is very helpful! Loved it! And I had no idea she's so funny 😂 Masterful guitar skills and a sense of humor 😌
She is awesome
You are such a special person and talented keep going and smile you deserve the happiness, we love and support you 💕❤️💕❤️ .
SIMP👆🏻
@@Abdullah-fb6oc I’m just sharing positivity and make people maybe smile, so don’t learn a word ( simp ) and try it on me !! اكو فرق بين simp ونشر كلمة جميلة
@@user-eh8oo9rr2x stfu simp no one cares روح اتعلم تكتب عربي عدل احسن من ما جاي تزحف
@@Abdullah-fb6oc فاهم الحياة غلط، روح اتعلم ما تحشر نفسك بشي ابد ما يخصك وتعلم تفرق بين واحد ( يزحف ) وواحد يحب ينشر كلمة حلوة. Fu*k off
Great advice...which I DO need. Very helpful. Thank you!!!
Amazing advice!!
This is an excellent tip even, and perhaps especially, for a perpetual beginner like myself.
What’s you’re takes on Randy Rhodes? Miss Alexandra.
Love this thank you it’s helping me I just bought a nylon guitar I’m a classical pianist but playop on steel, electric guitar but wanna learn classical guitar sovbad
Enjoyed the video, some useful tips to refresh my practice.
Damn Siccas, shots fired
Super class..
Very informative. Nice warmup. helpful in many ways. Thanks
You think do i have a chance to learn to play to classic guitar if i 'm a piano player?
i have poor circulation in my hands too! They're always cold! I am glad I'm not alone haha.
What's the brand&/name of the guitar you're using??
Toujours aussi belle sa fait plaisir de te voir merci 🌹🌹🌹❤️❤️❤️♥️♥️♥️
Hey Alexandra, this is very motivational for me because practice is often sooo mundane; I'll use this for my electric guitar playing (left hand) also...THANKS!
Is there a reason to start with E scales? Is it because of the 2 open strings?
Thank you good teacher.
When I am reborn, I will be able to play the guitar.
Interesting form earrings.
A cool sweater with wide cuffs.
You are very fashionable.
What is the best RH nail length? I've heard many things - just wanted to hear your opinion 😊
It's preference because different lengths and shapes change the tone and plucking dynamics, some shapes and lengths are not ideal for obvious reasons while other shapes and lengths are within acceptable variable range. Also, it depends on whether you want to make a shape that isn't just for arpeggios and scales, but tremolo too, or flamenco techniques, etc. More skin vs more nail, etc. A nice balance between the skin and nail is ideal for a tone that is balanced and loud enough.
Personally I remove my finger nails completely then play with the bloody remnants.
I used to keep my nails at 5mm until I lacerated my uterus.
@@DushanTorbjorn 🤣🤣🤣
My problem is I cannot play with nails. I have been playing a long time and play not perform reasonably challenging pieces. I would still advise students to endeavour using nails if they hope to get to a high level.
Wow.. you make me wanna do both, never touch and never stop touching my guitar ever again...
Also I need to tell you this... You've got a really beautiful soft looking perfectly white coloured neck :)
So does your guitar!
Marc
@@Lutronn I'm so glad that nobody asked for your opinion but decided to give it to me anyways...
I deem honestly ment compliments a rather delightful thing to say.
Here's one for you, strange man hiding behind Lutron:
I am certain you would be a very kind person if you decided to drop your gaming name and allow some light into your room :)
@@Lutronn I gave somebody my honest thoughts about their video, I did not bother telling other people whether or not something was weird to say or not...
Look I get it, you are looking for attention. Seek it elsewhere. If Alexandra thinks it is creepy that I told her that she has a really beautiful soft looking perfectly white colored neck, she can feel free to hit that button or notify me. Marc Hermann is my real name..Makes sense right? But the point is that the recipient of my compliment has the right to judge how it makes them feel, not some kid hiding behind "Lutron". If you did not want to argue, especially not on a comment section, why then start it in the first place ?
Also, I highly appreciate you not writing back! :)
how there can be such a precious!!! girl with such a great talent!!
🙏
Awesome! Love it. Thank you.
Thank you that was great
At the beginning I heard "Hi guys, welcome to this sick ass channel"
Não entendi nada, mas assisti o vídeo até o final
Im from Brazil
Did you get guitar lessons?
I love your playing and really enjoying your channel. I bought myself a Cordoba C5 a while ago, but not really played it yet. Where's a good place to start or a good beginner's book - thanks
I learned all I needed.
"Hello, welcome to this sick ass channel..."
me: did she really just say that?
also me looking at bottom corner of the screen: ohhhhhh...siccas
welcome to this sick ass channel
Looks good , wish to start my guitar journey soon ...
