Aber Rillings Passion ist subtiler in der Sprache , subtiler in der musikalischen Ausführung! Aber sicher war Herrweghe der bessere Stimmversteher deswegen stimme ich zu: seine Aufnahmen sind die schoneren😊
Byłem 1 kwietnia 2023 r w Eisenach na wykonaniu Pasji wg św. Jana przez zespół Philippa Herreweghe. Jedną z wykowczy była wówczas Dorothee Mields. Philipp Herreweghe przyjeżdżał na początku lat 90-tych do Studia na Woronicza w Warszawie z kantatami Jana Sebastiana Bacha.I chyba wtedy to były moje piękne początki z muzyką Bacha. Dziękuję ze wszech miar wykonawcom.
I really like the faster tempo, it gives a sense of urgency that I have never heard before and it seems to me that the instruments respond better in this tempo than in slower tempi. I still really like the performance available on their album. Philippe Herreweghe really brings a divine dimension to baroque and classical works. His Mozart requiem was a revelation. In short, thank you.
Es realmente una obra maestra del Arte musical , entendiendo que su contenido versa sobre el Creador del Universo , de su Logos ; el Autor y Consumador de la Fe . Con un modo o forma en unidad magistral con ese contenido , en el contexto de una "época" trascendente ; por cuanto sustenta los valores eternos manifestados por Dios mismo . Bach , ese 'Oceano' iluminado por el que fluye la inspiración verdadera ; que expresa con tal vigencia a través de la Música , porque precisamente está en ese 'Presente Infinito' , donde se manifiesta la Eternidad del Ser ; el Eterno 'Yo Soy '. Una magistral e insuperable interpretación de la obra , en función de Director , orquesta , solistas y coro . Gracias a todos los que hacen posible que llegue a los corazones , esta obra inmortal y edificadora . Muchas gracias 🙏🫶😊
He vuelto a escuchar esta interpretación del Sr. Herreweghe con sus cantantes y músicos. Sigue pareciéndome una Pasión llena de emoción. Volveré a escucharla en día de Viernes Santo. Muchas gracias.
Bach started in Leipzing on Good Friday with this magnificent composition. This moment started the beginning of production of some of greatest religious compositions of all times produced by this author. This outstanding music touches us deeply, not only through religiosity that conveys as the beauty of the associated chorus melody. The music of Bach is unique and of incomparable beauty. Viva Bach!!! Thanks for this superb interpretation!!!
@@francolupo23 Put it all in audacity and add some reverb... Import it left and right in audacity and un-sync it a little. Fiddle with it to get your stereo effect. Don't complain. All the concerts were stopped. In heaven you might sing it again. (which I'm surely planning to!) Make sure you get there. Read and obey the Bible.
Part I 0:00:06 Chorus : Herr unser Herrscher 0:08:33 Recitative+Chorus : Jesus ging mit seinen Jüngern 0:10:51 Choral : O große Lieb 0:11:39 Recitative : Auf daß das Wort erfüllet würde 0:12:41 Choral : Dein Will gescheh 0:13:26 Recitative : Die Schar aber und der Oberhauptmann 0:14:09 Aria (Alto): Von den Stricken meiner Sünden 0:18:37 Recitative : Simon Petrus aber folgete Jesu nach 0:18:52 Aria (Soprano) : Ich folge dir gleichfalls 0:22:37 Recitative : Derselbige Jünger war dem Hohenpriester bekannt 0:25:28 Choral : Wer hat dich so geschlagen 0:26:52 Recitative+Chorus : Und Hannas sandte ihn gebunden 0:28:53 Aria (Tenor) : Ach, mein Sinn 0:31:25 Choral : Petrus, der nicht denkt zurück Part II 0:32:38 Choral : Christus, der uns selig macht 0:33:34 Recitative : Da führeten sie Jesum 0:34:09 Chorus : Wäre dieser nicht ein Übeltäter 0:35:14 Recitative : Da sprach Pilatus zu ihnen 0:35:24 Chorus : Wir dürfen niemand töten 0:36:04 Recitative : Auf daß erfüllet würde das Wort 0:37:42 Choral : Ach großer König 0:39:05 Recitative : Da sprach Pilatus zu ihm 0:40:19 Chorus : Nicht diesen, sondern