Richard Diebenkorn: A collection of 90 paintings (HD)
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- เผยแพร่เมื่อ 27 มี.ค. 2018
- BOOKS about Richard Diebenkorn:
[1] THE ART OF RICHARD DIEBENKORN by Jane Livingston --- bit.ly/2wSUtCt
[2] RICHARD DIEBENKORN: The Ocean Park Series by Sarah C. Bancroft --- bit.ly/2wLF3Q4
[3] RICHARD DIEBENKORN by Gerald Nordland --- bit.ly/2X2YTW5
[4] RICHARD DIEBENKORN IN NEW MEXICO --- bit.ly/2K5af5C
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Richard Diebenkorn: A collection of 90 paintings (HD)
Description: "Richard Diebenkorn maintained his love of vivid color and structured composition in both his abstract and representational works. Born in Portland, Oregon in 1922, Diebenkorn moved with his family to San Francisco in 1924. After attending Stanford University from 1940 to 1942, he joined the U.S. Marine Corps, where he concentrated on art classes. In the winter of 1944, when he was stationed in Virginia, he frequently visited The Phillips Collection, where he was inspired by the paintings of Henri Matisse and Paul Cezanne. He particularly admired Matisse’s technique of structuring space through planes of color, merging indoor and outdoor space. Returning to San Francisco in 1946, Diebenkorn enrolled at the California School of Fine Arts, where he studied with David Park, an expressionist artist from the Bay Area. Awarded a fellowship the same year, he moved East, living and working in Woodstock, New York, visiting New York City, and making many contacts. After returning to San Francisco, where he defined himself as a leading Bay Area artist, he was appointed to the faculty at the California School of Fine Arts in 1947, a position he held for two years; his fellow teachers included Elmer Bischoff, Edward Corbett, Hassel Smith, and Clyfford Still.
Diebenkorn had his first one-person show in 1948 at the California Palace of the Legion of Honor. After receiving a degree from Stanford University in 1949, he was awarded an M.F.A. from the University of New Mexico, Albuquerque in 1951. He briefly taught at the University of Illinois at Urbana 1952-53, settling shortly thereafter in Berkeley, California. Diebenkorn often titled his works after places that provided him with inspiration, such as his Berkeley paintings. Throughout the 1940s and early 1950s, Diebenkorn followed a distinctive abstract vocabulary of forms, stylistically rooted in the New York School, placing him firmly within the ethos of American modernism. However, in 1955 he shifted from abstraction to a more representational mode, making reference to observed subjects. Until 1967, when he returned to abstraction, Diebenkorn executed still-lifes, landscapes and interior figure paintings that present his finely tuned sense of color and structure.
From 1955 to 1973 Diebenkorn taught at several California arts institutions, including a position at UCLA (1967) while he worked in a studio in the Ocean Park district of Santa Monica. There he created his last representational works, but returned to abstraction with his Ocean Park paintings. This series is characterized by broadly brushed surfaces of luminescent and atmospheric color, affirming the artist’s continuing concern with formal issues. These abstract brilliantly colored works-both paintings and drawings-elicited great acclaim, and The Phillips Collection owns three works from this series. Diebenkorn remained a prolific artist until his death in Berkeley, California, in 1993."
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A beautiful folio of work. Great mix of styles yet with an obvious connection. Really pleased to have come across this artist's work.
He makes abstract and semi-abstract art work wonderfully well.
One of our greatest artist.
Thank you 😊
Thank you. A great collection of works. Much appreciated
Abstraction, réalité et les émotions pures👍
Your painting jumped into my eyes. I stand in front of your painting. Your painting has captured me
I love all Artists since I can learn from all of them. I like Besinki
The coloured areas are often built according to a scheme such as rectangular to triangular or a division according to the golden ratio. That's why the unusual perspectives look so harmonious? The Abstract fields are constructed geometric and are Something Like smiling to supramatismus. But this expressive Nature. And this trainings or playing give the Landscape paintings a deep Atmosphäre...
This artist wants to be even freer than Rotko and many others. It is a pity that it has not been decided yet whether his painting will remain figurative or abstract, but I appreciate this painter very much because he has a rare sense of composition. One of the best painters in the world!
Love the way he challenges my brain and my eye. I almost feel them working trying to decipher his work. Titles would be wonderful, if possible. Love Diebenkorn! Thank you.
What impressed me most is the landscape paintings which seemingly at first are confusing to the eye but gradually take form of something photographically familiar. Everything Diebenkorn paints is photo realistic but from afar. The closer you see the work it becomes apparent the details are incongruent.
His late paintings are pure genuis,feast your eyes contemporary lumpen..
How do you know which are “late”?
