@Masnsen i can't remember what sculpture, but the quality of the marble was so bad, onlookers broke either the penis or the head off of it with rocks. The artist wasn't as loved and supported as he is now. If you visit the museum currently holding the masterpiece, you can still see the damage done to it today. If you ask me, it was the vandalists who worked with demons.
@@cccvvv630 it very well be the case that I'm wrong, since i don't remember all the details I got this information from a youtube video about a behind-the-scenes restoration of (what i thought was) one of his statues. I'll see if i can find it, we can both watch it, and see what mistakes i made, hm? Here, i have found it th-cam.com/video/GsrKhGI9uow/w-d-xo.html In the time i have posted this, i haven't rewatched it yet, but I'm about to
@@cccvvv630 you're right i did mess quite a bit up. I mixed up the riots that broke Michael's arm off (not his head) with everyone disliking him. And he wasn't given low grade marble, he CHOSE it because no one else was taking the block.
First, an artist must concentrate and visualize his concept. You gotta embrace the marble. You gotta sniff the marble. You gotta lick the marble. You gotta wash the marble. You gotta date the marble. You gotta be the marble.
Everyone is always so surprised how detailed artists in the past got their work, but it always made sense to me. They didn't have the internet, or globalization, or really anything to distract them. They weren't exposed to a million different cultures and ideas on the daily from the internet. They just had their small, localized way of life and thinking. Mastering their craft was really all they had to do.
That's true, I always found it very tough sometimes as an artist in moments where you're in a block and there are multiple distractions readily at your disposal.
All that can actually hone your craft to even higher heights. The issue today, is there's no market for art. If there were, I'm sure the greatest art in history would be made right now, spanning influences from all genres, mediums and cultures.
Like, Adam Savage mail ordered notebooks by Leonardo Da Vinci, and if you ever watched Antiques Roadshow, you'll see all the antiques are depreciating. People today don't like art, or even history for that matter. They like information. And they don't like well crafted information, but they like easily digested information, that takes three seconds to understand, and probably just thought up five seconds ago..
In other words, nobody wants to think. That, and the art that is valuable looks like it could be made by two year olds. It's sad, really. Nobody can, because it's also looked down upon to take your craft seriously. Everyone wants ugly art. They don't want to establish aesthetic norms, except ones that are gross. Jeff Bezos spent an insane amount of money on what is essentially an electric blue painted canvas with yellow font. The font is nice, but that's what he spent a TON OF MONEY on. It's insane how much he spent on that piece. But, that's what sells.
Looking at all the equipments and machineries, I start to appreciate the effort and time spent by the past artists to make these sculptures with simple tools. They really devoted their lives to their passion.
No no no you got it all wrong they say that every statue is in all slabs of marble you just got to bring it out. so he knocked on the marble and waited to hear "get me the hell out of here!!!" and went at it like triple H with a sledge hammer after he spits a mist of wine into the air.
imagine how superior classical artists are since they weren’t using power tools back then, yet some of their works have the most detailed, life-like features.
1:32 Most marble sculptures are just not made this way. The sculptor in this video uses a well known but fairly uncommon method for working in marble. Though it is fairly common for carved wooden statues. It's more common with stone to sketch potential ideas for sculptures in flat drawings. Then a clay or wax maquette (bozetto in Italian) or rough scale model in is made as an experiment in the subject, proportions, posing and overall composition. As well as giving hints as to practicality, eg. to visualise what support might be needed. Once the sculptor is happy with one of the many maquettes they might make, most of which might never to see expression in any larger sculpture, they go about transferring the idea to marble. They may for reasonably sized statues actually make a full sized clay more or less final version. That is often cast in hollow plaster for ease of use, or sometimes the clay is hollowed out and dried and maybe fired in a kiln. Then that is copied somewhat mechanically. By measuring the plaster master with calipers or a pointing machine. Skill is still required as this only gives the basic forms, and surface details need to be put in by hand, but that's far easier when you've got the shape right. And it is far less hit and miss than just chipping away semi randomly at a block of stone, which isn't very forgiving and very expensive if you mess up. It's also far less mysterious a process.
@@sissyrayself7508 They still had to sculpt it first. To me that technique is just common sense. Why just start carving without planning it out first, especially considering the finer grades of marble are increasingly rare and expensive?
I went to the art Academy of Carrara - not only Statuario marble is used for sculpture - actually there is not much Statuario left - but there is still a lot of Carrara marble, which is a cooler white and has som gray lines in it. Statuario is considered the finest with a warmer color …a bit like cream 🙂💁🏼♀️
Hello Helena I have a question I hope you help me , if I want to look in the internet for someone to make sculpture my own drawing where I should look and what should I write in the search to reach artist who can do it ?
Still didnt explain what I wanna see I wanna see how Michelangelo was able to make his sculptures so smooth and lifelike was it just really really fine picks or some custom tool
As a person who watched spongebob as a youth, I always thought it just took a single well placed strike with a hammer and chisel to reveal the art from the marble.
