For song & album requests and to support my channel and musical projects, please consider joining my Patreon (I can't monetize my videos): www.patreon.com/iximusic 🙌 You can also commission me to analyze your original music or do a piano cover. 🎹 And I teach private & group lessons, do film/video game scoring, and music transcriptions 🎶 TIPS: www.buymeacoffee.com/iximusic 💄
Thought this group would enjoy my Radiohead / The Smile story, so I'm sharing it here with you all. On August 5th, 1997 I was Lucky😉enough to have the best front row seat at the State Theatre (seat 1A) to see Radiohead in Minneapolis on their OK Computer tour. The show was so amazing, of course. Remember - Thom was standing about 3 feet from me the whole time! They even false-started Talk Show Host, and had a good quick laugh about it. After the show ended, one of their people asked me if I wanted to hang out with the band. An already unbelievable night was about to get even better. As I walked to the backroom wearing my "Generic Sticky Pass" on my shirt, Thom was the first person I saw in the room. He invited me to sit with him and we hung out for probably a half an hour, no exaggeration. He was super nice & generous with his time, calling me by name throughout our hang, probably because he has a younger brother Andy and it was easy for him to remember.😊I had just recently turned 22 and he was 28. He asked me if I wanted to meet the band and he took me around to everyone. We spent probably 5 minutes or so with Jonny and just a couple minutes with each of the others. This was pre digital cameras and I didn't even ask him for an autograph, but he offered to sign my setlist and he gave me the 2 other posters that you see here, that he also signed (in his older 'doodle' type of signature) & wrote some things on. He did it in non-permanent marker, so they have faded over the years unfortunately. Oh yeah, when I walked into the room he first said to me "You were in the front row, right?" and that is why he wrote "Andy on front" on the setlist - so cool. He also wrote "Meeting People is Easy" on one of the other pieces and I wonder if that may have been the first time that he ever wrote or said that publicly, because the film by the same name did not come out for a year later. I've seen Radiohead a bunch of times over the years and Thom solo, but this will forever be my greatest concert experience. Now fast-forward 25 years & 4 months...I waited to meet the band in Milwaukee after The Smile concert. I spent a few minutes talking with Thom, as he was the last to sign my album. Over the years, I've wondered what I would say to him after all this time if I ever met him again. I certainly wasn't going to ask him if he remembered me & he certainly would not have, but I did say to him "We met & hung out 25 years ago in Minneapolis" and he looked at me, smiled and said "We did?!" I had re-introduced myself to him when he first came up to me and the last thing he said to me was "See ya Andy"...again, remembering my name.😎
@CopBabyCombo I was at that show! But in the Balcony... I also saw them in the Main Room at First Ave the year prior. Their live performances in those years were other-worldy.
I'm trying to pretend what's it like to have never heard this song or album, watching this great analysis, and going "Wow, this Airbag song is so complex and amazing, the album can only go downhill from here." And then, it ends like Boop-Boop-Boop-Boop, and we all know what that means.
Thanks Ixi! Now you’ve really got me interested. What a wonderful and comprehensive deconstruction. Except for Creep I kind of missed Radiohead but on TH-cam they get mentioned a lot so you shown me an entrance for my journey. BTW I’m a 70 y.o. ex Music teacher.
I’m sure someone here will have already mentioned that the bass line in this song is so sporadic because it’s a temporary bass line, a place holder, lay to give the band an idea what was going to be played, until they could write something better and more substantial. When they listened back to it, they loved how it sounded and kept it.
My dad used to give me free rein over his cd collection when he wasn't around, and I found OK Computer in there as an elementary school-aged kid and immediately knew I'd found something special.
jesus c., one thing is to adore a song, another thing is to understand and adore a song.... well, at least to start to understand it. Thanks for being soooo deep in ur analysis and yet so light and enjoyable!
Those five guys (apart from Nigel) were all just school buddies who started a band and had this vision of it being their lives, I reckon. "Anyone can Play Guitar" from their debut spells that out for me. Then came "The Bends " and then this! This album revolutionized music and pop culture in ways that so many people are probably unaware of, but it's true as can be. They went out into the country and recorded this album in what was supposed to be this old haunted house, just them and Nigel, locked away from the world for as long as it took. And I'll be damned if they didn't produce the goods, hey? Of course there were people at their label who were like, "This is way too complex for modern audiences," and "This is depressing as," etc... But they stuck to their guns and thank the gods for that! And I couldn't agree with you more; the way this song opens the album up to us, it just doesn't get any better that that. The entire track list - its content and order - is perfect from beginning to end. Are you going to check the whole album out? I'd be mega-excited for "Subterranean Homesick Alien" if you are, and naturally "Exit music" for the Baz Luhrmann "Romeo and Juliet" soundtrack is gonna keep me spellbound, too. I play these tunes myself all the time, and of course I stop here and there and marvel at the magic of what's been done in the harmony and melody, with the textures and different batty instruments that Johnny seems to have this need to bring into the work. Damn, I love them so much.
The guitar at 22:00 is not really a tremolo. Jonny played 2 different guitars slightly out of phase, one at left channel, another at right channel. When mixed, the effect is like a tremolo (as he does playing live) and brilliant.
