Wanted to say thanks to everyone who have watched the video and left so much important, valuable feedback and truly kind comments! So appreciate you all! As for the Moog One not being included: It is a very large and expensive synthesizer to fly with and I was just recovering from pneumonia when I did this shoot. So it had to stay at my studio this time. Also, the Moog One is so beautifully feature rich and deep that it would have made this video twice as long. I’m sure sometime in the near future I’ll return to focus on just the amazing depth of the Moog One and show you just how unique and expansive it truly is. Not to mention the beautiful support that Moog Music is providing for it. I have fallen in love with it and it’s sound. It is an entire electronic music lab in one beautiful package. It’s also a beautiful and creative inducing contrast to the other synthesizers covered in this video. I consider it a large modular system with full polyphonic capabilities, along with film score quality sound. It’s worth it... I’m working hard to really master my accuracy and speed of developing a fast moving and fun tutorial for the Moog One. Until then, here’s a nice introductory feature of the Moog One I conducted at the Factory... th-cam.com/video/lK-Jj-tksME/w-d-xo.html Thanks again for all your kind enthusiasm and have fun patching & creating your own music! Love to all, LBD ❤️☕️
Although I have never heard about you before this video, I must admit that I enjoyed your expertise and passion! I will pay your channel a visit. Thank you!
I first watched this 3 years ago and today I finally bought the grandmother and as a guitar player who has no idea how to play anything with a keyboard .. I can’t wait to learn !! So excited
I love the performance aspect of a true synthesist, as opposed to a piano player playing a synth. I like how a true synthesist "plays" the filter, LFO, etc. controls live. They're really a "playable" part of the instruments that makes is so much more expressive.
But don't overlook the fact that Lisa is also a very capable keyboardist, which all synthesists are not. True, you can create, and in real-time, mold and change sound, even if you have no keyboard background. But adding a player's technical keyboard playing ability is another tool in one's toolbox, and releases limitations a less-experienced or capable player has in being able to make choices and express themselves when playing.
ken gruz The point is: you don’t have to permanently use one or even both hands for knob-twiddling in order to do a synth justice, i.e. to not play it like a kind of static organ. I love to *play* with both hands *and* simultaneously change the sound. The magic word is *aftertouch*. I mostly have 4 to 6 parameters routed to it resulting in either subtle nuances or completely different patches. My choice was the Subsequent 37, btw, because it’s the only one which can store such a mod matrix setting in a preset.
@@RayyMusik I understood the point. Let's just call keyboards, pedals and such- Controllers. And like any controller, the more skilled you are to use them- even a knob, or a keyboard- the better advantage you have.
@@RayyMusik Yes on an fronts. Craft a melody by tickling the ivories and caress it into mind boggling worlds by playing the knobs. The other secret to doing both simultaneously is to use an expression pedal, which not only gives you another appendage for direct control, it also naturally leads to getting your whole body physically into the rhythm as you expressively pump the pedal with your performance. The Subsequent 37 is my desert island synth. The sequencing, patch memory, amazing total DAW integration, complex modulation options, and obviously the stunning sound quality. I would buy a second Subsequent before buying a Minimoog or Grandmother. The Matriarch is tempting for the 4 voice paraphony, hi-pass and stereo low pass filters, but the lack of patch memory, hidden configuration parameters and simplified envelopes seem like painful compromises when compared to the Subsequent. And I'm very curious if any of the Moogs discussed here other than the Subsequent output MIDI CC on every knob.
Lisa is such a great spirit and sophisticated musician. For me one of the best ambassadors for Moog they could get. My personal actual favourite after lots of testing is the matriarch - no model d though but much more flexible.
I found myself forgeting this was about choosing a synth and got totally wrapped in your jams. I'll be looking for more of your work. Really inspiring Lisa, thanks.
I'm a guitarist/bassist who has always loved synth sounds. Bought a Mother-32 a few years ago and I loved it so much that I went all in on a Matriarch this year. Oh my gosh, it sounds phenomenal! Such a rich and satisfying instrument.
