Scott Walker could sing a song to perfection as you can hear on his four solo albums. He was a very melancholy guy. In an interview he once stated: "I live in a very nightmarish world." David Bowie and Brian Eno were working on Low/Heroes when they heard "Nite Flights" by the Walker Brs. and they were blown away by Scott's new approach. Bowie stayed a lifelong fan and even produced the documentary "30th Century Man". When "Tilt" was released it was like a bomb. People had never heard anything like it. The guy was on another level. "The Drift" must be one of the darkest, scariest pieces of music ever recorded. It's like opera from hell. He was truly unique. Thanks for bringing his music back to attention.
Nightmare? It's real music. I found Hunter very recognizable music. Dissonance is nothing new. Genre is not important. What annoys you the most probably says something about you.
@@paulabraham4179 In "30th Century Man", Eno talks about this. I'm not sure if he refers to the Lodger sessions. I should look it up. From Heroes onwards Bowie does take up certain Scott stylings in his singing. On Lodger they're very apparent.
@@splankhoon Eno played him Nite Flights and you can hear the influence mosty on Bowie's vocals but according the the engineer on Nite Flights Heroes had an influence on Scott! Have you heard Doves new single Renegade? To me it sounds so much like late 70s Scott Walker
The four Scott Walker penned tracks on 'Nite Flights' represents some of the best avantgarde pop music ever made, culminating with the amazing 'The Electrician'. 👌👌 ..and 'Tilt' to me was hands down the most unique and special album of the 90's.. 🤗 My favorite, though, has to be 'Scott 1'; that album contains some of the most beautiful music EVER created; take for example 'Montague Terrace (in Blue)'...😍😍 There will never ever be a singer/composer quite like Scott Walker again; the man was truly something special. A complex, uncompromising and unique character, despite at the same time being a very humble, down to earth recluse. R.I.P Noel Scott Engel...
@@PlutoTheGod crazy enough, I was falling asleep to one of William basinskis songs and I was literally having sleep paralysis. It was “paradise lost” from the “lamentations” record.
Interestingly, the guys in Sunn seemed disappointed by the collaboration, in that it didn’t actually feel like a true collaboration. They said Walker just asked for their parts, then he took them and incorporated them into the music. And to me, the album sounds like alternating Scott Walker sections and Sunn sections.
His music later was so brilliant. He transcended so many genres, and his work just blows my mind. He also influenced Bowie’s last, beautiful-beyond-words album, Blackstar.
I've always found the parallel trajectories of Scott Walker and David Sylvian fascinating. They both started out as these immaculate and accessible pop singers, and both gradually became artsier until they were making extremely dark avant garde music in their old age. Similar vibes, but obviously both very distinct.
The track "The Escape" with the "donkey" is actually about the story of Mel Blanc, the voice of Bugs Bunny, and Daffy Duck who suffered a car crash, putting him a coma. The doctor treating him had an idea to bring him out, and addressed him in the voice of Bugs....he replied in the voices of his characters...."What's up doc..." "I tawt I saw a puddy tat..." That track would make anyone jump out of their skin!
I was a teenager in the sixties & was obsessed with the Walker Brothers especially Scott , I don’t think anyone has a voice so absolutely perfect as him , but I’m sad when i listen to his later albums as i think he lost his way but obviously he chose serious music rather than the music the Walker brothers made portrait is my favourite album of all time with summer time my favourite track happy days when the world was a nicer place 0:06
I've been a fan of Scott Walker ever since I first heard his song "The Plague", then I heard his work on "The Seventh Seal", doing the song for the movie of the same name, then through your videos, I decided to listen to The Drift. The first track, "Cossacks Are", has a cool guitar riff which I like, then I skipped the rest and went straight to "Clara".... after skipping through bits of the song, I closed my tab. I now know why Walker would give you anxiety. It's the same time way "Venus In Fear" by Cradle Of Filth legitimately gives me anxiety. Not by pure shock but by pure emotion. The sounds made in "Clara" give me this really unsettling feeling like I'm playing Silent Hill in the dark. The composition, Walker's voice, the run time, it all blends together like a madman creating a symphony. I'm gonna try and give the rest of the album a listen but boy, I need to be in the right state of mind before I do so. New sub by the way. Much respect and keep up the awesome work.
I didnt notice it, and because of this comment I just listened to the album. Its way ahead of its time, and fun. Also sounds super good for the time. I personally havent heard anything like it before. Thank you!
