I appreciate the difference in costume between the regular guests and the fairies. It helps me, as I haven’t seen this ballet in a long time, and have forgotten the musical parts and who’s who. 😊
0:47 Intro 6/8 2:54 1. March 7:35 2. Entrance of the fairies, Scene Dansante 12:01 3. Pas de six, adagio (8m) 12:42 3. Pas de six, Var I 13:45 3. Pas de six, Var II 14:22 3. Pas de six, Var III 15:46 3. Pas de six, Var IV 16:22 3. Pas de six, Var V - Violente 17:39 3. Pas de six, Var VI - La fee des lilas 18:59 4. Finale 23:45 4. Finale - Allegro risoluto 24:51 4. Finale - Andante 27:51 Act 1, No. 6 33:12 No. 7 35:06 No. 8 Pas d Action 42:22 Coda 46:01 Coda - Allegro Vivo 47:51 Coda - Allegro Vivo 51:59 Act 2, No. 10 53:23 No. 10, Un poco piu tranquillo 1:48:42 28D. 1:50:19 aurora act 3 variation 1:53:00 28F. Pas de deux, Coda 1:56:17 Curtain call
Iana Salenko is beautiful. Gorgeous. Wow, the Grand Pas was fantastic. One of the more difficult choreographic versions I’ve seen but Ian’s and her partner danced it flawlessly.
Some people are complaining about the new choreography but I think it's refreshing, and beautiful like other versions (this one's just different)! And the costumes are beautiful too! This is my favorite interpretation of the Sleeping Beauty ballet so far :)
@@toomanycrowns If I recall there is or was a Royal Ballet version on TH-cam and the cats have tails, at least the male does and the dancing is outstanding.
It is not unusual for Carabosse (the name of the evil fairy in the ballet) to be played by a man. There are some versions - like the Royal ballet - where she's played by a woman (made up to look young) and sometimes versions where the dancer is completely made up to look very old. There are tons of different interpretations of her, you should definitely check some out.
Fascinating study in the variety of the various ballerina costumed-skirt length styles. (1) full length to floor covering foot. (2) mid knee “romantic skirt”. (3) soloist “pancake tutu” - supported-hoop frame by wire at waist bodice. (4) the American Tutu - which was created by the Russian courtier Barbara Karinska for Balanchine (choreographer-New York City Lincoln Center Ballet) - skirt without wire, skirt spread by various-layered sheer fabrics at the waist-bodice.
In Sleeping Beauty, the difference in the costume style is used to show that there had been 100 years since Aurora, her parents, and the rest of the people fell asleep.
I thought the choreography superb as the costumes, music and ballet performances skillfully and interpreted the ballet in the 21st century maintaining integrity of this widely loved ballet throughout time. I applaud all artists, bravo, well done!
Absolutely Beautiful, gorgeous costumes, loved watching the prince dance his leaps are beautiful. Every character was so incredibly talented, the evil queen was thrilling to watch. BRAVO 👏 👏 👏 💐 🌹 🌸
Tchaikovsky began composing in 1888 - orchestrating in May, 1889 - first performance in St. Petersburg on January 8, 1890. His second ballet score - the first was Swan Lake - Sleeping Beauty score/ballet - with intermissions - is nearly 3 hours…! The score read is 160 minutes in length. Tchaikovsky died in 1893 - never knowing his ballet has become his most popular work - with the Nutcracker…!
Looks effortless with no exaggerations. A beauty of the royal. When shes dancing william is looking at the floor. When william dances shes looking at him with with encouragement. That's what I love about her. Never a diva justba wonderful woman with grace and class.
Tchaikovsky used the-lavender Fairy symbolic of “goodness” - Caraboose symbolized the “evil” - reappearing, with their theme music for repeated threaded theme throughout the ballet.
As someone who was introduced to the music through the Disney animated version, i must say this is splendid! Although I did expect a more exciting fight between the Prince and Carabosse. On the level of the Nutcracker and the Mouse King. Oh well. I'm just here for the sake of watching fine culture.
