नमस्कार हा उपक्रम खूप छान आहे आम्ही ग्रामीण भागात राहतो तर तुम्ही सुरू केलेल्या या उपक्रमाचा आम्हाला फायदा झाला अनेक राग आणि त्यांची माहिती मिळते या सर्व टिमला खूप खूप धन्यवाद .
राग किरवानी स्वर विस्तार - 01:06 15:29 स्थाई - मुकुट वारो सांवरो 15:43 - सो लागो हमारो, मनवा रे 15:46 - साजनुवा ।। 16:07 अंतरा - भावे ना तोरा भवनवा 16:20 - जब से लागे उनसे नैनवा 16:24 - रामरंग चेरी भई वाके दामनवा ।।
Hats off to the channel for the excellent service being rendered for the cause of the great Indian music for bringing out the beauty of various aspects of ragas discussed.
Best hindustani singers are show cased in every episode. We get transported to divine world. Also words are not enough to thank the persons conducting the program. And the sweet and melodious voice of Mukund ! Fantastic.
i must appreciate you all, as very good project you have undertaken to introduce various indian raagas. Raggas and it's beauty, and songs based on them. All the best to your channel.
Chanchal prakruti , Shrungar ras ? Really ? Mujhe to rona aata hai every time I listen to this Raag. I then have to listen to Bilawal or Durga to cheer up and feel better again.
Pandit ji, Namashkaar, Very heart touching performance of raag kirwaani. Both as learner and the listener are blessed to hear this raag.Thank you so much for the efforts you made for this performance.
Sriman Raghunandan Panshikar and Dr. Nandita Datay....and all participants....Great work, greater presentation and totally mesmerized at the details of this awesome raag..Kirwani. Dhanyawad to all of you for your contribution. This raag - Kirwani - has contributed to so many evergreen songs...like "Mere naina sawan bhado" from movie Mehbuba, " Jeeta tha jiske liye " from movie Dilwale, "Deewani mastani" from movie Bajirao mastani...and so many hundreds of such gems. Kirwani-based song and gazals are generally everlasting....thanks again.
@@satendrapatel7103 Yes sir, that is correct . I was studying Shivranjani and Kirwani simultaneously in a very tightly scheduled timeframe and got myself mixed up on those two songs that you mentioned. Thanks for that distinctive clarification.
पंडित पणशीकर यांनी राग - किरवाणी अतिशय अप्रतिम गायलाय. राग ऐकून समाधी अवस्था प्राप्त झाली. अधून मधून मुकुंद जी फणसळकर यांचे गायन अगदी छान वाटते. मला वाटते फणसळकर गाढवाच्या लग्नातील "इंद्रदेव" आहेत. 😂 Ch 02 Sanskriti आपले आभार 🙏
In my opinion carnatic singers give more importance to the mathematics ignoring Bhaava....For eg: Take the case of Vrindavani sarang...Carnatic singers sing it without any emotions but presenting complex swaras...I don't feel any emotions while listening carnatic rendition....but whenever I listen vrindavani sarang sung in hindustani style it brings goosebumps and tears ....Whenever I listen to Pt. bhimsen joshi's rendition of vrindavani sarang I can't control tears ...
Both Raags uses both ni.. but in kirwani komal ni is vivadi.. and in sindh bhairavi both ni are almost equal.. moreover chalan is different of both raags
Absolutely wrong to say that there is no muhurtha for ragas in Carnatic music.. the practice of time based raga singing has been relegated because the carnatic concerts happen only in the evening in majority of the cases. Carnatic music rasikas are not used to listening to concerts all night or early mornings. This being the case, if you start singing only evening ragas, then rest of the great ragas and their wonderful compositions would never be heard. Hence the adjustment. Also with the introduction of lighting and technological changes in the world, night evening and day have lost their meaning , even in the environment and society we live it. This conception of time based raga makes less sense now.