I actually first dipped my toe into the semi modular/modular world w/ the Moog apps for iPad. Well worth checking them out to understand the basics of synthesis, which can then be applied to the real deal
I wish Lisa Bella Donna could give me music lessons. That would be a dream come true. The work on all the synths is sublime but there bits on the Matriarch that made my hair stand on end. That never happens! Absolutely incredible musician, I love you!
I wish I could take synth patching lessons from her. She is obviously very talented and knowledgeable. She should record and sell a synth programming master class, a whole course that starts with the basics and ends with advanced synth programming and patching techniques that get you to the point where you can pretty much hear a sound in your head and be able to reproduce it on the synth. She could break it up into "semesters" that start with the basics and proceed from there. I would definitely pay for that.
Great video! My band uses a Sub 37 and a Matriarch as our main bass, lead, and ambient pad synths. They’re the core of our sound. Classic and irreplaceable ❤️
@@austinm7738 I recreated it by stopping the video at this time mark, making a screenshot and zooming the most hard-to-see areas! You can check the result here: instagram.com/p/B7ox5vwnbf7/ Even Lisa liked it :)
I love that Matriarch patch! I added one additional mod where I send the Matriarch triangle LFO output through an attenuator, and into delay1 input, and then I can dial in some serious, floor shaking, low bass slowly increasing the triangle rate from low, and leaving the attenuator dialed full left!
Even though I only understand maybe like half of how Moog synthesizers work, I still love that there’s so much I don’t understand. It keeps the fascination stoked! Amazing job Lisa🤘
I think it’s super inspirational to have a woman show her talents and skill set to us the synth audiences;). Thanks Donna for sharing your love of synths with us. Your the perfect spokesperson for this generation! And We the Gen.X’er’s. Who grew up in the late 70’s and 80’s. This now is the second Golden age;)
This is just an incredible demo. It’s awesome to see someone utilizing these gorgeous machines, who has the knowledge of synthesis, and applies it, as opposed to so many other demos, where the person showing the synthesizer treats it almost like a keyboard with effects knobs. This was a treat to watch. I got my Grandmother this past weekend, and after a month of research, getting to play with one at guitar center, one of the deciding factors in buying one was watching another video that Reverb did , comparing it to the Korg Minilogue (which I have as well) , along with all my other research, and the fact the the semi modular capability allows me to use other modular synths like the DFAM or Mother 32, any kind of module that could be used in modular setup... since it arrived, it’s easily the synth I play the most, over the Minilogue or my OP-1 . I love using all my synths to create layered pieces, but there is nothing like a Moog, or I should say the Grandmother, since it’s the only Moog I own, after wanting a Moog since the 90s. As a guitarist, nearing 3 decades of playing guitar, I’m completely entranced with synthesis, learning more about it, and couldn’t be happier with the GM. Even the very cool, yet simple box the Grandmother comes in, is awesome .
Awesome vid. I have the Grandmother and it’s an endless exploration of amazing synth goodness. Only downside for some who care (it doesn’t bother me) is that it is heavy. People think it’s plastic, but that whole enclosure is metal, and a big , chunky beast. They’re all so beautiful. Thanks for the video
Yes, the most humble synth or drum machine etc is better than a multi-grand machine if it is totally pliable in your hands inside and out...find the limits, push and try to break them...use lots of guitar pedals, so many cool, odd and cheap ones ahaha.
I love the fluid playing and the exciting melodic and harmonic as well as texture rich sounds Lisa Bella Donna coaxes out of the Moogs, Some great deep, gnarly left hand riffs too!
Ms Bella Donna is one of my favorite synth persons. Great energy, wonderful music. As myself, i have acquired the Sub 37, because of the presets storing capabilities. It's my first Moog synth, and i can't be happier. Great complex synth, with great character. Does have that typical Moog feeling to it, you can hear it all over the mix. It's a thing you like or not. I like it a lot :P !
I have been a Moog fan for years and owned many. But the latest range of semi-modular synths are just awesome as amply shown here by Lisa Bella Donna. Great demo.
You might want to also consider the Pioneer DJ/Dave Smith Instruments Toraiz AS-1, a brilliant-sounding easy-to-use programmable analog synth for just $600.