You're looking at it from the wrong direction. In the original fairytale, the prince comes to a "dead" castle 100 years later. He never meets the evil fairy and there is no fight whatsoever. Just because Disney decided to add a fight for Drama and entertainment (and dont get me wrong, Disney's Prince Philip fight is one of my favorite scenes in all of film), doesnt mean that it's to be expected here.
¡Qué coreografía bella! Tan simple, con pequeñas pinceladas que la vuelve mágica. Un verdadero cuento de hadas que nos devuelve la ilusión de la infancia 😍🥰
Косюмы-красивые,солистка-красивая,но хореография Мариуса Петипа -намного сильнее,и наши балерины лучше,,,а в этом спектакле-искажены все партии,начиная с солистов,,,бедные декорации,и вариации,,,наш балет сильнее,нет-равных нашим балеринам!!!
@@elenagimelshtein6052 con todo respeto, con todo lo que ha evolucionado la danza en estos últimos años, Petipa me deja con gusto a poco. Y creo que a él también, de estar vivo, seguramente se estaría nutriendo de las nuevas técnicas y maravillandonos con nuevas y mejores creaciones. Algo habrá fuera de Rusia que fueron a buscar Baryshnikov y Nuréyev, entre muchos otros.
Fantastico, bellissimo curato in tutto dalla coreografia ai costumi la tecnica .....corpo di ballo super top in generale il livello è molto altro. Bravi, bravissimi complimenti...non si puo' fare a meno di guardarlo. Virtuosa Vaganova...Iana Salenko
Thankful to be able to watch thank you thank you and I must be so grateful I’m here for the ballet but come on that Orchestra is from the heavens they are amazing beautiful incredible wow
Thank you for sharing, I watched this recording also in the cinema! I really love how it's so dreamy with costumes, and still a more refreshing choreography...especially Act 2 is my favorite from it...
This is some of the most brilliant choreography for a classical ballet revision I’ve ever seen. It’s absolutely incredible! Especially the fairy Choreography. I really believed these dancers were fairies. Any trained dancer would understand how much more difficult this choreography is. To make the character come to life and for the choreography to flow in such and effortless way throughout is just spectacular. I wish I could dance this version personally it looks so fun! Huge fan! 😊
0:01 Introduktion 2:54 Nr. 1 12:43 Nr. 3, var. 1 13:47 Nr. 3, var. 2 14:24 Nr. 3, var. 3 15:47 Nr. 3, var. 4 16:18 Nr. 3, var. 5 17:39 Nr. 3, var. 6 18:59 Nr. 4 27:51 Nr. 6 33:13 Nr. 7 35:06 Nr. 8 42:22 Nr. 8c Allegro giusto 45:11 Nr. 9 47:50 Nr. 9 Allegro vivo Fairy Theme 51:59 Nr. 10 II Act 54:52 Nr. 11 57:33 Nr. 12e 1:01:22 Sleepy beauty theme 1:05:36 Nr. 15a 1:11:12 Nr. 15b 1:13:35 Nr. 16 1:14:12 Nr. 17 1:19:52 Nr. 19 1:22:19 Nr. 22 1:26:25 Nr. 23 1:28:45 Nr. 23 Var. 2 1:29:58 Nr. 23 Var. 3 1:31:11 Nr. 23, var. 4 1:32:15 Nr. 23, coda 1:36:08 Nr. 25 1:43:06 Nr. 28b 1:48:41 Nr. 29, var. 1 1:50:27 Nr. 29, var. 2 1:52:56 Nr. 29, coda
very well done! Wonderful choreography. Loved how the Rose Adagio is choreographed. Iana's sublime technique and gorgeous lines are such a pleasure. Thanks for posting. All dancers are wonderful. Great interpretation of the famous ballet.
I just love that Disney used music form the ballet in his movie. I think that makes Disney’s work all the more special too, as it notices the previously well known ballet and pays homage to it. 😄😊
21:00 For a score intended to highlight Carabosse’s villainy, this is just music to my ears! How Tchaikovsky created an art form as divine as this is even beyond my own comprehension! ✨✨✨
ooooooo,just heavenly,,,,gentle,,sweet music= Tchaikovsky= ,,,,all players awesome,,,like the fresh air,,,,perfect,,,,i love balet and here is the top crown,,,,
Now, I want to see more male characters take on “female” roles! That was amazing! And who cares what gender a character is as long as they play it as triumphant as this was played! Well done and BRAVO!
