Yes i heard that story. They said after that song set , they had to bring in another player to finish the album. He deserves much more credit for what they gave him
As a huge Motown fan back in the 60s and 70s, I really enjoyed this video. There is a great documentary about the Funk Brothers called “Standing in the Shadows of Motown”. It’s just very sad that these fantastic musicians did not receive their due and for most of them their accomplishments were not recognized until many had passed away. Thank you for this. 👏👏
Even way before I became a musician, when I heard motown songs I'd find myself humming the bass parts instead of the actual lyrical melody. As I got older and got into bass I revisited all the Tamla and Motown catalog and I was reborn again in all the musical sense of the word. His genious inspired me to be not only a better player but also a better musician. Amongst all of his incredible basslines (which are too many to list), "Save the Children" still leaves me in awe to this day... just incredible. Its such a beautiful bassline that at times it has made me cry.
There's Ray Parker Jr's account of being told as a kid to go sit in the car with Jamerson (to keep young rascal Parker out of mischief), and recalling the glove box always packed with a huge bag of weed and the car full of smoke with the windows rolled up! I do rather suspect that the slightly odd and eccentric Jamerson may well have been on the autistic spectrum and can certainly relate to some degree to alcohol plus weed induced contributing to the focus and tranquility to produce his best, most creative improvisations. He notoriously recorded his bass part to What's Going On in one magical take, flat on his back far too drunk and high to stand up. Sadly alcohol dependency cannot be maintained without taking its toll over time which is ultimately what led to his demise. A legend forever and always who's bass playing will continue to inspire always. Personally I'm obsessed with the vibe of What's Going On and never get tired of playing around that simple but beautiful chord progression to my heart's content. RIP James Jamerson
Marvin Gaye said in his book, "Divided Soul" that Jamie Jamerson was Motown's "secret weapon." Adding that Jamerson's "busy bass" was the secret ingredient to a lot of the hit records Motown put out. Label owner Berry Gordy refused to credit musicians on the liner notes of albums. Marvin Gaye absolutely refused go along with this and insisted that Jamie be credited on the monumental "What's Goin' On."
Sorry but at 4.46 you show a picture of Uriel Jones on drums and say it's Benny Benjamin. Just to let you know. Where did you get your picture of Joe Hunter also?
That is where I first learned to love Jamerson. I was very young when Darling Dear came out and I always loved it. Then when I got to my early teens I really began to “hear” the music, and Jamerson’s bass on lots of Motown songs jumped out at me.
@josebrown5961 Also, he's featured on Marvin Gaye's Ain't That Peculiar great job. Sad that when MOTOWN moved out west to LA he was pushed out do to changing musical protocol, he'll always be #1
Well done. The main reason I took up bass is Jamerson. He actually used a DI box in the studio made by Acme- it's been reissued at least once, but they're hard to find. Live, he used an Ampeg B-15. That thing's like the Holy Grail of amps. His strings (cables?) are heavy and hard to fret, making open strings a necessity. They will absolutely pull your neck out of shape. Thanks so much for giving credit where credit is due.
When it comes to pop/rock/soul, there's no argument at all. He is the most influential bassist of all time. The man was a bonafide musical genius in every way.
My favorite Bass lines with James Jamerson was clearly Diana Ross's version of 'Ain't No Mountain High Enough' Totally loved his bass grooves reflecting a tremendous compliment to Paul Riser's genius Orchestral arrangement of this 1969-1970 hit version. Having my full time career performing and directing music, I believe Jamerson's bass grooves are among 'the very top'. Thank you for posting this.
JJ was truly phenomenal. It wasn't just his playing but his choice of notes to support or enhance a progression. As for me, I will ever believe that his greatest recording was performed for The Spinners on the song "It's a Shame". This was true genius at a level that no one else can touch. Often imitated and emulated but never duplicated.
@@RobertGraziose Yes! And this verified on Wikipedia. The song credits are as follows: Lead vocals by Diana Ross Backing vocals by Mary Wilson and Florence Ballard[9] Instrumentation by the Funk Brothers: Earl Van Dyke - Wurlitzer electric piano, Hammond organ, test oscillator[3] James Jamerson - bass guitar Richard "Pistol" Allen - drums Joe Messina - electric guitar Jack Ashford - percussion
@@joewhitfield6316 I play bass. I was very proud of learning it. He is fantastic. My biggest influence was Paul McCartney, and his biggest influence was James. I also learned It's the same old song, and most of the Supreme's songs. Thanks for responding.
Another Barry Harris student. Barry taught Paul Chambers too. They were all in high school. Detroit was ridiculous. Berry Gordy was a year or two above Barry. Barry said he played boogie woogie piano and they jammed sometimes.