Not too many chords in this song, but still a pretty sophisticated piece. Major/minor tension, modal elements, some seriously well arranged guitars, and a beautiful melody. When they really lean into the lydian sound in the chorus, it is unbelievably beautiful. I love that super bright sound, Brilliant song kicking off an amazing album. Very well analyzed!
i’d never thought of the first chord in the chorus in a lydian context before and always just wondered how starting a chorus on a tonic tritone chord could sound so natural. thinking of it as lydian makes it make so much more sense!
Congratulations, a really superior analysis that suggests how traditional theory fits with "how they probably approached things" in the studio. When I was in college (late 1980s), I had a music history professor ask "what music of today will still be around in 200 years?" Historical perspective, you know? And I've always thought in 200 years, we will look back to Radiohead as the Bartok or Stravinsky of these times. I cannot speak highly enough of OK Computer; it is the "Rite of Spring" of our era.
i always hate to say the first song on an album is my favorite but goddamn the chills of hearing it for the first time. And not knowing what could possibly come after. also amazing vid thank you
Long reaction? That couldn't have been more than ten min... THIRTY MINUTES?!? Can the waft of a warm breeze keep you aloft for thirty minutes? 😍 This is by far my favorite breakdown of a Radiohead song ever. So detailed and deeply appreciative of the impact sonically and emotionally of every detail. I'm like you with lyrics: some just leap out as touchstones for a song, like "in an interstellar burst I'm back to save the universe" and then I can go for years and years and never know others, just part of the wash of the music that occupies my senses. Thank you!
One of the best things about your vids is seeing that I’m not the only one who cries during beautiful parts of rock songs!! I honestly thought I was really weird….
These OK Computer breakdowns have been such a revelation to me 🆗💻🙏. Airbag is such a great song!! Being 18 when this album came out back in '97, aswell as being in my final year of high school I believe meant that this album was so important and had such a strong impression on me 💪💟. Love your description of Colin 'playing the long game' with his bass parts as a fellow bass player 😅
Yes! My pick for Best Album of the 90's and one of the greatest concept albums ever made. They were ahead of their time with this album- wish I could go back in time and hear it again for the first time.
Pretty sure you're going to get super huge quickly now, because you're awesome and the algorithm must have noticed. I feel every word you're saying 1000%. So, I guess before I'm completely buried in the crowd... um, hi 🙋♂️
One of the best album-opening songs ever, which is appropriate. It's my phone's ringtone, which makes it slightly less unpleasant to receive phone calls. And I'm with you on the boop-boop-boop-boop at the end. I can't help but sing them when Airbag comes to its end.
You gave me a whole other view of the bass line in this song I’ve been listening for ages. Thanks. It really makes me realize the importance of just not listening but studying music
I see you've done another episode big upping Thom since this episode but your mention of DJ Shadow in this analysis made me wanna recommend Rabbit in your Headlights which is Shadow and Thom together. You may already know about Unkle but as an electronica head from the early aughts I'm obliged to mention it ya see.
Your analysis and breakdown of “Airbag” made me tear up with emotions. This is one of my favorite Radiohead tracks and always listen to when life moves too fast. This is a perfect Radiohead tutorial. I love all the synergic feel of all the elements of their music which is how beautifully describe their art.
I have such a basic grasp of music theory. Youre f*cking awesome and these videos are AMAZING! your humor is amazing! and your pictures and graphics are so funny. im a big fan!!
The first time I ever heard this song, it made me feel like I was levitating out of my chair. A year or two later, when I started playing guitar, that opening riff was the first thing I taught myself. Absolutely magical.
Your approach to thinking about their music is so satisfying and thorough without getting lost in the weeds. I love all that you really help me hear in this complicated music I’ve loved my whole life so much!!
Love the talk of the bass, and the description of it as the floor of the house. I feel like the texture of the song is so dense that the lower guitar parts essentially do the job of the bass, meaning that the bass can be more decorative and ornamental.
The thing that's unusual about the bass in "Airbag" is it's all these little bits that slowly fill together and all come together one time near the end.
Airbag is one of my favourite SONGS, let alone by Radiohead. (It's hugely under-rated by fans.) Apparently, it was inspired by Thom being in a car crash and surviving ("I am born again"); I love how the instrumentation and music sound like elements of a car crash, from the crunching riff - which is amazing to play on guitar, you just whack the bottom E string and then jam a finger on the first fret, and which 'crashes' the major and minor notes together - to the fizzing hi-hats and sleigh bells which imitate smashing glass, along with the syncopated, crashing-metal drum pattern, inspired by DJ Shadow, whose amazing 'Entroducing' album was massive at the time (see also the 'breakdown' section). I can't believe you don't dance to it! I have to shake my head, Thom-style, until it almost falls off. 28:35 Close! It's a musical car crash! (But not a bad one.) 1:11-1:28 Is this how the American version of Airbag / OK Computer starts? In the (UK) version, there's no swelling run-in, it just cuts to the riff: 'UH-ERRRRR'! Much better.
