Amazing work! Love this tune! I just discovered Nathan's work, thanks to my "Best of the Pickers" Spotify playlist running out. They played his song "Offering," which led me to his Tiny Desk Concert (and this song you're playing now), which led me to the video of him and Jim Elkington playing a live show in Philly, which led me to my current mission to figure out how to play "Great Big God of Hands" (so far I've at least figured out that Nathan is playing in Open D-sus and Jim is playing in Drop D, and both are capoed up on the 2nd fret, but that's about it). So, you know...if you're looking for a challenge, I'd love to see you splice together two videos of yourself playing both guitar parts for that one! 😎
That would be cool, I’ve thought about trying that with a Kottke hedges duo. I used to write out a bunch of cool pieces when I was teaching the guitar ensemble at UWM. An Italian group called guitar republic had some really neat avant garde stuff that I’d have the students perform.
@@andrewlardner Wow! Just confirms my growing belief that '30s and '40s Martin 18 series are soo much better than later ones. I wonder if it's just age or if they were building something different with them in those years. '60s and '70s ones just don't have the same depth.
There’s a big difference in construction after 1944. Both in bracing and top wood. Glue changes in mid 60s. Beefier bridge plate in late 60s. The authentic series martins are close enough honestly, the prices on these old ones have gotten out of hand, I can barely justify owning them anymore.
Ah yes, Nathan Salsburg - the biggest fan of hammer-ons and pull-offs in American Primitive. Love it!
Sublime. Always enjoy your precise playing with incredible tone on incredible guitars. Don't let that guitar go. Wow!
you beat me too it! Well done! I just started tabbing this song myself for a future tutorial...Beautiful playing, man!
Amazing! It’s like coming home to a warm meal in the winter with friends and family. Good conversation and good times. Thanks for sharing.
It's a sublime Ragtime and played with great dexterity, bravo!
Beautiful piece of music beautifully played. Parts remind me of Peter Lang
Yes!! Finally! I’d started transcribing this myself months ago, but got hung up on a few spots. Thanks Andrew
Absolutely nailed it! I will be subscribing to your patreon to learn this :)
Wonderful - thanks for this!
Nathan writes some fantastic melodies. Cover some more! Awesome!
More fingerstyle brilliance from Andrew 🔥
Superb - A very gift ! Thank you sir
Another gem! Thank you for sharing.
Awesome one of my favourites!!! amazing job as always thanks for sharing 🙏
Sempre più bravo e intimista! Complimenti!!
Thanks Andrew...I was not familiar with Salsburg....nice song
Awesome job Andy!
This one was so good! wow, i gotta revisit that guy
Tremendous, love this one
THIS IS MY TEACHER!!
Amazing work! Love this tune! I just discovered Nathan's work, thanks to my "Best of the Pickers" Spotify playlist running out. They played his song "Offering," which led me to his Tiny Desk Concert (and this song you're playing now), which led me to the video of him and Jim Elkington playing a live show in Philly, which led me to my current mission to figure out how to play "Great Big God of Hands" (so far I've at least figured out that Nathan is playing in Open D-sus and Jim is playing in Drop D, and both are capoed up on the 2nd fret, but that's about it).
So, you know...if you're looking for a challenge, I'd love to see you splice together two videos of yourself playing both guitar parts for that one! 😎
That would be cool, I’ve thought about trying that with a Kottke hedges duo. I used to write out a bunch of cool pieces when I was teaching the guitar ensemble at UWM. An Italian group called guitar republic had some really neat avant garde stuff that I’d have the students perform.
@@andrewlardner Very cool! I'll have to check them out.
Wow wow wow 🎉
Brilliant, Andrew!
Do these lessons keep available on your patreon? Because I want to learn this great tune, but I am not ready for this level yet :)
Yes they stay indefinitely
wonder whaTS HIS TUNING?
What’s the tuning?
What year is that guitar from? Assuming its a 000-18?
35 ; )
@@andrewlardner Wow! Just confirms my growing belief that '30s and '40s Martin 18 series are soo much better than later ones. I wonder if it's just age or if they were building something different with them in those years. '60s and '70s ones just don't have the same depth.
There’s a big difference in construction after 1944. Both in bracing and top wood. Glue changes in mid 60s. Beefier bridge plate in late 60s. The authentic series martins are close enough honestly, the prices on these old ones have gotten out of hand, I can barely justify owning them anymore.
@@andrewlardner Thanks for the info!
Nice try Diddy
Do you have original thoughts?
@ do you have a sense of humor?
@ it’s an old and tiring joke is all. Either way I’m glad we can enjoy the same music lol
@@samstrayer8795 👍🏻