I appreciate you so much for just being like “here’s what it is,” instead of “here’s why you need it,” or worse, “here’s why you’re in trouble if you don’t use it.”
Of course! I'll share my opinions and test results but won't push anyone if they need it or not. Ultimately, someone knows what they need better than anyone else but themselves.
I don't have a strong lighting kit for now, all I use are some RGB led lights in a pocket size but this one you show is kinda great, will wait to see something with more power since I wanna make short films.
Yep! The 2 60s are in the little pockets (cob faced down) I unscrew the side (handles?) to fit them in the little pockets on one side. Then I put the rest inside with the projector. It’s a tight fit but if you shuffle things around you’ll see there’s enough space for everything without it being squished
Could I use this as a bi-color light as well? What I mean by that is, would it provide me the cool and warm white light that bi-color light provides? I'd like to have an all-in-one light that can let me shoot with RGB, but also white light should I need a more traditionally-lit shoot.
u re not supposed to use projectors with a pixel light mix, only COB. look at ur cut it s not clean it has shadow dark perimeter with different colors,
Hey brother! On 3:56 how did you organize the side bar to be like that? Is there a video on it? Would love to have it organized like that!!!! Looks super helpful and productive :) Great video btw!
I went through my notion setup in one video yes! The side bar was only just new pages. I think I set it up using Ali abdal’s methods mixed with Ryan Kao’s !
Awesome, I was thinking about picking one of these up, but also trying to decide whether to go with the bigger spot mount from Godox, Which has better reviews than Aputure, for my Nanlite 300B's which seems more powerful if needed and probably a better investment at the moment. I hope Nanlite makes the C models in the 300 models, I feel 60 is going to be a little to weak for my work. But you made them look great. I would love to try your LUT's someday. Maybe I have a chance at winning them...
I like how Nanlite's are always stronger than the Aputure products. The Godox mount I've heard good things but I personally haven't used it so I can't say much. 60C's are okay for small stuff but fighting the outdoor lighting was already at 100% and it was super close to me. I'd probably hold off when they release the 300C or 500C... maybe even 720C.... that would be nice! Good luck on the LUT pack too dude. Planning to have more chances on giving it away this year.
all your videos i have watched all of them are amazing and you are so handsome you have helped me a lot more knowledgeable about video production. But I have a question to ask you, I'm a perfume reviewer. I already have a 60x amaran light, do I need to add Forza 60C and Forza PJ-FZ60 to create a backlit effect or what can I do with this 2nd light to make the video more vivid and beautiful? . I am currently using daylight as my main light!
Thank you so much!! Can you send me a reference shot of the look you're trying to achieve so I can give a more accurate suggestion? The projector just gives you a better way to shape the light but there are other ways as well
I have two of those Neewer LED panel lights, but the majority of content I shoot is in a big warehouse style gym with house lights on, so I don't have a ton of control over the lighting. They usually just want me to get as much content in as short a time as possible, so I've been wanting a solid light to add some backlight or key for dimension to my subjects, but it has to be mobile and easy to use to be constantly moved around quickly in tight spaces. Occasionally I'll also get shoots that are slower paced and more time to light, but that's definitely the minority. Do you think this light would be strong enough to add some dimension even in an uncontrolled lighting environment, but also versatile for multiple different types of projects?
I think the 60 packs a punch if there's no competing lights with it. You can easily swing a two person interview (set size) if all the lights are controlled with the 60Cs.. uncontrolled setting though might be tough. The projector concentrates the light in thus is more powerful. It would be a great versatile combo for everything else but key lighting in controlled environments. I'd hold off for the Forza 300C or 500C whenever they release it. I'm hoping it's this year!
@@VictorLaforteza Thanks for the response, that's what I thought. I've held off on investing too much in lights because of the projects I shoot but I really want to eventually get more experience shaping light for possible opportunities in the future.
I have some Daylight and some RGB. Nanlite products and Amaran/Aputure. I have a question about the Forza 60C tho.... Does it suffer from the hue shift when dimming the light. There's a video I made on the Pavotube 6C and Litolite 5C. It's called Nanlite RGB Issues. Basically I have noticed a trend in my Nanlite RGB products where hue 01 which should be red, will display as lime green when dimmed to like less than 20%... And another flaw was the desaturation has massive color loss when at low dim setting as well. In short the Nanlite RGB lights I own don't function well when set to low dim settings. I'm wondering if you'd mind testing your Forza 60C to see if it has similar issues as the Pavotubes. No worries if not! Thanks anyway!
@@VictorLaforteza If it's helpful to see how I was testing the lights. You're welcome to skim the video I made, but I have no desire to take up your time. I'm simply curious if the bigger nanlites have similar issues as the smaller ones.