Barrabam 0:40:29 Recitative : Barrabas aber war ein Mörder 0:40:57 Arioso : Betrachte, meine Seel 0:43:05 Aria (Tenor) : Erwäge, wie sein blutgefärbter Rücken 0:51:13 Recitative : Und die Kriegskneckte flochten eine Krone 0:51:33 Chorus : Sei gegrüßet, lieber Judenkönig 0:52:08 Recitative : Und gaben ihm Backenstreiche 0:53:06 Chorus : Kreuzige, kreuzige 0:54:03 Recitative : Pilatus sprach zu ihnen 0:54:20 Chorus : Wir haben ein Gesetz 0:55:35 Recitative : Da Pilatus das Wort hörete 0:56:57 Choral : Durch dein Gefängnis, Gottes Sohn 0:57:49 Recitative : Die Jüden aber schrieen und sprachen 0:57:53 Chorus : Lässest du diesen los 0:59:07 Recitative : Da Pilatus das Wort hörete 0:59:46 Chorus : Weg, weg mit dem 1:00:46 Recitative : Spricht Pilatus zu ihnen 1:00:57 Chorus : Wir haben keinen König 1:01:06 Recitative : Da überantwortete er ihn 1:01:56 Aria (Bass) : Eilt, ihr angefochtnen Seelen 1:06:04 Recitative : Allda kreuzigten sie ihn 1:07:16 Chorus : Schreibe nicht: der Jüden König 1:07:49 Recitative : Pilatus antwortet 1:08:07 Choral : In meines Herzens Grunde 1:09:08 Recitative : Die Kriegsknechte aber 1:09:40 Chorus : Lasset uns den nicht zerteilen 1:11:04 Recitative : Auf daß erfüllet würde die Schrift 1:12:44 Choral : Er nahm alles wohl in acht 1:13:48 Recitative : Und von Stund an nahm sie der Jünger 1:15:12 Aria (Alto) : Es ist vollbracht 1:19:35 Recitative : Und neiget das Haupt 1:19:55 Aria (Bass) : Mein teurer Heiland, laß dich fragen 1:23:50 Recitative : Und siehe da, der Vorhang im Tempel zerriss 1:24:17 Arioso : Mein Herz, in dem die ganze Welt 1:25:07 Aria (Soprano) : Zerfließe, mein Herze 1:31:10 Recitative : Die Jüden aber, dieweil es der Rüsttag war 1:33:04 Choral : O hilf, Christe, Gottes Sohn 1:34:03 Recitative : Darnach bat Pilatum Joseph von Arimathia 1:36:08 Chorus : Ruht wohl, ihr heiligen Gebeine 1:43:15 Choral : Ach Herr, laß dei lieb Englein
Bravissimo !!!! Je devais les voir le 8 avril pour la Passion selon Saint Matthieu. Hélas, cela n’a pas eu lieu. Mille mercis, Monsieur Herreweghe et Collegium Vocale Gent, il n’y a pas mieux que vous sur terre pour interpréter les œuvres vocales de Bach. Bon courage et à bientôt sous de meilleurs auspices!
Oui, vous avez raison. J’ai bien écouté Suzuki et Pichon et même d’autres, Koopman, Van Veldhoven. ... Harnoncourt. ... Gardiner.. Je comprends très bien que vous puissiez préférer d’autres interprétations d’exception. Cet avis n’engageait que moi.
For a rehearsal, this is well filmed. I enjoy all these versions of Bach on period instruments, particularly by Herreweghe. It's good to see musicians playing and singing rather than performing. But this is rarely the case with Herreweghe, anyway. I don't mind the dry room. Herreweghe recordings from around 2010 sound like they were recorded in a bathroom. That opening Herr unser Herrscher evokes more awe than O Fortuna in The Omen.
I first heard The Maestro when this group and more did the Beethoven Missa Solemnis.......his period instrument recordings are unmatched....him and Rene Jacobs
@@MrNicks-gn8jc I'd listened to some Bach, you know, Brandenburgs, Yo-yo Ma, Andras Schiff. Choral music was just not my thing. Then I saw the BBC Time-Life Great Composers: Bach, brilliantly narrated by Kenneth Branagh and featuring a dozen or so talking heads only two of whom were more vain than informative. 'Ebarme dich' was featured and that started me looking on TH-cam. I found St Matthew's Passion by Herreweghe was the one that I kept going back to. At first, I skipped the recitatives, but eventually appreciated those cultured voices. At some point, it dawned on me that the presentation was conversational and that all the players were listening to each other. It was more than a performance. In that respect, the Netherlands Bach Society is the only rival I so far know of.
