Heavy Blues Groove Guitar Backing Track in A Major
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- เผยแพร่เมื่อ 25 เม.ย. 2024
- Get Mp3 on Patreon: / backingtrackscenter
Here's a heavy groove blues backing track that you can use to practice your skills on the key of A! This A major blues backing track is in 82 bpm .
You can use both major and minor pentatonics over this track.
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Playing with backing tracks is one of the best ways to exercise our knowledge as musicians.
Practicing solos and even rhythm over the backing tracks is a great way to prepare ourselves to play with a band.
Not everyone has the chance to play with a band or even with other musicians, that's why I've decided to create this channel so that somehow everyone can feel what it's like to play with a band. - เพลง
Hey there! If you're enjoying what you're seeing, a thumbs up would be greatly appreciated. It really helps the channel grow! Thanks a bunch!
Great track. I had fun with this one.
Thanks! 🤘🤘🤘
u da boss
Thanks my friend 🤘 🤘 🤘
Are you familiar with Dickey Beets ? He passed away last week. He wrote a song called Blue Sky by the Allman Brothers.
Would you consider making a backing track like that it’s in E major
@@m.vonhollen6673 Auto correct on a iPhone
Hello my friend! I wasn't familiar with Dickey Beets, but I just listened to the song Blue Sky, and I really liked it. I'm going to try to make a backing track inspired by it. Thanks for the suggestion!
👍😎🎸🎼🎶
Thanks for watching!
The simplest way to find your way all over the neck in a 3-Dominant7 chord Blues (like this one) is to locate the 3 tritones that will be right next to each other. So on the DG strings, it’ll be frets 56/45/67 for A7/D7/E7.
Those same 3 tritones will form 3 diagonal lines right across the fretboard; so A7’s tritones on EADGBE are frets 345689. Because those tritones form either 3-b7 or b7-3 of the chords, they are guaranteed to be the best notes to define the harmony. - Try it!
Your way of thinking is really cool. Do you know Tomo Fujita? He's a teacher at Berkeley, and his approach is similar to yours. I'm going to try create some licks the way you suggested. Thanks!
No, I don’t know him. I’m a Canadian living at mile 30 on the Alaska Highway. I went to a Jazz college and played professionally for years.
- Hey, try this! Instead of CAGED, I think EDCAG-7; so here’s the 5 “shapes” that I use to find my way around the fretboard: these are all shapes on the top 4 strings, DGBE:
play E7 shape as 2130, D7-shape as 2434, C7-shape as 6757, A7-shape as 9797, G7-shape as 999-10, and then E7-shape again as 14-13-15-12.
These “shapes” are better than CAGED because they incorporate the b7, and because they use only the top 4 strings as a starting point (the bottom E-A will be easy to fill in later).
- Now within each of those shapes identify the root-3rd-5th-b7; only the E7 shape has a 5th that is not being fretted, it’s reachable but not being fretted.
Within each shape start identifying all the useable notes, first the chord tones and then increasingly more and more until all 12 pitches can be identified and used… : so 1-3-5-b7, then add in b3 always up only into 3, then 4, then b5, then 6, then 2, and finally the last three b2-b6-7 as part of chromatic lines.
- Also to each shape attach 2 other shapes for I-IV-V in each of the 5 positions, so: E7-A7-B7, D7-G7-A7, C7-F7-G7, A7-D7-E7, G7-C7-D7.
Play along to a 3-Dom7 Blues, and go to each of the 5 positions using those upper-string shapes as your guides.
That’s what I’ve finally figured out after 60 years of playing.
Once you can go all over the fretboard in E, then do ADGC, then all the others.
@@m.vonhollen6673 Morning, my friend! Wow! Thank you so much for sharing all this knowledge. Awesome. I've written everything down in my study notebook, and I'll look at what you've taught me step by step. Thanks again.