This is my new favorite channel. It's so nice to see music analysis from someone who not only knows her stuff, but has this much love and passion for the music. I could watch you talk about music all day. Thank you!
Thanks so much for covering this one. It's my favorite song of all time by anyone. I know you didn't go into the lyrics, but "an airbag saved my life" is a reference to "Last Night a DJ Saved My Life"
I guess it can be two things at once, but I was always under the impression this whole song is about a horrible car accident Thom was in. One in which an airbag literally saved his life and the existential guilt he had for surviving it. I know for awhile and possibly still, he hates going in vehicles because of it and generally tries to avoid them if he can. I'm not trying to insinuate you're wrong, but do you know where you heard that from? I'm one of those die hard obsessive fans and read tons of interviews/books and don't recall hearing that one, but it's possible I've forgotten or just never run into that fact before.
@@specialK319319 I read that years ago, like around 2001 or so. I did know about his issues with cars; Killer Cars is a much more literal version of the same thing
@@GizzyDillespee They've said in interviews that they take ideas from all over the place lyrically even in the same song so the unfulfilling answer is it depends. They do loathe pop culture (especially Thom) so it's very possible some of them are. Unfortunately they generally don't like "explaining" lyrics or songs (at least they didn't in the past) so getting a black and white answer is very difficult for most of them.
this song always gives me goosebumps. it sounds like the future, something eternal, something uncertain. the album version is great but the stripped down acoustic version on the channel "Johnny airbag" definitely changed how I heard this song. love it, great video.
this has always been one of my absolute favorite Rahiohead tracks, and favorite songs in general. the way it weaves in and out of keys and creates so many unique sounding sections just always sounded so damn good to me. and this breakdown enhances my appreciation even more hearing it all laid out on the piano
I have always loved this song. I’m a big enough music nerd to understand all your theory jargon (took two semesters of theory in college), but not nerdy enough to figure them out myself. I appreciate your breakdowns so much! I love that this song has always felt so impactful to me, and now that I’ve heard your analysis I know why. Major 3rd, minor 3rd, flat 6! All the best hallmarks for genius dramatic angsty music haha. Love it can’t wait for more thank you Ixi!
The bass parts. As someone obsessed with Radiohead in the late 90’s I tried to read anything I could about them and recorded so much crap on VHS whenever I could and wore them out rewatching. Anywho, I read an interview some place that Colin recorded the bass parts on the album with the full intent to write more and come back to fill in all the gaps but the gappy almost random bass part took on a life of its own and was kept. Really fits with the glitchy drum sounds and chaotic idea of a car crash IMO. Appreciate the video, I’ll be subscribing 👏🏻
Why? Why has it taken the TH-cam algorithm this long to recommend you? Instead I get a couple of idiots nodding their heads to songs they clearly have no love for in order to build followers. Thank you for this
This was a great breakdown, and I can tell you're legit because you hum "this is a (insert interval here)". One crucial thing about this song that I don't think gets enough credit, and I can't explain it in your terms because I'm just a guitarist, is the way the outro lead riff jumps up an octave for just a couple of notes and then drops back into the comfort zone. They didn't play it that way live usually and I understand why (it lacks the punch needed...again, guitarist terms...) but on the album that difference always was special with the way it mixed with the vocals. Anyway, really enjoyed the video. It's great to understand the "why" behind it all.
I knew this song was phenomenal, but I didn't know why. Thanks for the deconstruction. Makes me well-up every play. They opened with this live in '97 at Brixton and nearly blew the roof off.
I absolutely love your passion, I was 35yrs old when this Album was released and I remember buying it on CD in London where i lived back then, your explanation of this is exactly what I felt when hearing this for the first time and even now I thank you so much for this, big love n respect from the UK
I bought this CD in 1998 and played it every day for literal years. I remember hearing this track and being so surprised and caught off-guard. I had never heard anything like it and still honestly haven’t.
Always loved the theory behind this song so much. Especially how so much of the harmony clashes amongst the different instruments and the bassline but forms a whole greater than the sum of its parts. Amazing lyrics but next level composition and arrangement
I think its incredible the universe could create such a talented and beautiful person with a musical soul such as yourself. Ive subed. The way u went thru this song, one of my personal favorites, and explained the musical theory behind it was wonderful to watch and listen too. As a song writer myself it was a big help to me. U rule.
The bass burbling in after about a minute of the song is one of my fave musical moments. I once used this track to test out several hi-fi speakers..and it was this bass entry that I used to make my final decision :-)
Absolutely spot on with the panning / creating a third "instrument" or sound.. This phenomenon only works with isolated audio for each ear Your brain literally generates the differentiation between the two frequencies This can also be found in binaural beats, however, the jury on "theraputic use" of this is still out But the phenomenon is very real
Airbag has slowly worked its way up the list of my favourite RH songs as long as I've been a fan, and honestly I think it's #1 now. Just perfect. And what a great analysis - I can play this on guitar but never noticed how clearly that intro switches between major and minor.
I thoroughly enjoyed watching you try to explain Radiohead, in musical theory terms. They don't make things easy for a professor. It is all worth it, in the end.
