Great advice and I couldn't agree more. I love the saying that "success comes with a little luck, but it takes hard work and persistence for you to know what to do with your luck." I've had some lucky encounters in my time but none of it would have meant anything if I hand't prepared and work hard for years before.
This video really spoke to me. I think you nailed the pertinent points perfectly and your ability to communicate them clearly is incredible. Your enthusiasm and hopeful attitude is infectious!
Really happy to hear it’s been helpful to you. Thanks so much for sharing this comment as it’s always very encouraging to hear and the reason I create the material in the first place
This is pure GOLD !! Extremely Well put, especially for novice composers/graduates who want to get into the industry. Be realistic, humble, curious, creative, and get your act together ! No shortcuts here... It may take many, many years of dedicated hard work and self-improvement in ALL areas : music, technology, business skills.
Awesome advice, Jonas, thanks for sharing 😊 As someone else once said, “opportunity often comes disguised as work”, so I think it’s also essential to see and seize the right opportunities when they do come along.
Great advice! What's your take on working remotely as a composer in TV/Film? In my area, there isn't a composer collective and Film/TV industry, so I was wondering if you've observed any examples of composers working remotely for TV/Film (perhaps as additional composers or composers' assistants on a project)? And if there's any particular way a remote beginner can showcase their value to the lead composer?
Anyone who works with me is remote, and I haven’t had an in person meeting in maybe 3 years … hasn’t slowed me down a bit. but the reason I have work to spread around at all I trace back to my time in LA - I now live in the middle of nowhere I have a video coming out about this but a summary is - I’ve worked remotely my entire career. However when there were opportunities to be present and build relationships in other studios or at meetings, I took them and the results were enormous. I’d say 90% of our work and career can be done remote but the biggest growth happens from that smaller percentage of time where you show up, in person wherever that may be for however long is needed to form the relationship because they can end up fueling your career for a long time. Much more detailed answer in the video … great question :)
Jonas, thank you for another great video! I would love to ask a question, maybe you could cover it in a video if you'd like. The question is, do you have any advice on finding that true, authentic voice as a composer? I feel like this is a really hard question. When studying at university, I definitely felt I had a sound, and knew what it was, but as I've been gone from university for about 4 years, I've noticed that it's changed quite a bit, and I'm left even more unsure of who I am as a composer, despite the fact that I'm much more skilled and polished, and my music is generally much better. Some elements are similar but it definitely feels like a different sound mostly. I suppose it is natural for one's voice to change over time, as their life changes and skills develop. Also I notice that my sound sounds different when composing different genres like when I compose orchestral trailer as opposed to edm. Perhaps I'm thinking of my voice too narrowly, when it's much broader than I think. Perhaps I shouldn't concern myself with this too much, and instead just focus on writing quality music that resonates with me, and try to make each piece my best one yet. Sorry for the long winded question, but I value your advice on these things. Thanks again Jonas!
I second this - @jonasfriedman it would be great to hear your advice on finding your true, authentic voice as a composer. As a composer working primarily for brands and commercials, I get briefed to sound like a specific artist or reference track, which in turn, weakens my true voice.
Really great question - I feel it takes more than what I’m able to write here to properly answer and there’s materials on this that will be made available not too long from now. A brief answer is that I found it best to start by copying others whether you work for them or not. When you get REALLY good at their sound you should begin to notice things you DONT like. That’s what I happened to me, I wrote for a lot of composers before getting some of my own work. Once it became easy I began to notice I’d be critical (in a nice way just to myself) that felt this way of doing something sounded old fashion, I wanted to try going a different direction instead. Following thoughts like that to discover where they led was my beginning to finding how to use my voice and what I had to say musically. It’s a LONG journey but really exciting and rewarding. Again this is a very big topic that deserves a proper setting. If you’re on the mailing list you’ll get a ping when it’s released :) really appreciate this great question
thanks so much! This makes a lot of sense, however, it is an approach I haven't heard recommended before. Sounds similar to "your voice is a combination of the artists you love", but this is taking sort of the opposite/complimentary view. "combination of the things you don't love". Very interesting. Looking forward to hearing more of your thoughts on this! :) @@jonasfriedman
@@brandonallen5566 there’s a saying that I really love “steal from the best, and make it your own”. The best artists I either personally know or simply look up to are very critical of their own work and the work of others. But not it’s not in a negative way, it’s just that they have a refined taste, and over the years they’ve embraced their preferences… this is what I like, this is what I don’t like…and having that knowledge and confidence about yourself can be very helpful in creating a voice and persona that is unique to you imho
Hey there! I just came across your video, and it was incredibly helpful! 😄 Would you mind considering making a video tutorial on making a track from start to finish by step by step? I believe it would be incredibly beneficial for beginners like me. Please think about it! 🙏🎥
@allensojan9048 - the next video does exactly that - but not in a traditional way with virtual instruments 😉 subscribe or hit the notifications button to be alerted when it comes out!