James Jamerson was my most admired favorite bass player of all time and I play old-school medal for years. I say play because I still play and I’m in my 60s but that being said anything James played for the Temptations just blew me away.
For Once In My Life is his magnum opus. I loved that snippet you played with the bass and click and little synth to guide. Would love to hear that full mp3.
Not Hotsville, but Hitsville, but thanks for the great, informative video on my favorite bass player. Well done. So many great basslines. What'd Goin On, Bernadette, Darlin Dear, etc. He really did some showing out on Bernadette, though. I think he was an absolute genius at writing, improvising, and of course, playing.
ive just recently been getting into motown which is very late considering im a bass player and live in Michigan, but man Jamerson is something else. the first time i tried to play Aint No Mountain High Enough i just couldnt physically compute it in my brain, regardless of the difficulty he and I approach bass VERY differently and that was kind of a system shock having already played for some years. im still working on that song, its been months lmao
1965 recording of *BERNADETTE* was so freaking perfect! Weird to think that "new" bass players back then were starting to think outside of the (just with the rhythm) bass lines and that James Jamerson was one of the firsts to start this..
In order- First 5 songs on what’s going on album. (what’s happening brother my fave). Darling dear J5. Grapevine Gladys Knight. No mountain Diana Ross. Bernadette . Stevie made to love her . It’s a shame spinners . Just too many ! He was the greatest bass player that ever walked the earth . His interpretation of the melody was from another planet . His style gave countless bass players employment in the 60s and 70s . All you had to be able to do is a couple of Jamison style tricks and you got the job . He changed the rules of music like Allen Iverson changed the rules of ball handling that still works to this day. He’s the Jimi Hendrix of the Bass. The Picasso. The Mozart. No bass player could ever say they were better than him. Not with a straight face. He plays his own song within a song. He plays A different time than the rest of the band. He can thump with repetitive grooves and play the most beautiful notes possible on a ballad. He made musicians rethink their licks. Gave them new options. His bass vocabulary was unmatched and extremely conversational. He played like people speak. In entire phrases. He was totally unpredictable. Nobody could guess what he was gonna play next or how he was coming out of the measure. That whole “last note becomes the first note” thing. Forget it. He made that famous. It takes years of studying to adequately understand what he was doing.
"It's A Shame" by The Spinners, or "If I Were Your Woman" by Gladys Knight And The Pips. The best I can tell you is the felt good. I didn't realize it at the time but dancing to Motown's music was dancing with Jamerson. He picked up the P Bass when I started the first grade 🤣
Wait, the Vulf transcription/graphic of For Once In My Life is Jamerson's isolated bass track? I always thought it was midi (either programmed or played on keyboards, since it said "recording by Jack Stratton")... Especially when compared to Vulf's other transcription, Aint No Mountain High (which did have the full song), and the bass sound in it
Oh, by the way. One of my favorite Motown songs Jameson played on is “ Darling Dear “ by the J5. That bass piece is so much fun to play and listen to. Go check it out. Pure to listen to and it’s a masterpiece.
Jamerson was also a huge influence on Jaco Pastorius and John Paul Jones, who got the nickname "The English James Brown' for his similar style of playing as a session musician before Led Zeppelin took off.
I so, so, so, agree with you, these are my 2 favorites also, love ❤️ the bass, also my guy that's singing those songs, I just love the sound of those instruments, my GOD those guys were so very, very, very talented, I just LOVE ❤️❤️❤️❤️❤️❤️ what GOD created.
First timer watching your video. Thanks. Best base line? I don’t think so. Since you asked, here’s my suggested general analysis from you of another great Motown song: “Where Peaceful Waters Flow” (My favorite Gladys Knight and the Pips song).
Many think that Jamerson's style was original, but in reality, his one-finger technique was inspired by another legendary bassist, Robert Robertson, who played without any fingers. He was so brilliantly gifted that he only needed to look at the right note. The bass, frightened by such genius, would then produce the note on its own, without any prompting other than the pure terror and respect that the musician inspired in it.
Darling Dear by the Jackson 5 was his greatest performance - legend has it that JJ was hammered drunk and was dragged into the studio, he listened once to the song then played the bassline that was on the recording - whilst still drunk and lying flat on his back! Listen to this stripped back version of Darling Dear to really hear the complexity in this improvised bassline. th-cam.com/video/iM1R35KyJSY/w-d-xo.html Jamerson was a genius.
Patrick, 1) the story of JJ cutting a tune while drunk and lying on his back - as recounted by Marvin Gaye - applies to the tune 'What's Going On' off the album of the same name, not 'Darling Dear'. 2) 'Darling Dear' is great and the tune he gets most accolades for, but as good as it is, he played on a lot of stuff that was equally so, if not better (in my opinion). Check out the 'Love Child' album by the Supremes, and the "For Once in My Life' album by Stevie Wonder.
