Cavalleria rusticana FULL 1963 LIVE (audio + PHOTOS) Corelli Simionato Guelfi Gavazzeni + SUBTITLES
ฝัง
- เผยแพร่เมื่อ 15 มิ.ย. 2024
- 💖 Help us bring Corelli's art to new generations of opera-lovers by supporting the Franco Corelli Info Center: ko-fi.com/francocorelliinfo
A belated tribute for Il Supremo's 101st birthday (Franco Corelli was born April 8, 1921), and an early Easter treat.
With English subtitles and the original Italian text on screen.
Recorded at the Teatro alla Scala on 7 December 1963.
The 100+ photos illustrating the performance are the work of Scala's in-house photographer, Erio Piccagliani. (Some were taken during rehearsals, so the costumes/hair are different here and there.)
Pietro Mascagni: Cavalleria rusticana
Teatro alla Scala, December 7, 1963
~~~~~~~~~~~~~~~~~~~
Santuzza - Giulietta Simionato
Turiddu - Franco Corelli
Alfio - Gian Giacomo Guelfi
Lucia - Mariagrazia Allegri
Lola - Gabriella Carturan
Conductor: Gianandrea Gavazzeni
Chorus master: Roberto Benaglio
Stage director: Franco Enriquez
Scenography: Nicola Benois
Sketches and costume designs: Gianni Polidori and Anna Salvatore
Photos by Erio Piccagliani
Cavalleria rusticana (Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic verismo operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome.
Place: A 19th-century Sicilian village
Time: Easter morning
Before the action takes place, the young villager Turiddu returned from military service to find out that his fiancée Lola had married the carter Alfio while he was away. In revenge, Turiddu seduced Santuzza, a young woman in the village. As the opera begins, Lola, overcome by her jealousy of Santuzza, has begun an adulterous affair with Turiddu.
(Wikipedia)
Timestamps:
00:00 Introduction
02:34 "O Lola ch'ai di latti la cammisa..." (Turiddu)
10:31 "Gli aranci olezzano sui verdi margini..." (Chorus)
17:23 "Dite, mamma Lucia..." (Santuzza, Lucia)
19:59 "Il cavallo scalpita..." (Alfio, Chorus)
23:37 "Regina coeli...Inneggiamo, Il Signor non è morto" (Chorus, Santuzza)
30:53 "Voi lo sapete, o mamma..." (Santuzza)
36:46 "Tu qui, Santuzza..." (Turiddu, Santuzza, Lola)
48:48 "Oh, il Signore vi manda compar Alfio..." (Santuzza, Alfio)
54:15 Intermezzo
58:14 "A casa, a casa, amici..." (Chorus)
01:00:42 "Intanto amici, qua...Viva il vino spumeggiante..." (Turiddu, Lola, Chorus)
01:03:20 "A voi tutti salute!..." (Alfio, Turiddu)
01:06:15 "Lo so che il torto è mio..." (Turiddu, Alfio)
01:08:29 "Mamma, quel vino è generoso..." (Turiddu, Lucia)
01:12:16 "Turiddu?! Che vuoi dire?" (Lucia, Santuzza)
#francocorelli #giuliettasimionato #mascagni #giangiacomoguelfi #cavalleria #cavalleriarusticana #ilsupremo #lascala
_________________________________________________________________
This channel is an extension of the Facebook group of the same name, where we share original articles, interviews, useful and informative documents, links, resources about Franco Corelli's life, art, career, discography, technique, etc.
This channel serves non-profit, educational purposes only. - เพลง
Timestamps below - ! Before complaining about the ads: please note that TH-cam places them automatically, we do not have control over them, and we do not make any money from the channel.