Long comment, but enjoy. Good overview! I got into his music circa 1986 after being a fan of "The Sun Ain't Gonna Shine Anymore" and found a used copy of SCOTT - this was the US version re-titled ALONER although with no changes what was on the album (*). I bought TILT as soon as I could get it (Early 1996, if memory serves right), but I loved it - "The Cockfighter" clearly had moments when you could imagine an Einsturzende Neubauten influence on the loud percussion which connected with my music listening by then. There are two CDs from 1990 which are great ways to experience the Mid-Late 60's Scott in a more compact way to those who want to hear the progression of his music: The Walker Brothers' AFTER THE LIGHTS GO OUT collection that wraps most a very Scott-centric collection of highlights into one great collection and BOY CHILD focusing only on originals from the four SCOTT albums and TILL THE BAND COMES IN which I can imagine some fans calling SCOTT 5 (**). There was one album in between 3 and 4 which was SCOTT SINGS SONGS FROM HIS TV SERIES which is a good selection of songs which formed a cash-in album for the short but successful series. Typical of the more Pop side of his 60's albums, it is seriously saved by his singing and solid choices which fit his voice. (*) - Smash Records did alter SCOTT 3 by removing the iconic "30 Century Man" and fitting in the UK single-only ballad hit "Lights of Cincinnati". (**) - Reportedly due to company pressure, there had to be covers on TILL THE BAND COMES IN, all which form most of the second side. That sequence of songs was mentioned in Pulp's "Bad Cover Version"...produced by Scott (Album - WE LOVE LIFE).
I recently got obsessed with the enigma of Scott Walker. His later music is terrifying and impenetrable, even transcendental. Some songs may convey the aural sensation of being completely eviscerated on an assembly line but most songs lay beyond the bounds of description. For some reason, themes from 'The cask of Amontillado' come to mind when I think of The drift.
To me the album The Drift from Scott Walker is the pure equivalent of the movie Begotten by Elias Merhige. I know the act is monumental I felt it when I encountered it and I can’t help my mind stop thinking about it nor trying to reach or find ideas and people to speak about it but never I want to hear or see it again. Now I know, and knowledge is a powerful source of self destruction. Thank you for all your work btw
So good to see Scott getting love on this channel! The Drift is the single most scary thing I’ve ever heard, more than any funeral doom black metal blah blah blah
Scott’s music came into my life when he did a live interview on the tv show The Tube in early 1984 when he was promoting Climate Of Hunter. The Walker Brothers were often the radio in the ‘70’s and ‘80’s. But I knew nothing about the early solo albums as I was only 15 when I watched that interview. I picked up COH a few years later and that was the beginning of my love for Scott’s music - it’s an incredible album. Then in 1990 the Boy Child comp came out and I fell even deeper into the rabbit hole. I love almost all his albums and he is my favorite artist - the best. Excellent review of Scott’s work.
I did finally get around to listening to The Drift from a previous recommendation from a video you made earlier. It made for quite the interesting play through of Doom 64 I must admit, oddly fitting and made the whole play through an unnerving experience in the most interesting way possible!
@@dannycheesums The darker mood fit really well and gave the "other world-like" feel a whole new dimension, the pain elementals that popped up were a bit EXTRA horrifying which is saying a lot because they are already terrifying as is, let alone with the creepy vibes of The Drift filling in the background noise. I recommend it!
Just watch 30 Century Man it's a great doc about his life and artistic evolution. Fascinating and Inspiring artist who was truly Visionary in his own way. I think part of the feeling that you're picking up on with his music (especially after he completely abandoned Pop Music) is how Scott works on the level of Myth and Archetype. He's drawing from a deep, unchanging well of Humanity that we all share and, as you noted he's exploring the unorthodox, almost "abyssal" territory. It can be harrowing, if you go too deep into it. It can be even more alienating because he's not going about creating it in the typical "spooky scary" metal/extreme way of exploring this emotional territory. "He who stares into the abyss" and all that, you know. Also, "Fuck Dying, I Hijack a Mech!" 😉
Scott Walker is to metal like a psychological thriller is to a monster movie. With most metal, you know what you’re going to get: occasional scary/gory imagery, dudes in black tees, and loud guitars. With the Scott Walker trilogy, you have no idea what’s around the next corner, nothing in the imagery suggests what you’re about to get, and in interviews, Walker seems like a pretty normal guy.
Started out in 2001 with Its Raining today. From my brother. Who turned me on to Dead Can Dance. It was a monument in my life. Quite a character. Very good video Wyatt. Always love listening to you. Thanks man for doing this on one of the most interesting people in music. Have a good day man
Scott Walker is one of my favourite artists of all time, so thanks for this video! I'm not saying her music is anywhere as extreme, intense, or bizarre, but if you haven't heard her already you should check Keeley Forsyth - she's great and there's definitely an influence from late-period Scott Walker in her sound. Also, seeing as you mentioned Scott being pretty much on his own in his journey from beloved pop idol to the furthest fringes of experimental musicianship, have you investigated the career of David Sylvian at all? His band Japan were pretty huge in the 80s and while not as extreme or out there as the later Scott Walker stuff, his solo recordings (as well as his many collaborative releases) did get increasingly more experimental and detached from his pop beginnings. The albums of Talk Talk (as well as their frontman Mark Hollis's lone solo album) are also fantastic examples of a successful pop-tinged artist following their inspiration and curiosity to the outer reaches instead of just riding on the back of their success, and in my opinion the albums 'Spirit of Eden', 'Laughing Stock', and 'Mark Hollis' are some of the most beautiful and important albums of all-time - sonically, it's almost as if Hollis took note of the opening line from 'Rawhide' (the first track off 'Climate of Hunter') and was trying to show us "This is how you disappear..."