Yu tub se sikhna samjh nh ata apne kaha vadi p samvadi r h Gayan samy ratri pehla prehar h Wahi ek yu tub pr lagbhag 85 saal k ek guru ji unhone kaha iska vadi p samvadi s h Gayan samy ratri ka dusra preher koun sahi h
@Ramarathnam KV This is not Mayamalavagowla, that has a komal re while this raag has a komal ga. It is known by the same name in Carnatic music. Apparently this raag was borrowed from Carnatic to Hindustani
@@ykongbam Thank you.The first lesson in carnatic music is in Mayamalavagowla starting from sa, ri ga ma pa da ni sa sa ni da pa ma ga ri sa known as Sarali varisai followed by sasa riri gaga mama papa dhadha etc...known as Janda varisai followed by Varnam and Keertha..So the first lesson in Carnatic music used to.be in the RAAF Mayamalavagowla.
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नमस्कार हा उपक्रम खूप छान आहे आम्ही ग्रामीण भागात राहतो तर तुम्ही सुरू केलेल्या या उपक्रमाचा आम्हाला फायदा झाला अनेक राग आणि त्यांची माहिती मिळते या सर्व टिमला खूप खूप धन्यवाद .
पंडितजी उत्कृष्ट गायन.
प्रमोद मराठे सर, हारमोनियम ऐकून खुप आनंद झाला. तबला ही अगदी समर्पक....
राग किरवानी स्वर विस्तार - 01:06
15:29 स्थाई - मुकुट वारो सांवरो
15:43 - सो लागो हमारो, मनवा रे
15:46 - साजनुवा ।।
16:07 अंतरा - भावे ना तोरा भवनवा
16:20 - जब से लागे उनसे नैनवा
16:24 - रामरंग चेरी भई वाके दामनवा ।।
👌👌👌👌👏👏👏👏👏👏👏
Dhanyavad
Hats off to the channel for the excellent service being rendered for the cause of the great Indian music for bringing out the beauty of various aspects of ragas discussed.
मेरे सबसे ज्यादा पसंदीदा रागों में राग कीरवानी एक है।
माझ्या खूप खूप आवडीचे शास्त्रीय संगीत.
भारत माता की जय.
राम कृष्ण हरी.
Best hindustani singers are show cased in every episode. We get transported to divine world. Also words are not enough to thank the persons conducting the program. And the sweet and melodious voice of Mukund ! Fantastic.
Beautiful voice and singing
Very dedicated singer and what a cultured voice!!!!!
Ohhho...Great 👏👏Koti koti pranam aapko😌
पडीतजींचे अप्रतिम गायन आणि साथसंगत ही तितकीच उत्कृष्ट,कार्यक्रम खूप आवडला
I like these presentations a lot. I enjoy them immensely.
i must appreciate you all, as very good project you have undertaken to introduce various indian raagas. Raggas and it's beauty, and songs based on them. All the best to your channel.
Chanchal prakruti , Shrungar ras ? Really ? Mujhe to rona aata hai every time I listen to this Raag. I then have to listen to Bilawal or Durga to cheer up and feel better again.
You are right....I too feel melancholic mood while listening to this Raaga.....
I agree. Kirwani has a very melancholic feeling to it. Certainly not chanchal.
What is this singer's name???
@@AbhimansanthushShri Raghunandan Panshikar ji
Sir mai bata nhi sakta ki apki awaaj kitni madhur or kitni bhav puran hai raghunandan ji sir naman hai apko 🙏🙏🙏♥️♥️♥️♥️
Ati Sundar, Divya Sangeet, Aap Ko Dhanyabaada.
Thank you very much for uploading this brilliant video. Everything about this recital is just divine. Can't thank the channel enough. Respects.
I feel Phansalkar & Date are testing knowledge of this legendm
Excellent performance !,,
Iqbal usa
HIS VOCAL VOICE CULTURE IS APPLAUDABLE. SUCH AN INSPIRATION TO US SIR..
Obviously he is the desciple of the Great Kishori Amonkar....
Great voice and wonderful rendition! 🙏
Thank you you tube and this wonderful artist. My Covid days are easier to manage 🙏🏾❤️👍🏾🥰
Pandit ji,
Namashkaar, Very heart touching performance of raag kirwaani. Both as learner and the listener are blessed to hear this raag.Thank you so much for the efforts you made for this performance.
