I am working on perfecting the 3C2QTP method inside of my Pourint Nation Community. I have a few more spots open for founding members. After which the price and payment options will change - community.leftbrainedartist.com.
I love the way you laid this out. 3c2qtp is a wonderful way to organize what we are doing! Brilliant. Also 5:21 I have not done it with paint supplies but with a large container of BBQ sauce. I got it on the roof as well as everywhere else. Did you check the ceiling?
@@flyingmonkeys9774 While that is 100% true the outside of the paint how it interacts with the black is what makes this technique. I can see that and compare that without the marble portion. Once I master that than the marble can be added to make the technique complete.
I discovered Denni Jo when she had about 300 followers. I was lucky enough and got the result straight away, using products i could find in Greece, if for any help to all of you struggling, I use 1 part Amsterdam titanium white paint, 1 part Vallejo pearl medium, a little owatrol, 1,- 1,5 part satin enamel in white (not the strong one you have in the states) and water to thin. It reminds me of melted cheese at first, but water thins it just fine. My black base is usually with the very cheap "Artistico" medium and amsterdam lamp black (i use artistico pouring medium only in base colors like that)
Das ist ein MEGA schönes Bild 😍 geworden! David, DANKE 🙏 für die ausführliche Erklärung, und die Zeit, die du dafür investierst hast!!! Mit den Europäischen Mitteln, hoffe ich, ist es umsetzbar. Nochmals Dankeschön 🙏🙏. Liebe Grüße aus Deutschland 🇩🇪
I have spilled various paints etc.. On my floors So many times when I was planning to be extra careful and mindful. Clothes too! I have Lots of painting clothes bc I want to get started before using an apron or putting on gloves..
Hi David, thanks a lot for the work you put into sharing your experiments with us. I love to understand the "whys" of how fluid acrylics work. Also thanks for sharing the "oops" moment with the Floetrol. Makes you seem more human... we all make mistakes. Keep up the good work! Oh, and Pebeo is pronounced pee-bee-oh. Notice the macron diacritic marks on the paint tube... both 'E's are long vowel sounds. Again, thanks for all your work. I really enjoy seeing your experiments!
I speak spanish and so I automatically go to that pronunciation when I say any word that could be remotely thought to be spanish. Thanks for pointing that out to me David.
I like it, it reminds me of a neon sign! It's a successful experiment. You should definitely try it with the marble. I think that would be interesting. Good job! The 3C2QTP works! ☺
Thanks for another informative video and using Denni Jo's ghostly pour to demonstrate 3C2QTP. I've tried to replicate pours, including yours, with mixed results. I get so excited trying something new that testing seems to fly out the window. Just gotta rein myself in sometimes.
@@LeftBrainedArtist for the cloudy effect I failed. For the Dutch pour here is my trick: 15g paint + 15g water + 10 drops of liquitex slow-dri fluid (I used Amsterdam). Covering the paint with the base a little bit before blowing. Other brands I would use 60% paint with 40% water. I really had amazing result by adding liquitex slow-dri (on the bottle they recommend 25% I didn’t I put just drops: 10 for 30g (paint and water).
Your experiments are very valuable especially to people who have not had your vast experiences. I also noted that once all the paint with mixture have the same WEIGHT that is not enough to have a successful outcome. After that, the paint mixture needs to be checked and tested and modified. If I am correct then the WEIGHT of all the paints. may change. Only the right consistency for a given pour will matter. Am I correct? David if I may suggest you may wish to put some saran wrap over your scale that will keep the paint on that rather than the scale.
You can have different weights but the same consistency. Have the right set of both is the key to getting the results you want. 1st I would focus on consistency and getting those locked in. Then you can work on varying the "weight" or density of a mixture to get your desired cells/lacing/effects etc.
This was so fun. Thanks for sharing your process. I tried this technique too. I got the ghost look to my white,but had trouble keeping my accent colors as crisp as I wanted.
Thanks! I enjoy your instruction very much. I did the same thing with paint last week that you did with the floetrol. Sure did make my job of “touching up” the inside of my craft closet a whole lot bigger.
Thanks for showing us this technique. I've tried it a few times with a little success and found that using a Liquitex background colour didn't work as well as the Artist Loft softbody colour did.
That is cool. I prefer your canvas. It reminds me of graffiti… your technique for replicating is solid. Nice to see that the soft body black artist loft can be useful for something. 😂😂 I still have a couple of bottles.
Another great video and you're result wasn't so bad at all. I'm wondering why you chose to spin rather than use the marble as she did. Both methods would give different results? I'm really sorry but I laughed when you shook the floetrol without a lid. btw I use an old aquarium net that I cut up and fixed to the floetrol bottle with an elastic band. Works great to keep those lumps away and is not as fine as the tights I was using to start with so I still get a good flow rate. Thanks for another great video.
Good Morning. Great information, thank you. I have a question. I get that separation (not sure what you called it) when I use masters touch ready pour paint, do you know how I can stop this?
Flocculation? With ready to pour paint? That is not normal at all. I would think you either need to really mix it before using it or that you could add a tiny bit of gac800 or liquitex pouring medium to help strengthen it.