Hey not sure what this is referring to but this isn’t really a field that “fake it till you make it” applies to. You either have the composing style and ability to get and keep a job or you don’t. It’s the reason many composers (even more well known names) are replaced in the middle of projects…once your music is played there’s no “faking it” the work speaks for itself 😉
3:26, I'm not kidding you, that exact quote is one of the core reasons I continued to compose music. It paid off.
Great advice and I couldn't agree more. I love the saying that "success comes with a little luck, but it takes hard work and persistence for you to know what to do with your luck." I've had some lucky encounters in my time but none of it would have meant anything if I hand't prepared and work hard for years before.
@DanielBastionMusic - LOVE this saying, thank you for sharing 🙏 happens to be true for myself and everyone I know
Many thanks for your thoughts and advice. I am still far away from having problems with finding the game-music gig, but I watch, listen and learn.
My pleasure thanks for watching
👌
Indeed!
Thank You So Much!
🙏💛
Any time!
I’ve been doing this for over 20 yrs and I have to say you are spot on. Thank you for this video!
🤘
This video really spoke to me. I think you nailed the pertinent points perfectly and your ability to communicate them clearly is incredible. Your enthusiasm and hopeful attitude is infectious!
Really happy to hear it’s been helpful to you. Thanks so much for sharing this comment as it’s always very encouraging to hear and the reason I create the material in the first place
Nice one Jonas. You continue to provide good advice and useful videos. Cheers pal.
Really appreciate it @stevesutube 🤘
Thank you for this!
Of course! It’s my pleasure
Nice video with advice for me to chew on. Quality production on it too. It stands out nicely.
Much appreciated
This is pure GOLD !! Extremely Well put, especially for novice composers/graduates who want to get into the industry. Be realistic, humble, curious, creative, and get your act together ! No shortcuts here... It may take many, many years of dedicated hard work and self-improvement in ALL areas : music, technology, business skills.
Appreciate your comment here - we’ll said and thanks for watching
@@jonasfriedman Thank you so much, and greetings from Walt Disney World, Florida !
Love the Steve Martin quote...and yes creative work is verrry seductive!
You filled my heart with motivation! 🙏🏻 Thank you ❤
My pleasure! Really happy to hear it
Awesome advice, Jonas, thanks for sharing 😊
As someone else once said, “opportunity often comes disguised as work”, so I think it’s also essential to see and seize the right opportunities when they do come along.
I love that @NigelMerrick ! Haven’t heard that saying before but I think it’s really great and a valuable insight for people. Thank you for sharing 🙌
Great advice!
What's your take on working remotely as a composer in TV/Film? In my area, there isn't a composer collective and Film/TV industry, so I was wondering if you've observed any examples of composers working remotely for TV/Film (perhaps as additional composers or composers' assistants on a project)? And if there's any particular way a remote beginner can showcase their value to the lead composer?