💖 Help us bring Corelli's art to new generations of opera-lovers by supporting the Franco Corelli Info Center: ko-fi.com/francocorelliinfo
00:00 Introduction
02:34 "O Lola ch'ai di latti la cammisa..." (Turiddu)
10:31 "Gli aranci olezzano sui verdi margini..." (Chorus)
17:23 "Dite, mamma Lucia..." (Santuzza, Lucia)
19:59 "Il cavallo scalpita..." (Alfio, Chorus)
23:37 "Regina coeli...Inneggiamo, Il Signor non è morto" (Chorus, Santuzza)
30:53 "Voi lo sapete, o mamma..." (Santuzza)
36:46 "Tu qui, Santuzza..." (Turiddu, Santuzza, Lola)
48:48 "Oh, il Signore vi manda compar Alfio..." (Santuzza, Alfio)
54:15 Intermezzo
58:14 "A casa, a casa, amici..." (Chorus)
01:00:42 "Intanto amici, qua...Viva il vino spumeggiante..." (Turiddu, Lola, Chorus)
01:03:20 "A voi tutti salute!..." (Alfio, Turiddu)
01:06:15 "Lo so che il torto è mio..." (Turiddu, Alfio)
01:08:29 "Mamma, quel vino è generoso..." (Turiddu, Lucia)
01:12:16 "Turiddu?! Che vuoi dire?" (Lucia, Santuzza)
Sei.grande.
Grandissimo.
❤❤❤❤❤❤❤❤❤❤❤
1❤❤❤❤
9😅
q❤❤Ñ 66jjjjj6jj6j6j666666 0
Quanta emozione questo pubblico che esplode in un applauso scatenato e liberatorio … che fortuna hanno avuto!
A great classic performance- it must be said that there is something indefinable in having an all Italian cast in this opera- that sense of authenticity of it being the singer's native language. And great artists like this are a vanishing breed. With each generation we get further and further away from the world that created this work, and the artists necessary to inhabit it. Thank you for your work and posting it; it is brilliant!
FRANCO+ GIULIETTA+ MASCAGNI MEMORABILE ESECUZIONE. ❤❤
Meraviglioso ! Corelli.immemso giulietta grande guelfi perfido gavazzeni bravissimo purtoppo spettacoli non ne vedremo !! ❤❤❤❤❤❤
Exzellente Aufnahme. Traumhafte Besetzung, Corelli war und ist Turiddu. Ich habe die Cavalleria schon oft gesehen, aber Franco ist unübertroffen.
I can see it was recorded to commemorate Pietro's 100th birthday ,7th December 1863 ❤ My beloved Opera since early 70s❤ the only one I listen to every day🥰❤
Большое спасибо. У меня сложилась традиция по вечерам слушать Франко Корелли. Душа переполняется счастьем, покоем, наслаждением. Удивляюсь,почему раньше его не знала. Сейчас всем рассказываю и пересылаю. Большое спасибо.
Un grand artiste, une voix puissante au timbre unique, un physique de jeune premier et un formidable talent de comédien ont fait de Franco Corelli le ténor irremplaçable et irremplacé qu'il est toujours aujourd'hui. Giuletta Simionato est une bouleversante Santuzza, Guelfi un Alfio vindicatif impressionnant, toute la distribution est en tous points remarquable... La production avec ses décors et ses costumes sobres est également a souligner...Merci pour le partage de ce merveilleux document.
Una “ siciliana “ da brivido. Sentiremo ancora una simile struggente, potente, fantastica , emozionante interpretazione?…. Sì, basterà riascoltare FRANCO CORELLI.
IMPAREGGIABILE!
Secondo me è molto più bella quella di Domingo con alla direzione Giuseppe Sinopoli, ascoltala perché è bellissima
Ognuno è libero di apprezzare ciò che vuole. Buon ascolto con quella che preferisce
Magnífico. Hermosa versión. Voces impecables y excelente musicalidad. La orquesta perfecta.
Che dire... Se non ripetere a gran voce : meraviglioso Corelli!!!!! Da brividi!!!!!
Это совершенство!!! У меня просто не хватает слов
Edizione Scaligera eccezionale! Un Cast difficilmente superabile per intensità emotiva e per raffinatezza vocale e direzione musicale! Bravissimi tutti!
The greatest Tenor ever ever lived Grande Franco Corelli
Giorgio Vladi
Corelli has been lisping!
And he sung flat piano high tones!
Probablemente el mejor Turiddu y la mejor Santuzza que se hayan cantado en esta ópera.Corelli decía que esta ópera era su preferida.