I am very impressed with the entire production, especially the costuming. Very appropriate for the times being depicted. My only surprise was a male used to depicted the evil fairy. He did a magnificent job.
Bailarinos fantásticos, impecáveis, técnica absolutamente soberba, figurino agradável, mas eu prefiro definitivamente a coreografia de Marius Petipa. A movimentação dessa nova versão de “A Bela Adormecida” com excesso de saltos, contorções, giros, deslocamentos as vezes cansa aos olhos.
Splendid performance, marvelous staging, costumes, lighting, music and props. Loved the Pussy Cats dance sequence. At 1:56:36 I would've loved to see solo dances on these four pairs of characters, with the exception of the Master of Ceremony, the rest were barely in the ballet.
Это ужасно,никакого отношения к Спящей красавице это не имеет,читайте сказку. Это современный костюмированный бал в ночном кабарэ.Чайковский в гробу перевернулся.
This was a good production, and great costumes. I loved seeing a new(version to me) of this classic ballet, and I love seeing elements of the standard version.
Imagine doing the scene of the king and the queen dancing with the boy you like, I have to do this with a boy at a dance school, thank god he’s not the boy I like
Can anyone point (haha) me to the version Marcia Haydee set that uses the Petipa choreography? Iana is stunning, as always, but the choreography and deconstructed sets all seem very flat to me. There are some things Petipa set like the White Swan and the Rose Adagio that just...no, don't mess with them. And I realize I'm in the minority here...
No soy una especialista pero prefiero definitivamente la coreografía de Petipa. Los trajes pueden variar y la escenografía tbien pero para mi esta versión tan despojada perdió el clima de cuento de hadas q hace a la versión tradicional memorable. Salenko como de costumbre se adueña de su personaje y el resto del cuerpo de baile la complementa çon corrección y talento.
@@stellamarishansen3317 Have you seen her 2nd act variation? Choreography is very non-Petipa, almost minimalistic but she still makes it look impressive because she's such a great dancer.
@@minissa2009 Si lo he visto, me pareció excelente. Salenko y el cuerpo de baile hacen de cada rol una creación. Pero me cuesta aceptar la nueva coreografía después de haber visto tantas veces el original. Me hace falta como te dije .el entorno de cuento de hadas q no se ve en esta versión. Es como q extraño esta obra maestra creada x Petipa. Son dos cosas distintas pero definitivamente prefiero la coreografía original.
@@stellamarishansen3317 totalmente de acuerdo!! (gracias, Google Translate!). The scenery seems very flat, and I remember the White Cat (and maybe Puss in Boots) being costumed with bike shorts. So, not just the choreography. Everything seemed very 2-dimensional. Have you seen the reconstruction of Petipa's original choreography done for I think Bolshoi (might have been Mariinsky, Obravstova was Aurora). There must be 500 people in the cast (small exagerration) but it was fascinating to see how Petipa used the music and moved people around the stage.
@@minissa2009 Hola si he visto esa. Versión con Obratsova, una bailarina q me deslumbra pero personalmente prefiero en ese rol a Olesya Novikova, su seguridad, control, versatilidad y su manera de desarrollar ese rol me parecen extraordinarias. La entrada de Aurora en el 2do acto increíble. De todas formas todas las bailarinas de esa generación Obratsova, Osipova, Somova, y otras como Tereshkina a la q personalmente amo x su fuerza, increíble control (Nikiya en Bayadera) y su capacidad de adaptarte a distintos roles totalmente diferentes entre si, van a ser difícilmente superables!!!
It amazes me how negative and critical people can be regarding something so spectacular. I love this. But maybe I’m not well cultured enough yet to think everything is not good enough ;)
A wonderful ballet with gorgeous costumes, BUT, why the colors washed out in BLUE light? Give the audience some credit for having some imagination so we can fully enjoy the artistry in this staging of a favorite ballet.
