I've been using an R5C for over a year and I love it. I've also been shooting on vintage Ironglass lenses. I just watched this to see if I was missing something by not shooting RED. I'm not really seeing a meaningful difference in the end. If I can't see a difference, regular people sure aren't going to notice. The lenses make a bigger difference I think!
I really don't know what to say. The Canon R5C is real good. Also, a side note - the Komodo may have been a smidge less exposed compared to the Canon in these tests, making that green shift more prominent. It's not usually that bad. More Canon R5C content to come!
Great video! But I think you need to double check your data rate conversions and the difference between megabytes (MBs) vs megabits (Mbps). Red raw data rates on their own site states up to 280 MBs in HQ and 110MBs in LQ. That is the equivalent of 2240 Mbps and 880 Mbps. Canon raw data rates are listed in Mbps and in 8k raw range from 836 Mbps (8k24p raw light to 2570 Mbps (8k60p raw). So it actually gives you more time. On their web page red actually gives you times with a 512gb card and red actually has higher data rates compared to r5c in 8k raw
Love the R5c. I’m trading one of my C70s for another one. The image and functionality ar3 stellar. The short comings are fixable. Battery and micro hdmi. I use the cable protector that came with the camera. It’s badass and thrown to the side by most. Great work.
I tested the Komodo vs C70 and ultimately jumped straight at that Canon. That DGO sensor is incredible. The built in NDs have their merits and the ability to rig up or down depending on project was good. I can shoot both Doc and Narrative now feeling pretty comfortable I’ll get what I need if for some reason there isn’t a dedicated soundie.
The 2 biggest complaints that I had when using the R5C were the micro HDMI port and the battery life. Canon could remedy these issues with a C80. Same sensor and codecs, but a bigger body with bigger battery and full sized HDMI.
C80 would be straight cinema though. R1/R1C should remedy these issues. I do feel Canon can fix the battery issue by making a R5C Standalone battery grip that gives a battery block like the R3. Easy fix.
What does using the micro HDMI do to you? Does it make you cry? You do have a secure bracket that Canon gives with the R5C. And battery life? Do you cry also? Every single cine camera uses an external battery supply. Use a battery bank or brick and you can film all day. The R5C internal battery is so bad you have to use and external battery source.
@@contentm3893 no, not when shooting photo and video ;) a v-mount battery bank is not conducive to doing both video/photo work simultaneously. So having a better bigger battery in a battery-grip will solve many issues when hybrid shooting
@@contentm3893 Micro HDMI does make me want to cry in general, but I didn't get to try the secure bracket. I rented the R5C and it wasn't included I guess.
The R5C could also be your A cam for stills, which is really quite amazing! I use an R5 and an R5C for both stills and video now. So great to not have to use two systems.
I mean.. both look great but that komodo has that filmic image to it . If your lookin for that film look hands down that komodo is where it’s at. Hands down there really isn’t much comparison . I’m an fx3 user so for me it’s the same thing . Fx3 is great but doesn’t have that filmic look that the red holds over it.
Great to see finally see a comparison like this. Nice one. Am so curious as to how the R5C’s RAW compares to BMPCC6K’S RAW in post. Looking forward to your next video :)
Get the battery grib, fast!! 😅 and the Canon ND filter tray + the xlr top. The R5C doesent have a DGO sensor (Dual grain output sensor) :) - The c70 and the c300 mark 3 has. It does however have Dual native ISO but thats a different thing.
Komodo goes up to 300MBps not 300Mbps... Actually komodo 6k raw is about the same size as r5c 8k raw with it being about 100MBps (800Mbps) minimum and 200MBps (1600Mbps) maximum at uncropped 24fps.
Awesome comparison! Great video, cant wait to see more with the R5C. Maybe a short film or two. Or recreating certain looks or shows. I always love when you do that. 👏🏽👏🏽💪🏽💪🏽
Thanks for the comparison! For the longest time I was convinced on buying 2 Cameras: RED Komodo for my video work, and R5 for my photography. Alternatively, I'm now using the R5c as my primary hybrid camera and this video proves that this was a good call! Cheers :)
Looking forward to your next video on the R5C, I'm considering selling my BMPCC 4K and my R6 to get one, but no video has completely sold me on it yet.