I'm sorry but I just think you are wonderful. Keep doing these. Love it. From a songwriter's perspective I've always wondered why I bloody like this music so much and I kind of get it now. Thank you!
So stoked to have found your channel as a self-taught musician trying to develop my music theory understanding, and who also happens to be obsessed with Radiohead. Love your analysis and way of explaining! ❤️
Thank you for this, once again, such great song analysis. I remember I actually saw them in 1994 at Balelec Festival, in Switzerland. Creep is the only song I do remember from this concert. I didn’t even know them at that time, but I’ve been a fan since then.
That was a great watch and gave me even further insight into a song I must have listened to 100s of times. One of the best things about OK Computer is these fine details and they’re often overlooked. Also starting the video with those building strings and then going into the Airbag riff was a cool choice!
When you play these chords and harmonies on the piano, it brings them alive in a whole new way. Really highlights the beauty of the composition in a fresh way. I encourage you to build on this and do some covers. Your voice is beautiful too, so no excuse for not singing. Great work. Thank you for it and for you.
The complexities within any Radiohead song come at you from differing notes heard each time you replay..... their challenge test to the ear....This analysis was wonderful....A pun mistress....respected.....one needs to take note...!
I’m really glad you’re analyzing Radiohead, but if you get the chance, I think it’s worth analyzing Pretty Hate Machine (NIN) like when you did The Downward Spiral. ❤
No plans for that one other than a 2-part listening party on my Patreon! 6 hours total :: gasp :: I think one part of it got blocked by TH-cam though :( Maybe I can get it unblocked
I am not a musician but I love your dissection, I find it fascinating. It really opens up the music and helps me appreciate the craft, and there is so much going on in just this one song!!
Thank you for your excellent and deep analysis of this great song. I'm Brazilian and an amauter "I'd like to be a songwriter" with a bit of music theory understanding and I'm glad to say that I could understand what you're saying most of the time. I'm 70 y.old and I love Radiohead music most of the times.
If you listen to the stolen mini disc versions you have many early versions and the darker riff was only added toward the end. And the drums had the electronic edge in production. The chorus is the best part of any radiohead song ever written
Really appreciate your dissection of a great song by a great band, not cold and medicinal, but warm and organic. Look forward to the rest of the album 😊
I'm not a musician but your analysis made perfect sense to me. So good I watched it all again the next day. I always thought Airbag was a brilliant song and I know why I was right. Ixi you have to do "How to Disappear Completely" one day x
For song & album requests and to support my channel and musical projects, please consider joining my Patreon (I can't monetize my videos): www.patreon.com/iximusic 🙌 You can also commission me to analyze your original music or do a piano cover. 🎹 And I teach private & group lessons, do film/video game scoring, and music transcriptions 🎶 TIPS: www.buymeacoffee.com/iximusic 💄
Thought this group would enjoy my Radiohead / The Smile story, so I'm sharing it here with you all. On August 5th, 1997 I was Lucky😉enough to have the best front row seat at the State Theatre (seat 1A) to see Radiohead in Minneapolis on their OK Computer tour. The show was so amazing, of course. Remember - Thom was standing about 3 feet from me the whole time! They even false-started Talk Show Host, and had a good quick laugh about it. After the show ended, one of their people asked me if I wanted to hang out with the band. An already unbelievable night was about to get even better. As I walked to the backroom wearing my "Generic Sticky Pass" on my shirt, Thom was the first person I saw in the room. He invited me to sit with him and we hung out for probably a half an hour, no exaggeration. He was super nice & generous with his time, calling me by name throughout our hang, probably because he has a younger brother Andy and it was easy for him to remember.😊I had just recently turned 22 and he was 28. He asked me if I wanted to meet the band and he took me around to everyone. We spent probably 5 minutes or so with Jonny and just a couple minutes with each of the others. This was pre digital cameras and I didn't even ask him for an autograph, but he offered to sign my setlist and he gave me the 2 other posters that you see here, that he also signed (in his older 'doodle' type of signature) & wrote some things on. He did it in non-permanent marker, so they have faded over the years unfortunately. Oh yeah, when I walked into the room he first said to me "You were in the front row, right?" and that is why he wrote "Andy on front" on the setlist - so cool. He also wrote "Meeting People is Easy" on one of the other pieces and I wonder if that may have been the first time that he ever wrote or said that publicly, because the film by the same name did not come out for a year later. I've seen Radiohead a bunch of times over the years and Thom solo, but this will forever be my greatest concert experience. Now fast-forward 25 years & 4 months...I waited to meet the band in Milwaukee after The Smile concert. I spent a few minutes talking with Thom, as he was the last to sign my album. Over the years, I've wondered what I would say to him after all this time if I ever met him again. I certainly wasn't going to ask him if he remembered me & he certainly would not have, but I did say to him "We met & hung out 25 years ago in Minneapolis" and he looked at me, smiled and said "We did?!" I had re-introduced myself to him when he first came up to me and the last thing he said to me was "See ya Andy"...again, remembering my name.😎
nice story, i just didn't quite understand: so he remembered your name from before?