![ALLY - OH MY! [ REACTION ] 'Amarin Nitibhon' #ALLY_OHMY #ALLY #allynitibhon #แอลลี่](http://i.ytimg.com/vi/nX9qpHjVfbQ/mqdefault.jpg)
![งมหอย จับปลา มือเปล่า หาอยู่หากินแบบวีถีอีสานกับแก๊งเซียนหรั่ง ม่วนคัก! [ขอนแก่น] @Sianstudio](http://i.ytimg.com/vi/JEJZg6N-AbU/mqdefault.jpg)
i love the way Carabosse's costume sways with the fast movements
I appreciate the difference in costume between the regular guests and the fairies. It helps me, as I haven’t seen this ballet in a long time, and have forgotten the musical parts and who’s who. 😊
Miss it. ❤ i am the prince👊
Sie tanzen heute, 30.12.2022, Prinz Desire🤗
😱👏👏👏👏👏⭐💛🤩❣
Both you and your lovely wife did a stunning job. 👏🏼 Bravissimo!!! 👏🏼👏🏼👏🏼💐
Are you retired already?
💗
Gorgeous costumes and spectacular choreography! I appreciate these dancers breathing life into every step! Bravo!❤
Well said!
0:47 Intro 6/8
2:54 1. March
7:35 2. Entrance of the fairies, Scene Dansante
12:01 3. Pas de six, adagio (8m)
12:42 3. Pas de six, Var I
13:45 3. Pas de six, Var II
14:22 3. Pas de six, Var III
15:46 3. Pas de six, Var IV
16:22 3. Pas de six, Var V - Violente
17:39 3. Pas de six, Var VI - La fee des lilas
18:59 4. Finale
23:45 4. Finale - Allegro risoluto
24:51 4. Finale - Andante
27:51 Act 1, No. 6
33:12 No. 7
35:06 No. 8 Pas d Action
42:22 Coda
46:01 Coda - Allegro Vivo
47:51 Coda - Allegro Vivo
51:59 Act 2, No. 10
53:23 No. 10, Un poco piu tranquillo
1:48:42 28D.
1:50:19 aurora act 3 variation
1:53:00 28F. Pas de deux, Coda
1:56:17 Curtain call
1:50:19 aurora act 3 variation
Thanks 🙏
1:56:17 Curtain call 👏👏👏👏👏
You are a life saver thank you lol
' 43:09
Iana Salenko is beautiful. Gorgeous. Wow, the Grand Pas was fantastic. One of the more difficult choreographic versions I’ve seen but Ian’s and her partner danced it flawlessly.
What a gorgeous choreography! So complicated, elegant, expressive, creative and masterfully executed!
Some people are complaining about the new choreography but I think it's refreshing, and beautiful like other versions (this one's just different)! And the costumes are beautiful too! This is my favorite interpretation of the Sleeping Beauty ballet so far :)
I certainly don’t. It’s not classical ballet.
I think not giving Puss a tail was a disservice....but well danced, nonetheless.
@@classicalaid1 I didn't even notice that but that would've been fun!
@@toomanycrowns If I recall there is or was a Royal Ballet version on TH-cam and the cats have tails, at least the male does and the dancing is outstanding.
@@classicalaid1 Ooh I'm gonna go look for it! I love when costume designers add those little details ❤️
Incredible dancers throughout, especially Iana Salenko. Loved all the costumes and sets. Bravo!
I have to admit quite a fascinating choice to play Malificent.. it actually works quite well here
It is not unusual for Carabosse (the name of the evil fairy in the ballet) to be played by a man.
There are some versions - like the Royal ballet - where she's played by a woman (made up to look young) and sometimes versions where the dancer is completely made up to look very old. There are tons of different interpretations of her, you should definitely check some out.
@@Nexilsthank you 👍
what is most wonderful is to see a group of young people who clearly enjoy ballet and dance their hearts out in a wonderful performance.
