Hello my friends! Thank you for making this the most watched video on my channel!!! You can also consider supporting the channel on Patreon (www.patreon.com/backingtrackscenter). Thank you all!
I'm am an Intermediate (or "Beginning-to-Intermediate") Bass-Blues player & listening to the Bass on this Blues Backing Track in A is a great learning tool! Thanks.
I'm a total beginer bass player myself. I've been working on these bass lines to make them as good as I can... many takes were done before this one.... lol. The bass line on this th-cam.com/video/gyf8_c4Q4iY/w-d-xo.html has been my biggest challenge so far. Thanks for your kind words and for wacthig the channel.
This is a great Cadence... great for practicing the one and a half step bends in Pitch... just let her ride up the back of your ear like a Whisperer🤘🏻💀
I love this progression,It's not so restrictive as with, for example.. "purely" 7th based progressions. It's harmonic structure allows more scale possibilities than just the A min Pent....Try mixing A maj pent..and A Dorian with the A min Pent...works for me! also arpeggios +..Memphis scale , semitone runs, blue notes etc all work well with any stage of this progression
Wow! Thanks for your kind words my friend! I'm 100% with you, I like mixing minor, major, mixolidian, dorian and all the good stuff... that's my way to go.
@@Harpy-Mark-Tomlinson I appreciate it. I’m a guitar player, or at least I think of myself as one, but never played with a harp player. I’m thinking of starting my journey.
@@davidking2835 That's a great idea. Guitar and blues harmonica are made for each other. I've played in a few bands but my most enjoyable times have been playing with street guitarists. It's very easy, just ask which key he or she's playing in, take out the appropriate harp and play some riffs behind the guitar. As long as the guitar's in tune you can't go wrong. It always sounds great. Once the guitarist realises that you are capable he or she will usually give you the space for an improvised solo or two.
Awesome. thank you. I'm stuck in a decades long groove playing the A Minor pentatonic at the fifth fret, (and G at the third etc....) Any tips on breaking free into the other patterns you show with the dots?
Hey John! Are you familiar with the CAGED system? It will be a good star for you to break free of the pentatonic 1st position. Take a look a this video th-cam.com/video/X9rYOhX77mA/w-d-xo.html hope it helps. If not, let me know, besides making videos I also give online guitar lessons, maybe we can arrange something.
Hey brother! Thanks for watching! The pentatonic minor is just a suggestion. Everyone can have a lot of fun with it, as people get more advanced they can find their own way mixing major and minor, blues scale, mixolidyan, adding 6ths and 9ths to the pentatonic and so on...
This is what I've been waiting for! Amboy Dukes Blues! I think this on the Tooth Fang and Claw album. I'll check and make sure. Thanks, I'll be supporting you as soon as I get some funds! Nope! It's Call Of The Wild album, Rot Gut!
I love this track and keep coming back to it. May I suggest a way to immediately find the 2 most “inside” notes all over the fretboard? There are 3 Dominant 7 chords in this Blues, so the major 3rd and the b7 are the best two notes. They form a tritone, meaning there are 3 whole steps between the 3rd and the b7. What’s cool about the tritone is that it’s the only interval that stays the same when INVERTED. So there’s also 3 whole steps between the b7 and the 3rd. The interval looks the same both as 3-b7 and as b7-3, like a short diagonal line. - Stick with me now. Play A7-D7-E7’s tritones as 5-6,4-5,6-7 on the D-G strings. If a bassist or accompanist is playing the roots of A-D-E, that’s all you need! Those 3 tritones will invert so that each one will form a diagonal line right across all 6 strings. So A7’s tritones form 4-5-6-7-9-10 (watch G-B’s tuning), D7’s are 3-4-5-6-8-9, and E7’s are 5-6-7-8-10-11. Go to any of that chord’s frets for 3-b7 when it’s playing and it’s guaranteed to be one of the 2 most “inside” notes. The other notes that you’ll be able to find around those 2 notes will be both part of that chord, and also part of that chord’s Mixolydian scale (1-2-3-4-5-5-b7). Those 3 diagonal lines will also be found for A7 at frets 10-11-12-13-15-16, with D7’s diagonal line one set of frets lower and E7’s one set of frets higher. - So if you want to solo over a Blues with 3 Dominant 7 chords (1-3-5-b7), this technique of finding the tritones is guaranteed to help you find the most “inside” intervals all over the fretboard. You can also find them on the B-E at frets 2-3, 1-2, and 3-4.
Really good. I feel like SRV with this. One question? I can use your backing tracks for recording songs? I not do anything comercial with this. Only do my music and save this in TH-cam. Thanks
Thanks for the great track! I hear A7/D7/E7 or A7/6-D9-E7#9. I use Mixolydian combined with the Blues scale, a different key for each chord: 1-2-b3/3-4-b5-5-6-b7. Even the last 3 notes of b2/b6/7 can be used chromatically!