@@shiv_ring he introduced himself again at the Smile concert
So cool man!! I got chills when I finished reading!:) Thanks for sharing, what an experience I’m so jealous!
You lucky bastard! I'd kill a family to meet the band.
@CopBabyCombo I was at that show! But in the Balcony... I also saw them in the Main Room at First Ave the year prior. Their live performances in those years were other-worldy.
I'm trying to pretend what's it like to have never heard this song or album, watching this great analysis, and going "Wow, this Airbag song is so complex and amazing, the album can only go downhill from here."
And then, it ends like Boop-Boop-Boop-Boop, and we all know what that means.
Gosh how I love those boops!
For me, the closest thing to hearing the album again for the first time was this: th-cam.com/video/DTOqwbuQq_U/w-d-xo.html
@@iximusic I was hoping for an honorable mention of the boops!
I got goose bumps when you said you’re doing the whole album.
Thanks Ixi! Now you’ve really got me interested. What a wonderful and comprehensive deconstruction. Except for Creep I kind of missed Radiohead but on TH-cam they get mentioned a lot so you shown me an entrance for my journey. BTW I’m a 70 y.o. ex Music teacher.
Wow. Spot on! Seriously
About every 5 years or so, I fall in love with this album all over again.
So very true. It's a masterpiece..
It's perfect. I love everything that came after, but this will always be the pinnacle for me.
I’m sure someone here will have already mentioned that the bass line in this song is so sporadic because it’s a temporary bass line, a place holder, lay to give the band an idea what was going to be played, until they could write something better and more substantial.
When they listened back to it, they loved how it sounded and kept it.
Oh Colin. What a G.
I love the CD artwork opening! Something that was a big thrill in the 90's but is now obsolete... :(
This is just great. The "breakdown" always seemed to me less *fireworks* than an actual *car crash*
And in an interstellar burst I am in love with this Woman...
The drums in this song were always my favorite part. I just love how heavy, brittle, and raw they sound
they were actually just sampled collages of phil's drums...I love how it stops and starts, almost like a car in traffic..
don't know why but this brought tears to my eyes. thank you
My dad used to give me free rein over his cd collection when he wasn't around, and I found OK Computer in there as an elementary school-aged kid and immediately knew I'd found something special.
Airbag and Subterranean Homesick Alien always felt christmas-y to me for some reason.
Instantly nostalgic from the very first time I heard them
I know what you mean! I think the sleigh bells and the minor iv chord (nostalgia chord, often used in Christmas music) has a hand in that.
13:18 i legit chuckled at your visual gimmick. I always loved this bass part. Thank you for this, great job
I love watching it and pretending I have any idea how music works at all
jesus c., one thing is to adore a song, another thing is to understand and adore a song.... well, at least to start to understand it. Thanks for being soooo deep in ur analysis and yet so light and enjoyable!
It should be noted* that Thom tunes his B string down to A to further embrace that A tonal chord progression. A true masterpiece!
Thanks!
This is the greatest things ever. I’ve been obsessed with this song since the first time I heard it in 1997. Thank you!
So glad you are digging into the genius that is Radiohead.
Those five guys (apart from Nigel) were all just school buddies who started a band and had this vision of it being their lives, I reckon. "Anyone can Play Guitar" from their debut spells that out for me.
Then came "The Bends " and then this! This album revolutionized music and pop culture in ways that so many people are probably unaware of, but it's true as can be. They went out into the country and recorded this album in what was supposed to be this old haunted house, just them and Nigel, locked away from the world for as long as it took. And I'll be damned if they didn't produce the goods, hey? Of course there were people at their label who were like, "This is way too complex for modern audiences," and "This is depressing as," etc... But they stuck to their guns and thank the gods for that! And I couldn't agree with you more; the way this song opens the album up to us, it just doesn't get any better that that. The entire track list - its content and order - is perfect from beginning to end. Are you going to check the whole album out? I'd be mega-excited for "Subterranean Homesick Alien" if you are, and naturally "Exit music" for the Baz Luhrmann "Romeo and Juliet" soundtrack is gonna keep me spellbound, too. I play these tunes myself all the time, and of course I stop here and there and marvel at the magic of what's been done in the harmony and melody, with the textures and different batty instruments that Johnny seems to have this need to bring into the work. Damn, I love them so much.
The guitar at 22:00 is not really a tremolo. Jonny played 2 different guitars slightly out of phase, one at left channel, another at right channel. When mixed, the effect is like a tremolo (as he does playing live) and brilliant.
This is the only time I've ever cried during a musical analysis. This video is beautiful.
Not too many chords in this song, but still a pretty sophisticated piece. Major/minor tension, modal elements, some seriously well arranged guitars, and a beautiful melody.
When they really lean into the lydian sound in the chorus, it is unbelievably beautiful. I love that super bright sound, Brilliant song kicking off an amazing album.
Very well analyzed!
i’d never thought of the first chord in the chorus in a lydian context before and always just wondered how starting a chorus on a tonic tritone chord could sound so natural. thinking of it as lydian makes it make so much more sense!