Great video! I feel the same way when I listen to his later stuff. However, over time I've really warmed up to albums such as Climate of Hunter and Tilt and I don't find them nearly as hard to take as they once were. Regardless, I find his later output so fascinating that I always find myself coming back to them now and then. I am so glad that it's not just me who can't find anything close to what Scott did on his last 4 albums. I was beginning to think that I just didn't know where to look. The only thing I have found that resembles this style of music is the song Heat by David Bowie from his second to last album The Next Day, and that song is definitely worth a listen.
He effects me in all ways. Listening to "Louise" or "Joe" or "Boy Child" makes me feel the deep feels. Most everything on Tilt is frightening, but transcendent. He wasn't here for us He wasn't even here for himself. He was here for his art. That's it. Uncompromising. Deliberate. Incisive. Gold.
Dear Wyatt Regarding interesting trajectories in popular music, are you familiar with John Lydon's works within Public Image Ltd first three albums? From punk rock poster boy to avant-post punk pioneer in just a matter of 4/5 years. - First Issue (1978): Considered one of the first post punk albums (an info that matters more when you consider that it was made by former Sex Pistols frontman) - Metal Box (1979): According to some critics (such as Simon Reynolds), a symbol of what post-punk aimed to be. Stellar performance by founding members Jah Wobble on bass (influenced by dub music) Keith Levene (also founding member of The Clash and one of the most inventive and influential guitarists of his generation). - The Flowers of Romance (1981): A bizarre industrial-esque piece of alienating beyond-rock music.
Thighpaulsandra - Double Vulgar 1 & 2 confused the hell out of when I first listened to it. It still gives me anxiety every time. When I first listened to it, I had an instance of thinking I'd gone too far with my fascination for avant garde and experimental music. I took a break and returned to more conventional music for a period of time.
Absolutely love Scott Walker. (When I type the name "Scott" my phone suggests "Walker" as the first option.) For me, Climate of Hunter and Tilt are the exact right ratio of weird but melodic and enjoyable. As for the albums that came after, I am happy that he made them, and that they're as delightfully weird as they are, but I cannot claim that I spin them with any regularity.
Might be a brash title, but I definitely agree. Hearing 'Farmer in the City' track from Tilt for the first time seriously made me keep checking over my shoulder. Think that track is also about the true story of an Italian director or actor who has killed in a hit and run murder. Might be wrong, but look it up if so
Cool overview! Scott was more than influenced by Brel. He recorded a number of his songs with English lyrics and orchestral arrangements. Such a great discography that I’m still trying to wrap my head around. Also look into the early works of Paul Roland. Not much to do with Scott’s music apart from both having an influence on neofolk and appearing on the Looking for Europe compilation.
Greg and Steven of Sunn have said in an interview that Scott approached them for the collab, though they were more like session musicians following closely to Scott's direction rather than combining their creative instincts and processes.
I grew up listening to and loving the voice of Scott Walker but his work after Till The Band Comes In left me cold . I know a number of people sing his praises saying how inventive and genius the work but personally I found it self absorbed and way over the top . Maybe I am a shallow listener or maybe I just don’t buy into the whole avant garde nonsense . If , like me , you still appreciate a great voice singing quality music , check out David Sylvian after his time with Japan , check out his solo work or his work with Nine Horses or Rain Tree Crow , I always feel it’s the direction Scott should have gone down
Scott's later albums are music from a different planet, would suggest later einstruzende neubauten as similar as they have been doing the created sound and making their own instruments for there whole career and Blixa Bargeld has a very similar approach
I think a small correction in this (but to be fair, I've seen elsewhere) is the analysis of Scott 4. Scott didn't blame the poor performance of Scott 4 on the fact it was written in 3/4. That was Scott 3 - which was successful. But Scott 4 never even charted, no-one even bought it when it was released. It was quickly deleted and didn't see a release again until much later. I think the point that Scott was making was that Scott 3 was all written in 3/4 and had no hooks. It's all beautifully orchestrated, but there are no big hitters on it. So people gave Scott 4 a miss. Scott 4 is actually a rocky and catchy album - it's now considered his best, along with being brilliantly experimental.
Scott wasn't on a downward spiral & although yes, he's on his own, other people are definitely out there being experimental such as Kate Bush, Radiohead & Roger Waters. Scott is the best though, there's no one quite like him.
