Finally, Stanchinsky has gotten enough recognition, and other forgotten composers’ music is being compared to his. That’s amazing. The coda is captivating. A-a-and... this music has a unique flavour, so that’s an instant favourite. (I am learning a couple of Stanchinsky’s pieces right now, and this prelude and fugue really hit.) This grand piano sounds amazingly wide. I with there were no clipping...
i actually never thought of this piece like that; i originally thought it sounded feinberg-ian but i see it sounds way more like a rachmaninoff improv on a satie work
that fugue subject sounds incredibly familiar 👀
📮?
@Mowskii :p I don’t no why, but I just can’t get over the fact how ur username sounds like a cute nickname for Moszkowski 😅
@@dacoconutnut9503 nah, not really xD
really stunning! thank you for sharing it!
Very eastern european sounding but I think movie music has taught me to hear this as pharaonic
The opening reminds me of Stanchinsky's prelude.
Finally, Stanchinsky has gotten enough recognition, and other forgotten composers’ music is being compared to his. That’s amazing. The coda is captivating. A-a-and... this music has a unique flavour, so that’s an instant favourite.
(I am learning a couple of Stanchinsky’s pieces right now, and this prelude and fugue really hit.)
This grand piano sounds amazingly wide. I with there were no clipping...
Never heard of this composer or this piece, interesting. Opening sounds a lot like a Rachmaninoff improv on a Satie Gymnopedie or Gnossiene.
Chopin, Nocturne in c op. 48 n.1.
i actually never thought of this piece like that; i originally thought it sounded feinberg-ian but i see it sounds way more like a rachmaninoff improv on a satie work
The prelude reminds me of some very early pieces by Ornstein (who was also Ukrainian btw.).