Herr, unser Herrscher, dessen Ruhm in allen Landen herrlich ist! Zeig uns durch deine Passion, dass du, der wahre Gottessohn, zu aller Zeit, auch in der größten Niedrigkeit, verherrlicht worden bist!
I am really pleased to hear new recording of Johannes by Herreweghe. I have been impressed by his previous recording. Thank you for sharing! すばらしい新録と公開ありがとう! from Japan.
I'm not sure why they decided to post a general rehearsal video. Some of the soloists seemed to be "marking," as is often done when a rehearsal is to be followed shortly by a performance. It hardly does their voices justice. Despite the feeling that people are not quite on their toes (as they would be in a concert), this still was an emotionally satisfying experience. They have the work in their bones. (I just looked at the date again: March 31, 2020. Perhaps the scheduled concert had to be cancelled because of the pandemic. If so, I am glad that could give us this at least.)
This is so uplifting and divine! So much love! And beautiful people. I love you all! (A pity for that minute of silence where we can’t hear “Jesus ging mit seiner jungern..” do you also have the video of the concert?) Evangelista and countertenor amazing and lovely gamba player, and the whole choir and soloists and orchestra and Maestro Herreweghe.. Wonderful!! I love you all!! What a blessing would be to be there with you!
Nice to see the orchestra and choir full of mature singers and players to add their wealth of experience. Unlike Sir JEG's ever getting younger and younger troupe. The evangelist is fantastic. You can hear and see that he understands every word.
Sorry, but in my humble opinion that is not a very clever comment. Old singers and players also were young once. Experience does not come from nothing. There are plenty of very talented young musicians out there. The evangelist is German, so it would be a surprise if he did not understand what he is singing.
@@michaelkaubrugge1039 What does that have to do with what I said? I said it's nice to have mature musicians perform, and that the evangelist is great. Do you prefer only young musicians? Also, I have heard many German evangelists who were not great, even though they understood what they were singing.
@@Bacholoji No worry,last year Philippe was here in the oldest church of Kortrijk, Belgium,Onze-Lieve-Vrouwe Kerk.The very first time I saw him perform!
Sung without masks.... The last performance before the Covid19 shut everything down... (and Peter Kooy still looks at his music text and notes... He might know it all by heart by now....)
Theorbe in this version Mr. Herreweghe? I praise your Bach-Praxis very much! You know certainly what Bach wrote about it. Besides, sounds horrible and, especially in the aria "zerfliesse....", is OUT OF TUNE with the Ensemble - despite the bad audio here.
Magnifica, ma la scelta di non inserire i contrabbassi fa perdere il senso di profondità e gravità che Bach aveva compreso dal Vangelo di Giovanni e trasporto benissimo in musica. Rimane più leggera, ma perde di pathos.
Doesn't Jesus ever get sick of being worshipped? Billions of people for two thousands years have been singing his praises. It never happened in his lifetime. Nobody who knew him spent all day praising him.
Une Passion qui débute bille en tête comme celle-ci n'est plus une Passion. C'est juste un office religieux sans grande envergure. Mais tu vas te calmer un peu oui? Tu marches à quoi?
![[MV] A leap of faith...ความเชื่อใจครั้งสุดท้าย (From "Petrichor the series")](http://i.ytimg.com/vi/U1piZH2CNXA/mqdefault.jpg)
![BOWKYLION - วิงวอน (ex-change) [Official MV]](http://i.ytimg.com/vi/cLdnZWDaO-w/mqdefault.jpg)
Herreweghe is still the Master of the most subtle philosophical introvert Bach. Perfect
Aber Rillings Passion ist subtiler in der Sprache , subtiler in der musikalischen Ausführung! Aber sicher war Herrweghe der bessere Stimmversteher deswegen stimme ich zu: seine Aufnahmen sind die schoneren😊
You describe very well👍
Yes ❤
Byłem 1 kwietnia 2023 r w Eisenach na wykonaniu Pasji wg św. Jana przez zespół Philippa Herreweghe. Jedną z wykowczy była wówczas Dorothee Mields. Philipp Herreweghe przyjeżdżał na początku lat 90-tych do Studia na Woronicza w Warszawie z kantatami Jana Sebastiana Bacha.I chyba wtedy to były moje piękne początki z muzyką Bacha. Dziękuję ze wszech miar wykonawcom.