I would strongly argue dual native iso is also significantly worse than the way the iso works on the red sensor. Dual native essentially means you have 2 points where you can take advantage of the full latitude of the dynamic range.. then you add gain/reduce gain (introducing artefacts) to hit the between stops. (Also reducing the dynamic range) On the red, the sensor works differently,the dynamic range is the same at every iso stop. It’s why with the red you can begin to manipulate the iso to move the dynamic range into the areas you want it to live in, with 0 cost…which is such an incredible tool. Sunny day, wack the iso up high (1600) and pop the nd’s in. You’ve now got a huge tonal range in the bright areas. And the opposite is true for a dark space. You can’t do that with other cameras to the same degree. That and compressed raw are probably the 2 biggest factors that make red even have a chance to stand up to power of the Alexa. Which surprisingly still struggles with having a naitive iso.
@@JonPais arri definitely have a better dynamic range, (& sensor) sorry for the confusion, i just meant that the fact that it can’t have the same dynamic range throughout the iso stops, is a shame, and is something I’m sure Arri would love to have, which is what I meant by struggles. One day I imagine they will find a clever way to address that. I mean, that’s what dual iso is all about with Arri’s new camera. But let me be clear, with the new alexa35, the dynamic range on the weakest iso is still better than all the Red’s.
Hmmm. Yes, you can decode (keyword, decode) the raw files in Clog 2. But you can't record internally in Clog 2, because according to canon, the sensor is not rated that much dynamic range that Clog 2 would provide. So does decoding in Clog 2 make ANY difference whatsoever compared to Clog 3 already in camera?
I wonder if even 0.00001% of everyone complaining about micro-HDMI has ever had a single issue with it. I can't remember ever connecting a cable to ANYTHING and then having trouble getting it tangled up, or pulling it by mistake. For most users I'd say the cable format is a COMPLETE non-issue. It would be interesting to see a -day-in-the-life of a person having this problem and see what other issues they might encounter tackling a normal day around people and machinery.
@@diminishedreturn I've had 3 micro HDMI failures with an a7sii in my years with them. Cables get twisted as you move around and one time I had one break inside the port. I was lucky to be able to remove the remains of the cable from the port. Never had an issue with my full sized HDMI on my a7siii. It's a legitimate criticism for a $4500 camera aimed at professionals. There is no excusing Canon's omission
@@james_slaven Not going to argue with actual experience. Sorry to hear that. Never had issues with cables myself and sometimes feel the micro HDMI thing gets repeated ad nauseam 'just because'. Had Canon fixed my gripe (by basing the R5C off of a pro body like the R3, to make it easier to grip and make buttons marginally bigger, maybe they'd find room for a larger HDMI as well. (R5C owner myself)
Well that's why Canon made a cinema version camera like the C100/200/300 for outputs like SDI/HDMI out. Tilta released a Canon R5C cage that has a bracket mount that "helps" reduce the possible issue of micro HDMI cables being DC'd from the socket, they even give you a Micro HDMI to Full HDMI cable.
Really thinking of selling the Komodo for the r5c - I’m always a solo shooter and everything’s run and gun … sad because I love the Komodo but almost feels like a waste in my hands
I did the same thing. I sold my Komodo and got an r5c. I love the organic look of the Komodo but I’m a one man band and the r5c is perfect and it also looks great
@@RodPickens I love the organic look the Komodo gives and Red is a industry name , but I’m shooting my own movies that’s going to prime and Tubi and with the R5c I can move faster and the image is still amazing. What I realized and I hate to say is that regular people don’t care as long as it’s a great story. Don’t get me wrong we still want it to look great.
great great great! but in the end, if I want a cinethe Canon R5c or the RED Komodo? because I'm interestedi n buying the R5C, about that... Hey, thank you for this amazing introduction! So, can I use the Sennheiser MKE 600 on the R5C without applying anything? can I just apply the mic on the cam? here is also this NiSi Filter ND64 (6 Stop) which I would like to buy, and this Canon RF-S 18-45mm F4.5-6.3 IS STM lens, Commlite CM-L50BII Dimmerabile 50 LED Ultra High Power Videocamera d and Battery V Mount, Moman Power99 Vlock with the cable Moman Tap50 - , int his case do I need a box or something else to connect it to the camera? is it better to have a card reader or can I transfer photos and videos directly from the camera trough USB, is it slower? for what concerns the card, I would like to buy the MICROFROM 1TB CFexpress , and finally the gimbal FeiyuTech Scorp-Cma look image, for narrative, should I buy
really great content as always! one question, I am thinking about Lumix s5, really cheap price, what about 6k raw? has it got great quality or not? thanks!