What a devine voice. 🙏
Sriman Raghunandan Panshikar and Dr. Nandita Datay....and all participants....Great work, greater presentation and totally mesmerized at the details of this awesome raag..Kirwani. Dhanyawad to all of you for your contribution. This raag - Kirwani - has contributed to so many evergreen songs...like "Mere naina sawan bhado" from movie Mehbuba, " Jeeta tha jiske liye " from movie Dilwale, "Deewani mastani" from movie Bajirao mastani...and so many hundreds of such gems. Kirwani-based song and gazals are generally everlasting....thanks again.
Mere Naina saawan bhadon and jeeta tha jisskey liye are based on raag shivaranjani not kirwani....
@@satendrapatel7103 Yes sir, that is correct . I was studying Shivranjani and Kirwani simultaneously in a very tightly scheduled timeframe and got myself mixed up on those two songs that you mentioned. Thanks for that distinctive clarification.
@@inteltavangar sometimes it happens.....
@@satendrapatel7103 dewani mastani is in kirwani??
@@samei_muzicmuzic3790 sur saare kirwani ke Hain par chalan kirwaani ki Nahi hai USS gaane me
Very beautifully expressed and this is one of my favorite ragas, greatly sang and blissful
We are enriched by suchprograms.Thanks.
तबला बहोतख़ुब, मिलींद पोटे जी !
Chanchal Pravirti...
shringar and Bhakti ras
Khusi hua.. Pandit Ramashreya jha jee k bandish sunke..
Wah! Beautiful and soulful rendition of the deep movig composition by Ramashraya Jha......
waah.....what a rendition....pranam pandit ji....
Kamaal ki gayaki , Shabd hi nahi hai kuchh kehne ko
Ati sundar... waah waah waah... shabdheen
पंडित पणशीकर यांनी राग - किरवाणी अतिशय अप्रतिम गायलाय.
राग ऐकून समाधी अवस्था प्राप्त झाली.
अधून मधून मुकुंद जी फणसळकर यांचे
गायन अगदी छान वाटते.
मला वाटते फणसळकर गाढवाच्या लग्नातील "इंद्रदेव" आहेत. 😂
Ch 02 Sanskriti आपले आभार 🙏
Harmonium equally v sweet, please mention the names of tabla and harmonium player
Excellent video. Thanks a lot for sharing such treasures :)
Exceptional rendition. God bless!!
राग किरवणी
Dil ki tapish aaj hai aaftaab!!!
महान संगीत महान गायकी मेरा भारत महान
Love from Sri lanka......❤
સુર ના સજે કયા ગાઉં મે ફિલ્મ બસંત બહાર.
15:30
Pranam guru ji aap ko ....🙏🙏
Beautiful singing very sweet
Just superb
Soothing keervaani
धन्यवाद खूप छान सुंदर अप्रतिम सर्वांना नमस्कार
Heavenly pleasure
वाह क्या बात है.
अप्रतीम
Nice to listen composition of Ramashrya Jha Ramrang
जय हो रामरंग 🙏🙏
Waah keyabat hai ❤️
I find this raag to be anything but chanchal !
Well presented. A nice raga.
Bahot bahot dhanyawad aapka👌👌💐 🙏🙏
I think ,tu hi re from Bombay film based on this raga
Jai ho 🙏🏻🙏🏻🙏🏻🙏🏻❤❤😊😊😊
bahut Anand aaya
Wah harmonium!!!
Can you please include the lyrics of the Bandish in the description box?
Aaha kya bat hain 🙏🙏🙏🙏🙏🙏
छान 👍
Very useful and NICE programs for all
It’s great 👍
🙏किरवानी कौन से थाट में माना जाता है??
अलाप रूपक 3:05
सुध लीजिये 3:27
Sundar!