Do it - I traded just about the perfect Tele (imo) for a Grandmother and it was SUUUUCH a good idea, I was soooo happy. (so happy I wound up getting a Matriarch)
I was a guitarist....lol. Last November I bought a Moog GM and have fell in love. If you get a chance search Dale Cutler Music. I have a channel where all I do is upload my synth journey. You will never regret buying it. Don't listen to any other suggestions...lol. BUY THE GM!!
Do it. I’ve been a guitarist for 28 years, and just got one. You will not be disappointed. It’s the most incredible thing to sit and create with, but my only advice would be to study a bit of synthesis . There are vids everywhere, but it makes it so much better when you understand what everything does/why. Guitar pedals helped me a bit, but a few nights of watching modular synthesis vids really helped. I also have the Korg Minilogue, which has awesome pad sounds, and versatility, but doesn’t come anywhere close to the beast of a synth the Grandmother is. Look on Sweetwater for a demo, which will bring it to 899, as opposed to 999, and it’s barely used by them for videos and whatnot, 2 year warranty, everything in the gorgeous box, cables in a nice bag... I’ve also seen the grandmother go for 750 used on Reverb, same with the Subsequent 37 for under 1000. I think a lot of people buy these (there are 3 different synth models w keys onboard, and the eurorack mother 32 and DFAM on display at Guitar Center by me, front and center) get home, and realize that they’re not the same as keyboards, and take some learning, so they probably become frustrated and put them up on Reverb, bc there are A LOT of these on Reverb. Best choice I ever made was to buy the Grandmother. I’m already planning on getting the DFAM next, to add to my Korg Minilogue, Teenage Engineer OP-1, Grandmother, Drumbrute impact.... It’s definitely a “Go For It” situation, if you can part with 999 bucks (or cheaper for demo or used) . Think of it as a guitarist, if Fender released something along the lines of a Custom Shop ‘63 Strat, but for 1000 bucks. These are hand made /assembled in Asheville, N.C. with wood sourced from Tennessee, and metal sourced from Missouri. 81 employees who assemble every instrument, now own 49% of the company as part of a stock ownership plan, which is pretty awesome too. You really can’t go wrong with the Grandmother. I’ve heard lifelong Moog obsessives, who have raved about the Grandmother say that it should be more expensive. I’m so happy with mine, and wouldn’t trade or sell it for anything. It’s a constant source of inspiration, esp as a guitarist, when I get in a rut, and hit a wall trying to work out songs.
Great work Lisa... I love the way you set arpeggios, then glide up and down the keyboard playing.. Its very you and your playing style, which I love ! Great video
Really happy with my Mother 32 and DFAM. I love westcoast synthesis because it gets under your skin, however, a Moog and a reverb go straight to your heart.
Thank you Lisa. Hope you are feeling better. I so enjoy your playing and programming. Great to hear you talk about the Moog stuff, which I love as well!
I've got 2 Moog synths (Subsequent 37 CV, and DFAM). The thing I noticed about analog synths, in a recording studio setting, is that they do produce a notable self-noise floor. When working with digital synths, you get no noise at all. However, no digital synth sounds as good as a real analog one, that's clear.
Wanted to say thanks to everyone who have watched the video and left so much important, valuable feedback and truly kind comments! So appreciate you all!
As for the Moog One not being included: It is a very large and expensive synthesizer to fly with and I was just recovering from pneumonia when I did this shoot. So it had to stay at my studio this time. Also, the Moog One is so beautifully feature rich and deep that it would have made this video twice as long. I’m sure sometime in the near future I’ll return to focus on just the amazing depth of the Moog One and show you just how unique and expansive it truly is. Not to mention the beautiful support that Moog Music is providing for it.
I have fallen in love with it and it’s sound. It is an entire electronic music lab in one beautiful package. It’s also a beautiful and creative inducing contrast to the other synthesizers covered in this video.
I consider it a large modular system with full polyphonic capabilities, along with film score quality sound.
It’s worth it...