I was so tempted to buy a Komodo.. but frankly, even the release films by high-profile filmmakers just don't look very good. Their color science simply doesn't hold up to - really any other manufacturer.
Thanks for the choice of cameras for comparison in terms of image but beyond that these two cameras could not be more different so it seems kind of obvious what the conclusion will be here. It’s like comparing and Alexa with and iPhone??! We all know the difference. I don’t quite understand why SS says that they are similar?!? Literally apart from the rf mount and raw they could not be more different. If the objective is to see if the r5c image could be a useful companion camera that seems obvious. Of course it can, particularly if you are a hybrid shooter then the differences in design can of course be essential not just useful. The practicalities of these cameras will surely always be the issue particularly if pushed into a professional set. The external monitoring, sdi connection v micro hdmi, the camera control and ui, the rigging, put simply cube v dslr???! I get that these days a lot of content is for social media but It would be interesting to know when and how SS would use either. How would he professionally rig up the r5c?? Would he use it on a commercial shoot??! Btw I’m assuming that as with any test SS has a card but the whites aren’t really even close here and I’m not sure why??? I think its noted, but the exposure seems a little off too. Meanwhile I know SS js experienced enough to know this but why not choose an f stop that allows you to be in focus a little easier. We all know about the crazy detail in the 8k image but it would be kind of nice to be able to see how the Komodo stacks up with some post sharpening added. Having more in focus picture would help. Also if SS is using his meike SS then how are the focus assist tools and the practicalities of using the R5c in different scenarios?? Does it need another monitor? Sure great on a gimbal but what else??! I know how much effort it takes to do these videos and it’s always super appreciated but in a camera comparison I guess the ideal is to be able to compare the cameras and not the ability to nail focus so why not make life easy and choose an f stop that is more manageable??! Great that this video has been uploaded in reasonably hi res. Having the raw files would be fantastic. thanks so much again for the post.
Great video! I returned my Canon R5c. The deal breakers for me were the battery life, micro hdmi, no LUT during playback, and lack of autofocus at 4K60 with EF adapted lenses. I use a lot the 24mm f/1.4 and 35mm f/1.4, and currently, Canon doesn't offer those lenses in RF mount. The tiny micro HDMI port is a nightmare. You need so much rigging that I felt like I was back in the old Canon 5dmk2 days. No thanks. The Sony is a much better system.
Could you explain more detailed please. I can't use AFat EF24-105F4 with Canon adapter at S35 crop mode 6k60 Canon RAW Light ST? I didn't find this information in the instruction manual, unfortunately.
The R5C looks extremely soft and isn’t worth the hard drive space considering you make any footage look soft In Resolve. The R5C colors are good but still not worth it for some of us.
@@michialharris1850 YoUrE nOt ThAT bRiGht. Lol if thats the case, ill take my creativity/ career in this industry over your defintion of 'bright' considering you make those sorry ass videos on your page. Sorry I'm not a gear head that knows every new camera and product that comes to the market, let alone wanting to waste time comparing a Sigma FP to a komodo. The sigma FP looks like a sorry ass 2019 modernized version of an OG BMPCC..if you even know what that camera is....
I've been using an R5C for over a year and I love it. I've also been shooting on vintage Ironglass lenses. I just watched this to see if I was missing something by not shooting RED. I'm not really seeing a meaningful difference in the end. If I can't see a difference, regular people sure aren't going to notice. The lenses make a bigger difference I think!
I really don't know what to say. The Canon R5C is real good.
Also, a side note - the Komodo may have been a smidge less exposed compared to the Canon in these tests, making that green shift more prominent. It's not usually that bad. More Canon R5C content to come!