It's "what's up doc?" Scary stuff, and a very strange story about Mel Blanc, the voice of Bugs Bunny and Daffy Duck. He was in a car crash and was put in a coma. His doctor had the bright idea of trying to communicate with him as Bugs Bunny.....Mel replied in the voices of his characters. Now that is scary. It reminds me of all those films about ventriloquists being taken over by their dolls, particularly "The Dead of Night."
“This is how you disappear”…..Scot Walker on Climate Of Hunter…..I believe Portishead’s third album is the closest to Scott’s style I have heard from another set of musicians….
Personnally, Scott Walker gives me depression. I love Bish Bosch, but I've only listened to it a few times since its release. Wyatt insists on the unfamiliar and unique aspect of this record. Overall I agree, but "See You Don't Bump His Head" gives me strong "Mr. Self Destruct" vibes. I quite enjoyed this video. He seems friendly enough, but also extremely determined in his creation. Love this. th-cam.com/video/kOlGT2QMJuA/w-d-xo.html
YOUR THE ONLY ONE ADDRESS THIS. IM USED TO SCOTT SINGEN MAKE IT EAZY ON YOUR SELF. OR TRUE LOVE NEVER DIES. HAD SUCH QUALITY MOVEN UPTY EMOTION. THIS ALBUMS YOU DESCRIBE. ARE DARK. THEY DO NOT MAKE PERSON FEEL ANY HIPE TOTALLY WANT TO BRING SOUL IN NEGATIVE NO LIGHT OF HOPE IN YOU. HE LIKE SO MANY MUST GAVE UP INSIDE. THIS WHAT CAUSES ANXEITY. THE LIGHT IN YOU. THE HIGHEE SELF CAN NOT LET DARK OCCUPENCY IN. THESE LPS IF ONE IS NOT CAREFUL. AND IS ALLREADY LOST CAN BRING THERE VIBRATION DOWN TO PURE NEGATIVE. FEEL HOPELESS. ALONE DISOEAR. I DIDNT LIKE IT I DONT LIKE MOOD HE WAS TRYEN TO PUT PERSON IN TWO. SPECILLY IF HE HAS AT ALL HAD ANY THERAPY HE GOT DARK. MK MIND CONTROL. WHY GO IN DARK THATS NOT WHERE FROM. THERE DANGEROUS. IF ONE LEAVES OCCUPENCY EMPTY TO THIS STATE. ONLY BAD NEGATIVE SOUL CAN TAKE ITS PLACE .
I love it when an artist branches out and does their own thing to its apex. Another one that comes to mind is Nico with the marble index. Check it out.
Scott Walker could sing a song to perfection as you can hear on his four solo albums. He was a very melancholy guy. In an interview he once stated: "I live in a very nightmarish world." David Bowie and Brian Eno were working on Low/Heroes when they heard "Nite Flights" by the Walker Brs. and they were blown away by Scott's new approach. Bowie stayed a lifelong fan and even produced the documentary "30th Century Man". When "Tilt" was released it was like a bomb. People had never heard anything like it. The guy was on another level. "The Drift" must be one of the darkest, scariest pieces of music ever recorded. It's like opera from hell. He was truly unique. Thanks for bringing his music back to attention.
Love his late albums
Nightmare? It's real music. I found Hunter very recognizable music. Dissonance is nothing new.
Genre is not important. What annoys you the most probably says something about you.
It was Bowie's Lodger album as Low/Heroes were released before Nite Flights
@@paulabraham4179 In "30th Century Man", Eno talks about this. I'm not sure if he refers to the Lodger sessions. I should look it up. From Heroes onwards Bowie does take up certain Scott stylings in his singing. On Lodger they're very apparent.
@@splankhoon Eno played him Nite Flights and you can hear the influence mosty on Bowie's vocals but according the the engineer on Nite Flights Heroes had an influence on Scott! Have you heard Doves new single Renegade? To me it sounds so much like late 70s Scott Walker
The four Scott Walker penned tracks on 'Nite Flights' represents some of the best avantgarde pop music ever made, culminating with the amazing 'The Electrician'. 👌👌
..and 'Tilt' to me was hands down the most unique and special album of the 90's.. 🤗
My favorite, though, has to be 'Scott 1'; that album contains some of the most beautiful music EVER created; take for example 'Montague Terrace (in Blue)'...😍😍
There will never ever be a singer/composer quite like Scott Walker again; the man was truly something special. A complex, uncompromising and unique character, despite at the same time being a very humble, down to earth recluse. R.I.P Noel Scott Engel...
Scott Walker's musical evolution is just astonishing
Scott Walker showed me what true terror in music sounds like. He was the first guy to make me feel uneasy with music alone.
You don’t even smoke crack
I’ll never forget the SUNN O))) and Scott walker collaboration
You’ll fall asleep during it, but you’ll have nightmares!
@@PlutoTheGod crazy enough, I was falling asleep to one of William basinskis songs and I was literally having sleep paralysis. It was “paradise lost” from the “lamentations” record.