I’m working hard to really master my accuracy and speed of developing a fast moving and fun tutorial for the Moog One. Until then, here’s a nice introductory feature of the Moog One I conducted at the Factory...
th-cam.com/video/lK-Jj-tksME/w-d-xo.html
Thanks again for all your kind enthusiasm and have fun patching & creating your own music!
Love to all, LBD ❤️☕️
You have some great skills, what a truly excellent demonstration.
Although I have never heard about you before this video, I must admit that I enjoyed your expertise and passion! I will pay your channel a visit. Thank you!
Excellent demo Lisa Bella Donna !! Hope to see you again real soon at home in Akron oHIo🎹
Lisa Bella Donna I love MOOG !!!
Lisa, you did one of the best playing on the Minimoog I saw on a while. Very gritty and articulate, awesome work! :D
I first watched this 3 years ago and today I finally bought the grandmother and as a guitar player who has no idea how to play anything with a keyboard .. I can’t wait to learn !! So excited
I love the performance aspect of a true synthesist, as opposed to a piano player playing a synth. I like how a true synthesist "plays" the filter, LFO, etc. controls live. They're really a "playable" part of the instruments that makes is so much more expressive.
Gabriel Velasco I totally agree! A true synthesist is really amazing to watch and listen to!
But don't overlook the fact that Lisa is also a very capable keyboardist, which all synthesists are not. True, you can create, and in real-time, mold and change sound, even if you have no keyboard background. But adding a player's technical keyboard playing ability is another tool in one's toolbox, and releases limitations a less-experienced or capable player has in being able to make choices and express themselves when playing.
ken gruz The point is: you don’t have to permanently use one or even both hands for knob-twiddling in order to do a synth justice, i.e. to not play it like a kind of static organ. I love to *play* with both hands *and* simultaneously change the sound. The magic word is *aftertouch*.
I mostly have 4 to 6 parameters routed to it resulting in either subtle nuances or completely different patches.
My choice was the Subsequent 37, btw, because it’s the only one which can store such a mod matrix setting in a preset.
@@RayyMusik I understood the point. Let's just call keyboards, pedals and such- Controllers. And like any controller, the more skilled you are to use them- even a knob, or a keyboard- the better advantage you have.
@@RayyMusik Yes on an fronts. Craft a melody by tickling the ivories and caress it into mind boggling worlds by playing the knobs. The other secret to doing both simultaneously is to use an expression pedal, which not only gives you another appendage for direct control, it also naturally leads to getting your whole body physically into the rhythm as you expressively pump the pedal with your performance. The Subsequent 37 is my desert island synth. The sequencing, patch memory, amazing total DAW integration, complex modulation options, and obviously the stunning sound quality. I would buy a second Subsequent before buying a Minimoog or Grandmother. The Matriarch is tempting for the 4 voice paraphony, hi-pass and stereo low pass filters, but the lack of patch memory, hidden configuration parameters and simplified envelopes seem like painful compromises when compared to the Subsequent. And I'm very curious if any of the Moogs discussed here other than the Subsequent output MIDI CC on every knob.
Ms Bella Donna exudes this energy where its like Shes your keyboard aunt
i still love her demo of the Mellotron m4000
I regularly come back to that video just to enjoy her playing
I LOVE AUNT LISA! ❤️
Her M4000D Mini demo is so good. I wish I could find one somewhere.
Haha I listen to that demo also regularly. She should do a whole performance with that and a few pedals 👍
Auntie Moog!
Lisa, you need your own channel with a weekly show. Would watch every single one. Brilliant.
Six Missing she does
YES! :)
Oh heck yes!
They made the right choice having Lisa on.
Lisa is incredible, could listen to her play anything with keys all day.
I want more of this lady. She got skill. She got knowledge. She got looks. She got sass. Perfection
Zack Perkins Lisa is an amazing musician and total babe. I love her! ❤️
Lisa is a freaking synth Jedi master. Amazing!
No kidding …. This is Yoda level playing
The only thing cooler than these synths is Lisa herself.
Wow, these synths are SO expressive. It’s awesome how she’s not just playing the keys but the synth!
Truly the queen of the Moog. I like the taste you have. You bring out the character of the synth without overdoing the Moog sound.