Fascinating study in the variety of the various ballerina costumed-skirt length styles. (1) full length to floor covering foot. (2) mid knee “romantic skirt”. (3) soloist “pancake tutu” - supported-hoop frame by wire at waist bodice. (4) the American Tutu - which was created by the Russian courtier Barbara Karinska for Balanchine (choreographer-New York City Lincoln Center Ballet) - skirt without wire, skirt spread by various-layered sheer fabrics at the waist-bodice.
The Costumes of the new Viennese Sleeping Beauty are more appaling in Style than these.
@@traudewim1994 appalling not appealing?
@@dougr.2398 Beides
In Sleeping Beauty, the difference in the costume style is used to show that there had been 100 years since Aurora, her parents, and the rest of the people fell asleep.
Perfect version, refreshing, musical and an awesome lot of finest dancing! Bravo!
I thought the choreography superb as the costumes, music and ballet performances skillfully and interpreted the ballet in the 21st century maintaining integrity of this widely loved ballet throughout time. I applaud all artists, bravo, well done!
absolutely stunning production, gorgeous to the eyes and the choreo is excellent
@@pedinurse1 😮
You think THIS ghastly choreography is well done? 😂
@@mrlopez-pz7pu Have you ever heard of the concept of different opinions?
Gosh...those costumes & skillful performance... MAGNIFICENT!!! 👏🏻👏🏻👏🏻
Respect for Everyone, Especially the Costumers.
Incredible.
The use of the veil was lovely during the apotheosis. Stunning.
Absolutely Beautiful, gorgeous costumes, loved watching the prince dance his leaps are beautiful. Every character was so incredibly talented, the evil queen was thrilling to watch. BRAVO 👏 👏 👏 💐 🌹 🌸
Tchaikovsky began composing in 1888 - orchestrating in May, 1889 - first performance in St. Petersburg on January 8, 1890. His second ballet score - the first was Swan Lake - Sleeping Beauty score/ballet - with intermissions - is nearly 3 hours…!
The score read is 160 minutes in length. Tchaikovsky died in 1893 - never knowing his ballet has become his most popular work - with the Nutcracker…!
Died 1894
Every time I see the Rose Adagio, all I can think of is the Queen of Hearts version. It's just one of those things you can't unsee
It’s nice to see non-traditional choreography…not just pantomime. Not weighed down with elaborate sets and costumes.
Looks effortless with no exaggerations. A beauty of the royal. When shes dancing william is looking at the floor. When william dances shes looking at him with with encouragement. That's what I love about her. Never a diva justba wonderful woman with grace and class.
我們發覺越來越喜愛 柴科夫斯基的音樂, 包括三大芭蕾舞劇, 以及其他數不完的音樂作品, "睡美人", 尤其是其中之一; 越是欣賞, 越是喜歡喜愛!! 讚嘆再讚嘆!!!!
Tchaikovsky used the-lavender Fairy symbolic of “goodness” - Caraboose symbolized the “evil” - reappearing, with their theme music for repeated threaded theme throughout the ballet.
As someone who was introduced to the music through the Disney animated version, i must say this is splendid! Although I did expect a more exciting fight between the Prince and Carabosse. On the level of the Nutcracker and the Mouse King. Oh well. I'm just here for the sake of watching fine culture.
You're looking at it from the wrong direction. In the original fairytale, the prince comes to a "dead" castle 100 years later. He never meets the evil fairy and there is no fight whatsoever. Just because Disney decided to add a fight for Drama and entertainment (and dont get me wrong, Disney's Prince Philip fight is one of my favorite scenes in all of film), doesnt mean that it's to be expected here.
@@LeaF-vo2mx That makes sense. Just must be generational expectations
Версия Мариинского театра все равно лучшая на все времена! Именно в редакции Константина Сергеева.
Нет, конечно. Нет ничего лучшего, особенно на все времена.
Великолепно всё - оркестр,солисты, костюмеры, костюмы, режиссеры, хореографы ! Браво - всем !
Огромное спасибо за запись и трансляцию !