Interestingly, the guys in Sunn seemed disappointed by the collaboration, in that it didn’t actually feel like a true collaboration. They said Walker just asked for their parts, then he took them and incorporated them into the music. And to me, the album sounds like alternating Scott Walker sections and Sunn sections.
@@alexposilkin9683Right.
They actually opted out of him wanting to do another record together.
RIP Scott, he died 5 years ago today.
can i just say i love ur Gaga shirt king
Yes he does. But the music is beautiful.
Scott's "sound" personified. The universe awaits his sounds. I enjoy his voice er day and night. IMHO everybody has one.
That's why I loved him so much, BECAUSE he was so anxiety inducing, especially in his later works
His music later was so brilliant. He transcended so many genres, and his work just blows my mind. He also influenced Bowie’s last, beautiful-beyond-words album, Blackstar.
I've always found the parallel trajectories of Scott Walker and David Sylvian fascinating. They both started out as these immaculate and accessible pop singers, and both gradually became artsier until they were making extremely dark avant garde music in their old age. Similar vibes, but obviously both very distinct.
Love scotts trilogy of nightmares. They're all masterpieces in their own ways.
Lucky didint lose your soul. There so negative when world is down
The track "The Escape" with the "donkey" is actually about the story of Mel Blanc, the voice of Bugs Bunny, and Daffy Duck who suffered a car crash, putting him a coma. The doctor treating him had an idea to bring him out, and addressed him in the voice of Bugs....he replied in the voices of his characters...."What's up doc..." "I tawt I saw a puddy tat..." That track would make anyone jump out of their skin!
I had recently listened to Scott 4, and I really loved it. Cool to hear more about this guy!
I was a teenager in the sixties & was obsessed with the Walker Brothers especially Scott , I don’t think anyone has a voice so absolutely perfect as him , but I’m sad when i listen to his later albums as i think he lost his way but obviously he chose serious music rather than the music the Walker brothers made portrait is my favourite album of all time with summer time my favourite track happy days when the world was a nicer place 0:06
I've been a fan of Scott Walker ever since I first heard his song "The Plague", then I heard his work on "The Seventh Seal", doing the song for the movie of the same name, then through your videos, I decided to listen to The Drift. The first track, "Cossacks Are", has a cool guitar riff which I like, then I skipped the rest and went straight to "Clara".... after skipping through bits of the song, I closed my tab. I now know why Walker would give you anxiety.
It's the same time way "Venus In Fear" by Cradle Of Filth legitimately gives me anxiety. Not by pure shock but by pure emotion. The sounds made in "Clara" give me this really unsettling feeling like I'm playing Silent Hill in the dark. The composition, Walker's voice, the run time, it all blends together like a madman creating a symphony. I'm gonna try and give the rest of the album a listen but boy, I need to be in the right state of mind before I do so.
New sub by the way. Much respect and keep up the awesome work.
Deltron 3030, what a beautiful vinyl
Absolutely. One of the greatest albums in underground hip-hop history
I didnt notice it, and because of this comment I just listened to the album. Its way ahead of its time, and fun. Also sounds super good for the time. I personally havent heard anything like it before. Thank you!
Now I plan on listening to The Drift album starting tonight at 1 am.
How did it go? I played it to my friend while he was coming down off acid, and he wasn’t thankful 😂
Bish bosch is a reflection of Scott’s life as a human. It doesn’t need a genre it’s a stand alone art piece
Long comment, but enjoy. Good overview! I got into his music circa 1986 after being a fan of "The Sun Ain't Gonna Shine Anymore" and found a used copy of SCOTT - this was the US version re-titled ALONER although with no changes what was on the album (*). I bought TILT as soon as I could get it (Early 1996, if memory serves right), but I loved it - "The Cockfighter" clearly had moments when you could imagine an Einsturzende Neubauten influence on the loud percussion which connected with my music listening by then.
There are two CDs from 1990 which are great ways to experience the Mid-Late 60's Scott in a more compact way to those who want to hear the progression of his music: The Walker Brothers' AFTER THE LIGHTS GO OUT collection that wraps most a very Scott-centric collection of highlights into one great collection and BOY CHILD focusing only on originals from the four SCOTT albums and TILL THE BAND COMES IN which I can imagine some fans calling SCOTT 5 (**).
There was one album in between 3 and 4 which was SCOTT SINGS SONGS FROM HIS TV SERIES which is a good selection of songs which formed a cash-in album for the short but successful series. Typical of the more Pop side of his 60's albums, it is seriously saved by his singing and solid choices which fit his voice.
(*) - Smash Records did alter SCOTT 3 by removing the iconic "30 Century Man" and fitting in the UK single-only ballad hit "Lights of Cincinnati".
(**) - Reportedly due to company pressure, there had to be covers on TILL THE BAND COMES IN, all which form most of the second side. That sequence of songs was mentioned in Pulp's "Bad Cover Version"...produced by Scott (Album - WE LOVE LIFE).
Scott Walker's music always makes me feel vulnerable.