Let us know your own warm-up exercises here! 😀
Abel Carlevaro Studies for right hand and Segovia Scales :)
scales in 3 octaves, using m-i,i-m,m-a,a-m,i-a,a-i and a-m-i(rly slow and in both r.hand techniques)
etude 2 v.lobos
estudio de concierto 1 barrios
The pumping nylon book
I really enjoyed the Video.
My first thought was how long have you been playing? And ....maybe I should call it a day! Nice tone to your playing!
Thanks Alexandra. Not the Segovia scales?
What type of support does she use? It looks like the guitar is floating in the air 😮
Villa Lobos on back ground . I loved it.
Brava 👏
Thank you!♥️♥️♥️
GREAT video! Thank you! Carry on! It's cool to explain us, how to train. Because the methods of organisation of everyday practice is the most important thing for musicians.
Thanks
My first reaction upon starting this video was that the title isn’t necessarily appropriate, because this is really more of a general walkthrough of a classical student’s warm-up & practice routine (someone who already has a lot of knowledge of guitar & even classical guitar under their belt) rather than part one of anything like an initial, introductory tutorial on playing classical guitar (which would need to start with the absolute basics of finger positioning, classical fingerpicking technique & how it differs from other guitar styles, ideally introducing the difference between nail vs no nail playing, etc.). As a newbie to classical guitar that’s the kind of stuff I’ve been watching a lot of & was looking for.
However, I’m glad that I watched the whole video anyway. Sometimes it can be very useful & motivating to get some idea of where you’re going- what the basic techniques & posture & the relatively boring 1-2 octave scales I was introduced to in middle school band are building foundations towards. I’ve played regular guitar for a long time, but I never revisited the memorization of scales or got a real sense of what those patterns represent or how exactly how they fill out the whole neck & fit together. In particular, Alexandra’s demonstration of 3 octave scales inspired me to compare the charts for a 2 octave scale against charts showing the location of every note in the same scale across the entire neck, & using that more complete view really opened up a whole world for me, because it allows you to see every unique path by which a scale can be built (every possible linear combination of locations on the neck where the notes in the scale occur). I started practicing E major not only as the 3 octave pattern she demonstrates- which I do recommend people memorize separately as well- but also path through E major by going further up the 6th string, or the 5th string, or zig-zagging across multiple positions. This practice of really getting to intimately know the major scale pattern has also really helped me make progress familiarizing myself with exactly where the different notes of the musical alphabet fall fret & string-wise, up high in areas I’d never committed to memory, which has given me a much more full familiarity with the instrument & improved ability to improvise (learning about the CAGED pattern/system has also helped with that, although I’ll warn people that a lot of the people making videos about that subject are not very good teachers & seem to just be using it to sell various “instant guitar mastery” schemes).
After E major I moved on to E harmonic minor as per Alexandra’s recommendation, & I’m so glad I learned this scale as one of my first (after the G-shaped pentatonic scale I learned as a kid, & having learned to construct at least the Lydian, Ionian, & Mixolydian modes of the major scale). E harmonic minor is sooo beautiful, & I also have found it to be a very useful scale to learn across the entire neck the way I did with E major, because since E harmonic minor has that one unique 3 half-step jump between the 6th & 7th scale degrees, that stand-out feature serves as an excellent landmark (whereas when it’s all half-steps & half-steps, as in the major scale, before you really understand it, the pattern can just look like overwhelming randomness). The unique feature of this one big, 3 fret, one-&-a-half-step intervals, provides such a useful landmark to orient yourself around; you can find that gap anywhere on the neck & you know that the notes on either side of it are C & D#, & that the octave (E) is one fret up from the D#. Between that & just getting familiar with where the Es are across the neck, that alone can really simplify getting used to where particular notes are found, & understanding how scales fit into the 6 string format.
Here I’ve got to shout out Michael Pillitiere, whose video series starting with the video titled “Building The Better Guitar Scale - Pt. 1 An Algorithm for Every Scale, Mode, & Position” also helped completely transform my understanding of how scales work. Anyone who’s working on this stuff- watch that video. It’s amazing. Scott Paul Johnson’s video on “How To Use the CAGED System to Play a Solo” was also very informative, but that’s specifically teaching CAGED, whereas but the Building A Better Guitar Scale video is about how all scales are constructed on guitar.