Lisa is such a great spirit and sophisticated musician. For me one of the best ambassadors for Moog they could get. My personal actual favourite after lots of testing is the matriarch - no model d though but much more flexible.
Lisa is an amazing artist, totally devoted to her craft. Humanity has future as long as there are people like she.
came here for the moogs and stayed for the INSANE synth performances. especially the moog grandmother one was very impressed!
I know I’m late to the party. But Lisa you are the best thing on the internet. Just bought a matriarch.
That first demonstration on the Matriarch made me misty eyed. You’re a real sorceress of sound on these beautiful instruments, Lisa!
I found myself forgeting this was about choosing a synth and got totally wrapped in your jams. I'll be looking for more of your work. Really inspiring Lisa, thanks.
Lisa is very easy to listen to and I always love her enthusiasm.
Lisa lightning fingers smashing it again. Splendid.
Alex Ball ❤️
I’m always blown away by Lisa’s pure skill
I'm a guitarist/bassist who has always loved synth sounds. Bought a Mother-32 a few years ago and I loved it so much that I went all in on a Matriarch this year. Oh my gosh, it sounds phenomenal! Such a rich and satisfying instrument.
It's so sick
I'll be getting mine soon. Can't wait.
I'm a drummer. Bought a mother. Also want a matriarch.
Which do you like more?
I’m glade to see that reverb has LBD doing their synth stuff. This synth goddess hasn’t had half of the attention she deserves.
I legitimately cried at 16:00 the way Lisa works with the matriarch is a thing of beauty
Whatever Lisa Belladonna plays, it's a joy to listent to. When a Moog is in her hands... it's heaven!!
She is the Matriarch, amazing work Ms Bella Donna.
Sometimes i just come back and re watch this video... Such an amazing performer
I actually first dipped my toe into the semi modular/modular world w/ the Moog apps for iPad. Well worth checking them out to understand the basics of synthesis, which can then be applied to the real deal
That Grandmother trick, feeding the filter output to the noise input really does add to the sound! Wow
Mona is that secret session player on every jazz fusion record you listen to
Jas Bataille ❤️🙏🏻❤️
I wish Lisa Bella Donna could give me music lessons. That would be a dream come true. The work on all the synths is sublime but there bits on the Matriarch that made my hair stand on end. That never happens! Absolutely incredible musician, I love you!
Now that i saw Lisa again rockin Grandmother again... my Grandmother seems AGAIN even more awesome. Thanks Lisa.
One of the best synth demos I've came across on TH-cam!
Might be because im more of a guitar player then a keys player, but this is the first reverb video where I've been blown away by the musician.
I first saw Lisa on a Mellotron video, and was impressed enough to search out her name. I think she always brings excellence.
I wish I could take synth patching lessons from her. She is obviously very talented and knowledgeable. She should record and sell a synth programming master class, a whole course that starts with the basics and ends with advanced synth programming and patching techniques that get you to the point where you can pretty much hear a sound in your head and be able to reproduce it on the synth. She could break it up into "semesters" that start with the basics and proceed from there. I would definitely pay for that.
An actual synth player demonstrating some beautiful instruments. Bliss!
The Matriarch demo is wonderful
She knows her stuff...this video blew me away...very helpful indeed...only problem is now I want them all now!
Great video! My band uses a Sub 37 and a Matriarch as our main bass, lead, and ambient pad synths. They’re the core of our sound. Classic and irreplaceable ❤️
Subharmonicon and Mother 32 will arrive tomorrow and I haven't been this excited in years!
I know the feeling. Just got my grandmother today, and I was dreaming about the FedEx guy last night waiting on that knock on the door.
She knows what she is doing. Much more musical creativity than just boom boom boom EDM !
I came here to get a bit of info on Moog. This girl knows her stuff. It’s great seeing someone with this much talent and enthusiasm.
This video is great. It's not just the best Reverb demo I've seen but it's the best synth tutorial and explanation as well. Crazy good. Crazy.
Wonderful work as usual, Ms Bella Donna! 🥰 Just got the Matriarch in my studio and wow I’m in love with it already!!