Ur vibes are up there Wyatt!!
The Childhood of a Leader OST is just awesome. Such cacophonic take on chamber music is a delight
0:43 - I always found this circumstance quite hilarious - similar to the three unrelated Taylor's in Duran Duran! 🤣
I recently got obsessed with the enigma of Scott Walker. His later music is terrifying and impenetrable, even transcendental. Some songs may convey the aural sensation of being completely eviscerated on an assembly line but most songs lay beyond the bounds of description. For some reason, themes from 'The cask of Amontillado' come to mind when I think of The drift.
To me the album The Drift from Scott Walker is the pure equivalent of the movie Begotten by Elias Merhige. I know the act is monumental I felt it when I encountered it and I can’t help my mind stop thinking about it nor trying to reach or find ideas and people to speak about it but never I want to hear or see it again. Now I know, and knowledge is a powerful source of self destruction. Thank you for all your work btw
Thank you so much for this video including your words on my favorite artist.
Your disturbing albums iceberg video was very good also.
Bye!
So good to see Scott getting love on this channel! The Drift is the single most scary thing I’ve ever heard, more than any funeral doom black metal blah blah blah
Scott’s music came into my life when he did a live interview on the tv show The Tube in early 1984 when he was promoting Climate Of Hunter. The Walker Brothers were often the radio in the ‘70’s and ‘80’s. But I knew nothing about the early solo albums as I was only 15 when I watched that interview. I picked up COH a few years later and that was the beginning of my love for Scott’s music - it’s an incredible album. Then in 1990 the Boy Child comp came out and I fell even deeper into the rabbit hole. I love almost all his albums and he is my favorite artist - the best.
Excellent review of Scott’s work.
I did finally get around to listening to The Drift from a previous recommendation from a video you made earlier. It made for quite the interesting play through of Doom 64 I must admit, oddly fitting and made the whole play through an unnerving experience in the most interesting way possible!
Tell us more!
@@dannycheesums The darker mood fit really well and gave the "other world-like" feel a whole new dimension, the pain elementals that popped up were a bit EXTRA horrifying which is saying a lot because they are already terrifying as is, let alone with the creepy vibes of The Drift filling in the background noise. I recommend it!
@@vestridreaming that’s fucking awesome lol.
Really cool video you definitely got me interested in checking Scott Walker out!!
Just watch 30 Century Man it's a great doc about his life and artistic evolution. Fascinating and Inspiring artist who was truly Visionary in his own way. I think part of the feeling that you're picking up on with his music (especially after he completely abandoned Pop Music) is how Scott works on the level of Myth and Archetype. He's drawing from a deep, unchanging well of Humanity that we all share and, as you noted he's exploring the unorthodox, almost "abyssal" territory. It can be harrowing, if you go too deep into it. It can be even more alienating because he's not going about creating it in the typical "spooky scary" metal/extreme way of exploring this emotional territory.
"He who stares into the abyss" and all that, you know.
Also, "Fuck Dying, I Hijack a Mech!" 😉
Scott Walker is to metal like a psychological thriller is to a monster movie. With most metal, you know what you’re going to get: occasional scary/gory imagery, dudes in black tees, and loud guitars. With the Scott Walker trilogy, you have no idea what’s around the next corner, nothing in the imagery suggests what you’re about to get, and in interviews, Walker seems like a pretty normal guy.
"Scott Walker is to metal like a psychological thriller is to a monster movie" or film noir is to an 80s teenage sex comedy.
Started out in 2001 with Its Raining today. From my brother. Who turned me on to Dead Can Dance. It was a monument in my life.
Quite a character. Very good video Wyatt. Always love listening to you. Thanks man for doing this on one of the most interesting people in music. Have a good day man
Love that you mentioned both him and Dead Can Dance in the same comment. Dead Can Dance is one of my favorite bands.
@@piperfuriosaOh yeah. I was so happy when I heard Dead Can Dance. I was like, "thank you god thank you."
Brendan Perry just freaked me out.
Scott Walker is one of my favourite artists of all time, so thanks for this video! I'm not saying her music is anywhere as extreme, intense, or bizarre, but if you haven't heard her already you should check Keeley Forsyth - she's great and there's definitely an influence from late-period Scott Walker in her sound. Also, seeing as you mentioned Scott being pretty much on his own in his journey from beloved pop idol to the furthest fringes of experimental musicianship, have you investigated the career of David Sylvian at all? His band Japan were pretty huge in the 80s and while not as extreme or out there as the later Scott Walker stuff, his solo recordings (as well as his many collaborative releases) did get increasingly more experimental and detached from his pop beginnings. The albums of Talk Talk (as well as their frontman Mark Hollis's lone solo album) are also fantastic examples of a successful pop-tinged artist following their inspiration and curiosity to the outer reaches instead of just riding on the back of their success, and in my opinion the albums 'Spirit of Eden', 'Laughing Stock', and 'Mark Hollis' are some of the most beautiful and important albums of all-time - sonically, it's almost as if Hollis took note of the opening line from 'Rawhide' (the first track off 'Climate of Hunter') and was trying to show us "This is how you disappear..."
the greatest
Scott could have lived 100 more years and still kept pushing boundaries
Great video! I feel the same way when I listen to his later stuff. However, over time I've really warmed up to albums such as Climate of Hunter and Tilt and I don't find them nearly as hard to take as they once were. Regardless, I find his later output so fascinating that I always find myself coming back to them now and then.
