Lizst harmonizes simple melodies uniquely beautifully. 0:45 alternative minor scale, 1:02 modulates over new keys, especially 1:12 bar 35 Eb7+13 -> B -> B7+13 -> Em and resolves back to theme in a tempo. love the delicacy. Perhaps overshadowed by all the many virtuoso pieces he wrote, this piece is so friendly and peaceful and underrated that it indeed is a hidden gem.
Lang Lang's interpretation of this piece is both haunting and ethereal. The way he channels Liszt's emotions and nuances is truly breathtaking. It's no wonder he's considered one of the best pianists of our generation. Every time I listen to his performances, I'm reminded of the sheer power of music to move the soul.
@@bruh-th5ft actually, I can just listen sometimes and be offended, too. He often distorts things and it’s bothersome to many people. There’s a performance of the Chopin Opus 10, No. 3 E major Etude when he played as an encore. It’s positively nauseating to listen to, even with eyes closed. I get what you’re saying, though.
@@danielgloverpiano7693 This was my experience when giving an honest listen to his Hungarian Rhapsody No.6. The tempo jumps around in an obnoxious way. I will say though, I think anyone who readily disparages his performance of Liszt's Paganini Etude No.6 is not being honest with themselves. It's genuinely quite nice imo.
@@TheExarion I’ll check it out, thank you. There’s no question he can play anything he wants. It’s his artistic choices which often bother me from a musical point of view.
Oh how nice... This was the first Liszt I was given to play... I have long lost the score, now I know what for I have to seach. Thanks for this gem - never performed, almost unknown.
❤Εξαιρετική ερμηνεία !Εκείνο που θαυμάζω περισσότερο είναι ότι άνθρωποι που έχουν τόσο διαφορετική κουλτούρα και background από εμάς του δυτικούς μπορούν να ερμηνεύουν άψογα. Εμείς οι Δυτικοί δεν μπορούμε να το πετύχουμε και να καταλάβουμε την κουλτούρά τους σε βάθος. Συγχαρητήρια !!!
I’m amazed that others join me in my objections to his clowning. It’s such a terrible waste of a truly great talent. Yes, he plays this in such a movingly heartfelt way with no histrionics. I wonder if some idiot told him that ignorant people with no knowledge of music would love his clowning. In fact, it makes him seem so much like Liberace, that I was sure his marriage was for show, to try to prove he was straight. I don’t care if he’s gay or straight, as long as he stops demeaning the music with his ridiculous clowning.
The Lang Lang hate is too much often, there are performances of him out there that are not great but there's also great accounts, such as this little Romance
A rather subdued performance from Lang Lang, even though you can hear some of his kinda unpredictable/uncontrolled rubato here. Still, I think this is a lovely performance! I just wish he put a little more thought into the ending.
As a pianist myself, I can say that both keys "fit" the hand very well, for lack of a better phrase. The more accidentals (sharps and flats) in the key, the harder to play the piece is. Both c minor and e minor have only one accidental - therefore they lie in the hand more naturally. So, maybe the composers were trying to help out their performers a bit?
The jealousy towards Lang Lang is amazing...anyone who plays so beautifully and with such technical proficiency can do anything he wants...stop being such haters
I wish people would stop acting like all of the criticism towards Lang Lang stems from jealousy. There are a lot of times where he changes (or, as others have put it, butchers) pieces just to wow an audience in a way that usually sounds more impressive than it actually is. His performances can also often be way way way too overly sentimental - huge dynamic changes and elongated rubatos that serve more to linger on sensitive moments in music but kinda end up disrupting the music’s message. And many people view these disruptions as phony. I don’t even hate Lang Lang btw. He’s put out some really solid performances that I’ve appreciated, and I think a lot of the hate he gets is blown out of proportion. But I’m so tired of this “all his haters are just jealous” critique. I could easily turn that around and say people act like he’s a piano god because all they’ve been exposed to is Lang Lang and they’re too stupid to look into better performers.