¡Qué coreografía bella! Tan simple, con pequeñas pinceladas que la vuelve mágica. Un verdadero cuento de hadas que nos devuelve la ilusión de la infancia 😍🥰
Косюмы-красивые,солистка-красивая,но хореография Мариуса Петипа -намного сильнее,и наши балерины лучше,,,а в этом спектакле-искажены все партии,начиная с солистов,,,бедные декорации,и вариации,,,наш балет сильнее,нет-равных нашим балеринам!!!
@@elenagimelshtein6052 con todo respeto, con todo lo que ha evolucionado la danza en estos últimos años, Petipa me deja con gusto a poco. Y creo que a él también, de estar vivo, seguramente se estaría nutriendo de las nuevas técnicas y maravillandonos con nuevas y mejores creaciones. Algo habrá fuera de Rusia que fueron a buscar Baryshnikov y Nuréyev, entre muchos otros.
Fantastico, bellissimo curato in tutto dalla coreografia ai costumi la tecnica .....corpo di ballo super top in generale il livello è molto altro. Bravi, bravissimi complimenti...non si puo' fare a meno di guardarlo. Virtuosa Vaganova...Iana Salenko
Thankful to be able to watch thank you thank you and I must be so grateful I’m here for the ballet but come on that Orchestra is from the heavens they are amazing beautiful incredible wow
A different and so beautiful production.. with a great perfomance.. love it ⚘👑💖
It was awesome. I loved the clothes, music, stage, and especially dances. Everything was great. Thank you.❤
Das Bühnenbild ist der absolute Hammer, wunderschön ❤
What a pleasure to see Iana Saleko with her beautiful quality and together with Marian Walter!
Thank you for sharing, I watched this recording also in the cinema! I really love how it's so dreamy with costumes, and still a more refreshing choreography...especially Act 2 is my favorite from it...
This is some of the most brilliant choreography for a classical ballet revision I’ve ever seen. It’s absolutely incredible! Especially the fairy Choreography. I really believed these dancers were fairies. Any trained dancer would understand how much more difficult this choreography is. To make the character come to life and for the choreography to flow in such and effortless way throughout is just spectacular. I wish I could dance this version personally it looks so fun! Huge fan! 😊
This is such a beautiful version! I just love it. Bravi, Nacho and team! 👏👏👏🌹🌹🌹
OMG, another great production of mr Duato
😊
Spectacular, grand , very beautiful
Absolutely beautiful! Grand costumes and music (even heard some very familiar pieces, much to my delight).
0:01 Introduktion
2:54 Nr. 1
12:43 Nr. 3, var. 1
13:47 Nr. 3, var. 2
14:24 Nr. 3, var. 3
15:47 Nr. 3, var. 4
16:18 Nr. 3, var. 5
17:39 Nr. 3, var. 6
18:59 Nr. 4
27:51 Nr. 6
33:13 Nr. 7
35:06 Nr. 8
42:22 Nr. 8c Allegro giusto
45:11 Nr. 9
47:50 Nr. 9 Allegro vivo Fairy Theme
51:59 Nr. 10 II Act
54:52 Nr. 11
57:33 Nr. 12e
1:01:22 Sleepy beauty theme
1:05:36 Nr. 15a
1:11:12 Nr. 15b
1:13:35 Nr. 16
1:14:12 Nr. 17
1:19:52 Nr. 19
1:22:19 Nr. 22
1:26:25 Nr. 23
1:28:45 Nr. 23 Var. 2
1:29:58 Nr. 23 Var. 3
1:31:11 Nr. 23, var. 4
1:32:15 Nr. 23, coda
1:36:08 Nr. 25
1:43:06 Nr. 28b
1:48:41 Nr. 29, var. 1
1:50:27 Nr. 29, var. 2
1:52:56 Nr. 29, coda
Gyönyörű, csodálatos zene, elöadás. Gratulálok! Tisztelettel és köszönettel, György Tibrea. Nagyszerű!.
very well done! Wonderful choreography. Loved how the Rose Adagio is choreographed. Iana's sublime technique and gorgeous lines are such a pleasure. Thanks for posting. All dancers are wonderful. Great interpretation of the famous ballet.
Superbly danced and costumed !!