See if you can find the BOOK "Standing in the Shadows of Motown." I have a copy somewhere and would be glad to send it to you. Jamerson was the road bassist for Smoky Robinson who said there were producers who would not record until Jamerson got back to Detroit. Your passion and enthusiasm is terrific to see,, and there is a wealth of material in the book you will really love to check out.
Thanks, Jerold I'm already one step ahead of you... That book taught me how to play Motown bass! Thanks for the lovely comment and thanks for checking out the video have a great day. 🙂
I want you bass world to know once and for all that when you hear the word 'bass line' this is the man it came from. It was Jamerson who transformed a 'riff' into a 'line', that is, perhaps due to his jazz roots made the bass interesting over a series of bars in a story like 'line' as different to what was played then. As a matter of fact this is still what is played now and wrongly called bass lines, a figure comprised of one or two bars played again and again IS NOT A BASS LINE. These a are riffs having only 'instant' vertical interest as opposed to horizontal one. As an example, listen to the wonderful baseline to 'For Once In My Life', not a single bar is repeated even though the chord progression repeats over and over again!
@@JazMoss Thanks man, forgot to mention, loved your documentary very honest and accurate. By the way, the one finger 'hook' style was not a result of his luck of technical dexterity, it was intentional, it gave his notes a monotonic feel from the volume point of view giving the impression that each note was really meant and that each note was as important as the other, no ghost notes, no lead-ins, no fill-ins and any dynamic embellishments were strictly unnecessary, The notes in their virgin state were enough to tell the beautiful story. So that is one of the reasons he never used the emotionally divertive slap bass style, hated it like me and never used it. The other historical musical genius Mozart demanded from the keyboard players of his piano pieces that they play each note at an equal volume, no attempt should be made whatsoever at dynamic or tempi 'personal' expression as the notes themselves tell everything he wanted to say and needed no further interpretation. In Jameson's case he expressed this idiom by using one finger as you know two or more fingers start to invite extra tonal artefacts, deemed unnecessary in Jamerson's eyes!
Nicely done! Shame folks only appreciate him 50/60 years later.....No one gave a sh*t about him when he was struggling! We have to learn to give people their flowers while they can smell them!
I have no evidence that james played on david ruffins solo albums but my ears think so. The bass in the song the letter has to be james . Mortal man as well i think.
Although James's style wasn't as intricate as Stevie Wonder's "I was made to love you," another fave of mine has to be Gladys Knight's version of "I heard it through the grapevine" ❤️🎶
Please mix your audio better, this is not sounding really well on a reference studio kit. Maybe use a low shelf to clean up the under 200 hz section... Also your sound FX could use a little compression. Peace!
I was about 16 when "I was made to love her" came out and it completely blew me and all of my friends, (base players and not) away. I gave up the drums and have played bass ever since. I have many favorite Jamerson bass lines so that's really a tough one. "How long has that evening train been gone" th-cam.com/video/OdHWO_DTRb0/w-d-xo.html "Hey Jude". th-cam.com/video/lXfcT9SD5fc/w-d-xo.html "Aint nothing like the real thing". th-cam.com/video/Jz_D-greh8Q/w-d-xo.html His bass solo on "Mutiny" (BTW his only recorded bass solo). th-cam.com/video/Jz_D-greh8Q/w-d-xo.html "Love bug leave my heart alone" th-cam.com/video/5q_NB6l2Dw0/w-d-xo.html That whole mono thematic thing on Marvins album "Whats going on" th-cam.com/video/g5wSYfHINfo/w-d-xo.html I can think of many more. Some of his ost memorable work was on the many albums he recorded that were not hit songs.
Hello, my name is Anthony"Ant" McKnight, and James Jamerson and I were 1st Cousins the picture in your video of Benny Benjamin is not Benny at all that's Uriel Jones one of the other drummers at Motown. The picture of Joe Hunter is not Joe Hunter and James never played the Trombone at all.
Hi Anthony it's a pleasure to meet you (virtually). Thank you for correcting the mistakes in my video, I have just edited this video to make sure everything is factually correct. The revisions should show in the next 24-48 hours. Best, Jaz
Jaz Moss, James only had One Brother, the Aunt in which you spoke of was my Mother and she had Nine Boys and Two Girls, James and his brother (Richard Brown) lived with us until they moved to Detroit.