Wow, nice! Your approach is very cool, I also like to follow harmony when I'm improvising, it makes more sense to me to do it this way. Thanks for watching!
@@backingtrackscenterHi! Try this: for A7’s tritones (3/b7 or b7/3), play EADGBE on 345689; play D7’s tritones all one fret lower as 234578; and play E7’s tritones as 45679-10. They are also located in other spots, and they can all serve as rapid ways to get to the best notes. Not only that but those tritones can also serve well to get to the CAGED chords which I see as EDCAG-7; here’s my 5 “shapes” which only use the DGBE strings to get located (all in the key of E here): E7, 2130; D7, 2432; C7, 6757; A7, 9797; G7, 999-10; and finally E7-shape again at 14-13-15-12. The E7 shape contains no 5, and the A7 shape contains no 1, but all chord tones are easy to find within these “shapes”. I want to pass these ideas on to some young teacher like yourself, as I’m hitting 70 this summer. Play around with these ideas, would you please ?🙏
Bro i love these uploads. Keep up the good work, but i must say you phrasing was a little long on this one. It was good , but i used to jam with some old school blues guitarists and they taught it a little differently .
Hey man! You can skip the intro... jump to 53 seconds on the video. I've noticed that a lot of viewers enjoy seeing the chords/voicings I'm using in these backing tracks, especially beginners.
Hello my friends! Thank you for making this the most watched video on my channel!!! You can also consider supporting the channel on Patreon (www.patreon.com/backingtrackscenter). Thank you all!
It's amazing how playing the blues can make you feel better!
That's very true brother!
😂 often when you play, the people around you.. they don't feel better🤣😂
@@BluesJazzCountryHarmonica hahahaha that's also true... like after a 10 minutes guitar solo... hahaha
@@backingtrackscenter😂 I was just joking please consider my respect with all the guys that play, and Steve Ikerd also of course!
@@BluesJazzCountryHarmonica I was joking too my friend... 🤣 always joking, kkk, life gets easier this way 😁
Fantastic track. I love the "previous, current, next" chord display. All backing tracks should have this!
Thanks Jack! I agree brother, it helps me a lot to highlight the transitions, so I thought it could help more people.
Me to
I'm am an Intermediate (or "Beginning-to-Intermediate") Bass-Blues player & listening to the Bass on this Blues Backing Track in A is a great learning tool! Thanks.
I'm a total beginer bass player myself. I've been working on these bass lines to make them as good as I can... many takes were done before this one.... lol. The bass line on this th-cam.com/video/gyf8_c4Q4iY/w-d-xo.html has been my biggest challenge so far. Thanks for your kind words and for wacthig the channel.
This is a great Cadence... great for practicing the one and a half step bends in Pitch... just let her ride up the back of your ear like a Whisperer🤘🏻💀
Thanks for watching my friend!
As a prog/tech/brutal /slam death freak, I don't normally encounter this, but I played along to it and it was great!
Thank you my friend!
yes the 1ST thing I heard is the bass guitar 🎸 talking and the drums 🥁 the bass guitar 🎸 sounds good and I can hear it just like it should be 😊 OMG
Thanks ❤️
Must practice with a backing track !
Always!
Excellent ! You bring the best out of me.. Well, unless my ears are lying to me 😁🔥🔥🔥🔥💯✊🏼
Our ears never lie!!! LOL If sounds good, it is good! Thanks for watching my friend!
What an excellent jam track you laid down
Thanks for watching!
i really enjoy backing tracks
Thanks for watching my friend!
Great playing David ! The first part reminded me of the music for Grizzly Man 2005 documentary, which I'm having trouble finding.
Hey Craig! 🤘🤘🤘
Beautiful backing track. Thanks!
Thanks for watching my friend!
Thanks for the great track. You've got yourself a new subscriber.
Thanks my friend!
I love this progression,It's not so restrictive as with, for example.. "purely" 7th based progressions. It's harmonic structure allows more scale possibilities than just the A min Pent....Try mixing A maj pent..and A Dorian with the A min Pent...works for me! also arpeggios +..Memphis scale , semitone runs, blue notes etc all work well with any stage of this progression
Wow! Thanks for your kind words my friend! I'm 100% with you, I like mixing minor, major, mixolidian, dorian and all the good stuff... that's my way to go.
I love you reppin' Steinberg's man😧. Especially on bluesy tracks. New here. Love it already. 👍
Thanks man! That Steinberger has been my main guitar for the las 30 years. I love it.
@@backingtrackscenter You a Vito Bratta fan by chance. 😉👍
Thank you.
