Thanks so much for watching, Darlene! I think it varies per person and per bow, but there can be a grey area (in terms of exact metronome marking) transitioning the two. But to be able to get back and forth between spiccato and sautillé, Mendelssohn Midsummer Night's Dream Scherzo is the perfect example of switching back and forth between the two! More in Parts 2, 3, 4!
Any suggestion on how to make the left hand in coordination with the right hand when doing sautille? Sautille is very fast so I can’t really do a slow exercise.
These videos hopefully will give you some ideas: Fingers uncoordinated?: th-cam.com/users/shortsDdzM7RoYo9M?si=Lsc1q00T0sQJtAC- How to Practice Schumann Scherzo: th-cam.com/users/shortsjmtXPjPDgkk?si=X6MEP6VTZaZyepqM
❤ Absolutely agree!Thanks, it seems so easy, but in reality, it is not quite like this. Unfortunately, many many professionals avoid practicing spiccato properly:( But I really like this video! So what do you think about the crucial role of our wrist and so important flexibility of the fingers in the whole process? Especially in piano nuance...
Thanks so much, Sergiy! As professionals, we only start to get obsessed with spiccato when we’re getting ready for an audition or we’re teaching it to our students. 😅 Great question about wrist and finger flexibility. My philosophy: all the joints in the arm structure (all the way from the finger joints to the gleno-humeral joint (where the shoulder blade meets the humerus) need to be free and responsive. There are different images that I like to channel: fingers made of springs is a favourite. I go more into the role of all the joints in Part 3 of my Spiccato series. You can find it here (Top 5 Spiccato Mistakes and How To Fix Them): lynnkuo.com/spiccato-mistakes The other video where I explain the role of the fingers is in an excerpt from a Détaché tutorial that I had filmed for my VIP Coaching Program students. th-cam.com/users/shortsjEhbaAH7bnE?si=RXPctTXaeg78I5oz
That’s a complicated question. For a starter violin, assuming that’s what you mean, you would have to listen to the quality of the sound first and foremost.
I’m learning a piece that requires sophisticated skills for brush stroke-spiccato - sautille, this is very helpful. But I find doing spiccato at speed in between 70-100 quarter notes are hard already.. what do you suggest the practice schedule? Do I do the quarter, eighth first, unit it’s consistent, then I do 16th and 32nd? And roughLy how long would one stay with the quarter, eighth spiccato before ready for the 16th?
Hey Audrey, thanks for watching! Sounds like you might need a teacher to help diagnose what may be holding your spiccato/sautillé from developing. I guide my students to either of the two approaches to off the string strokes first and see which approach works best. I also address the most common mistakes (and how to fix them) in my part 3 and 4 tutorials: It may help you get to the 16th/32nds you’re aiming for: Http://bit.ly/spiccatofreebie Part Two of my Best Spiccato Tips is here: Violin & Viola Spiccato Tutorial - How to Play Spiccato (Part 2) th-cam.com/video/0Csc8eOYsmE/w-d-xo.html I also go into further depth in my course, Mastering Violin Technique: violinwithdrlynn.com/courses/mastering-violin-technique/
@@violynnkuo thank you so much, let me watch your entire series first then! when i roll my hand to tilt the bow for the spiccato to be more manageable (orelse it bounces on its own like crazy), my hand/arm has great tension after a while. The tension in the arm felt "wrong", i feel very tired in the arm after playing a page of spiccato only triplet passages. Particularly, i am mimicking this video at 1'05" onwards..
@@violynnkuo i have a teacher but i find your explaination more helpful! In my lesson, we didnt even identify the passage in the beethoven piece as spiccato, it took me great length to reach your video - i did not know i was expected to play spiccato-brush stroke spectrum
@@Intelcoll Oh yikes, tension is never good. I mention what I do to address arm tension in this tutorial: I teach this to all my students and apply it in my own playing: 5 Tips for String Crossings th-cam.com/video/lWnoSRyVJfA/w-d-xo.html
Great video! Thank you for clarifying the point where spiccato changes to sautillé and vice-versa! That really helps!
Thanks so much for watching, Darlene! I think it varies per person and per bow, but there can be a grey area (in terms of exact metronome marking) transitioning the two. But to be able to get back and forth between spiccato and sautillé, Mendelssohn Midsummer Night's Dream Scherzo is the perfect example of switching back and forth between the two!
More in Parts 2, 3, 4!
🚨WATCH THE TOP 5 SPICCATO MISTAKES (Spiccato Tutorial Parts 3 & 4)🚨:
Bit.ly/spiccatofreebie
Very clear explanations, thanks a lot!
You’re so welcome! Thanks for leaving a comment! 🙏
A great video ..I was struggling with spiccato but after watching part 1 ,2 and doing your exercise really helped ..so thank you very much ❤❤
I'm so happy that my tutorials helped! Feel free to look around the rest of my channel!
Really you are amazing teacher and you handle this complicated topic in very interesting and helpful methods god bless you well done 👍
Thank you so much, Imad! I appreciate you taking the time to leave a comment! 🙏 Hope you have a great day!
