A inizio carriera Jose aveva una voce stupenda,vellutata,suadente,...non faceva fatica negli acuti...molto naturali....dopo la malattia..qualcosa purtroppo è cambiato......
A voice as beautiful and expressive as Josep Carreras does not come along very often - we should treasure all we can about the lovely man with the GLORIOUS voice ♥
Quando um dia José Carreras desaparecer , morrerá a matéria mas a sua alma ficará para sempre ligada à genialidade do seu canto único e inimitável. BRAVO!!!!!
Perhaps Carreras had not quite yet developed the entirely equal technique of his other two tenor super tenors or the sensible career advice of some his conductors but for me he had the most beautiful natural vocal timbre of the 3. Two early live performances that I have of his (circa. 1976) L‘ELISIR D‘AMORE & I LOMBARDI from Covent Garden demonstrate the singular beauty of his instrument but beginning a year or so later he was starting to add a heavier repertoire & although the effects of this weren’t apparent immediately he might have waited a bit for his instrument to adapt to heavier roles. Pavarotti, who was, IMO, also a pure lyric tenor, was able to handle more strenuous roles somewhat more easily & longer perhaps having a slightly more polished technique but even his instrument suffered in the long run. Pavarotti‘s early studio recording of L‘AMICO FRITZ is of comparable beauty with Carreras‘ early work & hearing these 2 LYRIC voices in their earlier years is a unique experience & unsurpassed to this day for their particular type of operatic tenors, IMO. But regarding Domingo, Pavarotti, & Carreras, the latters instrument has generally moved me the most emotionally & even in some of his later recordings & performances, where Carreras‘ range & lyric sonority are compromised, the magic of his interpretations sometimes still comes across.
In his prime, no other tenor could touch the beauty of his voice. Has always been one of my all time favorites!!
Young Carreras!!! What a lovely warm voice he had in those days.
He had the most beautiful tenor voice ever. Thank you for your list.
Voce morbida, vellutata, fraseggio elegante e raffinato, favoloso.
Audiences everywhere adored him - they knew magnificence when they heard it.
Carreras en esa época tenía una de las mejores voces de tenor lírico que he escuchado nunca
A inizio carriera Jose aveva una voce stupenda,vellutata,suadente,...non faceva fatica negli acuti...molto naturali....dopo la malattia..qualcosa purtroppo è cambiato......
*The sheer beauty of the voice is....my God!*
Marvelous Carreras! Such a beautiful voice!
A voice as beautiful and expressive as Josep Carreras does not come along very often - we should treasure all we can about the lovely man with the GLORIOUS voice ♥
Such a beautiful voice. We are so lucky that these early recordings of the young Carreras exist.
Absolutely! Angelic tenor!
magnifico .
La década de los 70´s vale para colocar a Carreras entre los 5 mejores de la historia.
Quando um dia José Carreras desaparecer , morrerá a matéria mas a sua alma ficará para sempre ligada à genialidade do seu canto único e inimitável. BRAVO!!!!!
Wow, magnificent.
mi unisco agli apprezzamenti meritatissmi e un grazie a chi mi ha cosentito di ascolatre questo brano
Bravissimo!
Immenso Carreras!
Absolutamente salvaje...quién hubiera podido ver eso en directo, en aquellos años!!! Grande Carreras!
Qué bella voz!!
beautiful
Maravillosa Voz !!!! *****
Perfetto
We love you CARRERAS
Inconmensurable!!!
Too bad that in those days there were no DVD's... the films are ok though. I wish there was a remasterized recording
La voz de gran belleza. Gracias por la grabación :-)
Perhaps Carreras had not quite yet developed the entirely equal technique of his other two tenor super tenors or the sensible career advice of some his conductors but for me he had the most beautiful natural vocal timbre of the 3. Two early live performances that I have of his (circa. 1976) L‘ELISIR D‘AMORE & I LOMBARDI from Covent Garden demonstrate the singular beauty of his instrument but beginning a year or so later he was starting to add a heavier repertoire & although the effects of this weren’t apparent immediately he might have waited a bit for his instrument to adapt to heavier roles. Pavarotti, who was, IMO, also a pure lyric tenor, was able to handle more strenuous roles somewhat more easily & longer perhaps having a slightly more polished technique but even his instrument suffered in the long run. Pavarotti‘s early studio recording of L‘AMICO FRITZ is of comparable beauty with Carreras‘ early work & hearing these 2 LYRIC voices in their earlier years is a unique experience & unsurpassed to this day for their particular type of operatic tenors, IMO. But regarding Domingo, Pavarotti, & Carreras, the latters instrument has generally moved me the most emotionally & even in some of his later recordings & performances, where Carreras‘ range & lyric sonority are compromised, the magic of his interpretations sometimes still comes across.
❤❤❤🎉🎉🎉😊😊😊❤❤❤😂😊
❤❤❤❤
FATELO ASCOLTARE AI DEMENTI DI SAN REMO....
Love this opera. I think the soprano is Ghena Dimitrova #slack more
never ever Dimitrova. this is a no voice soprano here, Dimitrovas voice is huge instead.
Dimitrova!?!? Hahaha!