@@dredpool3927 the problem with Lang Lang is he doesn’t play Beethoven or Liszt, He usually ignores what the score says in favor of imposing his own ego on it. I don’t want to hear that. I want to hear what the composer has to say. Maybe he and Pogorelich should just compose and stop playing music others wrote?
@@FriedaV-ru7nh if he can do anything he wants, let him play what the composers wrote, and stop trying to distort the music to his own will. It has zero to do with jealousy. It has to do with our distaste for his interpretive approach. Stop projecting. I’m a concert pianist myself and have zero jealousy for him, because no way in hell would I play as he does on purpose, and none of my famous teachers would allow any of their students to play as he does. The consensus of most critics who are professionals, agrees with that assessment. I’ve read countless reviews. One British critic told Lang Lang to stop being a clown and get a mentor who will guide him to better musical taste. That was spot on. I’d love a shot at giving Lang Lang a lesson, having taught piano at the collegiate level at four universities. And that’s not an ego trip, I’m sincere. I think I could drill it into him how to respect the structure of a piece more, and not get hung up on details which break down the integrity of the form. I would have to give specifics in certain pieces to make you aware of what I’m referring to. The same holds true for Pogorelich and his Rachmaninoff. What I wouldn’t give to sit and ask him why in heaven’s name he thinks Rachmaninoff melodies are supposed to be as slow as possible and the Second Concerto goes on for 50 minutes. The Boston Symphony string players staged a revolt and said they couldn’t play that slowly without totally rebowing the whole piece. There’s no rationale nor integrity in distorting a composer’s score to the point of non-recognition.
@@ThorsteinnGunterPiano Look at the score. If you really don't see it then learn reading the score. The arpeggio is not over both hands but with both at the same time, just like the chords before. So it is played completely wrong here.
@@elagabalusrex390 Chopin music is way more complex and abrupt. It frustates the expectation of the listener, and he himself hated that it were played sentimentally.
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Lizst harmonizes simple melodies uniquely beautifully. 0:45 alternative minor scale, 1:02 modulates over new keys, especially 1:12 bar 35 Eb7+13 -> B -> B7+13 -> Em and resolves back to theme in a tempo. love the delicacy. Perhaps overshadowed by all the many virtuoso pieces he wrote, this piece is so friendly and peaceful and underrated that it indeed is a hidden gem.
Lang Lang's interpretation of this piece is both haunting and ethereal. The way he channels Liszt's emotions and nuances is truly breathtaking. It's no wonder he's considered one of the best pianists of our generation. Every time I listen to his performances, I'm reminded of the sheer power of music to move the soul.
Same has been said of Glen Gould with his 'insufferable mannerisms'.
Matured.
He is still nothing compared to Liszt. Just like all pianists of present times
@@argi0774and the sky is blue
Chopin called. He wants his nocturne back.
Op. 72. No. 1
😂
I’m dead! Laughed so HARD OUT LOUD!!! 😂😂😂
Chopin called, he wants his extra chromosome back
Haaaaaaaaaaa
This proves that Lang Lang can choose not to be a clown when he wants to be sincere. I wish he played like this more often.
It's just that you are not watching him playing, try to just listen to him on every piece, he's actually doing well
@@bruh-th5ft actually, I can just listen sometimes and be offended, too. He often distorts things and it’s bothersome to many people. There’s a performance of the Chopin Opus 10, No. 3 E major Etude when he played as an encore. It’s positively nauseating to listen to, even with eyes closed. I get what you’re saying, though.
@@danielgloverpiano7693 imo his clair de lune is one of the most beautiful interpretation I've ever heard of
@@danielgloverpiano7693 This was my experience when giving an honest listen to his Hungarian Rhapsody No.6. The tempo jumps around in an obnoxious way. I will say though, I think anyone who readily disparages his performance of Liszt's Paganini Etude No.6 is not being honest with themselves. It's genuinely quite nice imo.
@@TheExarion I’ll check it out, thank you. There’s no question he can play anything he wants. It’s his artistic choices which often bother me from a musical point of view.