I really like the faster tempo, it gives a sense of urgency that I have never heard before and it seems to me that the instruments respond better in this tempo than in slower tempi. I still really like the performance available on their album. Philippe Herreweghe really brings a divine dimension to baroque and classical works. His Mozart requiem was a revelation. In short, thank you.
no matter how often I hear it: I am touched deeply.
1.25.12...ups...makes this recording even better, is my favorite, anyhow
“I was obliged to be industrious. Whoever is equally industrious will succeed . . . equally well.”
― J. S. Bach
Thanks for the comment with BACH.
Amazing performance and an outstanding soprano by Dorothee Mields - thank you all!
Mamma mia! Che coro! che solisti! Che Herrewghe!
Grazie a BACH, grazie a Herreweghe! Grazie per la visione.
Es realmente una obra maestra del Arte musical , entendiendo que su contenido versa sobre el Creador del Universo , de su Logos ; el Autor y Consumador de la Fe . Con un modo o forma en unidad magistral con ese contenido , en el contexto de una "época" trascendente ; por cuanto sustenta los valores eternos manifestados por Dios mismo . Bach , ese 'Oceano' iluminado por el que fluye la inspiración verdadera ; que expresa con tal vigencia a través de la Música , porque precisamente está en ese 'Presente Infinito' , donde se manifiesta la Eternidad del Ser ; el Eterno 'Yo Soy '. Una magistral e insuperable interpretación de la obra , en función de Director , orquesta , solistas y coro . Gracias a todos los que hacen posible que llegue a los corazones , esta obra inmortal y edificadora . Muchas gracias 🙏🫶😊
Wat een prachtige uitvoering! Die evangelist! Zo overtuigend. En Jezus, het koor, het orkest ...allemaal even indrukwekkend.
He vuelto a escuchar esta interpretación del Sr. Herreweghe con sus cantantes y músicos. Sigue pareciéndome una Pasión llena de emoción. Volveré a escucharla en día de Viernes Santo. Muchas gracias.
I don't know if you agree with me,but with this rythm it really rocks!!!
Bach started in Leipzing on Good Friday with this magnificent composition. This moment started the beginning of production of some of greatest religious compositions of all times produced by this author. This outstanding music touches us deeply, not only through religiosity that conveys as the beauty of the associated chorus melody. The music of Bach is unique and of incomparable beauty. Viva Bach!!! Thanks for this superb interpretation!!!
J ai eu beaucoup de chagrin quànd Hereweeghe est décédé , car j l appréciait énormément.Cette passion est ma preferee
I can’t find any news about his passing away. He’s alive on Wikipedia…
Me neither, thank God!
I have no idea why they chose this dry room. A little bit of reverb would have made this superb performance truly wonderful.
seems to be mono ...
The same in stereo (some extracts) : an emotional meeting outhere-music.com/fr/albums/johannes-passion-bwv-245-lph031
They are just in rehearsal. Probably they were not planning to publish it.
@@Bacholoji I do hope that for the real thing they added some room and ambient mics.
@@francolupo23 Put it all in audacity and add some reverb... Import it left and right in audacity and un-sync it a little. Fiddle with it to get your stereo effect. Don't complain. All the concerts were stopped. In heaven you might sing it again. (which I'm surely planning to!) Make sure you get there. Read and obey the Bible.