What a wonderful choreography. This is how ballet gets to be still alive!! Bravo!
the costumes are absoulty beautiful
So pretty. Thank you
Thanks for uploading! I really like this production and performance.
Iana Salenko is beautiful and a superb dancer. Strong and expressive.
I love this version by Nacho Duato and this performance is one of my favorites ever. Iana Salenko is such a great dancer!
Thank you for uploading.
start 10:05
fairy dance 12:43
lilac fairy gift 10:05
carabosse entrance 20:19
lilac fairy gift 24:55
lilac fairy dance 17:39
aurora entrance 34:03
carabosse party sneak entrance 44:37
carabosse uncover 47:59
prince entrance 1:01:23
wedding start 1:53:19
Love this so much! I hope to see this ballet live someday! Also, the disney lyrics to once upon a dream are stuck in my head now ❤
I just love that Disney used music form the ballet in his movie. I think that makes Disney’s work all the more special too, as it notices the previously well known ballet and pays homage to it. 😄😊
21:00 For a score intended to highlight Carabosse’s villainy, this is just music to my ears! How Tchaikovsky created an art form as divine as this is even beyond my own comprehension! ✨✨✨
The cat duo had the most amazing lines ever
Esplêndido espetáculo!!! 🎉👏🏼👏🏼👏🏼👏🏼
Extraordinariamente lindo!! ❤
I like this new choreography. Especially the sequence from 36:10 looks very natural.
Beautiful ballet . Hard to find fault
You ❤ are an amazing company I really like the part the fairies were dancing to the queen and king
👑
What an estraordinary performance!
Tchaikovsky The Sleeping Beauty - composition (score) is his longest…! Of all of his musical compositions.
I've read that he composed a bunch more music for the 2nd act: countesses, baroness Ed, and 2 or 3 other coterie of courtiers had variations!
ooooooo,just heavenly,,,,gentle,,sweet music= Tchaikovsky= ,,,,all players awesome,,,like the fresh air,,,,perfect,,,,i love balet and here is the top crown,,,,
Now, I want to see more male characters take on “female” roles! That was amazing! And who cares what gender a character is as long as they play it as triumphant as this was played! Well done and BRAVO!
Carabosse has been interpreted by men before. In about 1987 by none other than Richard Cragun!
@@L-Ondee23:36
Different choreography,from the original;but I liked it
this one has more neoclassical style
Ευχαριστώ πολύ
I am very impressed with the entire production, especially the costuming. Very appropriate for the times being depicted. My only surprise was a male used to depicted the evil fairy. He did a magnificent job.
Какая красота! Браво всем артистам 💞💘
Bailarinos fantásticos, impecáveis, técnica absolutamente soberba, figurino agradável, mas eu prefiro definitivamente a coreografia de Marius Petipa.
A movimentação dessa nova versão de “A Bela Adormecida” com excesso de saltos, contorções, giros, deslocamentos as vezes cansa aos olhos.
Love the entrance of the evil fairy!
Splendid performance, marvelous staging, costumes, lighting, music and props. Loved the Pussy Cats dance sequence. At 1:56:36 I would've loved to see solo dances on these four pairs of characters, with the exception of the Master of Ceremony, the rest were barely in the ballet.
Love this so much ❤❤❤
Merci
So lovely.
Completely different choreography than I remember but still very beautiful....
Beautiful performance
This is an extraordinary production! Wonderful choreography and costumes. The dancers are also beautiful. Bravo!!
Who is the choreographer?
Natcho duato
thank you
Trop bien mon ballet preferé❤❤❤❤❤
Постановка Начо Дуато, эта версия идёт в Михайловском театре Спб
Она и создана для Михайловского, а в Берлин перенесена позже.
Это ужасно,никакого отношения к Спящей красавице это не имеет,читайте сказку. Это современный костюмированный бал в ночном кабарэ.Чайковский в гробу перевернулся.
bello, hermoso ballet😍😍😍😍😍😍😍
Thank's
Very beautiful love watching this!! 💟💟
Belíssimo ❤
Beautiful ❤️❤️❤️🥰
This was a good production, and great costumes. I loved seeing a new(version to me) of this classic ballet, and I love seeing elements of the standard version.
thanks a lot for sharing! May I ask when is this performance?