Great video! But I think you need to double check your data rate conversions and the difference between megabytes (MBs) vs megabits (Mbps). Red raw data rates on their own site states up to 280 MBs in HQ and 110MBs in LQ. That is the equivalent of 2240 Mbps and 880 Mbps. Canon raw data rates are listed in Mbps and in 8k raw range from 836 Mbps (8k24p raw light to 2570 Mbps (8k60p raw). So it actually gives you more time. On their web page red actually gives you times with a 512gb card and red actually has higher data rates compared to r5c in 8k raw
I’ve been shooting with the R5 for around a year and with the ninja v with it it’s pretty much the R5c it works great for me.
Was gunna mention as I've never noticed Komodo (or any other red) being green). The first BM URSA I shot on though was green as!
On some of those close ups the highlight roll off looked better on the r5c!? Surprising?!
Love the R5c. I’m trading one of my C70s for another one. The image and functionality ar3 stellar. The short comings are fixable. Battery and micro hdmi. I use the cable protector that came with the camera. It’s badass and thrown to the side by most. Great work.
I tested the Komodo vs C70 and ultimately jumped straight at that Canon. That DGO sensor is incredible. The built in NDs have their merits and the ability to rig up or down depending on project was good. I can shoot both Doc and Narrative now feeling pretty comfortable I’ll get what I need if for some reason there isn’t a dedicated soundie.
likewise. C70 > Komodo
Don't believe Komodo does any oversampling, only crops in, as mentioned at 1:42
Edit: actually does oversample in prores, just not R3D. TIL!
You look less happy on R5C, so RED is still better :)
The 2 biggest complaints that I had when using the R5C were the micro HDMI port and the battery life. Canon could remedy these issues with a C80. Same sensor and codecs, but a bigger body with bigger battery and full sized HDMI.
C80 would be straight cinema though. R1/R1C should remedy these issues. I do feel Canon can fix the battery issue by making a R5C Standalone battery grip that gives a battery block like the R3. Easy fix.
What does using the micro HDMI do to you? Does it make you cry? You do have a secure bracket that Canon gives with the R5C. And battery life? Do you cry also? Every single cine camera uses an external battery supply. Use a battery bank or brick and you can film all day. The R5C internal battery is so bad you have to use and external battery source.
@@MPMEDIAPHOTOSFILMS Easier fix is using a battery bank.
@@contentm3893 no, not when shooting photo and video ;) a v-mount battery bank is not conducive to doing both video/photo work simultaneously. So having a better bigger battery in a battery-grip will solve many issues when hybrid shooting
@@contentm3893 Micro HDMI does make me want to cry in general, but I didn't get to try the secure bracket. I rented the R5C and it wasn't included I guess.
If only the R5C had a full sized HMDI 😞
The R5C could also be your A cam for stills, which is really quite amazing! I use an R5 and an R5C for both stills and video now. So great to not have to use two systems.
Dang! I really like both images for their own reasons. Cool to see them side by each
I would always go for the red because I prefer skin tones and the over all look and most important the global shutter.
The files sizes are massive on the canon!
I mean.. both look great but that komodo has that filmic image to it . If your lookin for that film look hands down that komodo is where it’s at. Hands down there really isn’t much comparison . I’m an fx3 user so for me it’s the same thing . Fx3 is great but doesn’t have that filmic look that the red holds over it.
put a little green on the canon and you have your film look 🙂
Great to see finally see a comparison like this. Nice one. Am so curious as to how the R5C’s RAW compares to BMPCC6K’S RAW in post. Looking forward to your next video :)
Get the battery grib, fast!! 😅 and the Canon ND filter tray + the xlr top.
The R5C doesent have a DGO sensor (Dual grain output sensor) :)
- The c70 and the c300 mark 3 has.
It does however have Dual native ISO but thats a different thing.
yes, underrated comment. that's exactly what i was thinking while watching the video but began to doubt myself. nevertheless, an awesome video.
Komodo goes up to 300MBps not 300Mbps... Actually komodo 6k raw is about the same size as r5c 8k raw with it being about 100MBps (800Mbps) minimum and 200MBps (1600Mbps) maximum at uncropped 24fps.
That variable ND from Canon is useable pass medium. Colors shift to bluish.
