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Nikolai Rimsky-Korsakov - Capriccio espagnol, Op. 34
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- เผยแพร่เมื่อ 22 ก.ค. 2016
- Russian Night at the festival Klassik am Odeonsplatz in Munich
Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34
Año de composición 1887
I. Alborada (Vivo e strepitoso)
II. Variazioni (Andante con moto) - 1;13
III. Alborada (Vivo e strepitoso) - 6:05
IV. Scena e canto gitano (Allegretto) - 7:18
V. Fandango asturiano - Coda (Vivace assai - Presto) 9:50
Bavarian Radio Symphony Orchestra
Mariss Jansons, director
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Capriccio espagnol, Op. 34, is the common Western title for an orchestral work based on Spanish folk melodies and written by Nikolai Rimsky-Korsakov in 1887. Rimsky-Korsakov originally intended to write the work for a solo violin with orchestra, but later decided that a purely orchestral work would do better justice to the lively melodies. The Russian title is Каприччио на испанские темы (literally, Capriccio on Spanish Themes). The Capriccio consists of five movements and is scored for 2 flutes, piccolo, 2 oboes (one doubling English horn), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, percussion, harp and strings.
The work has five movements:
The first movement, Alborada, is a festive and exciting dance, typically from traditional asturian music to celebrate the rising of the sun. It features the clarinet with two solos, and later features a solo violin with a solo similar to the clarinet's.
The second movement, Variazioni, begins with a melody in the horn section. Variations of this melody are then repeated by other instruments and sections of the orchestra.
The third movement, Alborada, presents the same asturian dance as the first movement. The two movements are nearly identical, in fact, except that this movement has a different instrumentation and key.
The fourth movement, Scena e canto gitano ("Scene and gypsy song") opens with five cadenzas - first by the horns and trumpets, then solo violin, flute, clarinet, and harp - played over rolls on various percussion instruments. It is then followed by a dance in triple time leading attacca into the final movement.
The fifth and final movement, Fandango asturiano, is also an energetic dance from the Asturias region of northern Spain. The piece ends with an even more rousing statement of the Alborada theme.
The harpist is just awesome.
Thank you very much "
Russian classical music composers" for your upload.
Rest in peace maestro Jansons and thank you for all your job.
Génial, l'interprétation me renvoie plus de 50 ans en arrière quand je découvrais la musique classique sur un "tourne-disques" Teppaz, je crois, avec un 33 tours vendu à prix réduit chez un disquaire de quartier, où un festival de musique russe y était gravé (Rimsky, Moussorgsky, Borodine, 4 pièces en tout) et dirigé par un Georges Prêtre de 40 ans, au sommet de son art...
Merveilleur. Merci mille fois pour le Upload.
Con admiración digo : muchas gracias.
I FINALLY FOUND IT!!!!! I used to play this in highschool and used a search engine by notes on a virtual piano to find this lol
¡Hermosa interpretación!
it is one of the best music that i heard. brilliant performance! thank you very much.
I. Alborada (Vivo e strepitoso)
00:00
II. Variazioni (Andante con moto) - 01:13
III. Alborada (Vivo e strepitoso) - 06:05
IV. Scena e canto gitano (Allegretto) - 07:18
V. Fandango asturiano 09:50 12:12
Coda (Vivace assai - Presto) 14:40
gracias !
Mariss Jansons 👏👏
nice.great, thanks.
Сертифицированный межгалактический!🌹
Great snare drum roll at the top of Movement IV
This kind of repertoire really wasn't Janssons' forte, was it?
whats the original tonality? A or Bflat?
A major
8:28 , 10:57
9:28
Who is that clarinetist