Lisa, not only are you a great artist but you also know your way around an oscillator. Great information.
Wow. She’s great. I could watch and listen to Lisa all day.
Lisa's demos are sooooo freaking good.
13:15 made me get a Matriarch. And I'm not kidding.
KNIV any idea how to recreate that patch she played there? It’s breathtaking. I tried matching her knobs but it’s so hard to see.
@@austinm7738 I recreated it by stopping the video at this time mark, making a screenshot and zooming the most hard-to-see areas! You can check the result here:
instagram.com/p/B7ox5vwnbf7/
Even Lisa liked it :)
I love that Matriarch patch! I added one additional mod where I send the Matriarch triangle LFO output through an attenuator, and into delay1 input, and then I can dial in some serious, floor shaking, low bass slowly increasing the triangle rate from low, and leaving the attenuator dialed full left!
I liked when you said the sky is the limit on this instrument; then you made a piece of art with that machine. I loved the video. Thank you.
Very informative - The presenter shows true mastery of these instruments.
Even though I only understand maybe like half of how Moog synthesizers work, I still love that there’s so much I don’t understand. It keeps the fascination stoked! Amazing job Lisa🤘
I've always loved the sound of the Moog, watching your fingers fly over those keys is magic!
The matriarch is what pushed me over the edge. What a piece of hardware!
some of my favorite music in the world these days is just whatever you are playing on TH-cam...and I learn a lot while I'm at it. Thanks.
I think it’s super inspirational to have a woman show her talents and skill set to us the synth audiences;). Thanks Donna for sharing your love of synths with us. Your the perfect spokesperson for this generation! And We the Gen.X’er’s. Who grew up in the late 70’s and 80’s. This now is the second Golden age;)
I know those Moogs are great but you playing them, just INSPIRING!!!
The matriarch in a class of its own, wonderful demo Lisa
Much better than the Moog videos out there. Nice information. For most of us working slobs cost is the defining factor on what to buy.
This is just an incredible demo. It’s awesome to see someone utilizing these gorgeous machines, who has the knowledge of synthesis, and applies it, as opposed to so many other demos, where the person showing the synthesizer treats it almost like a keyboard with effects knobs. This was a treat to watch. I got my Grandmother this past weekend, and after a month of research, getting to play with one at guitar center, one of the deciding factors in buying one was watching another video that Reverb did , comparing it to the Korg Minilogue (which I have as well) , along with all my other research, and the fact the the semi modular capability allows me to use other modular synths like the DFAM or Mother 32, any kind of module that could be used in modular setup... since it arrived, it’s easily the synth I play the most, over the Minilogue or my OP-1 . I love using all my synths to create layered pieces, but there is nothing like a Moog, or I should say the Grandmother, since it’s the only Moog I own, after wanting a Moog since the 90s. As a guitarist, nearing 3 decades of playing guitar, I’m completely entranced with synthesis, learning more about it, and couldn’t be happier with the GM. Even the very cool, yet simple box the Grandmother comes in, is awesome .
Matriach is my fav. Thank you Lisa for this amazing performance
Awesome vid. I have the Grandmother and it’s an endless exploration of amazing synth goodness. Only downside for some who care (it doesn’t bother me) is that it is heavy. People think it’s plastic, but that whole enclosure is metal, and a big , chunky beast. They’re all so beautiful. Thanks for the video
I am already a Moog fan(and a new LBD fan), but I think this is the best synth demo I've ever seen.
Only problem is I'm sold on all of them...
I think the message here is, ‘master your gear! ‘ i.e before you move to something new and shiny 😉Something I’m very bad at....
Yes, the most humble synth or drum machine etc is better than a multi-grand machine if it is totally pliable in your hands inside and out...find the limits, push and try to break them...use lots of guitar pedals, so many cool, odd and cheap ones ahaha.
Lisa is the perfect spokesperson for Moog synths !
I love the fluid playing and the exciting melodic and harmonic as well as texture rich sounds Lisa Bella Donna coaxes out of the Moogs, Some great deep, gnarly left hand riffs too!
Ms Bella Donna is one of my favorite synth persons. Great energy, wonderful music.
