M.D Ramanathan-Giripai-Sahana

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  • เผยแพร่เมื่อ 6 ก.ย. 2024

ความคิดเห็น • 42

  • @swathisivaraman5973
    @swathisivaraman5973 9 ปีที่แล้ว +22

    The greatest classical musician. You cannot see the sruti miss a milimeter. Such perfection. No musician can sing in mantara stayi with full of devotion and life like him. We senior citizens miss him. His sahana and rithigowla were exemplary. V. S . Sivaraman. Hyderabad

    • @nzpers
      @nzpers 8 ปีที่แล้ว +2

      +Swathi Sivaraman You said it!

    • @vaidyanathanbalasubramania3292
      @vaidyanathanbalasubramania3292 5 ปีที่แล้ว +2

      Well said. Very apt

    • @vikasmaitreya1562
      @vikasmaitreya1562 4 ปีที่แล้ว +5

      You're being unfair Swathi Ji!
      The youth misses him too!! I don't belong to his era, but what wouldn't I give to attend this great man's live concert!!
      I can't say how much I miss him too!!

    • @jayadevanpc2732
      @jayadevanpc2732 3 ปีที่แล้ว

      The youth like me miss him more badly.. we only hear his voice.. such a magnificent singer.. oh god

  • @srinivasanrangarajan6510
    @srinivasanrangarajan6510 4 หลายเดือนก่อน

    No substitute for vidwan MDR highest quality standards of excellence in raga presentation in DEPTH superb Sruthi.

  • @srinivasanrangarajan6510
    @srinivasanrangarajan6510 4 หลายเดือนก่อน +1

    Unfortunately the Genius has not been recognised in his period by the Music Academy. But he never ever expected any recommendations or recognition

  • @shankararamantk2181
    @shankararamantk2181 5 ปีที่แล้ว +8

    He does magic at 7.26 None of the musicians except a handful can sustain at such a low octave. Truly great. Hats off to this great legendary traditional carnatic icon who could simply travel through the ranges of sruti and reach and sustain "keezh SA" with all the ease and sweetness.

    • @sreekumar2857
      @sreekumar2857 4 ปีที่แล้ว

      👏👏👏👏👏👍👍👍👍

  • @srinivasanrangarajan6510
    @srinivasanrangarajan6510 4 หลายเดือนก่อน

    With most difficult hardwork he achieved this level.

  • @t.l.ravilaxminarayan7523
    @t.l.ravilaxminarayan7523 3 ปีที่แล้ว +1

    M.D.R's rendering of Tyagaraja's Giripai -in sahana ,his speciality.steeped in bhaavam as ever . in his resonating base voice . full of bhakthi ..

  • @Angarayan
    @Angarayan 7 ปีที่แล้ว +3

    Oh my God! What a bliss! I float joyfully with the winds of Sahana. Countless thanks for posting this delight.

  • @padmakumar6081
    @padmakumar6081 7 ปีที่แล้ว +3

    His aalapan elevates us from the wordly life . It is because when he sings his 'he' disappears.that is what means spiritual

  • @alappuzhajayaram8259
    @alappuzhajayaram8259 ปีที่แล้ว

    As if an expert Fisher dives deep to capture big fishes MDR plunches into abysmal depths , of the NATHABRAHMAM and appears with precious pearls-the dazzling gems of melodic perfection....Such flowers are rarely born

  • @sadanandanchettiyar725
    @sadanandanchettiyar725 4 ปีที่แล้ว +1

    It's a bliss to hear his Shahana and Giripai. A legend indeed.

  • @bharathysubramanian1943
    @bharathysubramanian1943 3 ปีที่แล้ว +1

    First I wish to appreciate the pencil sketch drawn above. It is beautiful. ‘Thathroopam’. He is a great Viththuwan. Enjoyable to hear this krithi rendered in slow pace. VaazhththukkaL. - “Manian.”

  • @9342528415
    @9342528415 2 ปีที่แล้ว

    MDR's Giripai beautiful rendition of Tyagaraja kruthi is exemplary and rejoiced till date and music 🎶 loving students can learn from his lovely songs and research and redesign their Music career for all time :Chepur Subbarayappa and.S.Narasimha Moorthy (Senior) and Ramesh Sharma Family members Bangalore 10/7/22 👍

  • @boratbear
    @boratbear 5 ปีที่แล้ว +3

    Simply divine....
    accompaniments are TN Krishnan and Palakad Raghu.
    (I'm not sure who is playing Kanjira.)

  • @rajamaninv3093
    @rajamaninv3093 3 ปีที่แล้ว

    What a great sahana. Full of bliss. No match for his rendering.

  • @n.krishnarao2128
    @n.krishnarao2128 7 ปีที่แล้ว +4

    after listening his Sahana I was dragged towards it.

  • @drravikumarsankunnynair5329
    @drravikumarsankunnynair5329 3 ปีที่แล้ว

    Pure Bliss.
    No word can describe the feeling of this Sahana

  • @nagarajankrishnamoorti8745
    @nagarajankrishnamoorti8745 3 ปีที่แล้ว

    The uploads in the youtube and the comments help appreciate the best music.

  • @BharatcastYourself
    @BharatcastYourself 5 ปีที่แล้ว +1

    Goddamn, who be killing that violin solo?!