E harmonic minor has also just been enormous fun to improvise over (you can literally just pluck the open 6th string for a bass note every 4, 8, or 16 beats & improvise slowly & methodically, maybe mix up the bass notes if you’re feeling adventurous, & come up with absolutely gorgeous, mysterious, music with a vibe ranging from Egyptian to Middle Eastern to potentially even Latin). I’ve noticed that E harmonic minor seems to offer a lot of latitude to experiment with throwing in certain notes that are a half-step out of “key” (I know E harmonic minor isn’t a “key” per se) but which fit & resolve smoothly, which has made it great for me to get a feel for when modal interchange can be used appropriately. And having so many half-step intervals in the scale means there are a lot of opportunities to add flourishes by hammering on a half-step up (from F# to G, B to C, or or D# to E) & then pulling back off, as well as that descent from D# to C to B to A just sounding so good & offering so many creative options… I just love this scale, & finding one that actually has informed my playing & offered a sound I actually can see myself using has been a strong motivator to actually bother exploring & learning other scales.
Anyway, this video gave me a lot of good ideas for practice & warm-up routines to engage in as I get deeper into classical guitar. Between the patterns of string crossings I learned from Brandon Acker (one of the best classical guitar channels I’ve come across), which I’m currently practicing both fingerstyle & with a pick, & the arpeggios & scales shown here, crucially practiced using the method/advice from Brandon Acker’s “5 Common Practice Mistakes” video, I feel like I’ve made more progress technique-wise over the last 3 weeks of consistent, deliberate, mindful, well-directed practice, than I did in years of playing with my old habits. So thanks very much for providing this info! Anyone who isn’t finding this video useful- that may be because you’re just too early in the process of learning for it to be. I do think glancing ahead can be helpful, so by all means watch & keep this stuff in mind- but definitely watch/read some more introductory stuff, get a grip on the fundamentals (ideally both technique & music theory), & I’m sure a lot of this will start falling into place for you like it’s just starting to for me now!
She's so lovely
What microphone are you using? It looks like a Aston.
Seems like this is more about "look at me" than "let me help you". Fine: at least thrown in some close-ups of the technique.
yup
Fr
For real we need the fingers on screen not the smile
Agreed
Hola amiga! I have to Say that since i Saw the video of You playing Asturias i got impressed and i'm your fan. Congratulations for being such a good guitar player! Can i ask you where are you from? And how old were You when you started to play the guitar?
The exercises are very similar to techniques used for piano!
Hi, any reason for not using the thumb? Is it only for practise purpose or a playing style? Thanks for this video!
..thumb MOST essential right hand digit...that part where she says cheeky "don't do that."(in regards syncopation)....do that.
Awesome. Thank mucho.
බොහොම ස්තුති .....
A good warm up routine, does she also do particular hand stretches or shaking to help move the blood?
Doing semiquaver quartets on singular scale notes is a great way to remind the left hand to play with legal too ;)
look foward to saturday! thanx.
බොහොම ස්තුති ඔබතුමියට ......
i learn't all that now, what do i do now???
I love musicians, bbbbrrrrdddd....
One thing is very important: whatever you do as a warm up or routine (scales, arpeggios, exercices), you should always do it musically. Always play it as if it was a piece of music, with expression. Otherwise you will play mechanically. It's an error I made when I was young, so I want to warn other young guitarists. Technique should never be separated from music.
It's difficult to get concentrated with so much cuteness.
That's awesome! Some things you show, I already do to practise. :)
Очень интересные советы. Рекомендую русскоязычным пользователям ютуба включить на видео Александры переводчик на русский язык с русскими субтитрами, ставить на паузу и медленно просматривать субтитры, для прочтения и понимания советов гитаристки по разогреву рук и т.п. интересные советы.
I like this lass she takes time to explain and is very easy on the eyes 😋😋😋
Siccas Guitars, could I add Spanish subtitles?
That accent!!! Great video
I finally learned how to "brrrrrrr" with a guitar!!!!!!!
😂
Roll up your sleeve unless you want Segovia yell at you...
Cheer
Love from California.
How to play classical guitar. Acquire guitar now spend the rest of your entire life studying it's possibilities. Good luck.
Mam wich place class
Fees how much
I need sutitles in spanish please. You are awesome and nice.
Thoroughly charming gehl!
She makes me laugh 😂 my kind of humor
What is the right hand finger pattern in the first exercise? Got it: pipi pmia maim pipi
Subtitles in Spanish pleaase
Siii. Por favor :3
Toca bem e é linda ❤️... legal
Great video. As far as your hands getting cold. Try putting a hat on. You loose most of your body heat through your head, and then the arteries in your arms and legs start to shunt down in an effort to force more warm blood to your vital organs. The result is your hands and feet get cold.
Amazing👍❤
more vids of guitar wisdom thanks :)
How do I play the guitar please send the notes please as soon As you read this message please send the notes please thanks❤😊
I have discovered the same way of muting strings right hand practice. Same to same. Co incidence.
COISA LINDA ❤❤❤❤❤❤❤❤❤
Obrigado!
So I used simply guitar and that sucked-
this helped a bit more