Anyone who works with me is remote, and I haven’t had an in person meeting in maybe 3 years … hasn’t slowed me down a bit. but the reason I have work to spread around at all I trace back to my time in LA - I now live in the middle of nowhere
I have a video coming out about this but a summary is - I’ve worked remotely my entire career. However when there were opportunities to be present and build relationships in other studios or at meetings, I took them and the results were enormous. I’d say 90% of our work and career can be done remote but the biggest growth happens from that smaller percentage of time where you show up, in person wherever that may be for however long is needed to form the relationship because they can end up fueling your career for a long time. Much more detailed answer in the video … great question :)
Thank you for the great advice!
It’s my pleasure!
Thank you for sharing!
You’re welcome!
Very helpful, thanks you!
Happy to hear it!
Jonas, thank you for another great video!
I would love to ask a question, maybe you could cover it in a video if you'd like. The question is, do you have any advice on finding that true, authentic voice as a composer? I feel like this is a really hard question.
When studying at university, I definitely felt I had a sound, and knew what it was, but as I've been gone from university for about 4 years, I've noticed that it's changed quite a bit, and I'm left even more unsure of who I am as a composer, despite the fact that I'm much more skilled and polished, and my music is generally much better. Some elements are similar but it definitely feels like a different sound mostly.
I suppose it is natural for one's voice to change over time, as their life changes and skills develop. Also I notice that my sound sounds different when composing different genres like when I compose orchestral trailer as opposed to edm. Perhaps I'm thinking of my voice too narrowly, when it's much broader than I think. Perhaps I shouldn't concern myself with this too much, and instead just focus on writing quality music that resonates with me, and try to make each piece my best one yet. Sorry for the long winded question, but I value your advice on these things.
Thanks again Jonas!
I second this - @jonasfriedman it would be great to hear your advice on finding your true, authentic voice as a composer. As a composer working primarily for brands and commercials, I get briefed to sound like a specific artist or reference track, which in turn, weakens my true voice.
Really great question - I feel it takes more than what I’m able to write here to properly answer and there’s materials on this that will be made available not too long from now. A brief answer is that I found it best to start by copying others whether you work for them or not. When you get REALLY good at their sound you should begin to notice things you DONT like. That’s what I happened to me, I wrote for a lot of composers before getting some of my own work. Once it became easy I began to notice I’d be critical (in a nice way just to myself) that felt this way of doing something sounded old fashion, I wanted to try going a different direction instead. Following thoughts like that to discover where they led was my beginning to finding how to use my voice and what I had to say musically. It’s a LONG journey but really exciting and rewarding. Again this is a very big topic that deserves a proper setting. If you’re on the mailing list you’ll get a ping when it’s released :) really appreciate this great question
thanks so much! This makes a lot of sense, however, it is an approach I haven't heard recommended before. Sounds similar to "your voice is a combination of the artists you love", but this is taking sort of the opposite/complimentary view. "combination of the things you don't love". Very interesting. Looking forward to hearing more of your thoughts on this! :) @@jonasfriedman
@@brandonallen5566 there’s a saying that I really love “steal from the best, and make it your own”. The best artists I either personally know or simply look up to are very critical of their own work and the work of others. But not it’s not in a negative way, it’s just that they have a refined taste, and over the years they’ve embraced their preferences… this is what I like, this is what I don’t like…and having that knowledge and confidence about yourself can be very helpful in creating a voice and persona that is unique to you imho
Super motivating and encouraging. Thanks so much!
Appreciate you checking it out!
Hey there! I just came across your video, and it was incredibly helpful! 😄 Would you mind considering making a video tutorial on making a track from start to finish by step by step? I believe it would be incredibly beneficial for beginners like me. Please think about it! 🙏🎥
@allensojan9048 - the next video does exactly that - but not in a traditional way with virtual instruments 😉 subscribe or hit the notifications button to be alerted when it comes out!
Bro please make videos about how can we understand the scene and how to make score like that..... ❤❤
@saimaxstudios6902 a lot of that is in the works! Stay tuned
Fake it till you make it, right? ;)
Hey not sure what this is referring to but this isn’t really a field that “fake it till you make it” applies to. You either have the composing style and ability to get and keep a job or you don’t. It’s the reason many composers (even more well known names) are replaced in the middle of projects…once your music is played there’s no “faking it” the work speaks for itself 😉