As myself, i have acquired the Sub 37, because of the presets storing capabilities.
It's my first Moog synth, and i can't be happier. Great complex synth, with great character.
Does have that typical Moog feeling to it, you can hear it all over the mix. It's a thing you like or not.
I like it a lot :P !
I have been a Moog fan for years and owned many. But the latest range of semi-modular synths are just awesome as amply shown here by Lisa Bella Donna. Great demo.
wow. She's pretty incredible.
I appreciate at the end of the demo of the Mother 32 and DFAM Lisa told the non-keyboard players out there to buy! Sold!
Wonderful comparisons: the Matriarch is my favorite - mesmerizingly rich.
So clear , fully easy understanding in so little time used
Moog teacher of the year !!!
Really interesting, and made a lowly guitarist consider buying a Grand Mother.
Thanks for the cool info. Accessible but not patronizing.
You might want to also consider the Pioneer DJ/Dave Smith Instruments Toraiz AS-1, a brilliant-sounding easy-to-use programmable analog synth for just $600.
Daniel Hoskins get a Moog mane I’m a guitarist and just got a sub 37 so much endless fun
Do it - I traded just about the perfect Tele (imo) for a Grandmother and it was SUUUUCH a good idea, I was soooo happy. (so happy I wound up getting a Matriarch)
I was a guitarist....lol. Last November I bought a Moog GM and have fell in love. If you get a chance search Dale Cutler Music. I have a channel where all I do is upload my synth journey. You will never regret buying it. Don't listen to any other suggestions...lol. BUY THE GM!!
Do it. I’ve been a guitarist for 28 years, and just got one. You will not be disappointed. It’s the most incredible thing to sit and create with, but my only advice would be to study a bit of synthesis . There are vids everywhere, but it makes it so much better when you understand what everything does/why. Guitar pedals helped me a bit, but a few nights of watching modular synthesis vids really helped. I also have the Korg Minilogue, which has awesome pad sounds, and versatility, but doesn’t come anywhere close to the beast of a synth the Grandmother is. Look on Sweetwater for a demo, which will bring it to 899, as opposed to 999, and it’s barely used by them for videos and whatnot, 2 year warranty, everything in the gorgeous box, cables in a nice bag... I’ve also seen the grandmother go for 750 used on Reverb, same with the Subsequent 37 for under 1000. I think a lot of people buy these (there are 3 different synth models w keys onboard, and the eurorack mother 32 and DFAM on display at Guitar Center by me, front and center) get home, and realize that they’re not the same as keyboards, and take some learning, so they probably become frustrated and put them up on Reverb, bc there are A LOT of these on Reverb. Best choice I ever made was to buy the Grandmother. I’m already planning on getting the DFAM next, to add to my Korg Minilogue, Teenage Engineer OP-1, Grandmother, Drumbrute impact....
It’s definitely a “Go For It” situation, if you can part with 999 bucks (or cheaper for demo or used) . Think of it as a guitarist, if Fender released something along the lines of a Custom Shop ‘63 Strat, but for 1000 bucks. These are hand made /assembled in Asheville, N.C. with wood sourced from Tennessee, and metal sourced from Missouri. 81 employees who assemble every instrument, now own 49% of the company as part of a stock ownership plan, which is pretty awesome too. You really can’t go wrong with the Grandmother. I’ve heard lifelong Moog obsessives, who have raved about the Grandmother say that it should be more expensive. I’m so happy with mine, and wouldn’t trade or sell it for anything. It’s a constant source of inspiration, esp as a guitarist, when I get in a rut, and hit a wall trying to work out songs.
The Minimoog basslines on Ultravox songs are just awesome
Great work Lisa... I love the way you set arpeggios, then glide up and down the keyboard playing.. Its very you and your playing style, which I love ! Great video
Yeah, that bit at 15:00 on the Matriarch is such a mix of cartoon, bliss, and joy: well done!
Really happy with my Mother 32 and DFAM. I love westcoast synthesis because it gets under your skin, however, a Moog and a reverb go straight to your heart.
not only does she know her shit but she is from what i can see a lovely human being as well she is filled with love and light rock on sister
Watching you freehand some of those arpeggiations was intimidating and inspiring. Thanks for sharing your knowledge!