Bon soir messieur vous avez fait 1part de fleotrol et 1part de pienture est ce que c'est une règle et la base vous faites 2part fleotrol et 1part de peinture merci beaucoup si vous me répondiez ❤❤
Le rapport dépend de la qualité de la peinture. Peinture artisanale 1 à 1. L'acrylique de niveau étudiant est composé de 2 parties de médium pour 1 partie de peinture. Professional est composé de 3+ parties de médium à 1 partie de peinture.
I am only doing a piece until I get the recipe right. No point in using a marble yet if the paitn isn't going to interact like hers. I still have a ways to go to figure it out.
I am working on perfecting the 3C2QTP method inside of my Pourint Nation Community. I have a few more spots open for founding members. After which the price and payment options will change - community.leftbrainedartist.com.
I love the way you laid this out. 3c2qtp is a wonderful way to organize what we are doing! Brilliant. Also 5:21 I have not done it with paint supplies but with a large container of BBQ sauce. I got it on the roof as well as everywhere else. Did you check the ceiling?
@@Ketobbey Ouch. Red is even worse to spill. I didn't check the ceiling but I will now.
You didn't use a marble so of course it's not going to look similar??!!??
@@flyingmonkeys9774 While that is 100% true the outside of the paint how it interacts with the black is what makes this technique. I can see that and compare that without the marble portion. Once I master that than the marble can be added to make the technique complete.
Thanks for being our great experi-mentor David!
My pleasure Natalie.
Thank you so much. The brst teacher i found. Others dont explain as you do as a beginner thank youfrom the bottom of my heart.
You're very welcome Meenakshi.
I discovered Denni Jo when she had about 300 followers. I was lucky enough and got the result straight away, using products i could find in Greece, if for any help to all of you struggling, I use 1 part Amsterdam titanium white paint, 1 part Vallejo pearl medium, a little owatrol, 1,- 1,5 part satin enamel in white (not the strong one you have in the states) and water to thin. It reminds me of melted cheese at first, but water thins it just fine. My black base is usually with the very cheap "Artistico" medium and amsterdam lamp black (i use artistico pouring medium only in base colors like that)
Thanks. I'll give it a try.
Das ist ein MEGA schönes Bild 😍 geworden! David, DANKE 🙏 für die ausführliche Erklärung, und die Zeit, die du dafür investierst hast!!! Mit den Europäischen Mitteln, hoffe ich, ist es umsetzbar. Nochmals Dankeschön 🙏🙏. Liebe Grüße aus Deutschland 🇩🇪
Ich bin sicher, dass es eine Möglichkeit gibt, dies mit deutschen/europäischen Produkten zu tun. Viel Glück.
Thank you for sharing. I had to laugh when you forgot to put the lid on the floetrol cause I have done the same thing.
Luckily the carpet in my studio was condemned years ago. 8)
I have spilled various paints etc.. On my floors So many times when I was planning to be extra careful and mindful.
Clothes too! I have Lots of painting clothes bc I want to get started before using an apron or putting on gloves..
@@k80rock Me too. I have a hole section for "paint" clothes in my closet.
Thank you so much for sharing your knowledge with all of us. ❤
My pleasure Leigh. Hope it helps.
Hi David, thanks a lot for the work you put into sharing your experiments with us. I love to understand the "whys" of how fluid acrylics work. Also thanks for sharing the "oops" moment with the Floetrol. Makes you seem more human... we all make mistakes. Keep up the good work! Oh, and Pebeo is pronounced pee-bee-oh. Notice the macron diacritic marks on the paint tube... both 'E's are long vowel sounds. Again, thanks for all your work. I really enjoy seeing your experiments!
I speak spanish and so I automatically go to that pronunciation when I say any word that could be remotely thought to be spanish. Thanks for pointing that out to me David.
Glad to have you back, mate! Thanks for sharing your experiments, so that we don't have to. 😊
Thanks Ken!
That looks cool!👍
THanks Sugie. Not quite up to the Denni Jo standards but a good start for me.
Looks pretty cool
Thanks Mary. It is a work in progres for sure.
Omg this’s so cool and unique! Thank you for all the info and demonstrations
You are so welcome! One day I hope I can make mine look like Denni Jo's.
I like it, it reminds me of a neon sign! It's a successful experiment. You should definitely try it with the marble. I think that would be interesting. Good job! The 3C2QTP works! ☺
I definitely will with the next batch Francine.
Great video!! The information is so helpful. I’ve been wanting to try the ghosty pour and this is super helpful. Have a great week!
Let me know if you find some more tips and tricks (which I know you will😉)
Thank You David for another experiment to help everyone 🙏🏻
Always a pleasure. I hope the next few pours of this technique work out a bit better.
Thanks for another informative video and using Denni Jo's ghostly pour to demonstrate 3C2QTP. I've tried to replicate pours, including yours, with mixed results. I get so excited trying something new that testing seems to fly out the window. Just gotta rein myself in sometimes.
Reining in myself is one of the hardest things to do for sure.