Hey JazMoss, it's Anthony McKnight again, listen Jamerson only had 1 brother (Richard Brown was his name) I'm the one with 8 older brothers and my Moms raised James & his brother Richard., And by the way Jamerson going into the South Carolina Entertainers & Musicians Hall of Fame this coming Thursday 4/25/2024
It It's a shame that Gordie didn't appreciate any of the musicians, low pay, no mention of who anybody was on any records. The Funk Brothers, including James, were not brought to anyone's attention until the incredible movie/ documentary "Standing in the Shadow of Motown." This movie revealed the truth about everything. If you're really interested, stream or buy this movie.
that is a great one! I transcribed the Chaka Khan version with Anthony Jackson on bass which you can find on my channel. You can hear Jamerson's influence in Anthony's playing...
Excellent presentation my good man, blessedly free of the bumbling, self-centered, egotistical dingbat wannbe influencers that are all too common. Very professional, to the point and accurate. However being a player of both, electric bass is not a guitar. Fender bass, being the first (and possibly only I haven't checked lately) instrument ever listed by the Chicago Federation of Musicians the local Union Chapter after the first mass producer of it, Leo Fender (who didn't invent it, that distinction goes to Paul Tutmarc) is acceptable. Sorry for being pedantic, but the instrument is not played at all like a guitar. But you knew that. Cheers and keep up the good work! Sean Harvey, Long Beach California
My favourite Jameson bass line is "What's Going on". The story about being drubk and lying on his back is so iconic. Love from Nigeria
Yes i heard that story. They said after that song set , they had to bring in another player to finish the album. He deserves much more credit for what they gave him
As a huge Motown fan back in the 60s and 70s, I really enjoyed this video. There is a great documentary about the Funk Brothers called “Standing in the Shadows of Motown”. It’s just very sad that these fantastic musicians did not receive their due and for most of them their accomplishments were not recognized until many had passed away. Thank you for this. 👏👏
Even way before I became a musician, when I heard motown songs I'd find myself humming the bass parts instead of the actual lyrical melody. As I got older and got into bass I revisited all the Tamla and Motown catalog and I was reborn again in all the musical sense of the word. His genious inspired me to be not only a better player but also a better musician. Amongst all of his incredible basslines (which are too many to list), "Save the Children" still leaves me in awe to this day... just incredible. Its such a beautiful bassline that at times it has made me cry.
What's Going On is so perfect harmonically & rhythmically - You can hear the whole tune just with his line. 👍😊
There's Ray Parker Jr's account of being told as a kid to go sit in the car with Jamerson (to keep young rascal Parker out of mischief), and recalling the glove box always packed with a huge bag of weed and the car full of smoke with the windows rolled up! I do rather suspect that the slightly odd and eccentric Jamerson may well have been on the autistic spectrum and can certainly relate to some degree to alcohol plus weed induced contributing to the focus and tranquility to produce his best, most creative improvisations. He notoriously recorded his bass part to What's Going On in one magical take, flat on his back far too drunk and high to stand up. Sadly alcohol dependency cannot be maintained without taking its toll over time which is ultimately what led to his demise. A legend forever and always who's bass playing will continue to inspire always.
Personally I'm obsessed with the vibe of What's Going On and never get tired of playing around that simple but beautiful chord progression to my heart's content.
RIP James Jamerson
Very cool thanks for sharing this story! If I had to pick one it would also be What's Going On
Marvin Gaye said in his book, "Divided Soul" that Jamie Jamerson was Motown's "secret weapon." Adding that Jamerson's "busy bass" was the secret ingredient to a lot of the hit records Motown put out. Label owner Berry Gordy refused to credit musicians on the liner notes of albums. Marvin Gaye absolutely refused go along with this and insisted that Jamie be credited on the monumental "What's Goin' On."
Ah, super cool thanks for sharing this! My old teacher used to call it "bubbling bass lines" whenever he wanted me to play in a motown style haha
@@JazMoss Divided Soul by Herb Ritts is an absolute page turner if you haven't read it already.
Sorry but at 4.46 you show a picture of Uriel Jones on drums and say it's Benny Benjamin. Just to let you know. Where did you get your picture of Joe Hunter also?
Show this legend some respect. His name is James, not Jamie.
@@scottsoucy6186 🤣🤣 I never said Jamie haha
James Jamerson used one finger. He knew his tools
🙌
Use short words, use short *german* words.
James Jameson, on the other hand, used one finger
Get on your KNEES, and praise commercial air travel.
Say something good, and move on.
Go hope, go hope that comes back
I loved his contribution to an old Jackson 5 song "Darling Dear"
That is where I first learned to love Jamerson. I was very young when Darling Dear came out and I always loved it.
Then when I got to my early teens I really began to “hear” the music, and Jamerson’s bass on lots of Motown songs jumped out at me.