I am so glad that it's not just me who can't find anything close to what Scott did on his last 4 albums. I was beginning to think that I just didn't know where to look. The only thing I have found that resembles this style of music is the song Heat by David Bowie from his second to last album The Next Day, and that song is definitely worth a listen.
He effects me in all ways. Listening to "Louise" or "Joe" or "Boy Child" makes me feel the deep feels. Most everything on Tilt is frightening, but transcendent.
He wasn't here for us He wasn't even here for himself. He was here for his art. That's it. Uncompromising. Deliberate. Incisive. Gold.
cossacks are is an amazing song. I love that shit.
Dear Wyatt
Regarding interesting trajectories in popular music, are you familiar with John Lydon's works within Public Image Ltd first three albums? From punk rock poster boy to avant-post punk pioneer in just a matter of 4/5 years.
- First Issue (1978): Considered one of the first post punk albums (an info that matters more when you consider that it was made by former Sex Pistols frontman)
- Metal Box (1979): According to some critics (such as Simon Reynolds), a symbol of what post-punk aimed to be. Stellar performance by founding members Jah Wobble on bass (influenced by dub music) Keith Levene (also founding member of The Clash and one of the most inventive and influential guitarists of his generation).
- The Flowers of Romance (1981): A bizarre industrial-esque piece of alienating beyond-rock music.
Thighpaulsandra - Double Vulgar 1 & 2 confused the hell out of when I first listened to it. It still gives me anxiety every time. When I first listened to it, I had an instance of thinking I'd gone too far with my fascination for avant garde and experimental music. I took a break and returned to more conventional music for a period of time.
Scott Walker helps my anxiety
Late Coltrane, late Walker: Both classic cases of what happens when you abandon form in the extreme and end up with something unmusical.
Scott Walker was the last True Musical Adventurer.
Absolutely love Scott Walker. (When I type the name "Scott" my phone suggests "Walker" as the first option.) For me, Climate of Hunter and Tilt are the exact right ratio of weird but melodic and enjoyable. As for the albums that came after, I am happy that he made them, and that they're as delightfully weird as they are, but I cannot claim that I spin them with any regularity.
Bish Bosch is one of those albums I don’t think I’ll ever be able to understand. I love it but it’s way way over my head
Might be a brash title, but I definitely agree. Hearing 'Farmer in the City' track from Tilt for the first time seriously made me keep checking over my shoulder.
Think that track is also about the true story of an Italian director or actor who has killed in a hit and run murder. Might be wrong, but look it up if so
pasolini?
@yogiobsura that's the one! It was more than a hit and run, but my memory was a bit foggy until I looked it back up
he reminds me of David lynch. watching epizootics and thinking about lynch made it feel way more right lol
Cool overview! Scott was more than influenced by Brel. He recorded a number of his songs with English lyrics and orchestral arrangements. Such a great discography that I’m still trying to wrap my head around.
Also look into the early works of Paul Roland. Not much to do with Scott’s music apart from both having an influence on neofolk and appearing on the Looking for Europe compilation.
i swear scott walker, lynch, and kafka are all related somehow.
nice to see Scott Walker continue to filter people to this day
I LOVE YOU WYATT😭😭🫶 great vid🔥
@MaddoxJamesLongoria 💀LOL
I LOVE YOU TOO GYATT
Greg and Steven of Sunn have said in an interview that Scott approached them for the collab, though they were more like session musicians following closely to Scott's direction rather than combining their creative instincts and processes.
It’s credited to both acts, but really it’s a Scott record
I grew up listening to and loving the voice of Scott Walker but his work after Till The Band Comes In left me cold . I know a number of people sing his praises saying how inventive and genius the work but personally I found it self absorbed and way over the top . Maybe I am a shallow listener or maybe I just don’t buy into the whole avant garde nonsense . If , like me , you still appreciate a great voice singing quality music , check out David Sylvian after his time with Japan , check out his solo work or his work with Nine Horses or Rain Tree Crow , I always feel it’s the direction Scott should have gone down
Scott's later albums are music from a different planet, would suggest later einstruzende neubauten as similar as they have been doing the created sound and making their own instruments for there whole career and Blixa Bargeld has a very similar approach
him and tim buckley made some crazy stuff
Love Brando
The first time I heard Diana by Comus I had to turn it off after a minute because it creeped me out so much.