Lang Lang's 2nd personality; the artist.
Oh how nice... This was the first Liszt I was given to play... I have long lost the score, now I know what for I have to seach. Thanks for this gem - never performed, almost unknown.
❤Εξαιρετική ερμηνεία !Εκείνο που θαυμάζω περισσότερο είναι ότι άνθρωποι που έχουν τόσο διαφορετική κουλτούρα και background από εμάς του δυτικούς μπορούν να ερμηνεύουν άψογα. Εμείς οι Δυτικοί δεν μπορούμε να το πετύχουμε και να καταλάβουμε την κουλτούρά τους σε βάθος. Συγχαρητήρια !!!
It made me cry, happy, sad tears. Beautiful.
He does all the showy stuff out of boredom. He’s like Mahomes out there.
Beautiful performance...of a piece that's actually playable by normal humans. Bravo!
Yes that's what you might think. But wait ;)
Speak for yourself. I can play all the notes in the right order but what comes out can only loosely be called music.
Only one word will do: sublime.
Makes you wonder how he plays when he’s not aware that he’s being watched. Probably much more genuinely.
I’m amazed that others join me in my objections to his clowning.
It’s such a terrible waste of a truly great talent.
Yes, he plays this in such a movingly heartfelt way with no histrionics.
I wonder if some idiot told him that ignorant people with no knowledge of music would love his clowning.
In fact, it makes him seem so much like Liberace, that I was sure his marriage was for show, to try to prove he was straight.
I don’t care if he’s gay or straight, as long as he stops demeaning the music with his ridiculous clowning.
So beautiful , wonderful...Congratulati❤🎉😊ons....
Beautiful piece played beautifully👏👏👏👌🏻👌🏻👌🏻❤️
i'am in love with this music by Lang Lang!!!
Actually this music is by Liszt
Oh this isn't liszt playing Lang langs music?
@@456death654 No. Liszt is very high above Lang Lang
This takes me under stars❤😅
I LOVE THE ENDING ITS AWESOME
This is absolutely amazing
🎎🎏🎋⛩️🎴🎑
Beautiful, and exquisitely played 🙏✨❤️
The Lang Lang hate is too much often, there are performances of him out there that are not great but there's also great accounts, such as this little Romance
Thank you, LangLang❤
lovely; thank you
First Liszt Piece I hear that has not ANY virtuos passages, didnt know that existed...^^
A rather subdued performance from Lang Lang, even though you can hear some of his kinda unpredictable/uncontrolled rubato here. Still, I think this is a lovely performance! I just wish he put a little more thought into the ending.
Haha you sound like one of those amateur music fans posturing as a member of the jury in the local piano competition.
@@SammyLoock haha actually I sound like some guy just expressing his thoughts haha
@@SammyLoock 💀you're the definition of an elitist
@@SammyLoock ?
why are the best pieces composed in c minor and e minor
ikr
As a pianist myself, I can say that both keys "fit" the hand very well, for lack of a better phrase. The more accidentals (sharps and flats) in the key, the harder to play the piece is. Both c minor and e minor have only one accidental - therefore they lie in the hand more naturally. So, maybe the composers were trying to help out their performers a bit?
@@elagabalusrex390 c minor has three accidentals
@@elagabalusrex390as a pianist also, d flat major (five flats) fits the hand beautifully and much better than c major for example…
@@antoniak.3404 Agreed. I absolutely consider pieces with more sharps/flats to be more comfortable.
My Piano Hero. Buy it.
It's a too fast (paragonated to how i play it) but as I say everyone's got their own interpretation. Good job Lang
The jealousy towards Lang Lang is amazing...anyone who plays so beautifully and with such technical proficiency can do anything he wants...stop being such haters
My thoughts exactly. I have always impressed and jealous of his talent, but never pretended he was anything less than a talented pianist.