Awesome comparison! Great video, cant wait to see more with the R5C. Maybe a short film or two. Or recreating certain looks or shows. I always love when you do that. 👏🏽👏🏽💪🏽💪🏽
Thanks for the comparison! For the longest time I was convinced on buying 2 Cameras: RED Komodo for my video work, and R5 for my photography. Alternatively, I'm now using the R5c as my primary hybrid camera and this video proves that this was a good call! Cheers :)
dynamic range is obviously a few stops higher on Komodo by seeing the windows..😂 but R5 C is decent in many ways, just ordered one.
i cant see a difference..nothing, only that the 2 cameras do not match in exposure...the komodo is a little underexposed
Is it just me or that 8k was softer compared to Red 6K footage?
I think this was due to the 1 stop difference on the lens from the speedbooster. I noticed it too. was going to examine it further.
Komodo Dynamic Range is just better. That being said the exposures look different.
dr looks the same to me
Great job! Thank you so much! Could you tell me what lights used? Thanks
What is your postproduction workflow for these raw files?
Looking forward to your next video on the R5C, I'm considering selling my BMPCC 4K and my R6 to get one, but no video has completely sold me on it yet.
Wow I’m in the exact same bucket. 4k and R6. Did you end up making the switch?
@@kpsnow2411 I actually bought a Canon C70 and I'm tottaly in love with it, and now considering getting an R7 for stills.
Sold my 2 REDs but the R5C has too many issues. The Sony A1 is the best hands down now for photo & video.
I don’t like Sony videos. Why did you choose the Sony A1?
S5 vs R5C next
THAT'S what I'm interested in.
Hard to describe, but the RED just has a more filmic look to it than the Canon. R5C has a mirrorless 'video' look rather than a cinema look to it.
I would prefer something like the sigma FP
I hope you also test Nikon Z9 8k 60fps 12bit N-Raw. it will be interesting to see.
What is going on with your camera, my Komodo does not go green. Confused.
I would strongly argue dual native iso is also significantly worse than the way the iso works on the red sensor. Dual native essentially means you have 2 points where you can take advantage of the full latitude of the dynamic range.. then you add gain/reduce gain (introducing artefacts) to hit the between stops. (Also reducing the dynamic range) On the red, the sensor works differently,the dynamic range is the same at every iso stop. It’s why with the red you can begin to manipulate the iso to move the dynamic range into the areas you want it to live in, with 0 cost…which is such an incredible tool. Sunny day, wack the iso up high (1600) and pop the nd’s in. You’ve now got a huge tonal range in the bright areas. And the opposite is true for a dark space. You can’t do that with other cameras to the same degree. That and compressed raw are probably the 2 biggest factors that make red even have a chance to stand up to power of the Alexa. Which surprisingly still struggles with having a naitive iso.
@@_F8. Followed you up until where you claim ARRI struggles. They’ve got the greatest dynamic range and latitude in the industry.
I’ve got to add magenta tint to my Komodo footage, but once I do, the colors are gorgeous.
@@JonPais arri definitely have a better dynamic range, (& sensor) sorry for the confusion, i just meant that the fact that it can’t have the same dynamic range throughout the iso stops, is a shame, and is something I’m sure Arri would love to have, which is what I meant by struggles. One day I imagine they will find a clever way to address that. I mean, that’s what dual iso is all about with Arri’s new camera. But let me be clear, with the new alexa35, the dynamic range on the weakest iso is still better than all the Red’s.
@@_F8. ARRI cameras do the very same thing.
Is the R5C 8k automatically oversampled for the Xf Avc 10 Bit? Or is a setting changed needed
always oversamples in any mode (at least for 4k/uhd, dont know for 2k/HD), thats one reason for the high battery draw.
thank you old man.
Hmmm. Yes, you can decode (keyword, decode) the raw files in Clog 2. But you can't record internally in Clog 2, because according to canon, the sensor is not rated that much dynamic range that Clog 2 would provide. So does decoding in Clog 2 make ANY difference whatsoever compared to Clog 3 already in camera?
Does the Red Komodo have Auto focus
The micro-HDMI is the real killjoy of the R5C. If they would have just put a full-sized HDMI in it, it would be a no brainer
I wonder if even 0.00001% of everyone complaining about micro-HDMI has ever had a single issue with it.