@josebrown5961 Also, he's featured on Marvin Gaye's Ain't That Peculiar great job. Sad that when MOTOWN moved out west to LA he was pushed out do to changing musical protocol, he'll always be #1
Well done. The main reason I took up bass is Jamerson. He actually used a DI box in the studio made by Acme- it's been reissued at least once, but they're hard to find. Live, he used an Ampeg B-15. That thing's like the Holy Grail of amps. His strings (cables?) are heavy and hard to fret, making open strings a necessity. They will absolutely pull your neck out of shape. Thanks so much for giving credit where credit is due.
Ah nice thanks for adding that extra info very cool!
Fantastic video
When it comes to pop/rock/soul, there's no argument at all. He is the most influential bassist of all time. The man was a bonafide musical genius in every way.
My favorite Bass lines with James Jamerson was clearly Diana Ross's version of 'Ain't No Mountain High Enough' Totally loved his bass grooves reflecting a tremendous compliment to Paul Riser's genius Orchestral arrangement of this 1969-1970 hit version. Having my full time career performing and directing music, I believe Jamerson's bass grooves are among 'the very top'. Thank you for posting this.
I love "Reflections"
Like most true artists, they never get respect until after their death. Picasso died broke 😢
Higher & Higher has to be the best intro bassline ever. Pure Genius
I didn’t realize that classic bass intro was Jameson until here on this video.
JJ was truly phenomenal. It wasn't just his playing but his choice of notes to support or enhance a progression. As for me, I will ever believe that his greatest recording was performed for The Spinners on the song "It's a Shame". This was true genius at a level that no one else can touch. Often imitated and emulated but never duplicated.
Did he play on the Supreme's song Reflections?
@@RobertGraziose Yes! And this verified on Wikipedia. The song credits are as follows:
Lead vocals by Diana Ross
Backing vocals by Mary Wilson and Florence Ballard[9]
Instrumentation by the Funk Brothers:
Earl Van Dyke - Wurlitzer electric piano, Hammond organ, test oscillator[3]
James Jamerson - bass guitar
Richard "Pistol" Allen - drums
Joe Messina - electric guitar
Jack Ashford - percussion
@@joewhitfield6316 I play bass. I was very proud of learning it. He is fantastic. My biggest influence was Paul McCartney, and his biggest influence was James. I also learned It's the same old song, and most of the Supreme's songs. Thanks for responding.
@@RobertGraziose Great job my friend. Would love to hear some of your work at some point.
Another Barry Harris student. Barry taught Paul Chambers too. They were all in high school. Detroit was ridiculous. Berry Gordy was a year or two above Barry. Barry said he played boogie woogie piano and they jammed sometimes.
James Jamerson was my most admired favorite bass player of all time and I play old-school medal for years. I say play because I still play and I’m in my 60s but that being said anything James played for the Temptations just blew me away.
I noticed this person called the Motown Recording Studio "Hotsville."
that is close but the actual name was "Hitsville."
The Jackson 5 "Darling Dear." James played the most beautiful bass line.
That's what I wanted to say. Darling Dear
For Once In My Life is his magnum opus. I loved that snippet you played with the bass and click and little synth to guide. Would love to hear that full mp3.
Darling Dear by the Jackson 5. It was so melodic and busy. But actually all of James Jamersons bass lines are masterpieces!!!!!
Couldn’t agree more!
My favourite Jamerson bass is without doubt "Reach Out I'll Be There" , Four Tops.
Not Hotsville, but Hitsville, but thanks for the great, informative video on my favorite bass player. Well done. So many great basslines. What'd Goin On, Bernadette, Darlin Dear, etc. He really did some showing out on Bernadette, though. I think he was an absolute genius at writing, improvising, and of course, playing.
Bob Marly once said My music will live for ever..MadLove&Respect for sharing Icon James Jamerson to the rest of the World as he deserve.
ive just recently been getting into motown which is very late considering im a bass player and live in Michigan, but man Jamerson is something else. the first time i tried to play Aint No Mountain High Enough i just couldnt physically compute it in my brain, regardless of the difficulty he and I approach bass VERY differently and that was kind of a system shock having already played for some years. im still working on that song, its been months lmao
1965 recording of *BERNADETTE* was so freaking perfect! Weird to think that "new" bass players back then were starting to think outside of the (just with the rhythm) bass lines and that James Jamerson was one of the firsts to start this..
Smiling Faces Sometimes, the Temptations version is one of my favorite Jamerson bass lines. But there were so many, such as "Higher and Higher."
My Favorite Jamerson bass line is I was made to love her
That's a good one!
melodic playing at its best
Legendary bassist! My personal fav is his play on I was made to love her by Stevie Wonder. Then Bernadette.
Good summary of Standing in the Shadows of Motown!
great film!
The greatest bass player I've ever heard .