@@joshuaaldy okay so I’ve gone through most colours and everything was accurately dimming on CCT mode and HSI mode but the cyan / or blue green had some issues at 3% and lower. It became green prominent. Overall though I’m very impressed on how it handled colours all throughout 0-100%
SUPER CLOSE DUDE!!! Thank you so much for the kind comment. I appreciate you! 🙏🏼 if you have any questions about filmmaking / camera stuff, feel free to message on IG
@@VictorLaforteza Thanks for your reply, I just finished watching the video cuz I was busy hehe I agree totally with you, knowing how to shape & bounce light its more important than the camera, and also changing your fixtures to RGB its great cuz' I reckon is more challenging due to the mix of colors, contrast and the mood you want on the shoot, it open the window to more creativity y though. I'm currently using an aputure 200x, I also want to change to RGB but first I want to be as badass as you when shaping light 😂💪
@@VictorLaforteza is your email located somewhere on your TH-cam page? I only have three questions. Everything else you articulated very well in the video!
Anyone else want some rice crisps? It's cheddar cheese 🧀
I appreciate you so much for just being like “here’s what it is,” instead of “here’s why you need it,” or worse, “here’s why you’re in trouble if you don’t use it.”
Of course! I'll share my opinions and test results but won't push anyone if they need it or not. Ultimately, someone knows what they need better than anyone else but themselves.
I don't have a strong lighting kit for now, all I use are some RGB led lights in a pocket size but this one you show is kinda great, will wait to see something with more power since I wanna make short films.
WHAT FONT IS THAT
I saw both of your reviews for Forza 60C and PavoSlim 120C. Which one would you recommend for the same content you do, TH-cam + Product Reviews?
Yeah! Easy setup and takes up minimal space. Great for TH-cam
Could you give me more details on packing 2 60s in a single projector mount case?
Yep! The 2 60s are in the little pockets (cob faced down) I unscrew the side (handles?) to fit them in the little pockets on one side. Then I put the rest inside with the projector. It’s a tight fit but if you shuffle things around you’ll see there’s enough space for everything without it being squished
Currently don’t have any lights that I own, I have used bi-color panels in the past but they’re not very powerful
I've been bicolor for a while but always been curious to try RGB.
daylight at the moment. Hopefully id be getting some new lights soon
Could I use this as a bi-color light as well? What I mean by that is, would it provide me the cool and warm white light that bi-color light provides? I'd like to have an all-in-one light that can let me shoot with RGB, but also white light should I need a more traditionally-lit shoot.
Yup! it has everything that a bi-color light does (1800k to 20,000k) + the RGB
@@VictorLaforteza Amazing! Thanks for the response and clarification!
u re not supposed to use projectors with a pixel light mix, only COB. look at ur cut it s not clean it has shadow dark perimeter with different colors,
Well tell that to nanlite cuz they specifically made the this projector for the forza 60 line.
forza 60 COB not Color. @@VictorLaforteza
Thanks for sharing~
I’ll take 4 @nanlite
Give this man his lights!!!
All your videos are really amazing.. colors, editing, everything man! Great job again! Not currently using any light.. still planning..
Such a sweet light. The projection mount with it is clutch too. Also, had to circle back to show my appreciation for you mic mount.
Lol inspired by your Frankenstein mic mount!!
@@VictorLaforteza 😂 I bought a boom arm because I had nightmares from that rig lol
epic
thank you dude!!
Do you think one should buy the forza 60c or an amaran 150c + a tube light ?
Depends on what you need but I like the 60c because of the RGBLAC more accurate colours! Amaran and a tube light is versatile tho
@@VictorLaforteza i need it as a keylight for food videos and interviews 😁
@@AdamInside you'd be better off with two lights for versatility!
Amazing intro man! and a great video with a truthful message at the end!! 🙌🏼🙌🏼🙌🏼
Hey brother! On 3:56 how did you organize the side bar to be like that? Is there a video on it? Would love to have it organized like that!!!! Looks super helpful and productive :) Great video btw!
I went through my notion setup in one video yes! The side bar was only just new pages. I think I set it up using Ali abdal’s methods mixed with Ryan Kao’s !
@@VictorLaforteza Ahhh you're the best! Thank you so much man! Keep up the great work :)
Awesome, I was thinking about picking one of these up, but also trying to decide whether to go with the bigger spot mount from Godox, Which has better reviews than Aputure, for my Nanlite 300B's which seems more powerful if needed and probably a better investment at the moment. I hope Nanlite makes the C models in the 300 models, I feel 60 is going to be a little to weak for my work. But you made them look great. I would love to try your LUT's someday. Maybe I have a chance at winning them...
I like how Nanlite's are always stronger than the Aputure products. The Godox mount I've heard good things but I personally haven't used it so I can't say much. 60C's are okay for small stuff but fighting the outdoor lighting was already at 100% and it was super close to me. I'd probably hold off when they release the 300C or 500C... maybe even 720C.... that would be nice! Good luck on the LUT pack too dude. Planning to have more chances on giving it away this year.
all your videos i have watched all of them are amazing and you are so handsome you have helped me a lot more knowledgeable about video production. But I have a question to ask you, I'm a perfume reviewer. I already have a 60x amaran light, do I need to add Forza 60C and Forza PJ-FZ60 to create a backlit effect or what can I do with this 2nd light to make the video more vivid and beautiful? . I am currently using daylight as my main light!