I wish people would stop acting like all of the criticism towards Lang Lang stems from jealousy. There are a lot of times where he changes (or, as others have put it, butchers) pieces just to wow an audience in a way that usually sounds more impressive than it actually is. His performances can also often be way way way too overly sentimental - huge dynamic changes and elongated rubatos that serve more to linger on sensitive moments in music but kinda end up disrupting the music’s message. And many people view these disruptions as phony.
I don’t even hate Lang Lang btw. He’s put out some really solid performances that I’ve appreciated, and I think a lot of the hate he gets is blown out of proportion. But I’m so tired of this “all his haters are just jealous” critique. I could easily turn that around and say people act like he’s a piano god because all they’ve been exposed to is Lang Lang and they’re too stupid to look into better performers.
They’re just a bunch of arrogant, pretentious elitist who like to worship the ground legends walked on. No sense of individuality whatsoever.
@@dredpool3927 the problem with Lang Lang is he doesn’t play Beethoven or Liszt, He usually ignores what the score says in favor of imposing his own ego on it. I don’t want to hear that. I want to hear what the composer has to say. Maybe he and Pogorelich should just compose and stop playing music others wrote?
@@FriedaV-ru7nh if he can do anything he wants, let him play what the composers wrote, and stop trying to distort the music to his own will. It has zero to do with jealousy. It has to do with our distaste for his interpretive approach. Stop projecting. I’m a concert pianist myself and have zero jealousy for him, because no way in hell would I play as he does on purpose, and none of my famous teachers would allow any of their students to play as he does. The consensus of most critics who are professionals, agrees with that assessment. I’ve read countless reviews. One British critic told Lang Lang to stop being a clown and get a mentor who will guide him to better musical taste. That was spot on. I’d love a shot at giving Lang Lang a lesson, having taught piano at the collegiate level at four universities. And that’s not an ego trip, I’m sincere. I think I could drill it into him how to respect the structure of a piece more, and not get hung up on details which break down the integrity of the form. I would have to give specifics in certain pieces to make you aware of what I’m referring to. The same holds true for Pogorelich and his Rachmaninoff. What I wouldn’t give to sit and ask him why in heaven’s name he thinks Rachmaninoff melodies are supposed to be as slow as possible and the Second Concerto goes on for 50 minutes. The Boston Symphony string players staged a revolt and said they couldn’t play that slowly without totally rebowing the whole piece. There’s no rationale nor integrity in distorting a composer’s score to the point of non-recognition.
Maravilloso
Liszt was possibly beyond humain.
Thank you….❤
Lang Lang as never heard before ❤
Btw is there any chance the actual song (Oh pourquoi donc?) exists on TH-cam or somewhere?
So beautiful👏👏❤️
une des meilleures versions, d’après moi
Спасибо❤
Bravíssimo.
Lisztium sublimenae et dimenzionem lachrymatorium....😢
1:13
Like Consolation N. 3.
Very beautiful piece....😢 But that noise of the sea in the background is unnecessary.
❤
Where can I get the sheet from?
Search "Liszt Romance S. 169" on Google and click on IMSLP.
nose que deir...
So beautiful, yet the Romantic era isn't my favorite.
bro what? liszt is calm? b.but he always shouting
no money for pianotuning?
The last chord is played completely wrong here
How do you figure? It changes to an E minor chord in the end... Lang Lang is playing the correct notes.
@@ThorsteinnGunterPiano Look at the score. If you really don't see it then learn reading the score. The arpeggio is not over both hands but with both at the same time, just like the chords before. So it is played completely wrong here.
@@argi0774So what.I‘m sure Liszt is not going to turn in his grave.
@@Maisiewuppp Of course not. It is still wrong.
You know nothing about music if you believe it's all about blindly following a piece of paper
He just does not understand the composer's intentions with this piece.
How do you mean?.
But, I assume, you do?
Why so ?
Question mark
If no one said it was from Liszt, I'd say it could be Paul de Seneville and Oliver Toussaint 🤣 #balladePourAdelineFeelings
I'd say his friend Chopin.
@@elagabalusrex390 Chopin music is way more complex and abrupt. It frustates the expectation of the listener, and he himself hated that it were played sentimentally.
❤