Minor success! Wow, both enlightening and heavy, that can easily lead up to a part 2 (this is rabbit hole territory, right?!). ;). Thanks again for your wisdom, Jeremy. ;) -AL
Thank you so much Jeremy! Another outstanding lesson and something that has always confused me. Employing he "penatonic voicing when you get into trouble was what I did not know and sooo helpful! I have one question (when you get to dealing with the minor ii V)...at 10:48 you play a C# in your left hand above the G in your pinky when harmonizing the final 3 ascending quarter notes of the first ending. I do understand you have to add the D# in your right hand for the melody..should that C# be a C natural to adhere to the notes found in a B Phrygian/G Ionian Scale?
Oof I’m not sure that i can fully process the question here …it sounds like a good one…I might’ve done something more fancy than I intended subconsciously 😉
I will have miner success when I dig through this material. Thanks, Jeremy.
Brilliant! You bring me closer to modal logic and not the least, the real life application of it.
Great! I'm glad we're a little bit closer....
Splendid. Thanks Jeremy. Very enlightening.
You’re splendid, Stuart! Thanks for watching!
Thank You Jeremy for this Video
My pleasure, Jerry! Happy experimentation!
I have a list of 'so what' chords for every chord quality written out, but getting them under my fingers in all 12 keys is something else entirely 💀
Keep at it! The good news is that all keys are just a half-step different than one other key!
Jeremy thank you for this great suggestion! Just found you on open studio podcast, your works are absolutely incredible
Awesome! Thanks for visiting the channel. I love the open studio guys!
😅😅😅thanks a lot 😂😂
😂😂😂 merry Christmas to you 😅😅😅
Confused minor issues - will go to your books first!
You won't find much of this in books...yet! But JPF3 is coming out next month and you'll find all of it there!
@@JeremySiskind Very exciting! Slowly working my way through JPF1 right now….
Minor success! Wow, both enlightening and heavy, that can easily lead up to a part 2 (this is rabbit hole territory, right?!). ;). Thanks again for your wisdom, Jeremy. ;) -AL
It's amazing how complicated this "simple" question is! I hope you got something from watching me struggle with it...
It’s awesome you left the pen drop accident.
No need to edit out. it’s actually funny.
We don't really "do" "edits" here...
Major succes! Great vodeo
That's too kind, Steven! Thanks for watching!
Thank you so much Jeremy! Another outstanding lesson and something that has always confused me. Employing he "penatonic voicing when you get into trouble was what I did not know and sooo helpful! I have one question (when you get to dealing with the minor ii V)...at 10:48 you play a C# in your left hand above the G in your pinky when harmonizing the final 3 ascending quarter notes of the first ending. I do understand you have to add the D# in your right hand for the melody..should that C# be a C natural to adhere to the notes found in a B Phrygian/G Ionian Scale?
Oof I’m not sure that i can fully process the question here …it sounds like a good one…I might’ve done something more fancy than I intended subconsciously 😉
Dorian success!
Nice! Thanks for watching, Mr. Reid!