Thank you so much!! Can you send me a reference shot of the look you're trying to achieve so I can give a more accurate suggestion? The projector just gives you a better way to shape the light but there are other ways as well
@@VictorLaforteza
Thank you very much Victor I have emailed you. Wish you quickly reach 100,000 subscribers
those beauty shots are yours? where we can see whole video, amazing
Yup! You can see them on Instagram @maccosmesticstaiwan
I have two of those Neewer LED panel lights, but the majority of content I shoot is in a big warehouse style gym with house lights on, so I don't have a ton of control over the lighting. They usually just want me to get as much content in as short a time as possible, so I've been wanting a solid light to add some backlight or key for dimension to my subjects, but it has to be mobile and easy to use to be constantly moved around quickly in tight spaces. Occasionally I'll also get shoots that are slower paced and more time to light, but that's definitely the minority. Do you think this light would be strong enough to add some dimension even in an uncontrolled lighting environment, but also versatile for multiple different types of projects?
I think the 60 packs a punch if there's no competing lights with it. You can easily swing a two person interview (set size) if all the lights are controlled with the 60Cs.. uncontrolled setting though might be tough. The projector concentrates the light in thus is more powerful. It would be a great versatile combo for everything else but key lighting in controlled environments. I'd hold off for the Forza 300C or 500C whenever they release it. I'm hoping it's this year!
@@VictorLaforteza Thanks for the response, that's what I thought. I've held off on investing too much in lights because of the projects I shoot but I really want to eventually get more experience shaping light for possible opportunities in the future.
Love from kashmir sir ❤️
Sending some love back! Hope to visit India at some point!!
@@VictorLaforteza ur welcomed sir when you come here tell me
Your Light leak transition is awesome. Do you have any tutorial about this transition?
No tutorial :( but its just a film burn placed as an overlay :)
Man you’re becoming my favorite creator lately lol 😊
I appreciate that coming from another creator, Mikey!! 🙏🏼
I have some Daylight and some RGB. Nanlite products and Amaran/Aputure. I have a question about the Forza 60C tho.... Does it suffer from the hue shift when dimming the light. There's a video I made on the Pavotube 6C and Litolite 5C. It's called Nanlite RGB Issues. Basically I have noticed a trend in my Nanlite RGB products where hue 01 which should be red, will display as lime green when dimmed to like less than 20%... And another flaw was the desaturation has massive color loss when at low dim setting as well. In short the Nanlite RGB lights I own don't function well when set to low dim settings. I'm wondering if you'd mind testing your Forza 60C to see if it has similar issues as the Pavotubes. No worries if not! Thanks anyway!
Of course dude!! I’ll test it out when I get home tonight. Thanks for asking, totally forgot about testing that out! Will report back soon.
@@VictorLaforteza Sweet man!! Can't wait to hear what you think.
@@VictorLaforteza If it's helpful to see how I was testing the lights. You're welcome to skim the video I made, but I have no desire to take up your time. I'm simply curious if the bigger nanlites have similar issues as the smaller ones.
@@joshuaaldy okay so I’ve gone through most colours and everything was accurately dimming on CCT mode and HSI mode but the cyan / or blue green had some issues at 3% and lower. It became green prominent. Overall though I’m very impressed on how it handled colours all throughout 0-100%
@@VictorLaforteza Ok! That's good to know! I appreciate you testing it out. Also I really enjoy your channel!
First comment, my dream became true 😂
Love your videos Victor, you're an inspiration for me :D
ok, someone wrote faster than me 🫠😂
SUPER CLOSE DUDE!!! Thank you so much for the kind comment. I appreciate you! 🙏🏼 if you have any questions about filmmaking / camera stuff, feel free to message on IG
@@VictorLaforteza Thanks for your reply, I just finished watching the video cuz I was busy hehe
I agree totally with you, knowing how to shape & bounce light its more important than the camera, and also changing your fixtures to RGB its great cuz' I reckon is more challenging due to the mix of colors, contrast and the mood you want on the shoot, it open the window to more creativity y though.
I'm currently using an aputure 200x, I also want to change to RGB but first I want to be as badass as you when shaping light 😂💪
Great video! I might have to swap my aputure LS 60x for these! 😎
Thanks dude! Yeah, it gives you better flexibility! If you have any questions with it, feel free to ask :)
@@VictorLaforteza is your email located somewhere on your TH-cam page? I only have three questions. Everything else you articulated very well in the video!
@@BeyondtheMovingPictureStudios victorlaforteza.yt@gmail.com :)
Loving the new setup 👀
Thank you my dude!! 🙏🏽
I love your lighting videos
Thank you brother! Glad you enjoy them 🙌🏽