I can't remember ever connecting a cable to ANYTHING and then having trouble getting it tangled up, or pulling it by mistake. For most users I'd say the cable format is a COMPLETE non-issue. It would be interesting to see a -day-in-the-life of a person having this problem and see what other issues they might encounter tackling a normal day around people and machinery.
@@diminishedreturn I've had 3 micro HDMI failures with an a7sii in my years with them. Cables get twisted as you move around and one time I had one break inside the port. I was lucky to be able to remove the remains of the cable from the port. Never had an issue with my full sized HDMI on my a7siii. It's a legitimate criticism for a $4500 camera aimed at professionals. There is no excusing Canon's omission
@@james_slaven Not going to argue with actual experience. Sorry to hear that.
Never had issues with cables myself and sometimes feel the micro HDMI thing gets repeated ad nauseam 'just because'.
Had Canon fixed my gripe (by basing the R5C off of a pro body like the R3, to make it easier to grip and make buttons marginally bigger, maybe they'd find room for a larger HDMI as well.
(R5C owner myself)
SDI would have been even better.
Well that's why Canon made a cinema version camera like the C100/200/300 for outputs like SDI/HDMI out.
Tilta released a Canon R5C cage that has a bracket mount that "helps" reduce the possible issue of micro HDMI cables being DC'd from the socket, they even give you a Micro HDMI to Full HDMI cable.
Can we know which camera you used to shoot this video in studio?
man I'd like to see what you think of the prores raw out of the Fujifilm xh2s
still don't know if it's a good replacement for the black magic 6k pro
Really thinking of selling the Komodo for the r5c - I’m always a solo shooter and everything’s run and gun … sad because I love the Komodo but almost feels like a waste in my hands
just start building light kits and use the hell out of them youll be fine
I did the same thing. I sold my Komodo and got an r5c. I love the organic look of the Komodo but I’m a one man band and the r5c is perfect and it also looks great
@@barrywilliams5084 Literally just did the same thing! You just gave me peace that my decision was a good one.
@@RodPickens I love the organic look the Komodo gives and Red is a industry name , but I’m shooting my own movies that’s going to prime and Tubi and with the R5c I can move faster and the image is still amazing. What I realized and I hate to say is that regular people don’t care as long as it’s a great story. Don’t get me wrong we still want it to look great.
R5C takes the win for me.
geeez the canon skin tone...just so yummmmm chefkissed
great great great! but in the end, if I want a cinethe Canon R5c or the RED Komodo? because I'm interestedi n buying the R5C, about that... Hey, thank you for this amazing introduction! So, can I use the Sennheiser MKE 600 on the R5C without applying anything? can I just apply the mic on the cam? here is also this NiSi Filter ND64 (6 Stop) which I would like to buy, and this Canon RF-S 18-45mm F4.5-6.3 IS STM lens, Commlite CM-L50BII Dimmerabile 50 LED Ultra High Power Videocamera d and Battery V Mount, Moman Power99 Vlock with the cable Moman Tap50 - , int his case do I need a box or something else to connect it to the camera? is it better to have a card reader or can I transfer photos and videos directly from the camera trough USB, is it slower? for what concerns the card, I would like to buy the MICROFROM 1TB CFexpress , and finally the gimbal FeiyuTech Scorp-Cma look image, for narrative, should I buy
What noise reduction did you use?
really great content as always! one question, I am thinking about Lumix s5, really cheap price, what about 6k raw? has it got great quality or not? thanks!
I am curious about how the Canon files play with Resolve, are they a pain in the butt in comparison with RED files?
They play fine actually.
What you think about Canon R7?
I was asking, for narrative, so movies and cinema content, should I buy the R5C or the Komodo?
IDK id pick the komodo for purely cinema use.
@@spensersakurai thank you! ☺
WOW!
can you do a video on how to apply noise reduction in editin?
I was so tempted to buy a Komodo.. but frankly, even the release films by high-profile filmmakers just don't look very good. Their color science simply doesn't hold up to - really any other manufacturer.
Guardians of the Galaxy
Komodo color doesn't work for you?