🤩 beautiful result. You just helped me to understand why I didn’t have the cloudy effect. Thank you !
Glad to be of service Asma. Let me know if you come across any other good tricks.
@@LeftBrainedArtist for the cloudy effect I failed. For the Dutch pour here is my trick: 15g paint + 15g water + 10 drops of liquitex slow-dri fluid (I used Amsterdam). Covering the paint with the base a little bit before blowing. Other brands I would use 60% paint with 40% water. I really had amazing result by adding liquitex slow-dri (on the bottle they recommend 25% I didn’t I put just drops: 10 for 30g (paint and water).
Your experiments are very valuable especially to people who have not had your vast experiences. I also noted that once all the paint with mixture have the same WEIGHT that is not enough to have a successful outcome. After that, the paint mixture needs to be checked and tested and modified. If I am correct then the WEIGHT of all the paints. may change. Only the right consistency for a given pour will matter. Am I correct? David if I may suggest you may wish to put some saran wrap over your scale that will keep the paint on that rather than the scale.
You can have different weights but the same consistency. Have the right set of both is the key to getting the results you want. 1st I would focus on consistency and getting those locked in. Then you can work on varying the "weight" or density of a mixture to get your desired cells/lacing/effects etc.
THANK YOU so much for doing this, it really helps me. I love the ghost look and have been searching for a detailed video. Going to try it today!😍
Let me know how it goes Sharon and if you learn any new tips you'd like to share.
Great video thank you for sharing ❤❤❤
Thanks for watching Jeanette. Glad to help. Now to perfect this technique. 😉
This was so fun. Thanks for sharing your process. I tried this technique too. I got the ghost look to my white,but had trouble keeping my accent colors as crisp as I wanted.
Yeah, we'll see if the next one I do gets any better.
Thanks! I enjoy your instruction very much. I did the same thing with paint last week that you did with the floetrol. Sure did make my job of “touching up” the inside of my craft closet a whole lot bigger.
I used to paint apartments and I spilled multiple 5 gallons of paint. Not fun.
Good test
Thanks Karen.
Thanks for showing us this technique. I've tried it a few times with a little success and found that using a Liquitex background colour didn't work as well as the Artist Loft softbody colour did.
Weird how something like that makes all the difference isn't it?
That is cool. I prefer your canvas. It reminds me of graffiti… your technique for replicating is solid. Nice to see that the soft body black artist loft can be useful for something. 😂😂 I still have a couple of bottles.
Me too that is why I was glad to see this technique use it.
Quantity oops!!
Consistency
Love your videos
Did I spell that wrong? If so, now it is immortalized in video. 8)
Another great video and you're result wasn't so bad at all. I'm wondering why you chose to spin rather than use the marble as she did. Both methods would give different results? I'm really sorry but I laughed when you shook the floetrol without a lid. btw I use an old aquarium net that I cut up and fixed to the floetrol bottle with an elastic band. Works great to keep those lumps away and is not as fine as the tights I was using to start with so I still get a good flow rate. Thanks for another great video.
I should try something like that. I can't believe I sprayed that stuff all over.
Do you count DecoArt Extreme Sheen 24K Gold as a craft paint? That's my go to gold because it helps form cells like the DecoArt Satin Enamels.
Yes. I use it a lot too but it exands too much in this application and so you get way more than you are expecting.
Good Morning.
Great information, thank you.
I have a question.
I get that separation (not sure what you called it) when I use masters touch ready pour paint, do you know how I can stop this?
Flocculation? With ready to pour paint? That is not normal at all. I would think you either need to really mix it before using it or that you could add a tiny bit of gac800 or liquitex pouring medium to help strengthen it.
@@LeftBrainedArtist
Thank you, I'll try that.
Have you worked on this recipe any more to fine-tune it? I'm still getting shredding of the white ghost paint after it dries. Please Help
I haven't done another one since this video. I had a little flocculation after mine also.
I was thinking h was using the marble but u didn't maybe would give a much better effect 🤔
Yeah, the marble would change it but didn't want to go to that effort until I got the mix right.
Bon soir messieur vous avez fait 1part de fleotrol et 1part de pienture est ce que c'est une règle et la base vous faites 2part fleotrol et 1part de peinture merci beaucoup si vous me répondiez ❤❤
Le rapport dépend de la qualité de la peinture.
Peinture artisanale 1 à 1.
L'acrylique de niveau étudiant est composé de 2 parties de médium pour 1 partie de peinture.
Professional est composé de 3+ parties de médium à 1 partie de peinture.
@@LeftBrainedArtist ok merci infiniment 🙏❤️
Didnt she use a marble?
She did. I wasn't ready for that yet until I got the colors right.
This is so difficult
It takes some experimenting for sure.
I add 2 parts stain enamel I part floetrol no water it works perfectly xx
With 1 part paint?
You’re changing it up too much, I was hoping you’d do her exact technique to compare
I am only doing a piece until I get the recipe right. No point in using a marble yet if the paitn isn't going to interact like hers. I still have a ways to go to figure it out.
I'm SO not laughing at you because I've done the same thing.
haha. I know right?!?