Part I
0:00:06 Chorus : Herr unser Herrscher
0:08:33 Recitative+Chorus : Jesus ging mit seinen Jüngern
0:10:51 Choral : O große Lieb
0:11:39 Recitative : Auf daß das Wort erfüllet würde
0:12:41 Choral : Dein Will gescheh
0:13:26 Recitative : Die Schar aber und der Oberhauptmann
0:14:09 Aria (Alto): Von den Stricken meiner Sünden
0:18:37 Recitative : Simon Petrus aber folgete Jesu nach
0:18:52 Aria (Soprano) : Ich folge dir gleichfalls
0:22:37 Recitative : Derselbige Jünger war dem Hohenpriester bekannt
0:25:28 Choral : Wer hat dich so geschlagen
0:26:52 Recitative+Chorus : Und Hannas sandte ihn gebunden
0:28:53 Aria (Tenor) : Ach, mein Sinn
0:31:25 Choral : Petrus, der nicht denkt zurück
Part II
0:32:38 Choral : Christus, der uns selig macht
0:33:34 Recitative : Da führeten sie Jesum
0:34:09 Chorus : Wäre dieser nicht ein Übeltäter
0:35:14 Recitative : Da sprach Pilatus zu ihnen
0:35:24 Chorus : Wir dürfen niemand töten
0:36:04 Recitative : Auf daß erfüllet würde das Wort
0:37:42 Choral : Ach großer König
0:39:05 Recitative : Da sprach Pilatus zu ihm
0:40:19 Chorus : Nicht diesen, sondern Barrabam
0:40:29 Recitative : Barrabas aber war ein Mörder
0:40:57 Arioso : Betrachte, meine Seel
0:43:05 Aria (Tenor) : Erwäge, wie sein blutgefärbter Rücken
0:51:13 Recitative : Und die Kriegskneckte flochten eine Krone
0:51:33 Chorus : Sei gegrüßet, lieber Judenkönig
0:52:08 Recitative : Und gaben ihm Backenstreiche
0:53:06 Chorus : Kreuzige, kreuzige
0:54:03 Recitative : Pilatus sprach zu ihnen
0:54:20 Chorus : Wir haben ein Gesetz
0:55:35 Recitative : Da Pilatus das Wort hörete
0:56:57 Choral : Durch dein Gefängnis, Gottes Sohn
0:57:49 Recitative : Die Jüden aber schrieen und sprachen
0:57:53 Chorus : Lässest du diesen los
0:59:07 Recitative : Da Pilatus das Wort hörete
0:59:46 Chorus : Weg, weg mit dem
1:00:46 Recitative : Spricht Pilatus zu ihnen
1:00:57 Chorus : Wir haben keinen König
1:01:06 Recitative : Da überantwortete er ihn
1:01:56 Aria (Bass) : Eilt, ihr angefochtnen Seelen
1:06:04 Recitative : Allda kreuzigten sie ihn
1:07:16 Chorus : Schreibe nicht: der Jüden König
1:07:49 Recitative : Pilatus antwortet
1:08:07 Choral : In meines Herzens Grunde
1:09:08 Recitative : Die Kriegsknechte aber
1:09:40 Chorus : Lasset uns den nicht zerteilen
1:11:04 Recitative : Auf daß erfüllet würde die Schrift
1:12:44 Choral : Er nahm alles wohl in acht
1:13:48 Recitative : Und von Stund an nahm sie der Jünger
1:15:12 Aria (Alto) : Es ist vollbracht
1:19:35 Recitative : Und neiget das Haupt
1:19:55 Aria (Bass) : Mein teurer Heiland, laß dich fragen
1:23:50 Recitative : Und siehe da, der Vorhang im Tempel zerriss
1:24:17 Arioso : Mein Herz, in dem die ganze Welt
1:25:07 Aria (Soprano) : Zerfließe, mein Herze
1:31:10 Recitative : Die Jüden aber, dieweil es der Rüsttag war
1:33:04 Choral : O hilf, Christe, Gottes Sohn
1:34:03 Recitative : Darnach bat Pilatum Joseph von Arimathia
1:36:08 Chorus : Ruht wohl, ihr heiligen Gebeine
1:43:15 Choral : Ach Herr, laß dei lieb Englein
What a great tenor, evangelist!
Julian Prégardien is a gem, as fine an artist as his father.
Bravo, Maestro. Sigue Ud. siendo el mejor.
Super toll aufgezeichnet,ohne viel Technik! und soo ergreifend...Ihr seid alle hervorragend....das richtige Karfreitagsprogramm!!!..
Merci, merci pour cet enregistrement magnifique qui apporte beaucoup de réconfort.
Bravissimo !!!! Je devais les voir le 8 avril pour la Passion selon Saint Matthieu. Hélas, cela n’a pas eu lieu. Mille mercis, Monsieur Herreweghe et Collegium Vocale Gent, il n’y a pas mieux que vous sur terre pour interpréter les œuvres vocales de Bach. Bon courage et à bientôt sous de meilleurs auspices!
Exact! Mais essayez quand même Masaaki Suzuki et Raphaël Pichon avant d'affirmer cela.