2015
@@daverollins Thank you so much!
chor. Nacho Duato
Imagine doing the scene of the king and the queen dancing with the boy you like, I have to do this with a boy at a dance school, thank god he’s not the boy I like
Saludos desde Los Ángeles.
Wonderbar
Can anyone point (haha) me to the version Marcia Haydee set that uses the Petipa choreography? Iana is stunning, as always, but the choreography and deconstructed sets all seem very flat to me. There are some things Petipa set like the White Swan and the Rose Adagio that just...no, don't mess with them. And I realize I'm in the minority here...
No soy una especialista pero prefiero definitivamente la coreografía de Petipa. Los trajes pueden variar y la escenografía tbien pero para mi esta versión tan despojada perdió el clima de cuento de hadas q hace a la versión tradicional memorable. Salenko como de costumbre se adueña de su personaje y el resto del cuerpo de baile la complementa çon corrección y talento.
@@stellamarishansen3317 Have you seen her 2nd act variation? Choreography is very non-Petipa, almost minimalistic but she still makes it look impressive because she's such a great dancer.
@@minissa2009 Si lo he visto, me pareció excelente. Salenko y el cuerpo de baile hacen de cada rol una creación. Pero me cuesta aceptar la nueva coreografía después de haber visto tantas veces el original. Me hace falta como te dije .el entorno de cuento de hadas q no se ve en esta versión. Es como q extraño esta obra maestra creada x Petipa. Son dos cosas distintas pero definitivamente prefiero la coreografía original.
@@stellamarishansen3317 totalmente de acuerdo!! (gracias, Google Translate!). The scenery seems very flat, and I remember the White Cat (and maybe Puss in Boots) being costumed with bike shorts. So, not just the choreography. Everything seemed very 2-dimensional. Have you seen the reconstruction of Petipa's original choreography done for I think Bolshoi (might have been Mariinsky, Obravstova was Aurora). There must be 500 people in the cast (small exagerration) but it was fascinating to see how Petipa used the music and moved people around the stage.
@@minissa2009 Hola si he visto esa.
Versión con Obratsova, una bailarina q me deslumbra pero personalmente prefiero en ese rol a Olesya Novikova, su seguridad, control, versatilidad y su manera de desarrollar ese rol me parecen extraordinarias. La entrada de Aurora en el 2do acto increíble. De todas formas todas las bailarinas de esa generación Obratsova, Osipova, Somova, y otras como Tereshkina a la q personalmente amo x su fuerza, increíble control (Nikiya en Bayadera) y su capacidad de adaptarte a distintos roles totalmente diferentes entre si, van a ser difícilmente superables!!!
Wonderful 💖🇨🇦👍
Super
Nice Music
13:35 I LOVEE THIS PART MY BALLET TEACHER USES THIS PART OF THE MUSIC FOR PEKAES ( IDK FRENCH)
Esta apresentação é mais interessante do que o "The Kirov Ballet".
enjoyed the orchestra and costumes, the rest not much.
S’la😂 vie! Choreography brilliant…!
WHY ?? Is the King !.🤔.. Wearing !.. a Woman's Tiara????!
@@rayyanez3527 fairy Kings always wear pansy crowns…!
@@hubraden he Looks ! More !.. Like a Fairy !😂🤣QUEEN !???🤣😂🤣😂
Okay…so….🙀…kiss him…! & you’ll get your wish…!
It amazes me how negative and critical people can be regarding something so spectacular.
I love this. But maybe I’m not well cultured enough yet to think everything is not good enough ;)
Despite my issues with the choreo I did find the switch to the soloist jewel to a male interesting, usually the role is portrayed by a female yes?
A wonderful ballet with gorgeous costumes, BUT, why the colors washed out in BLUE light? Give the audience some credit for having some imagination so we can fully enjoy the artistry in this staging of a favorite ballet.
👏👏👏👏👏👏👏👏👏👏👏🌟🌟🌟🌟🌟
🥰🥰🥰😍
💕💕💕💕💕👌👌👌