Are these all with the Meike lenses, by the way? They both look really great
What's the rolling shutter like vs the Global Shutter on the Komodo?
middle of the line vs none
Thanks for the choice of cameras for comparison in terms of image but beyond that these two cameras could not be more different so it seems kind of obvious what the conclusion will be here. It’s like comparing and Alexa with and iPhone??! We all know the difference. I don’t quite understand why SS says that they are similar?!? Literally apart from the rf mount and raw they could not be more different. If the objective is to see if the r5c image could be a useful companion camera that seems obvious. Of course it can, particularly if you are a hybrid shooter then the differences in design can of course be essential not just useful. The practicalities of these cameras will surely always be the issue particularly if pushed into a professional set. The external monitoring, sdi connection v micro hdmi, the camera control and ui, the rigging, put simply cube v dslr???! I get that these days a lot of content is for social media but It would be interesting to know when and how SS would use either. How would he professionally rig up the r5c?? Would he use it on a commercial shoot??! Btw I’m assuming that as with any test SS has a card but the whites aren’t really even close here and I’m not sure why??? I think its noted, but the exposure seems a little off too. Meanwhile I know SS js experienced enough to know this but why not choose an f stop that allows you to be in focus a little easier. We all know about the crazy detail in the 8k image but it would be kind of nice to be able to see how the Komodo stacks up with some post sharpening added. Having more in focus picture would help. Also if SS is using his meike SS then how are the focus assist tools and the practicalities of using the R5c in different scenarios?? Does it need another monitor? Sure great on a gimbal but what else??! I know how much effort it takes to do these videos and it’s always super appreciated but in a camera comparison I guess the ideal is to be able to compare the cameras and not the ability to nail focus so why not make life easy and choose an f stop that is more manageable??! Great that this video has been uploaded in reasonably hi res. Having the raw files would be fantastic. thanks so much again for the post.
Great video! I returned my Canon R5c. The deal breakers for me were the battery life, micro hdmi, no LUT during playback, and lack of autofocus at 4K60 with EF adapted lenses. I use a lot the 24mm f/1.4 and 35mm f/1.4, and currently, Canon doesn't offer those lenses in RF mount. The tiny micro HDMI port is a nightmare. You need so much rigging that I felt like I was back in the old Canon 5dmk2 days. No thanks. The Sony is a much better system.
Could you explain more detailed please. I can't use AFat EF24-105F4 with Canon adapter at S35 crop mode 6k60 Canon RAW Light ST? I didn't find this information in the instruction manual, unfortunately.
r5c is not dgo sensor. but it does look good.
R5c 💪 but battery life 🤦🏿♂️🤦🏿♂️🤦🏿♂️
a7siii vs r5c???
thanks alot!
I'm so early that the bugs haven't been patched in a firmware update
Me with my sigma fp and 4k raw at 2600mbps: GIVE ME MOREEEEE I SAID MORREEEEE STORAAGEEEE!
Did Canon actually raise the price of the R5C to $4,700?
wow, how are you reducing noise? I have the Canon R5 and shot ProRes Raw w/ the atoms and it was extremely noisy and I couldn't clean it up.
what iso are u using?
Canon R5C > Komodo
how are the fils of the canon , is it easier to edit with or this is the same shit like before ? XDD
The R5C looks extremely soft and isn’t worth the hard drive space considering you make any footage look soft In Resolve. The R5C colors are good but still not worth it for some of us.
The R5C is not soft.
This is pure stupidity!
😉 𝐩𝓻Ỗ𝓂Ø𝓈Ｍ
the Komodo got smoked lol
You are pretty.... unintelligent... in terms of cinema and data rates.
@@John-e4p1x and by the looks of it, you have ZERO work to show any evidence of knowledge. move along beta....move along
We wanna see sigma vs komodo
What are you even talking about lol
Do you mean the Sigma FP?
@@matthewjamesmartin yep
@@mikeseager8768 you're not that bright. Damn I gotta write it all out. The sigma Fp vs The Red Komodo.....or do u not know what those cameras are?
@@michialharris1850 YoUrE nOt ThAT bRiGht. Lol if thats the case, ill take my creativity/ career in this industry over your defintion of 'bright' considering you make those sorry ass videos on your page. Sorry I'm not a gear head that knows every new camera and product that comes to the market, let alone wanting to waste time comparing a Sigma FP to a komodo. The sigma FP looks like a sorry ass 2019 modernized version of an OG BMPCC..if you even know what that camera is....