So well done
Congratulations, a really superior analysis that suggests how traditional theory fits with "how they probably approached things" in the studio.
When I was in college (late 1980s), I had a music history professor ask "what music of today will still be around in 200 years?" Historical perspective, you know? And I've always thought in 200 years, we will look back to Radiohead as the Bartok or Stravinsky of these times. I cannot speak highly enough of OK Computer; it is the "Rite of Spring" of our era.
i always hate to say the first song on an album is my favorite but goddamn the chills of hearing it for the first time. And not knowing what could possibly come after. also amazing vid thank you
Long reaction? That couldn't have been more than ten min... THIRTY MINUTES?!? Can the waft of a warm breeze keep you aloft for thirty minutes? 😍 This is by far my favorite breakdown of a Radiohead song ever. So detailed and deeply appreciative of the impact sonically and emotionally of every detail. I'm like you with lyrics: some just leap out as touchstones for a song, like "in an interstellar burst I'm back to save the universe" and then I can go for years and years and never know others, just part of the wash of the music that occupies my senses. Thank you!
Syncopation is the lifeforce of rhythm
This explains why Airbag is my favorite Radiohead song. I had no idea it was so complex! Thanks for the analysis!
Have you seen the Robert Glasper's rendition of "Packt", with beatboxer...awesomeness
One of the best things about your vids is seeing that I’m not the only one who cries during beautiful parts of rock songs!! I honestly thought I was really weird….
These OK Computer breakdowns have been such a revelation to me 🆗💻🙏. Airbag is such a great song!! Being 18 when this album came out back in '97, aswell as being in my final year of high school I believe meant that this album was so important and had such a strong impression on me 💪💟.
Love your description of Colin 'playing the long game' with his bass parts as a fellow bass player 😅
This Album,Band and song changed me and my life as a musician and human when it came out and still remains my all time favorite band.
Yes! My pick for Best Album of the 90's and one of the greatest concept albums ever made. They were ahead of their time with this album- wish I could go back in time and hear it again for the first time.
Pretty sure you're going to get super huge quickly now, because you're awesome and the algorithm must have noticed. I feel every word you're saying 1000%. So, I guess before I'm completely buried in the crowd... um, hi 🙋♂️
One of the best album-opening songs ever, which is appropriate. It's my phone's ringtone, which makes it slightly less unpleasant to receive phone calls. And I'm with you on the boop-boop-boop-boop at the end. I can't help but sing them when Airbag comes to its end.
Great breakdown! As a bassist, I’m so glad you spent so much time analyzing the bass part!
The B7 at start of chorus is V/V (in key of A) chord. Used a lot in popular music. The penultimate chord of the chorus being the V
OOOOO my favourite channel breaking down one of my favourite songs! So excited
You gave me a whole other view of the bass line in this song I’ve been listening for ages. Thanks. It really makes me realize the importance of just not listening but studying music
I see you've done another episode big upping Thom since this episode but your mention of DJ Shadow in this analysis made me wanna recommend Rabbit in your Headlights which is Shadow and Thom together. You may already know about Unkle but as an electronica head from the early aughts I'm obliged to mention it ya see.
Your analysis and breakdown of “Airbag” made me tear up with emotions. This is one of my favorite Radiohead tracks and always listen to when life moves too fast. This is a perfect Radiohead tutorial. I love all the synergic feel of all the elements of their music which is how beautifully describe their art.
I have such a basic grasp of music theory. Youre f*cking awesome and these videos are AMAZING! your humor is amazing! and your pictures and graphics are so funny. im a big fan!!
The first time I ever heard this song, it made me feel like I was levitating out of my chair. A year or two later, when I started playing guitar, that opening riff was the first thing I taught myself. Absolutely magical.
In an interstellar burst I am back to save the universe. The way the 2nd chorus goes up is amazing.
Your approach to thinking about their music is so satisfying and thorough without getting lost in the weeds. I love all that you really help me hear in this complicated music I’ve loved my whole life so much!!
loved it. I listened all until the last second. very rare these days...
You’ve pointed out so many things that I never would’ve caught. Thank you for helping me appreciate this song even more than I thought I ever could
Love the talk of the bass, and the description of it as the floor of the house. I feel like the texture of the song is so dense that the lower guitar parts essentially do the job of the bass, meaning that the bass can be more decorative and ornamental.
The thing that's unusual about the bass in "Airbag" is it's all these little bits that slowly fill together and all come together one time near the end.
Story is he was just feeling for notes in rehearsal and recorded it. It sounded good so they kept it. That's why it's so choppy
Airbag is one of my favourite SONGS, let alone by Radiohead. (It's hugely under-rated by fans.)
Apparently, it was inspired by Thom being in a car crash and surviving ("I am born again"); I love how the instrumentation and music sound like elements of a car crash, from the crunching riff - which is amazing to play on guitar, you just whack the bottom E string and then jam a finger on the first fret, and which 'crashes' the major and minor notes together - to the fizzing hi-hats and sleigh bells which imitate smashing glass, along with the syncopated, crashing-metal drum pattern, inspired by DJ Shadow, whose amazing 'Entroducing' album was massive at the time (see also the 'breakdown' section).