Yes, it really caught my eye as well......its amazing! Even trying to draw realistic drapery or fabric draping a human form is difficult. I love the way it looks
@@AverageTrainEnthusiast still, The fact that people working with chisels could create such life-like statues before calculators and before modern measuring instruments, to have their measuring instruments be physical (not calculators or lasers) and precise is absolutely mind-boggling, like using a slide rule instead of a calculator to make a rocket with 100,000 times less computing power for guidance than a smart phone land on the moon This might sound like exaggeration, but we still can’t mass produce Roman concrete, we still can’t rebuild The Vatican, we can’t rebuild the Reichstag, we still can’t rebuild the Palais Garnier that was built with the modern equivalent of €313 million, which is less than it cost to build a modern Opera Bastille which was 147% of the cost.
@UCaQbNwQqi5HfNDPiLnMMR5A Part of it is regulation and taxes: large hallways, high ceilings, and enough room to put columns takes up area that could've otherwise housed businesses, apartments, and has to receive enough income, per taxed story, to justify the orientation of the building. Older buildings were preserved and partially immune to taxes due to landmark classification and various exemptions and benefits given to keep them in blue cities that favor high taxes. The other part is Masonry has upkeep cost that buildings with no extrusions or detachable sections has. Remember in 1890-1910 people could justify these costs still to themselves so it isn't infeasible and is still workable. Keep in mind the cost is still that: Only the high earners tend to be able to afford to frequent these beaux arts areas and especially live in them since regulations and taxes were imposed. Another is oddly enough, political will on the federal level. Trump wished to implement a restriction in which classical buildings for federal buildings would be built, but was stopped. Some say it's skilled labor relative to material costs, but doubt is wise as this mansion only cost 12 million to build th-cam.com/video/j5aFoPmFIT4/w-d-xo.html I have a feeling that some of the answers might lie between 1890 and 1910, because pictures of the 1920s start to feature the prominent purpose built facades.
I just love how they used the Statue of David to brag about the quality of the marble as if that statue wasn't built using extremely low grade marble. I'm not doubting that the marble there is good. But they chose a horrible example and clearly didn't do their research lmao. I mean, I don't claim to be an expert, but that's one of the first things you learn about the statue of David once you research beyond surface level information.
If i remember correctly. Stone cutting blades is not sharp as a wood cutting blade. Instead of cutting, it grinds it down. While a wood cutting blade would open his stomach up in a split second, a stone cutting blade would not. It would leave a mark tho.
Poor laborers have cut down so much wood, so much granite, mined so much metal for your tables, beds, shelves what not for your excesses. And you have a problem with a few amazing artists creative beautiful things that represent their times? Very valid.
@phillyrick I work in a mine in northern Pakistan and I've seen one of world most unique marble mountains gone within years. Wood can grow, not marble. these mountains have been kept under special quarrying conditions that's why still there but with time, they will be gone!
Yeah those sculpture's are crap in its discourse as art. BUT the originality that the narrator refferes its about the material creation of a marble sculpture, opposed to (for example) cast sculpture, wich had a mold. (Sorry is my english is bad)
What the classical sculptors did is nothing short of magic, but we still have to give love to the modern artists. Although the tools have advanced, as with any craft, and thus the process has been expedited, the vision is what matters in the end. When all is said and done, the beauty of one’s creation transcends one’s tools or lack thereof.
My goodness what a beautiful works, Thank God for what you gave us materials on this earth and still many people not happy about it, Thank you for your amazing works in this solid marble, Your statues they just need is to speak, God bless you.
I have never been envious of anyone with wealth or fame. I am a bench joiner . I appreciate people that have these kinds of skill. And these are the people I am envious of. I would love to have their level of artistic skill. My work is more practical. Bravo to that gentleman on creating such a piece of art. 👍👍
Call_Me_ Karay I mean, sculpting is very different from drawing, since drawing is the illusion of depth (and much more) and sculpting is how to handle that depth in reality.
Call_Me_ Karay You don’t need to do a decent sculpture though, you just need to do a sculpture! There’s no fun in trying to be good at everything you do at first try, that’ll just burn you out! Go for it, if you want to make a sculpture then do it! And let that sculpture be part of the learning process :D
@@theplumscrub1627 Wow, Thank you so much :0, I feel more confident now, I think I might try to do something, I have a bit of clay, Thank you again! You're so kind! ^w^
Call_Me_ Karay You too pal! You’re awesome for being so brave to try it out! It’s really demotivating when we fail, but if we see it as learning then it’s suddenly easier! Thank you for being awesome too, and have fun :D
I don't have this talent .. at all, but know how to admire the skill. Great, Amazing, I can feel, see the artist "put their soul to their work ". *Thank you Varo Sculpture*
Artists, especially sculptors, seldom work alone or do all the work themselves. They set up a shop and hire workers to do the rough work and polishing usually after creating a life sized model in clay.
@@joeylawn36111 Marble is mostly Calcium Carbonate. antiacid Tums is basically Calcium Carbonate. you can eat it. breathing it may not be a great idea.
Using our radio wave electronic devices for years is probably going to cause all of us more cancer ..in the long run..than the marble scultpters will ever get from breathing marble dust.