Awesome👍
Anandmy shandar
Highly appreciated
Is it near to sur sukh kari jo vimala?
very nice
'Awesome'
बहुत सुन्दर
Mukundji neglect negative comments and carry on your mission
🙏🏻
सुंदर गायन
❤
Kripya krke ye btaya kre ki konse swar shudh lag rhe h or konse komal
Sa Ry sudh ga komal ma sudh pa shudh dhaa komal ni komal end saa ok bhai ji
NI is Shuddha. Only GA and DHA are Komal. Rest are Shuddha.
Is there a Spotify channel?
Mesmerizing
Aapne komal NAHIN bataye Raag KE komal tiwer zarrur bataten jaise SAWANI SHENDAY ji batati HAI WO maharani HAI raagon KI.
👍👌
Spellbound!
Rishav Ko rikhav Kyu bolte h ye bataye
Nice g
It is wrong ti say canatok music is not having time based mooda, but creats specific moods irrespective of time of day.
In my opinion carnatic singers give more importance to the mathematics ignoring Bhaava....For eg: Take the case of Vrindavani sarang...Carnatic singers sing it without any emotions but presenting complex swaras...I don't feel any emotions while listening carnatic rendition....but whenever I listen vrindavani sarang sung in hindustani style it brings goosebumps and tears ....Whenever I listen to Pt. bhimsen joshi's rendition of vrindavani sarang I can't control tears ...
@@hemanthakumarkamath7779 With all respect, it is not good to generalise that carnatic simgers doesn't sing with bhava. It is a wrong statement.
@@sarathr09 Sorry, I beg to differ... It is my personal opinion... I respect your right to differ too...
Medum raga shanmukhapriya bolo
8:43
7:09
Kya baat hai sir
who is the singer?
Sabse pahle rag ka that batana chahiye phir usme komal aur teevr swaro ke bare me batana chahiye
Is raag ka abhibtak koi thaat nahi hai.isliye inhone ये skip kiya hoga
G aur d कोमल swar hai is raag me
Taan ko swar me bhi bol ke bataye to learner ko help milegi
R. Kumar har cheez do baar se jyada h
rag kirwani madhe swar g ani dh komal lagto
What is the difference between Kirwani raga and Sindhi Bahiravi?
Sindhi Bhairavi has komal nishad and kirwani has shuddha nishad that's make both ragas different
Both Raags uses both ni.. but in kirwani komal ni is vivadi.. and in sindh bhairavi both ni are almost equal.. moreover chalan is different of both raags
Absolutely wrong to say that there is no muhurtha for ragas in Carnatic music.. the practice of time based raga singing has been relegated because the carnatic concerts happen only in the evening in majority of the cases. Carnatic music rasikas are not used to listening to concerts all night or early mornings. This being the case, if you start singing only evening ragas, then rest of the great ragas and their wonderful compositions would never be heard. Hence the adjustment. Also with the introduction of lighting and technological changes in the world, night evening and day have lost their meaning , even in the environment and society we live it. This conception of time based raga makes less sense now.
Yu tub se sikhna samjh nh ata apne kaha vadi p samvadi r h
Gayan samy ratri pehla prehar h
Wahi ek yu tub pr lagbhag 85 saal k ek guru ji unhone kaha iska vadi p samvadi s h
Gayan samy ratri ka dusra preher koun sahi h
The equivalent RAAG in Carnatic music is Mayamalavakaulav. In fact the first lesson in Carnatic begins with. this RAAG. It is basic.
Yes u r correct.but did u notice none of Hindustan music ragas sound as beautiful as our carnatic.
@Ramarathnam KV
This is not Mayamalavagowla, that has a komal re while this raag has a komal ga.
It is known by the same name in Carnatic music. Apparently this raag was borrowed from Carnatic to Hindustani
@@ykongbam Thank you.The first lesson in carnatic music is in Mayamalavagowla starting from sa, ri ga ma pa da ni sa sa ni da pa ma ga ri sa known as Sarali varisai followed by sasa riri gaga mama papa dhadha etc...known as Janda varisai followed by Varnam and Keertha..So the first lesson in Carnatic music used to.be in the RAAF Mayamalavagowla.