Thanks for watching brother!
I've been using your travks for harmonica practice for a while. Thanks for posting.😊
I'm very happy to hear that my friend.
What key do you use on this with a harp?
@@davidking2835 The track is in A major so you play a D harp in second position.
@@Harpy-Mark-Tomlinson I appreciate it. I’m a guitar player, or at least I think of myself as one, but never played with a harp player. I’m thinking of starting my journey.
@@davidking2835 That's a great idea. Guitar and blues harmonica are made for each other. I've played in a few bands but my most enjoyable times have been playing with street guitarists. It's very easy, just ask which key he or she's playing in, take out the appropriate harp and play some riffs behind the guitar. As long as the guitar's in tune you can't go wrong. It always sounds great. Once the guitarist realises that you are capable he or she will usually give you the space for an improvised solo or two.
Great backing!
Thanks for watching my friend!
Köszönöm szépen! 🎶🎸❤🤗
Nagyon szépen köszönöm!
Awesome fun track, thanks!!
Thanks Mike!
Yes!
Well done! 👍💫
Thanks brother!
I could put some good vocals to that and maybe some lead guitar as well. Makes me feel so good............................!
Please, be my guest brother!
Superb.
Thanks Tom! 🤘🤘🤘
very good.
Thans for whatching Antonio!
Not confused anymore,was playing in A and it was sounding off.Tried A minor.....and thats what she needed.
That's it my friend. Try to mix them, both major and minor. Minor third to major third is the sound of blues. Thanks for watching brother!
I turn a party out with this ❤️🤠😎
The party never stops! 👏 👏 👏
Whipped out my D harp for some fun.
It's all about having fun!
Awesome. thank you. I'm stuck in a decades long groove playing the A Minor pentatonic at the fifth fret, (and G at the third etc....) Any tips on breaking free into the other patterns you show with the dots?
Hey John! Are you familiar with the CAGED system? It will be a good star for you to break free of the pentatonic 1st position. Take a look a this video th-cam.com/video/X9rYOhX77mA/w-d-xo.html hope it helps. If not, let me know, besides making videos I also give online guitar lessons, maybe we can arrange something.
Where u tunit ?
Logic pro x. Thanks for watching!
You don't need the pentatonic scale here.... Your need the blues scale and the major scale
Hey brother! Thanks for watching! The pentatonic minor is just a suggestion. Everyone can have a lot of fun with it, as people get more advanced they can find their own way mixing major and minor, blues scale, mixolidyan, adding 6ths and 9ths to the pentatonic and so on...
Which can be played out of a blues scale or major. Mixolydian would be the most appropriate here I think.
Mix it up.
The minor pentatonic is cool over the IV and the V chord but the m3 repeatedly over a major I chord/THE KEY will instantly reveal you.😅✌️
And maybe passing tone scale
I had the most fun with this I’ve had in a long time . Thanks for being my band .
Thanks for your kind words my friend!
Bien, así toco yo, mas no como tú, saludos!
Shit always depresses me. I'm crying right now just listening to this. Great backing track tho. Loved the organ.
Thanks brother! The truth is out there! 👽
Outstanding! I feel a jam session coming on.
Fair winds and following seas to all.
Thanks for watching my friend!
This is what I've been waiting for! Amboy Dukes Blues! I think this on the Tooth Fang and Claw album. I'll check and make sure. Thanks, I'll be supporting you as soon as I get some funds! Nope! It's Call Of The Wild album, Rot Gut!
Thank you very much brother! I'm not familiar with this album, I'll check it out asap!
You must be referring to the Nuge??
@@Steve-ir4jg I was referring to Call Of The Wild Album, Rot Gut. Just listened to, awesome.
@@Steve-ir4jg YEP!
I love this track and keep coming back to it. May I suggest a way to immediately find the 2 most “inside” notes all over the fretboard? There are 3 Dominant 7 chords in this Blues, so the major 3rd and the b7 are the best two notes. They form a tritone, meaning there are 3 whole steps between the 3rd and the b7. What’s cool about the tritone is that it’s the only interval that stays the same when INVERTED. So there’s also 3 whole steps between the b7 and the 3rd. The interval looks the same both as 3-b7 and as b7-3, like a short diagonal line.
- Stick with me now. Play A7-D7-E7’s tritones as 5-6,4-5,6-7 on the D-G strings. If a bassist or accompanist is playing the roots of A-D-E, that’s all you need!
Those 3 tritones will invert so that each one will form a diagonal line right across all 6 strings. So A7’s tritones form 4-5-6-7-9-10 (watch G-B’s tuning), D7’s are 3-4-5-6-8-9, and E7’s are 5-6-7-8-10-11.