I can't believe you don't dance to it! I have to shake my head, Thom-style, until it almost falls off.
28:35 Close! It's a musical car crash! (But not a bad one.)
1:11-1:28 Is this how the American version of Airbag / OK Computer starts? In the (UK) version, there's no swelling run-in, it just cuts to the riff: 'UH-ERRRRR'! Much better.
This is my new favorite channel. It's so nice to see music analysis from someone who not only knows her stuff, but has this much love and passion for the music. I could watch you talk about music all day. Thank you!
Thanks so much for covering this one. It's my favorite song of all time by anyone.
I know you didn't go into the lyrics, but "an airbag saved my life" is a reference to "Last Night a DJ Saved My Life"
Some of their song titles sound like they're parodies of consumer culture... but I'm not really sure how to take them
I guess it can be two things at once, but I was always under the impression this whole song is about a horrible car accident Thom was in. One in which an airbag literally saved his life and the existential guilt he had for surviving it. I know for awhile and possibly still, he hates going in vehicles because of it and generally tries to avoid them if he can. I'm not trying to insinuate you're wrong, but do you know where you heard that from? I'm one of those die hard obsessive fans and read tons of interviews/books and don't recall hearing that one, but it's possible I've forgotten or just never run into that fact before.
@@specialK319319 I read that years ago, like around 2001 or so. I did know about his issues with cars; Killer Cars is a much more literal version of the same thing
@@GizzyDillespee They've said in interviews that they take ideas from all over the place lyrically even in the same song so the unfulfilling answer is it depends. They do loathe pop culture (especially Thom) so it's very possible some of them are. Unfortunately they generally don't like "explaining" lyrics or songs (at least they didn't in the past) so getting a black and white answer is very difficult for most of them.
this song always gives me goosebumps. it sounds like the future, something eternal, something uncertain. the album version is great but the stripped down acoustic version on the channel "Johnny airbag" definitely changed how I heard this song. love it, great video.
This song got me into rediohead in HS 25 years ago, made me realize that there was more than hip hop out there, still listen to them till this day.
Wonderful analysis as usual, Ixi. You have a beautiful singing voice. I would love to hear you cover this song acapella!
this has always been one of my absolute favorite Rahiohead tracks, and favorite songs in general. the way it weaves in and out of keys and creates so many unique sounding sections just always sounded so damn good to me. and this breakdown enhances my appreciation even more hearing it all laid out on the piano
Your videos always seem to have the ability to make me appreciate a song I love and elevate that love to a whole new level.
I have always loved this song. I’m a big enough music nerd to understand all your theory jargon (took two semesters of theory in college), but not nerdy enough to figure them out myself. I appreciate your breakdowns so much! I love that this song has always felt so impactful to me, and now that I’ve heard your analysis I know why. Major 3rd, minor 3rd, flat 6! All the best hallmarks for genius dramatic angsty music haha. Love it can’t wait for more thank you Ixi!
Thank you for this. I was in tears by the end of this video because it so perfectly explained the mystery of one of my favorite songs. Bless.
The bass parts. As someone obsessed with Radiohead in the late 90’s I tried to read anything I could about them and recorded so much crap on VHS whenever I could and wore them out rewatching. Anywho, I read an interview some place that Colin recorded the bass parts on the album with the full intent to write more and come back to fill in all the gaps but the gappy almost random bass part took on a life of its own and was kept. Really fits with the glitchy drum sounds and chaotic idea of a car crash IMO. Appreciate the video, I’ll be subscribing 👏🏻
ha that's so cool! Thanks for the insight.
A wonderful technique to copy when doing overdubs. Don't commit to tape more than what you really mean to say.
Why? Why has it taken the TH-cam algorithm this long to recommend you? Instead I get a couple of idiots nodding their heads to songs they clearly have no love for in order to build followers. Thank you for this
Same teen memories. Good times! :-)
I've always loved the slightly variated reprise of the intro chords (at 30:18 on your analysis).
This was amazing. I’ll never forget the first time putting on Ok Computer and hearing Airbag. It blew my mine.
This was a great breakdown, and I can tell you're legit because you hum "this is a (insert interval here)". One crucial thing about this song that I don't think gets enough credit, and I can't explain it in your terms because I'm just a guitarist, is the way the outro lead riff jumps up an octave for just a couple of notes and then drops back into the comfort zone. They didn't play it that way live usually and I understand why (it lacks the punch needed...again, guitarist terms...) but on the album that difference always was special with the way it mixed with the vocals. Anyway, really enjoyed the video. It's great to understand the "why" behind it all.
I knew this song was phenomenal, but I didn't know why. Thanks for the deconstruction. Makes me well-up every play. They opened with this live in '97 at Brixton and nearly blew the roof off.
I absolutely love your passion, I was 35yrs old when this Album was released and I remember buying it on CD in London where i lived back then, your explanation of this is exactly what I felt when hearing this for the first time and even now I thank you so much for this, big love n respect from the UK
I bought this CD in 1998 and played it every day for literal years. I remember hearing this track and being so surprised and caught off-guard. I had never heard anything like it and still honestly haven’t.