    • @seneinstein
      @seneinstein 5 ปีที่แล้ว +1

      Might be TN Krishnan, judging by the style

  • @actoramana6720
    @actoramana6720 ปีที่แล้ว

    Really superb melody 🙏🙏🙏

  • @nzpers
    @nzpers 8 ปีที่แล้ว +4

    a masterpiece!

  • @smartdalton
    @smartdalton 3 ปีที่แล้ว

    Epic. This is a masterpiece in krithi singing.

  • @gauthamkrishnan5922
    @gauthamkrishnan5922 4 ปีที่แล้ว +3

    Giripai = Sri MDR ❤️🙏

  • @santhoshkumar6008
    @santhoshkumar6008 4 ปีที่แล้ว +1

    Musician of Musicians

  • @jabill55
    @jabill55 6 ปีที่แล้ว +1

    This Kriti was originally composed in Telugu. Other languages are for your convenience
    TELUGUTAMILKANNADADEVANAGARIENGLISHMEANING
    Pallavi
    గిరి పై నెలకొన్న రాముని
    గురి తప్పక కంటి
    Anupallavi
    పరివారులు విరి సురటులచే
    నిలబడి విసరుచు కొసరుచు సేవింపగ (గిరి)
    Charanam
    పులకాంకితుడై ఆనన్ద్-
    ఆశ్రువుల నింపుచు మాటలాడ వలెనని
    కలవరించ కని పది పూటల పై
    కాచెదనను త్యాగరాజ వినుతుని (గిరి)
    . Hi

  • @meghalnair3892
    @meghalnair3892 9 ปีที่แล้ว +4

    young generation missed the greatest music legend

    • @RaviShankar-oh4yd
      @RaviShankar-oh4yd 4 ปีที่แล้ว +1

      Pure and sublime. Put me in a trance

    • @sadasivan.m.vnamboothiri8154
      @sadasivan.m.vnamboothiri8154 3 ปีที่แล้ว

      I daren't make a comment. My language is too inadequate! I can only admit that he has lifted me to the higest level of enjoying a classical piece of music !!!

  • @mysuruvasudevacharya
    @mysuruvasudevacharya 6 ปีที่แล้ว +1

    Lovely masterpied Rendition of MDR Mama ! Giripai nelakonna Ragam Sahana Adi Talam Thyagarajar Krithi
    This Keertana tells that Bhadrachala Rama appeared in the dream of Tyagaraja in all splendor and promised to bestow him salvation in ten days.Rather SrI tyAgarAja states that he beheld the Lord.
    P giripai nela konna rAmuni guri tappaka ganTi bhadra ||
    I saw Rama, who settled on Bhadragiri, very clearly.
    AP pari vArulu viri suraTula chE nila
    baDi visaruchu kosaruchu sEvimpaga ||
    His devotees were standing and serving him, waving floral fans.
    C pula kankituDai yAnandASru
    vula nimpuchu mATa lADa valenani
    kaluvarincha gani padi pooTala pai
    gAcheda nanu tyAgarAja vinutuni ||
    His devotees were standing and serving him, waving floral fans.
    Gist :- I unerringly beheld Lord Sri rAma - praised by this tyAgarAja - established on the hill as His retinue were worshipping Him standing with fans made of flowers, fanning and praying.
    Finding me in a state of horripilation, eyes brimming with tears of joy and babbling ‘I wanted to talk (to You)’, He said ‘I shall take care of You after ten days (or day and nights)’.
    Comments -
    padi pUTala - generally 'pUTa' means 'a part of the day'; it may also mean 'a day'. Therefore ‘padi pUTa’ may mean five days (as given in one of the books) if each daytime or night time is taken as one pUTa; it may mean ten days also. However, in the absence of any other suggestive information, it has been translated as ‘ten days’.
    The word 'pUTa' seems to have been derived from Sanskrit word 'pUsha' (tamizh 'pUTan') - one of the twelve Adityas. Similarly, the tamizh word 'pagal' (telugu 'pagalu') meaning 'day' seems to have been derived from 'bhaga' - one of twelve Adityas. Details of Twelve Adityas.
    General - This kRti seems to precede what is stated in the kRti ‘paritApamu kani’; in that kRti, SrI tyAgarAja asks the Lord whether He has forgotten about His promise to protect him after 10 days. However, there is a contradiction in the scenery described in the kRtis; while the current kRti refers to 'suvEla mountain', in the 'paritApamu kani', the scenery referred is a 'boat ride along with sIta in sarayu river'. In both cases, the period referred is 'padi pUTalu' - ten (or five) days.

  • @kraghuraman8439
    @kraghuraman8439 3 ปีที่แล้ว

    Simply superb.

  • @kavyabharat4157
    @kavyabharat4157 3 ปีที่แล้ว

    Heaven on earth:)

  • @Lavannyabr7
    @Lavannyabr7 5 ปีที่แล้ว

    Gurubhoyan namaha.

  • @nandakishoreas
    @nandakishoreas 3 ปีที่แล้ว

    Great....

  • @mnjraman
    @mnjraman 4 ปีที่แล้ว

    Distortion starts around 28-:-35! Where is the complete recording (without any distortion) located?

  • @krishnakanth4962
    @krishnakanth4962 6 ปีที่แล้ว

    😍