@@Robmobius i will do im back at the studio in a week or so. Just some of the footage was shot in LOG and was just left flat. My suggesestion would be to all the camera crew to shoot REC709. Effectively its a ready For Tx with minimal grading required. Many guys that shoot Canon amd Sony love their LOG shots. Its all good for documentary stories but for Supersport or even jusy standard TX work i have found the REC709 just speeds up the workflow for broadcast with minimal colour correction required
Nice show…. But heck guys…. Your editor must at least do basic colour correction
Thanks. Can u grab a snippet and show what u would do differently colour wise?
@@Robmobius i will do im back at the studio in a week or so. Just some of the footage was shot in LOG and was just left flat. My suggesestion would be to all the camera crew to shoot REC709. Effectively its a ready For Tx with minimal grading required. Many guys that shoot Canon amd Sony love their LOG shots. Its all good for documentary stories but for Supersport or even jusy standard TX work i have found the REC709 just speeds up the workflow for broadcast with minimal colour correction required