Well done Lynn. Looking forward to your next one.
Thank you! ❤️ Every Tuesday, a new video! 😀
Looking forward to part 2!!
Chelsea Sharpe Thanks, Chelsea! Part 2, 3, 4 get better! 😃
Any suggestion on how to make the left hand in coordination with the right hand when doing sautille? Sautille is very fast so I can’t really do a slow exercise.
These videos hopefully will give you some ideas:
Fingers uncoordinated?:
th-cam.com/users/shortsDdzM7RoYo9M?si=Lsc1q00T0sQJtAC-
How to Practice Schumann Scherzo:
th-cam.com/users/shortsjmtXPjPDgkk?si=X6MEP6VTZaZyepqM
❤
Bagus, permainannya.
🙏
My beatifull teacher is teaching very well. I need it.
I’m glad you like my spiccato tutorial!
@@violynnkuo i am glad because of you. Thanks for everything.
Lynn parabéns gostei muito parabéns
Muito obrigado!🙏 Happy New Year!
Difficult to explain but you do a great job!
Thanks so much, Gordon! 🙏
❤ Absolutely agree!Thanks, it seems so easy, but in reality, it is not quite like this. Unfortunately, many many professionals avoid practicing spiccato properly:( But I really like this video! So what do you think about the crucial role of our wrist and so important flexibility of the fingers in the whole process? Especially in piano nuance...
Thanks so much, Sergiy!
As professionals, we only start to get obsessed with spiccato when we’re getting ready for an audition or we’re teaching it to our students. 😅
Great question about wrist and finger flexibility.
My philosophy: all the joints in the arm structure (all the way from the finger joints to the gleno-humeral joint (where the shoulder blade meets the humerus) need to be free and responsive.
There are different images that I like to channel: fingers made of springs is a favourite.
I go more into the role of all the joints in Part 3 of my Spiccato series.
You can find it here (Top 5 Spiccato Mistakes and How To Fix Them):
lynnkuo.com/spiccato-mistakes
The other video where I explain the role of the fingers is in an excerpt from a Détaché tutorial that I had filmed for my VIP Coaching Program students.
th-cam.com/users/shortsjEhbaAH7bnE?si=RXPctTXaeg78I5oz
Bunyi biolanya enak,
Saya dari indonesia.
Biolanya bagus merk apa sister.
That’s a complicated question. For a starter violin, assuming that’s what you mean, you would have to listen to the quality of the sound first and foremost.
Does the spicatto bowing jump on the string?
Spiccato: yes. Sautillé: no.
More info on spiccato vs. sautillé inside parts 3 and 4 tutorials:
violinwithdrlynn.com/spiccato-secrets
I’m learning a piece that requires sophisticated skills for brush stroke-spiccato - sautille, this is very helpful. But I find doing spiccato at speed in between 70-100 quarter notes are hard already.. what do you suggest the practice schedule? Do I do the quarter, eighth first, unit it’s consistent, then I do 16th and 32nd? And roughLy how long would one stay with the quarter, eighth spiccato before ready for the 16th?
Hey Audrey, thanks for watching! Sounds like you might need a teacher to help diagnose what may be holding your spiccato/sautillé from developing.
I guide my students to either of the two approaches to off the string strokes first and see which approach works best.
I also address the most common mistakes (and how to fix them) in my part 3 and 4 tutorials:
It may help you get to the 16th/32nds you’re aiming for:
Http://bit.ly/spiccatofreebie
Part Two of my Best Spiccato Tips is here:
Violin & Viola Spiccato Tutorial - How to Play Spiccato (Part 2)
th-cam.com/video/0Csc8eOYsmE/w-d-xo.html
I also go into further depth in my course, Mastering Violin Technique:
violinwithdrlynn.com/courses/mastering-violin-technique/
@@violynnkuo thank you so much, let me watch your entire series first then! when i roll my hand to tilt the bow for the spiccato to be more manageable (orelse it bounces on its own like crazy), my hand/arm has great tension after a while. The tension in the arm felt "wrong", i feel very tired in the arm after playing a page of spiccato only triplet passages. Particularly, i am mimicking this video at 1'05" onwards..
@@violynnkuo th-cam.com/video/_k-spCZ5PS4/w-d-xo.html
@@violynnkuo i have a teacher but i find your explaination more helpful! In my lesson, we didnt even identify the passage in the beethoven piece as spiccato, it took me great length to reach your video - i did not know i was expected to play spiccato-brush stroke spectrum
@@Intelcoll Oh yikes, tension is never good.
I mention what I do to address arm tension in this tutorial:
I teach this to all my students and apply it in my own playing:
5 Tips for String Crossings
th-cam.com/video/lWnoSRyVJfA/w-d-xo.html
thought it was green screen :/
Ha, nope. 😊 It was filmed while I was on vacation (in Newfoundland and Labrador, Canada).
Hope you enjoyed the scenery!