That is absolutely a true statement, I read once that someone described his voice was like a magnet that drew people in
@@achmedmohamed4708So what??!!
Just listened to/watched this again. The opera is a masterpiece, and, in my opinion, just as Calaf belongs to Corelli, so does Turiddu. No one can touch him.
We can say that about most of his work - Tosca, Il Trovatore...It is impossible to hear and watch anyone else. He was a gorgeous man with the most extraordinary diamond in his throat. Nobody, in my personal view, has come close since.
@@PragueImportAgreed!! The most thrilling tenor I’ve heard in my 76 years.
Did you have a chance to see him live? Sadly, I am "too young" to have had that honor. @@gregsolovieff6711
Bellissime voci,celestiali,belle scenografie in bianco e nero,
sono una gioia per gli occhi e il cuore.
Questo è fantastico! Eravamo lì nell'epoca d'oro dell'opera a questo spettacolo di apertura alla Scala! Che cast!!! Corelli al suo meglio. Si identifica totalmente con il personaggio di Turiddu. All'inizio è leggero, giocoso nella voce, poi nel grande duetto è impaziente, teso, senza argomenti contro Santuzza... Poi, improvvisamente, il vento della morte lo colpisce, si rompe, il suo senso di responsabilità si infiamma e poi è addio...
Esther! Avete lavorato molto duramente, grazie. Abbiamo molto da voi!!!
Grazie , risentire il mio amato Corelli è una grande gioia per me
Grande GIULIETTA! Sempre nel mio cuore la tua dolcezza e bonta'
Bonjour merveilleux incomparable Mr Corelli ici très bien entouré oui pour moi le meilleur et une personnalité hors du commun face a Mme simionato éblouissante un grand plaisir bravo aux immortels merci a vous de nous les rendre le temps de ce beau partage merci a vous vraiment
When singers could sing! Incredible performances by these legendary artists. This is fantastic, all the work you have done to bring alive this sensational performance. The sound is excellent and seeing the images, along with the libretto, is so involving. I cannot thank you enough for this thrilling and moving experience!
Thanks a million for the upload with two sets of subtitles! I love your site and appreciate all you share with us. Franco Corelli sang before I walked and talked, so this is my only way to marvel at his glorious voice and beauty.
I knew Franco in New York City..he still is the true successor to Del Monaco! Bravissimo!
Thanks Franco Corelli Info Center for this really great performance! It allowed us to recover from a terrible production recently heard with very bad singers...
Идеальные Туридду и Сантуцца. Божественные, Богом поцелованные
Thank you for this gem. I love this opera (my first opera in my life, listened on radio with my mother when I was six years old), I love the cast, all superb, but Corelli is mine for ever. No need to say how excellent they are, but I have to mention the perfect staging and costumes, since this important part of operas don't exist any more with today's so called "progressive" directors, which serve the audience with ugly, sterile, without connections to the libretto staging and costumes. Everything is sad on the stage, and if we add the poor singing and acting, pretty soon the theaters will be empty. They must go back to traditional staging.
I sooo agree. Modern stagings are based on the mistaken assumption that these operas are already well-known and thus boring to everyone, so they need to be revamped to make them appealing to a "modern audience". In this way, modern productions manage to appeal to noone: those who love opera never tire of the beautiful and the authentic, and those who are new to it, nowadays have almost no chance of witnessing that real magic that could make them fans of the genre - through the experience of visual and vocal perfection.
I agree. I have lost count of how many times I’ve seen this opera, which is a great favourite of mine. This was a great production but I remember once seeing a version where Alfio the carter appeared on stage driving a posh car instead of his horse-drawn cart. There were other changes too. It quite spoilt it for me. This is happening all the time. Another example was the staging of Rigoletto in a Las Vegas casino!
Magnificent Corelli..thank you!
And so is Simionato
Guelfi, Gavazzeni- 👍👍👍👍👍👍👍👍👍👍👍👍👍👍
Grande Corelli.
Musica bellissima,voci indimenticabili.
Unico e indimenticabile
Да! На такие спектакли нужно было ходить! А сейчас - нужно слушать, чтобы иметь представление о том, какой должна быть опера. Замечательно!