Ain't no mountain high enough extended version by Diana Ross is such a masterpiece
Distant lover is my favorite James Jamerson bassline
In order-
First 5 songs on what’s going on album. (what’s happening brother my fave).
Darling dear J5.
Grapevine Gladys Knight.
No mountain Diana Ross.
Bernadette .
Stevie made to love her .
It’s a shame spinners .
Just too many !
He was the greatest bass player that ever walked the earth .
His interpretation of the melody was from another planet .
His style gave countless bass players employment in the 60s and 70s .
All you had to be able to do is a couple of Jamison style tricks and you got the job .
He changed the rules of music like Allen Iverson changed the rules of ball handling that still works to this day.
He’s the Jimi Hendrix of the Bass.
The Picasso.
The Mozart.
No bass player could ever say they were better than him. Not with a straight face.
He plays his own song within a song. He plays A different time than the rest of the band.
He can thump with repetitive grooves and play the most beautiful notes possible on a ballad.
He made musicians rethink their licks.
Gave them new options.
His bass vocabulary was unmatched and extremely conversational.
He played like people speak.
In entire phrases.
He was totally unpredictable.
Nobody could guess what he was gonna play next or how he was coming out of the measure.
That whole “last note becomes the first note” thing. Forget it.
He made that famous.
It takes years of studying to adequately understand what he was doing.
You just can't stop commenting about them, they were so talented, I agree with you on Marvin Gaye ( what's happening brother) LORD, LORD, LORD
There are so many incredible basslines by Jamerson, but if i had to pick one it is For Once in My Life's one.
I love these music history videos of the music l grew up listening to in my childhood. I find out more new facts every time l watch one of them.
My favorite Jamerson bass line is at the beginning of the Marvelettes, "Strange I Know", To me, it's iconic
Well done! Thanks
"It's A Shame" by The Spinners, or "If I Were Your Woman" by Gladys Knight And The Pips. The best I can tell you is the felt good. I didn't realize it at the time but dancing to Motown's music was dancing with Jamerson. He picked up the P Bass when I started the first grade 🤣
If I was your woman is a good one
If I were your woman is Bob Babbitt not Jamerson.
I have my first set of LaBella 0760M deep talkin flats 1954 strings that will soon go on my 1975 precision bass.
I tried them and struggle getting them to cut through live but for recording they sounded awesome
Great vid, surprised to hear how it turned out for him but glad he got the recognition in the end.
Papa was a rolling stone ....greatest instrumental ever the LONG VERSION
What an awesome song!
Was it James Jamerson on bass in this song or was it Bob Babbett?
I don't know much about bass, but when I hear it, that's my favorite instrument, my God James Jameson was the best. Love, Love ❤️❤️❤️ him.
@@stuartbrixton6260 jamerson!!
@@ericfrazier9612 thanks for that.Was never sure who it was on bass because it was at a time when motown was in a state of change.
Talent is talent .Either you have it or don't . This man left his mark in the music business , He was the King and Carol Kaye wash the Queen .
I totally enjoyed this. I grew up on Motown and Italian American artists, Count Basie, Earl Bostic
ah nice I'm looking at doing some more Motown & jazz stuff on this channel!
Wait, the Vulf transcription/graphic of For Once In My Life is Jamerson's isolated bass track? I always thought it was midi (either programmed or played on keyboards, since it said "recording by Jack Stratton")... Especially when compared to Vulf's other transcription, Aint No Mountain High (which did have the full song), and the bass sound in it
Oh, by the way. One of my favorite Motown songs Jameson played on is “ Darling Dear “ by the J5. That bass piece is so much fun to play and listen to. Go check it out. Pure to listen to and it’s a masterpiece.
Awesome.. Great Doc.
Hey thanks!
James Jamerson & Funk Machine P Bass ❤❤❤❤❤
I loved all his hits but Bernadette might be my fave.
the prettiest bass solo
I Dont know why I love you! Best Bassline ever
Awesome thanks for sharing I’ll check it out!
@@JazMoss Yes! J-5 version
That was quite good. Thank you very much for that.
No worries Ken I glad you enoyed it!
Who's Loving you. This song in on the Jackson 5, flip side of I want you back.
Jamerson was also a huge influence on Jaco Pastorius and John Paul Jones, who got the nickname "The English James Brown' for his similar style of playing as a session musician before Led Zeppelin took off.
*Hitsville 😅
thanks!
To me call Mom there were two leads in that song Michael Jackson and James Jamerson on bass
6:43 was worth the whole video
Please Return Your Love 2 Me by the Temptations may be my favorite as its one of my favorite songs. As well as You're My Everything by the Temos!
I so, so, so, agree with you, these are my 2 favorites also, love ❤️ the bass, also my guy that's singing those songs, I just love the sound of those instruments, my GOD those guys were so very, very, very talented, I just LOVE ❤️❤️❤️❤️❤️❤️ what GOD created.