This song has always been a haunt for me. thank you very much.
Your content is so good. Some of the most informative analysis of non academic music that I've ever seen, and i studied music at uni
Luv luv luv this as an opener,,,melancholyyyyy!
I don’t know a lot of music theory, but I subbed anyway because first I love Radiohead and second you have such an engaging way of presenting.
Always loved the theory behind this song so much. Especially how so much of the harmony clashes amongst the different instruments and the bassline but forms a whole greater than the sum of its parts. Amazing lyrics but next level composition and arrangement
I think its incredible the universe could create such a talented and beautiful person with a musical soul such as yourself. Ive subed. The way u went thru this song, one of my personal favorites, and explained the musical theory behind it was wonderful to watch and listen too. As a song writer myself it was a big help to me. U rule.
I never noticed the sleigh bells before, funny!! Kind of makes it a Christmas song!! ;-)
brilliant video. I always thought the last chord was supposed to sound like a car crash, with the spread guitars being bits of debris dissipating..
The bass burbling in after about a minute of the song is one of my fave musical moments. I once used this track to test out several hi-fi speakers..and it was this bass entry that I used to make my final decision :-)
No one puts Baby in a corner. What I heard when you said “don’t ever put Thom Yorke in a grid!” Lol
Absolutely spot on with the panning / creating a third "instrument" or sound..
This phenomenon only works with isolated audio for each ear
Your brain literally generates the differentiation between the two frequencies
This can also be found in binaural beats, however, the jury on "theraputic use" of this is still out
But the phenomenon is very real
Airbag has slowly worked its way up the list of my favourite RH songs as long as I've been a fan, and honestly I think it's #1 now. Just perfect. And what a great analysis - I can play this on guitar but never noticed how clearly that intro switches between major and minor.
Congratulations !!! you have won the Internet today !!!
Loved the video, subbed.
Beautiful analysis. I've always been into radiohead but now knowing some of the theory behind it, gives me a whole knew appreciation for it. Thank you
I thoroughly enjoyed watching you try to explain Radiohead, in musical theory terms. They don't make things easy for a professor. It is all worth it, in the end.
I'm sorry but I just think you are wonderful. Keep doing these. Love it. From a songwriter's perspective I've always wondered why I bloody like this music so much and I kind of get it now. Thank you!
So stoked to have found your channel as a self-taught musician trying to develop my music theory understanding, and who also happens to be obsessed with Radiohead. Love your analysis and way of explaining! ❤️
Thank you for this, once again, such great song analysis. I remember I actually saw them in 1994 at Balelec Festival, in Switzerland. Creep is the only song I do remember from this concert. I didn’t even know them at that time, but I’ve been a fan since then.
That was a great watch and gave me even further insight into a song I must have listened to 100s of times. One of the best things about OK Computer is these fine details and they’re often overlooked. Also starting the video with those building strings and then going into the Airbag riff was a cool choice!
When you play these chords and harmonies on the piano, it brings them alive in a whole new way. Really highlights the beauty of the composition in a fresh way. I encourage you to build on this and do some covers. Your voice is beautiful too, so no excuse for not singing. Great work. Thank you for it and for you.
such a great video! subscribed! the most important piece of info is the reminder to clap on the 2 and 4 😂
The complexities within any Radiohead song come at you from differing notes heard each time you replay..... their challenge test to the ear....This analysis was wonderful....A pun mistress....respected.....one needs to take note...!
I’m really glad you’re analyzing Radiohead, but if you get the chance, I think it’s worth analyzing Pretty Hate Machine (NIN) like when you did The Downward Spiral. ❤
No plans for that one other than a 2-part listening party on my Patreon! 6 hours total :: gasp :: I think one part of it got blocked by TH-cam though :( Maybe I can get it unblocked
I am not a musician but I love your dissection, I find it fascinating. It really opens up the music and helps me appreciate the craft, and there is so much going on in just this one song!!
Your voice is so calming and your singing voice is beautiful. Like a lullaby..
Thank you for your excellent and deep analysis of this great song. I'm Brazilian and an amauter "I'd like to be a songwriter" with a bit of music theory understanding and I'm glad to say that I could understand what you're saying most of the time. I'm 70 y.old and I love Radiohead music most of the times.
If you listen to the stolen mini disc versions you have many early versions and the darker riff was only added toward the end. And the drums had the electronic edge in production. The chorus is the best part of any radiohead song ever written
Simply marvellous, can't wait for Paranoid Android!
this editing has earned a huge sub, omg you are so hilarious and informative
You've gained an instant follower. What a fantastic breakdown. Zoop.
Love this breakdown. Radiohead often breaks by guitar-playing brain in such a great way and opens me up to new things. Thanks for bringing this to us.
Really appreciate your dissection of a great song by a great band, not cold and medicinal, but warm and organic. Look forward to the rest of the album 😊
I'm not a musician but your analysis made perfect sense to me. So good I watched it all again the next day. I always thought Airbag was a brilliant song and I know why I was right.
Ixi you have to do "How to Disappear Completely" one day x