MERAVIGLIOSO||
Bravissimo! Grazia!
Grazie infinite del meraviglioso regalo. Immenso Corelli!
Magnifico, un sogno grazie, grazie. Buon compleanno maestro Corelli!!!
Bravissimo, thank so mush!
On TH-cam there is a clip of a rehearsal of Corelli and Simionato in the scene where Santa begs Turiddu not to reject her. It becomes violent and it's quite brutal. Brilliantly done- of course!
here it is: th-cam.com/video/zIOJXCZxjPg/w-d-xo.html
Одна из самых любимых опер! Завидую тем, кто был в это время в зрительном зале. О таком составе можно только мечтать...
Я вас понимаю...
C Симионато есть и полное видео этой оперы. Но там другой состав.
Corelli and Simionato are excellent! I saw Franco sing this role in a new production at the Met with Tucker singing the Canio in Pagliacci.
Those performances from 1970 are now on TH-cam, both from February 7, 1970.
Oh, God, incredible! This is so beautiful!!
This performance was given on Mascagni's 100th birthday. After intermission, L' amico Fritz was performed with Mirella Freni and Gianni Raimondi.
Hello , it is absolutely wonderful that these recordings from so long
ago can be enjoyed in the World of today. Thank you. Valerie ♥️❤️❤️.
Magnifique ... je n'ai pas les mots ... merci.
Absolutely brilliant! Another masterful creation of yours enhancing the legacy of Franco Corelli. I’m really at a loss for words.
thank you dear
Spettacolo di sconvolgente partecipazione. Che voci e che interpretazione! Dà i brividi e ti lascia senza parole per la commozione e le immagini che accompagnano perfettamente l'azione tanto che ti sembra di essere lì
genial!
Magia assoluta, grazie Maestro!!!!!
Thank you very much for your efforts and devotion!
Maravilloso trabajo de montaje. Gracias por tanto esfuerzo!!!! casi como un video con los mejores de los mejores de todos los tiempos. Inolvidable.
Que maravilla,que regalo en este sábado de Gloria 2022 ❤️❤️❤️❤️❤️
❤❤😂❤❤❤❤❤❤😂
A real exciting performance & all 3 of the principals are totally suited to their roles. This is a particular good part for Guelfi & he repeated it successfully in the studio with Von Karajan a couple years later.
Stunning recording, beautiful presentation
Великолепное владение голосом ❤️
Grazie Grazie Grazie Grazie
For a moment I thought this was going to be live action. One of my favorite live recordings! Thanks for posting.
What a wonderful job you are doing. I am delighted. Everything is perfect here.
I can see you really put your heart into this channel.
Grazie mille Un bello recuerdo de Franco Correlli el mejor tenor de todos los tiempos
so good. my favorite opera
Grazie mille! Bellissimo! Le foto sono affascinanti!
Fantastico ! Grazie
Thank you Info. Centre! From a Corelli addict. So appreciate the supporting information, as so often there isn't even mention of the date & you have it where it should; in the title.
As you'll appreciate, opera singers are like fine wine, it's all about the year!
Стыдно такие вещи о Великих
wooooow se me pone la piel de gallina con Giuliettaaaa
Very helpful!
Fantastic! Great work. As close as we can get to having a video of the opera. Thank you, as ever !
Sehr schön gemacht. Grazie!
chef-d’œuvre
I'm happy to subscribe. Magnificent channel. Thank you.
Thank you!!!!!
Так спеть - и можно помереть!..
Симионато!!!
Wurde is in La Scala tatsaechlich SO gesungen? Kaum zu glauben!!!
А почему нет восторгов по Джульетте Симионато?
Красивейший голос, темпераментное исполнение, подстать Франко Корелли
И очень красивый тембр!!!
И Гуэльфи очень хорош. Корелли, кстати, очень любил с ним вместе выступать. Он был один из немногих коллег, которому Корелли на сцене мог посмотреть в глаза.
Корелли - нарцисс. С его ростом выступать в туфлях с высоким каблуком - это совсем не комильфо.
Вокал Симионато для любителей чистого искусства, а не стаи глоров, которые будут превозносить своего кумира по поводу и без.
