In a time when companies need, perhaps more than ever, to be budget conscious, Opéra de Lille show, that by concentrating on the performance and performers rather than extravagant sets and costumes, it can be possible to have an entirely satisfying and enjoyable production, perhaps depending on the work. Consequently, here we have a production with a great cast (under great direction, dramatically and musically) to satisfy most viewers - and let me know if there has ever been a production of an opera or operetta, that satisfies all viewers - without costing a small fortune. Congratulations to all, and, thank you.
This is a great production. The sets were excellent, and showed how a minimalist and stylized look can enhance and not diminish the action. And I doubt whether this approach was much cheaper than a traditional period set, since much technical ingenuity was involved.
idk about you. everytime i hear dr blind's list at 19:19, i have to giggle. one of best musical jokes in opera. plus i like this french translation. i want to see a traditional french fledermaus
Fledermaus is a refreshing drink of champagne, and Opéra de Lille offers an engaging adaptation, moulding it adroitly around French. Some subtle and not so subtle differences from Deutsch.
Excellent voices. I am particularly pleased to hear a full voiced Adele as opposed to the usual canaries. I did not miss the sets. This is far better than pornographic efforts we are being subjected to on a regular basis. I am however, a bit weary of Camille Schnoor's repeated genuflexion. If it is just a mannerism, she uses it excessively. if, however, she requires it to assist with voice production or projection, it may indicate problems with technique.
And don't forget Italian! At least two different productions of "Il Pipistrello" from Ferrara and Bologna have popped up on TH-cam in the last few years.
All of the cast and orchestra performed superbly but were let down by the lack of scenery! Also the lighting in parts was poor leaving areas of active stage in shadow, the follow spots could have helped out.
@@СергейРудой-ч6кпо мне так кошмар. И постановка убогая, и вокал такой же. Адель ещё ничего на фоне остальных. Крикливые верхушки, но у Розалинды / Каролина и того нет. Чардаш никуда не годился.
@@ТатьянаДанилова-э7ы Согласна. Затхлая провинциальность, на мой взгляд. С танцами беда, актерская игра примитивная. Балаганная версия классического произведения.
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In a time when companies need, perhaps more than ever, to be budget conscious, Opéra de Lille show, that by concentrating on the performance and performers rather than extravagant sets and costumes, it can be possible to have an entirely satisfying and enjoyable production, perhaps depending on the work. Consequently, here we have a production with a great cast (under great direction, dramatically and musically) to satisfy most viewers - and let me know if there has ever been a production of an opera or operetta, that satisfies all viewers - without costing a small fortune. Congratulations to all, and, thank you.
Well said. I agree 100%
A delightful production of possibly the most charming theatre piece ever written. A special treat to hear it sung in French. Bravo to all involved.
Armselig ...
Chapeau! Une belle mise en scene qui raconte l'histoire de La Chauve Souris parfaitement . Une belle distribution , excellent chef et orchestre.
This is a great production. The sets were excellent, and showed how a minimalist and stylized look can enhance and not diminish the action. And I doubt whether this approach was much cheaper than a traditional period set, since much technical ingenuity was involved.
For anyone else looking for “Mein Herr Marquis”/“Mon Cher Marquis,” it begins at 57:50. Enjoy!
Thank you Opera de Lille and Operavision,
Bravo chorus, conductor and orchestra, and watch...
Magnifique - grand merci a tous!
Excelente versión.
idk about you. everytime i hear dr blind's list at 19:19, i have to giggle. one of best musical jokes in opera. plus i like this french translation. i want to see a traditional french fledermaus
Fledermaus is a refreshing drink of champagne, and Opéra de Lille offers an engaging adaptation, moulding it adroitly around French. Some subtle and not so subtle differences from Deutsch.
Bravo🎉
Excellent voices. I am particularly pleased to hear a full voiced Adele as opposed to the usual canaries. I did not miss the sets. This is far better than pornographic efforts we are being subjected to on a regular basis. I am however, a bit weary of Camille Schnoor's repeated genuflexion. If it is just a mannerism, she uses it excessively. if, however, she requires it to assist with voice production or projection, it may indicate problems with technique.
Viva el arte !
BRAVISSIMO A TUTTI !
Chapeau à celui qui a traduit le texte de cette opérette.
Very good cast. It is such a pain to learn it in French, then have to learn it again in German or perhaps English 😢
They're all nearly fluent in each, so not really
And don't forget Italian! At least two different productions of "Il Pipistrello" from Ferrara and Bologna have popped up on TH-cam in the last few years.
Super
cudne!❤
First time in French for me. Not bad at all.
GREAT IN FRENCH, rather than German, and this is a great performance, thank you
Original theater play was French! A parisian "vaudeville"
Чудово!
❤❤❤👏👏👏🌹🌹🌹
❤️🇱🇨!!!
Классное исполнение,постановка так себе , сценография на 0.
🎉❤
All of the cast and orchestra performed superbly but were let down by the lack of scenery! Also the lighting in parts was poor leaving areas of active stage in shadow, the follow spots could have helped out.
Were we let down by the lack of scenery at Bayreuth after the war? Use your imagination.
Зачем Розалинда постоянно отклячивала зад?
Lee Paul Rodriguez Donna Taylor William
0568 Eloisa Place
Were they not allocated funds for costumes?
What do you mean? Is there something wrong with them?
Didn't they have to perform in their own? Then, of course.
@@СергейРудой-ч6кпо мне так кошмар. И постановка убогая, и вокал такой же. Адель ещё ничего на фоне остальных. Крикливые верхушки, но у Розалинды / Каролина и того нет. Чардаш никуда не годился.
@@ТатьянаДанилова-э7ы Согласна. Затхлая провинциальность, на мой взгляд. С танцами беда, актерская игра примитивная. Балаганная версия классического произведения.
La mise en scène est décevante, il eciste une autre version en français bien meilleure de ce point de vue.
Nothing can ruin Strauss's music, not even such an ugly, cheap production.
Not even such an ugly, cheap comment.
I doubt it was cheap with all the special effects we weren't supposed to notice, though I agree with the ugly.
Bravo 🎉