First timer watching your video. Thanks. Best base line? I don’t think so. Since you asked, here’s my suggested general analysis from you of another great Motown song: “Where Peaceful Waters Flow” (My favorite Gladys Knight and the Pips song).
Ah absolute classic nice suggestion! Glad to have you here let me know of any topics you'd like me to cover in future videos.
Many think that Jamerson's style was original, but in reality, his one-finger technique was inspired by another legendary bassist, Robert Robertson, who played without any fingers. He was so brilliantly gifted that he only needed to look at the right note. The bass, frightened by such genius, would then produce the note on its own, without any prompting other than the pure terror and respect that the musician inspired in it.
That's funny that
I want you back jackson5!!!!
Darling Dear by the Jackson 5 was his greatest performance - legend has it that JJ was hammered drunk and was dragged into the studio, he listened once to the song then played the bassline that was on the recording - whilst still drunk and lying flat on his back!
Listen to this stripped back version of Darling Dear to really hear the complexity in this improvised bassline.
th-cam.com/video/iM1R35KyJSY/w-d-xo.html
Jamerson was a genius.
Happens to be one of my favorite J-5 songs.
Patrick, 1) the story of JJ cutting a tune while drunk and lying on his back - as recounted by Marvin Gaye - applies to the tune 'What's Going On' off the album of the same name, not 'Darling Dear'. 2) 'Darling Dear' is great and the tune he gets most accolades for, but as good as it is, he played on a lot of stuff that was equally so, if not better (in my opinion). Check out the 'Love Child' album by the Supremes, and the "For Once in My Life' album by Stevie Wonder.
Did you he play double bass on Jackie Wilsons Who Who song ?
Jamerson had more skills with that one finger than most bassists that use 2 or more
See if you can find the BOOK "Standing in the Shadows of Motown." I have a copy somewhere and would be glad to send it to you. Jamerson was the road bassist for Smoky Robinson who said there were producers who would not record until Jamerson got back to Detroit. Your passion and enthusiasm is terrific to see,, and there is a wealth of material in the book you will really love to check out.
Thanks, Jerold I'm already one step ahead of you... That book taught me how to play Motown bass! Thanks for the lovely comment and thanks for checking out the video have a great day. 🙂
I want you bass world to know once and for all that when you hear the word 'bass line' this is the man it came from. It was Jamerson who transformed a 'riff' into a 'line', that is, perhaps due to his jazz roots made the bass interesting over a series of bars in a story like 'line' as different to what was played then. As a matter of fact this is still what is played now and wrongly called bass lines, a figure comprised of one or two bars played again and again IS NOT A BASS LINE. These a are riffs having only 'instant' vertical interest as opposed to horizontal one. As an example, listen to the wonderful baseline to 'For Once In My Life', not a single bar is repeated even though the chord progression repeats over and over again!
Love this! Very insightful :-)
@@JazMoss Thanks man, forgot to mention, loved your documentary very honest and accurate. By the way, the one finger 'hook' style was not a result of his luck of technical dexterity, it was intentional, it gave his notes a monotonic feel from the volume point of view giving the impression that each note was really meant and that each note was as important as the other, no ghost notes, no lead-ins, no fill-ins and any dynamic embellishments were strictly unnecessary, The notes in their virgin state were enough to tell the beautiful story. So that is one of the reasons he never used the emotionally divertive slap bass style, hated it like me and never used it. The other historical musical genius Mozart demanded from the keyboard players of his piano pieces that they play each note at an equal volume, no attempt should be made whatsoever at dynamic or tempi 'personal' expression as the notes themselves tell everything he wanted to say and needed no further interpretation. In Jameson's case he expressed this idiom by using one finger as you know two or more fingers start to invite extra tonal artefacts, deemed unnecessary in Jamerson's eyes!
JAMES JAMESON 😎 😎 😎 😎 😎 COOLEST OLD-SCHOOL.
👍
Nicely done! Shame folks only appreciate him 50/60 years later.....No one gave a sh*t about him when he was struggling! We have to learn to give people their flowers while they can smell them!
Yes completely agree!
Nice video Jaz!😊
thanks Simon!
I have no evidence that james played on david ruffins solo albums but my ears think so. The bass in the song the letter has to be james . Mortal man as well i think.
Darling Dear - The Jackson Five
ah nice also one of my favourites!
Just my imagination is my favorite baseline of all time
Although James's style wasn't as intricate as Stevie Wonder's "I was made to love you," another fave of mine has to be Gladys Knight's version of "I heard it through the grapevine" ❤️🎶
Did he play on the Supreme's Reflections?