Oui, vous avez raison. J’ai bien écouté Suzuki et Pichon et même d’autres, Koopman, Van Veldhoven. ... Harnoncourt. ... Gardiner.. Je comprends très bien que vous puissiez préférer d’autres interprétations d’exception. Cet avis n’engageait que moi.
@@isahevras Bien entendu. Bonne écoute et bravo pour vos choix!
I don’t know why but it’s bass heavy. Let the sopranos soar. Let everyone breathe. The beauty is lost in this recording.
48:55 Marvelous, so beautiful it feels like it slips directly into my soul. Thank you.
Dear @Matthieu Aria "Erwäge, wie sein blutgefärbter Rücken“ is one of my favorite too. Thanks.
For a rehearsal, this is well filmed.
I enjoy all these versions of Bach on period instruments, particularly by Herreweghe.
It's good to see musicians playing and singing rather than performing.
But this is rarely the case with Herreweghe, anyway.
I don't mind the dry room.
Herreweghe recordings from around 2010 sound like they were recorded in a bathroom.
That opening Herr unser Herrscher evokes more awe than O Fortuna in The Omen.
I first heard The Maestro when this group and more did the Beethoven Missa Solemnis.......his period instrument recordings are unmatched....him and Rene Jacobs
@@MrNicks-gn8jc I'd listened to some Bach, you know, Brandenburgs, Yo-yo Ma, Andras Schiff. Choral music was just not my thing. Then I saw the BBC Time-Life Great Composers: Bach, brilliantly narrated by Kenneth Branagh and featuring a dozen or so talking heads only two of whom were more vain than informative. 'Ebarme dich' was featured and that started me looking on TH-cam. I found St Matthew's Passion by Herreweghe was the one that I kept going back to. At first, I skipped the recitatives, but eventually appreciated those cultured voices. At some point, it dawned on me that the presentation was conversational and that all the players were listening to each other. It was more than a performance. In that respect, the Netherlands Bach Society is the only rival I so far know of.
Herr, unser Herrscher, dessen Ruhm in allen Landen herrlich ist!
Zeig uns durch deine Passion, dass du, der wahre Gottessohn, zu aller Zeit, auch in der größten Niedrigkeit, verherrlicht worden bist!
Dorothee Mields macht mit ihrem Gesang ihrem Vornamen alle Ehre: ein Geschenk Gottes! Aber sie singt ja nicht zu ihrer, sondern zur Ehre Gottes.
I am really pleased to hear new recording of Johannes by Herreweghe. I have been impressed by his previous recording. Thank you for sharing! すばらしい新録と公開ありがとう! from Japan.
I'm not sure why they decided to post a general rehearsal video. Some of the soloists seemed to be "marking," as is often done when a rehearsal is to be followed shortly by a performance. It hardly does their voices justice. Despite the feeling that people are not quite on their toes (as they would be in a concert), this still was an emotionally satisfying experience. They have the work in their bones. (I just looked at the date again: March 31, 2020. Perhaps the scheduled concert had to be cancelled because of the pandemic. If so, I am glad that could give us this at least.)
Same for the microfones... It`s a pity, because the artists are so brilliant.
좋은 연주영상 올려주셔 감사합니다
Have a nice day ❤️
2
È una meraviglia! Bravissimi!
This is so uplifting and divine!
So much love! And beautiful people. I love you all!
(A pity for that minute of silence where we can’t hear “Jesus ging mit seiner jungern..” do you also have the video of the concert?)
Evangelista and countertenor amazing and lovely gamba player, and the whole choir and soloists and orchestra and Maestro Herreweghe.. Wonderful!! I love you all!! What a blessing would be to be there with you!
Magnifique !
It's so beautiful that I lost my reason
Pregadien is a marvelous Evangelist! So is the rest of the ensemble!
Der Evangelist ist gut, reicht aber an seinen Vater nicht heran. ❤
Nice to see the orchestra and choir full of mature singers and players to add their wealth of experience. Unlike Sir JEG's ever getting younger and younger troupe.
The evangelist is fantastic. You can hear and see that he understands every word.
Sorry, but in my humble opinion that is not a very clever comment. Old singers and players also were young once. Experience does not come from nothing. There are plenty of very talented young musicians out there. The evangelist is German, so it would be a surprise if he did not understand what he is singing.
@@michaelkaubrugge1039 What does that have to do with what I said? I said it's nice to have mature musicians perform, and that the evangelist is great. Do you prefer only young musicians? Also, I have heard many German evangelists who were not great, even though they understood what they were singing.