Gorgeous! And what a spectacular display of talent, artist workshop from Lisa - our Moog Goddess!
I sell synths and this video was absolutely a joy to watch. Bravo 👏 Lisa you are really good at what you do and genuinely showed passion for synth
Expecting my Grandmother today! Thank you for a wonderfully musical demonstration.
Thanks for your expert opinions. Great instruments in talented hands.
Loved how you broke down key points about the Moog's.
Thank you Lisa. Hope you are feeling better. I so enjoy your playing and programming. Great to hear you talk about the Moog stuff, which I love as well!
The live performance patching with the rhythm synth and Mother 32 was excellent.
I own a mother32. It's the best electronic music purchase I've ever made.
Beautiful demo. It's clear you work with the magic through these machines.
Lisa, you Rock! Your musicality and ability to explain just how to make these wonderful beasties do their magic is beyond reproach. Great stuff!
1) Moog Minimoog 0:00:16
2) Moog Sub 37 / Moog Subsequent 37 0:03:49
3) Moog Grandmother 0:05:58
4) Moog Matriarch 0:10:55
5) Moog DFAM & Moog Mother-32 0:16:56
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Moog Minitaur - - Analog monophonic bass synthesizer
th-cam.com/play/PLoRNXsrOuZ-W_ps4STPfTYjnTOyQ6Z32T.html
Moog Taurus 1 - Analog monophonic bass pedal synthesizer (1975-1981)
th-cam.com/play/PLoRNXsrOuZ-XgLVgeKENjnW0_3GkflBVu.html
Moog Taurus 2 - Analog monophonic bass pedal synthesizer (1981-1983)
th-cam.com/play/PLoRNXsrOuZ-XJLmZ1xrHTs9_tkWaeUth0.html
Moog Sub 37
th-cam.com/play/PLoRNXsrOuZ-V-05Keovi1VOtGDPXFq0lt.html
Moog Subsequent 37
th-cam.com/play/PLoRNXsrOuZ-VDEoi4Ajhf7GlSK3GuU5z-.html
Moog Grandmother
th-cam.com/play/PLoRNXsrOuZ-U2S1Q-Cc2uGR_6v5ADg7-2.html
Moog Matriarch
th-cam.com/play/PLoRNXsrOuZ-XY_hYNCWtBF_Sgsn6dIcTm.html
Moog Minimoog
th-cam.com/play/PLoRNXsrOuZ-Ut447OeUJ17LFH4AVUQ_So.html
th-cam.com/play/PLoRNXsrOuZ-WuvxuZNPmjnaY8HfZE17yB.html
Moog Minimoog Model D
th-cam.com/play/PLoRNXsrOuZ-Wg2kbtGx43nLuZ8QyLwM6R.html
Minimoog Voyager Performer, XL & Old School - Analogue Monophonic Synthesizers
th-cam.com/play/PLoRNXsrOuZ-Wg2kbtGx43nLuZ8QyLwM6R.html
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Lisa Bella needs to do a master class
Lisa obviously knows her stuff, I love her technique
Generous, thorough, educational, artistic. Thanks for this thorough and well explained guided tour.
I loved this video. Keep teaching through video, this is going to be good for hundreds of years
Great sounds and a very skilled player. Her high speed runs are super tasteful.
Lisa should do every synth demo video. She can play!
I cannot afford it, but love to listen to it still.
The number one out there - Moog.
Love the Farfisa in the background: they sound great through Moogerfoogers.
Thx for this video. It helped me to decide, which one fits best to me. And I think it will be the Grand Mother. 👍
Lisa excellent review! You help me make up my mind I am going for the Matriarch.
"I have 9 of them...." I expected like 3 tops
I've got 2 Moog synths (Subsequent 37 CV, and DFAM). The thing I noticed about analog synths, in a recording studio setting, is that they do produce a notable self-noise floor. When working with digital synths, you get no noise at all. However, no digital synth sounds as good as a real analog one, that's clear.