Sublime. Thank you for posting with lovely music. One of my favorite artists.
Who did the piano track for this ? Name ? The pianist reminds me of my own playing.
Just the best! Thanks
Love the colors. Straight lines creating new dimensions that quickly become a meal for wayward thoughts caught in vacuous chamber of warm colors. Thank you very much for the look Antonio.
Very well said 🤗🦉
I love his stuff
Thank you
Nice,~***
I love his works~!
What a great tour thru RD work! Richard Diebenkorn was a very, very good artist. He was talented and very smart. He came out of Elmer Bishof and the so-called “Bay Area Figurative Painters”. Whereas Joan Brown found her style and stayed there, Diebenkorn went thru quite a journey before he landed on the Ocean Park series. Trouble was he liked everything and had to try it. It takes a long time to work your way thru. He obviously like abstract expressionism (de Kooning, Gorky especially) with touches of Miro (who BTW was clearly influenced by the huge Breugel down shots of peasants and burghers against “abstract” color fields). You can see the evolution toward Ocean Park from the more representational overhead views of Ocean Park. The airplane view in general is a great path to abstraction- (it works in photography as well). I was also taken by the similarity and influence Of Matisse: Take a look “View of Notre Dame” 1914, and “Composition” 1915, both at MOMA. Also I noticed pure Matisse arabesques on some of the table top paintings about 3/4 they this video. Also, those overhead Morocco paintings of Muslims praying by Matisse. AND MATISSE’S BLUE. It must have been love at first sight when he that blue! Also notice Soutine in the till life with knife at 7:19. Modigliani as well as more Matisse in the seated female figures, a bit of Franz Kline in the black drawing work at 7:55 as he closes in on Ocean Park. A touch of Wayne Thiebaud in the still life with glass vase. Mondrian creeps in as well. Have a look at early Mondrian modernist landscapes. As well as mature Mondrian boogie painting. Now that I think of it Matisse paper cut-outs have to high on RD’s list of influences. This is not to demean RD in any way. He owns these influences and could write art with them. His painting in not imitative. It is real art in every way. You don’t often see an artist storm his way thru art history so openly-maybe Picasso. Anyway, I really enjoyed this video (although I wouldn’t mind if you lost the soundtrack. It detracts from the pure visual delight.) (Footnote: at 6:04 looks like Edward Hopper to me.)
Great description. Right now working on a museum for his collection( a graduate studio course)
Your comment is greatly appreciated as it is quite perceptive and covered many things I would not have attempted to articulate here. Although vaguely familiar with R.D. I was never as impressed as I am now seeing the large number here and the vastness of his creative curiosity and the 'nod' to so many of the Greats of Art History while incorporating his own uniqueness. This was really quite pleasurable and glad I happened onto this wonderful video as well as your insightful comment. Thank You All.
6:04 startled me and made me wonder if E. Hopper himself ever saw/ knew of this seeming tribute. Stripped down to essentials, E.H. and R.D. understood the power to EVOKE.
Awesome paintings.
Perfect
Beautiful work
Great paintings and colors
Perfection
Blunt force honesty and total evasiveness at the same time. The subject is right there in front of you. But nothing is revealed.
That's the way it always feels to me, anyway.
Excellent with brilliant colors. That is what I try to do with my Art. Use bright colors as a statement. Make people notice and Think and feel something. All Artists do that. We shouldn’t have to explain or we would write books.
Hi, Iam student yet, but I will be a painter. What's your favourite painting from the video? My favourite is at minute 0:26 and 5:57, also.
They are so awesome. I can’t pick one. I do Abstract with Acrylic paint. I am self taught. My father first taught me or I watched him. Then I learned the Fundamentals in Grammar and High school. I like Cubism. Surrealism. I learned from my Twin Georg , who has his own channel. This Pandemic came on the right time to pick up Art again.
@@Sur742 I agree with your two choices, exquisite examples, among many here though for me.
Delightful
The painting at 6:02-06 is so Edward Hopper: taciturn solidity vs the more usual transitory, expressive nature of a Diebenkorn ...
Well put, great observation. I was really surprised by 6:02 yet I can understand the questioning of essential nature found in great Art.
" These words are too solid, to catch the blur in the brain that flies by and is gone, gone, gone " Suzanne Vega from " Solitude Standing "
Really good
What is the name of the beautiful piece of music that is featured here?
check traditional tibetan music --Matouquin Morin Kh, Tsur, Yatga on TH-cam
thanks so much
may I ask you what that sublic music was?
Sebastiano Conca in next👍
🎂Richard Diebenkorn 04-22-2022🖌️
Alot of those pictures are in the wrong orientation.
50$ for JPGs that are publicly available.. Shameful..