@@RobertGraziose
He absolutely did
Please mix your audio better, this is not sounding really well on a reference studio kit.
Maybe use a low shelf to clean up the under 200 hz section...
Also your sound FX could use a little compression.
Peace!
Mutiny is my favourite
"I was made to love her" is the one I prefer from Jamerson.
No favorites. All his motown work is timeless. More hits than the beatles. That man deserved more credit and dividends than what they gave him . 🎉
wish I could have met him and the rest of the Funks
Did he play the bass on the Supreme's Reflections? That's a great bass line.
@@RobertGraziose more than likely he did
@@oldermusiclover Somebody responded and said it's documented, he did. Great bass line.
I thought he parted with Motown in 1975. Learn something new everyday.
My Girl, bass lines , the all time best bad line in music !!!!! Period
splendido!!!
Thanks Mauro
I was about 16 when "I was made to love her" came out and it completely blew me and all of my friends, (base players and not) away. I gave up the drums and have played bass ever since. I have many favorite Jamerson bass lines so that's really a tough one.
"How long has that evening train been gone" th-cam.com/video/OdHWO_DTRb0/w-d-xo.html
"Hey Jude". th-cam.com/video/lXfcT9SD5fc/w-d-xo.html
"Aint nothing like the real thing". th-cam.com/video/Jz_D-greh8Q/w-d-xo.html
His bass solo on "Mutiny" (BTW his only recorded bass solo). th-cam.com/video/Jz_D-greh8Q/w-d-xo.html
"Love bug leave my heart alone" th-cam.com/video/5q_NB6l2Dw0/w-d-xo.html
That whole mono thematic thing on Marvins album "Whats going on" th-cam.com/video/g5wSYfHINfo/w-d-xo.html
I can think of many more. Some of his ost memorable work was on the many albums he recorded that were not hit songs.
я люблю его музыку и вообще соул и госпел
Hello, my name is Anthony"Ant" McKnight, and James Jamerson and I were 1st Cousins the picture in your video of Benny Benjamin is not Benny at all that's Uriel Jones one of the other drummers at Motown. The picture of Joe Hunter is not Joe Hunter and James never played the Trombone at all.
Hi Anthony it's a pleasure to meet you (virtually). Thank you for correcting the mistakes in my video, I have just edited this video to make sure everything is factually correct. The revisions should show in the next 24-48 hours.
Best,
Jaz
Jaz Moss, James only had One Brother, the Aunt in which you spoke of was my Mother and she had Nine Boys and Two Girls, James and his brother (Richard Brown) lived with us until they moved to Detroit.
Hey JazMoss, it's Anthony McKnight again, listen Jamerson only had 1 brother (Richard Brown was his name) I'm the one with 8 older brothers and my Moms raised James & his brother Richard., And by the way Jamerson going into the South Carolina Entertainers & Musicians Hall of Fame this coming Thursday 4/25/2024
Reach Out (I'll Be There)
The best by the best.
What's Going On, no question!
I think that the once in my life clip wasn't the actual bass take from jemerson
It
It's a shame that Gordie didn't appreciate any of the musicians, low pay, no mention of who anybody was on any records. The Funk Brothers, including James, were not brought to anyone's attention until the incredible movie/ documentary "Standing in the Shadow of Motown." This movie revealed the truth about everything. If you're really interested, stream or buy this movie.
Who's loving you by jackson 5
Nice 👍
Detroiters appreciated James more than Motown ever did!
Arguably? Why?
💎
I was made to love her
that is a great one! I transcribed the Chaka Khan version with Anthony Jackson on bass which you can find on my channel. You can hear Jamerson's influence in Anthony's playing...
3:00
Excellent presentation my good man, blessedly free of the bumbling, self-centered, egotistical dingbat wannbe influencers that are all too common. Very professional, to the point and accurate.
However being a player of both, electric bass is not a guitar.
Fender bass, being the first (and possibly only I haven't checked lately) instrument ever listed by the Chicago Federation of Musicians the local Union Chapter after the first mass producer of it, Leo Fender (who didn't invent it, that distinction goes to Paul Tutmarc) is acceptable. Sorry for being pedantic, but the instrument is not played at all like a guitar. But you knew that.
Cheers and keep up the good work!
Sean Harvey,
Long Beach California
Here's what you missed, youngin'. Both Paul Chamber and James Jameson were taught by Barry Harris
That is very cool thanks for sharing 🙂
Did he play on The Supreme's song, Reflections?
I'm pretty sure that" For once in my life" clip was a midi file and not the real bass tone.
You may be right… where did you hear that?
One finger and the truth
7:40 that’s not actually jamerson, that’s jack stratton playing it
"Music, what a noble art
What an utterly sad profession"
....... George Bernard Shaw
My girl