Go to any of that chord’s frets for 3-b7 when it’s playing and it’s guaranteed to be one of the 2 most “inside” notes.
The other notes that you’ll be able to find around those 2 notes will be both part of that chord, and also part of that chord’s Mixolydian scale (1-2-3-4-5-5-b7).
Those 3 diagonal lines will also be found for A7 at frets
10-11-12-13-15-16, with D7’s diagonal line one set of frets lower and E7’s one set of frets higher.
- So if you want to solo over a Blues with 3 Dominant 7 chords (1-3-5-b7), this technique of finding the tritones is guaranteed to help you find the most “inside” intervals all over the fretboard. You can also find them on the B-E at frets 2-3, 1-2, and 3-4.
I'm going to try everything you said!
My friend, thanks a lot for sharing your knowledge with our community!
Nice and pleasant to the ears, good job, my friend! I'm on here too, just type "Without Your Love", by Carl Ferry. 🙂
Wow, that's your voice? Nice job man.
Beautiful! thank you
Thanks for watching 🤘🤘🤘
Has that Red House vibe! 👍👍
I love the Gary Moore rendition of Red House!
Really good. I feel like SRV with this. One question? I can use your backing tracks for recording songs? I not do anything comercial with this. Only do my music and save this in TH-cam. Thanks
Of course brother, feel free to use it as you please. Thanks for watching!
Thanks for the great track! I hear A7/D7/E7 or A7/6-D9-E7#9. I use Mixolydian combined with the Blues scale, a different key for each chord: 1-2-b3/3-4-b5-5-6-b7. Even the last 3 notes of b2/b6/7 can be used chromatically!
Wow, nice! Your approach is very cool, I also like to follow harmony when I'm improvising, it makes more sense to me to do it this way. Thanks for watching!
@@backingtrackscenterHi! Try this: for A7’s tritones (3/b7 or b7/3), play EADGBE on 345689; play D7’s tritones all one fret lower as 234578; and play E7’s tritones as 45679-10. They are also located in other spots, and they can all serve as rapid ways to get to the best notes.
Not only that but those tritones can also serve well to get to the CAGED chords which I see as EDCAG-7; here’s my 5 “shapes” which only use the DGBE strings to get located (all in the key of E here): E7, 2130; D7, 2432; C7, 6757; A7, 9797; G7, 999-10; and finally E7-shape again at 14-13-15-12.
The E7 shape contains no 5, and the A7 shape contains no 1, but all chord tones are easy to find within these “shapes”.
I want to pass these ideas on to some young teacher like yourself, as I’m hitting 70 this summer. Play around with these ideas, would you please ?🙏
Thanks
Wow!! Thanks brother!
This is a great backing track! I am going to enjoy all over this!!!
Thanks my friend! Go for it!
Just don’t make a mess on your key board lol good stuff
Bro i love these uploads. Keep up the good work, but i must say you phrasing was a little long on this one. It was good , but i used to jam with some old school blues guitarists and they taught it a little differently .
Thanks for whatching brother! I hear you my friend, gonna keep your advice in mind to the next ones.
@@backingtrackscenter i really do appreciate finding these backing track videos you have.
@@backingtrackscenter make a 12bar blues track.
@@alextravine9422 will do 🤘🤘🤘
Outstanding!
Thanks for watching!
Lovely track
Thanks my friend!
hi can i download this backing track onto my amp
Of course brother! You can download it at my patreon page, or... I'm pretty sure there's some way to get it from TH-cam as well.
Well played
Thanks J!!!
Wow! Thanks
Thanks brother!
very good cool track !!! - thx a lot !!!!! 👍✌🎸☮🍀
Thanks for watching my friend! 🤘🤘🤘
@@backingtrackscenter th-cam.com/video/n7odDck8JF4/w-d-xo.html✌🤞🙏🍀☮
What is the headless guitar brand your playing in this video? Where can I see the reviews? Thanks
Hey brother! It's a Steinberger. That's a classic from the 80's, you can get some information here www.steinberger.com/Steinberger-History.html
This isn't backing track if I have to look at you.
Hey man! You can skip the intro... jump to 53 seconds on the video. I've noticed that a lot of viewers enjoy seeing the chords/voicings I'm using in these backing tracks, especially beginners.
Have a nice day ☮️🫡 bye bye
@@stevetrivago .. and he says the same thing to you, dude. LoL! th-cam.com/video/tc2oBBcf7yo/w-d-xo.htmlsi=0UozLx7kBLGN-r2C
@@stevetrivago OK.. LoL! th-cam.com/video/tc2oBBcf7yo/w-d-xo.htmlsi=0UozLx7kBLGN-r2C
Is it still a backing track if I read your nonsensical comment?