Listening to this is just so relaxing. Thank you for uploading!
Thanks for listening
Super de MAX!!!Zo kunnen we toch genieten thuis!
@KoxxMobilHome Hab einfach Geduld. Wir werden bald zu Konzerten gehen. Danke und vergessen Sie bitte nicht, sich anzumelden.
@@Bacholoji No worry,last year Philippe was here in the oldest church of Kortrijk, Belgium,Onze-Lieve-Vrouwe Kerk.The very first time I saw him perform!
Bravo Bach! Thanks for uploading. ❤️🎼🎵🎶👏🇮🇪☘️
@mrroneill99 Thank you!
Happy 50th Birthday Collegium Vocale! 🎂🎂🎂
Allein Philippe Herreweghe dirigieren zu sehen ist ein Erlebnis.
@Ignace Erauw viel Freude beim Fest. Ich hörde Radio
Grande composição. Mas não dá para comparar com a Paixão segundo São Matheus. A obra em que Bach alcançou a perfeição musical...
Bach performed at its finest!
Sung without masks.... The last performance before the Covid19 shut everything down... (and Peter Kooy still looks at his music text and notes... He might know it all by heart by now....)
simply magnificent !
sygt sunget!! legende boys kooom nuuuu
Beautiful!
Onvergetelijk
👍
Great! Like it so much👏👏👏
Glad you like it!
!!!EXQUISITO!!!!
What happened right after the opening chorus? Is it me only? 0:08:33
something wrong with audio 08:33 thru 09:34 ...
Me too
me too
It's a technical problem obviously...
Bach is playing himself the 1st oboe in the first movement.
BELLÍSIMO!!!
?
Yes! Thank you!
You are so welcome!
Vader maar dis mooi!
du genie.
Wouwww grande
Thanks for watching.
Projectum Divine 🔵
There seems to be a fault: a silence break between 08:37 and 09:37.
Vixe!®
This is God speaking...
1:09:41 Lasset uns den nicht zerteilen
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1:01:55 Aria (Bass) : Eilt, ihr angefochtnen Seelen
👏👏
Teşekkürler Hüseyin Bey.
@Ignace Erauw ??
Theorbe in this version Mr. Herreweghe? I praise your Bach-Praxis very much! You know certainly what Bach wrote about it.
Besides, sounds horrible and, especially in the aria "zerfliesse....", is OUT OF TUNE with the Ensemble - despite the bad audio here.
It's a shame this is mono and not stereo :'(
Este inicio me da miedo. Es tenebroso, pero es muy bonito.
Naja
Is there a stereo version of this please? :(
Schlechte Tonsteuerung bei „Von den Stricken“!! Schade! So sad! Was war nur mit der Tonmischung los?
But where is the alto? Such a pity. The soloist is great, but it’s a missed opportunity. A tenor and an alto sound very different.
Tonstörung (eine Zeit ohne Ton!) nach dem Eingangschor
No idea?!
В баховском темпе? Но возраст...
Der Evangelist ist gut, reicht aber an seinen Vater nicht heran. ❤
Magnifica, ma la scelta di non inserire i contrabbassi fa perdere il senso di profondità e gravità che Bach aveva compreso dal Vangelo di Giovanni e trasporto benissimo in musica. Rimane più leggera, ma perde di pathos.
Doesn't Jesus ever get sick of being worshipped? Billions of people for two thousands years have been singing his praises. It never happened in his lifetime. Nobody who knew him spent all day praising him.
blah blah blah
great playing, but the recording ist horrible
Yes, it's in monophonic sound and very compressed (no bass). Nowadays every recording is at least with 2 channels.
They were in rehearsal. Not planning to be online. Sorry!
Put in audacity... Crank up the bass. Fiddle a bit and try out. Or sing it yourself and add that to the choir...
J7j
La prise de son n'aide pas à apprécier.
tempi far too fast!
Sono d’accordo troppo veloce.
Not at all..... Just different interpretation.
The recording is terrible.
Une Passion qui débute bille en tête comme celle-ci n'est plus une Passion. C'est juste un office religieux sans grande envergure. Mais tu vas te calmer un peu oui? Tu marches à quoi?
Ton commentaire est ri di cu le!
@@yvanleboeuf On va faire court et définitif....Je t'emmerde!