I think a small correction in this (but to be fair, I've seen elsewhere) is the analysis of Scott 4.
Scott didn't blame the poor performance of Scott 4 on the fact it was written in 3/4. That was Scott 3 - which was successful. But Scott 4 never even charted, no-one even bought it when it was released. It was quickly deleted and didn't see a release again until much later.
I think the point that Scott was making was that Scott 3 was all written in 3/4 and had no hooks. It's all beautifully orchestrated, but there are no big hitters on it. So people gave Scott 4 a miss. Scott 4 is actually a rocky and catchy album - it's now considered his best, along with being brilliantly experimental.
Girl with basket of fruit by Xiu Xiu is insane
Scott wasn't on a downward spiral & although yes, he's on his own, other people are definitely out there being experimental such as Kate Bush, Radiohead & Roger Waters. Scott is the best though, there's no one quite like him.
i love lady gaga :))) dont know about all this other scary stuff though thanks very much !!
Outside by David Bowie is a bit of a challenge at times
Avante garde music iceberg broooooooooo?
Scott Walker used to give me anxiety when he was governor of my state.
Wait, that's a different Scott Walker. Never mind.
Scott was a musical genius. I hope this young man's anxiety improves.
"Scott 4 failed to catch on, as his hair in the photo ended up taking up 30% of the cover space"
What’s your favorite gaga song
I don’t have a favorite song but I do have a favorite album being Artpop
It's that moment on The Drift when he starts quacking 'Fuck you!' like a demonic Donald Duck that gives me anxiety. Harrowing.
It's "what's up doc?" Scary stuff, and a very strange story about Mel Blanc, the voice of Bugs Bunny and Daffy Duck. He was in a car crash and was put in a coma. His doctor had the bright idea of trying to communicate with him as Bugs Bunny.....Mel replied in the voices of his characters. Now that is scary. It reminds me of all those films about ventriloquists being taken over by their dolls, particularly "The Dead of Night."
'Wouldn't I? Aw, wouldn't I?' ...
“This is how you disappear”…..Scot Walker on Climate Of Hunter…..I believe Portishead’s third album is the closest to Scott’s style I have heard from another set of musicians….
Personnally, Scott Walker gives me depression. I love Bish Bosch, but I've only listened to it a few times since its release.
Wyatt insists on the unfamiliar and unique aspect of this record. Overall I agree, but "See You Don't Bump His Head" gives me strong "Mr. Self Destruct" vibes.
I quite enjoyed this video. He seems friendly enough, but also extremely determined in his creation. Love this. th-cam.com/video/kOlGT2QMJuA/w-d-xo.html
I got into him and shit started going bad for me immediately. All these goth death metal dudes have not a clue
GYATTXHIM
YO ITS THREE THOUSAND THIRTY I WANT YALL TA MEET DELTRON ZERO
albert?
Get drunk and listen.
IK BEN DE WILDE MAN!!!!!!!!!!!!!!
So I guess Scott Walker is your favorite non metal artist 😅
Non metal ?
What genre is that ?
@wyattxhim anything except metal
okay so in other words ... music lol @@mohammadreza7265
@@wyattxhim The most music lol albums that I know
Your Audio Presentation Stinks (Video) Clean Your Face Up ,You Have A Defiant Attitude , Purgatory Is Waiting Or Hell, Your Choice !
YOUR THE ONLY ONE ADDRESS THIS. IM USED TO SCOTT SINGEN MAKE IT EAZY ON YOUR SELF. OR TRUE LOVE NEVER DIES. HAD SUCH QUALITY MOVEN UPTY EMOTION. THIS ALBUMS YOU DESCRIBE. ARE DARK. THEY DO NOT MAKE PERSON FEEL ANY HIPE TOTALLY WANT TO BRING SOUL IN NEGATIVE NO LIGHT OF HOPE IN YOU. HE LIKE SO MANY MUST GAVE UP INSIDE. THIS WHAT CAUSES ANXEITY. THE LIGHT IN YOU. THE HIGHEE SELF CAN NOT LET DARK OCCUPENCY IN. THESE LPS IF ONE IS NOT CAREFUL. AND IS ALLREADY LOST CAN BRING THERE VIBRATION DOWN TO PURE NEGATIVE. FEEL HOPELESS. ALONE DISOEAR. I DIDNT LIKE IT I DONT LIKE MOOD HE WAS TRYEN TO PUT PERSON IN TWO. SPECILLY IF HE HAS AT ALL HAD ANY THERAPY HE GOT DARK. MK MIND CONTROL. WHY GO IN DARK THATS NOT WHERE FROM. THERE DANGEROUS. IF ONE LEAVES OCCUPENCY EMPTY TO THIS STATE. ONLY BAD NEGATIVE SOUL CAN TAKE ITS PLACE .
Flarb.
I love it when an artist branches out and does their own thing to its apex. Another one that comes to mind is Nico with the marble index. Check it out.