В конкретной постановке она перепела Корелли по всем возможным параметрам несмотря на очевидную разницу в возрасте. У 53-летней меццо (партия Сантуцци изначально написана для сопрано - молодой дамы) и техника получше, и дыхание поровнее, и интонация более подходящая и в ноты (по высоте и в такт музыке) она также попадает более четко.
@@andreycassiber3703 And it seemingly tortures your mind that a singer is receiving praise on a channel that is dedicated to him. 😂
You can always spent your time far more productively, by posting your own videos about Simionato, you can even cut out all of the pesky co-stars, and then it wouldn’t be necessary for you to project your own psychopathies unto others.
@@andreycassiber3703если вам не нравится нарцисс Корелли, зачем тогда вы здесь? Обратила внимание на ваш комментарий на другом канале, где вы также нелестно отзываетесь об этом невероятном, очень талантливом артисте. Не любите, но слушаете. Мазохизм какой-то.
Привет! Посублимируем вместе весну??? 5 минут и она всю ночь будет крутиться у вас в голове,🌸🌿🌸🥰🎹
❤
Perché non lodare anche il grande m° Gavazzeni?
La cavalleria del secolo!
Great!
Only a question, did Corelli sing Otello?, because I am seeking this opera, but I can not find it.
Unfortunately, he never sang Otello. Only a few excerpts show what he would have sounded like in the role: 'Esultate' (audio 1957) th-cam.com/video/DRPKaPFLo04/w-d-xo.html ; Act 1 duet (1972) th-cam.com/video/XHQl7H-jxMg/w-d-xo.html ; 'Niun mi tema' (1981) th-cam.com/video/k69tQei9waE/w-d-xo.html
@@FrancoCorelliInfoCenter oh thank you
Certo spettacoli cosi non ci stanno più.
CAVALLERIA RUSTICANA - Io trovo che il grande Corelli abbia un viso troppo nobile per cantare il ruolo di TURIDDU!
Però è fantastico. È un Turiddu speciale .....bellissimo!!!!! Con una voce da mille e una notte!!!!
The Godfather Part 3 brought me here
My Hero Academia fan5o: He made you a deal you couldn’t refuse? In GODFATHER 3 the family goes to a performance of this opera while a series of murders (what else!) are being committed. But your stupid point is that the GODFATHER 3 brought you here, is he taking you back?
El mejor Tenor de todos los tiempos y su potencia una bendición que Dios le dió.
Solo Jonas Kaufmann alcanzó esa potencia.
E Mario del Monaco?????????
And Luciano Pavarotti and Plácido Domingo and Juan Diego Flórez the Rossini tenor very smart voice 🎶😍🎶
Kaufmann lasciamolo stare... Non è all'altezza di nulla verso Corelli. Potenza, tecnica, flessibilità, morbidezza e pathos... Non paragoniamo l'ottone al bronzo dorato
Ф. Корелли неземное счастье слушать его вокал.Ему нет равных.
Ha dicho usted una gran verdad...... junto a una gran tontería
Is Santuzza not a soprano role? Was this an unusual casting?
Yes, it is a dramatic soprano role but many mezzos with an extended upper range can sing it and Simionato was one of the most talented mezzos of the last century. Her Decca recording i as very good if only Mario Del Monaco had emphasized the more lyrical aspects, but she is excellent.
@@johnpickford4222 Thank you for your kind reply. If I am not mistaken, Del Monaco had a vocal ability of loud and louder. But, at least everyone in the theater got their money's worth of glorious sound.
@@DCFunBud Dear DCF, there are many examples here on You Tube of MDM singing with nuance. However, it was NOT a strength of his and he abandoned it, after his 1963 almost fatal car accident, except for the Otello arias. Surprisingly, Corelli also had more than his share of poor critical reviews from his Met performances, stating that he sang in poor taste to the rafters, and was a force onto himself, holding on to high notes forever. However, Corelli with his warm sounding voice and complete vocal arsenal was very popular with the public and was known as Prince of Tenors, and Mr. Soldout during his 15 years at the Met. The critics never criticized his great voice, but the manner in which he sang.
Però Guelfi e così così!