Italians are lucky they have preserved their ancient art where as in India the fine art of sculpting is long gone and no one creates such magnificent sculptures like our ancestors did. There are still sculptures but the art is not flourished as it did in the ancient times.
@@kishor565 Baps have built 80 plus large scale temple And currently building another axardham in America Also baps have there own staff of technician of 4000 person in Rajasthan pindwara U can also visit ..you tube video th-cam.com/video/V8oidZbgQoM/w-d-xo.html Time frame 13:00 to 20:00
बड़े कमाल की बात हैं ना आंखें तालाब नही है लेकिन फिर भी भर आती हैं, और इंसान मौसम नही है फिर भी बदल जाता हैं..!! 🌼🦋┄┅══❁♥❁════┅🦋🌼 किसी की तारिफ करने के लिए जिगर चाहिए, बुराई तो बिना हुनर के किसी की भी की जा सकती हैं..!!..
I doubt Michelangelo had access to an angle grinder when he created David but this man’s creations are magnificent , just to have the imagination to see this finished sculpture on a large rectangular block of marble is amazing .
You are wrong. In the past there were "angle grinder" - It's called apprentice. The master will give to the apprentice to cut off the big shapes, also called to "block-in the form". This stage doesn't require much masterful skill, so skipping it was a practice for the master - since forever. But can help the apprentice to develop some synhronisation of the motion apparatus and to learn how the stone behave.
It takes extreme talent to do it with power tools. So imagine how talented they were back then, they had no power tools, just a hammer, and other simple tools
How you ACTUALLY make a large scale marble sculpture. You start with a gestural maquette. Michangelo was known to make very small ones in wax. Then from that you make a larger maquette at a scale you can easily work on, say 20-30” tall. The old masters usually used stoneware clay ( stoneware clay does not shrink so much as it dries and so less likely to crack ) or terra cotta. This can be finished to very high detail. Once you are happy with that Michelangelo would make a sacrificial mold in plaster, soap the inside and cast it full of plaster, then chip away the mold to reveal a more durable plaster cast of the maquette. Then he would build a box around it and fill it with water that had mortar dye in it. Let it sit for five minutes or so, and then drain off a measured amount of the water. Say 1”. Let it sit and Then drain off another inch. This would leave a stain in the plaster that got darker as he lowered the water level, basically staining the maquette in bands of color that were exactly level with the ground and exactly parallel to mark exact height all around the maquette. Then he would build a Pointing Frame around the maquette that had gradations listed in X, Y, and Z dimensions. A surface gauge was then used to record 3 numbers for each point in space from the reference rail on the surface gauge to the surface of the maquette. Inches above the bottom, from the left of the frame, and distance to the surface of the model from the frame. You did this for all 4 sides of the maquette to end up with a table of figures. Then you made a second table with each of those numbers multiplied by your scale factor to full size. Say Times 3. You then built a LARGER pointing frame, exactly 3 times larger and you had your apprentices do most of the roughing out. Having them cut into the stone but stopping half or quarter inch from the Depth number on each grid point. At this point the master sculptor could assess the rough carving and determine if any minor changes were needed to adjust for the larger scale at which you would be seeing the figure. And then he and his best apprentices would gradually work the surface to the stone down to the correct measure. Final finishing would be done with rifflers, files, sand paper, and even polishing rouge. When Michelangelo TRIED sculpting direct in marble, freehand, He usually abandoned the work partway thru because they were unsatisfactory. This process is called Pointing Up. And you end up recording maybe 1,200 points on the maquette and translating them to the full scale stone. Today, I use a scanner to scan a plastilene maquette, and a 7 axis mill to carve the figure in Urethane foam. Then I cover the foam with a few mm of plastilene and Finish the surface for a mold, when it’s going to bronze or stainless, OR there are places that run 7 axis mills that can carve it directly in marble or granite. If you want to do top quality work, you HAVE to do it this way because for anything large, when you are close enough to use a chisel, you can’t see the effect of what you are doing on the overall work. And when you are far enough back to visually assess what needs doing, your arm is too short to reach the stone. Anyone wanting to understand how large sculptures have been made since the renaissance can read Eduardo Lanteri’s books on sculpting. He’s the guy Rodin studied under.
@@ANDROLOMA Not that I am not full of crap on other topics, but in this particular subject, I do know. I served an old world style apprenticeship with a passel of old Italians as a young man and I have been a professional sculptor for 45 years, embracing emerging technology to stay on the cutting edge ever since.
@@christopherpardell4418 Sir, please consider me jealous. My life has been defined by three lousy opportunities I got to improve it, and I'm grateful forever to those lousy little opportunities. I would have loved to be where you are. I really do adore sculpture. One of those opportunities was an apprenticeship... in plumbing. Which was nice, engineering piping systems. But my heart was where yours went.
@@ANDROLOMA I dropped out of a university sculpture degree program when I realized they did not actually know how to make things. And ended up finding a job as an apprentice moldmaker at an Italian immigrant owned statuary in Chicago when I was 20. At the time, I had a choice between taking a job my executive father had found for me that paid $40k a year ( in 1979 dollars ) in management, or taking the apprenticeship that paid minimum wage and was a 2 hour commute away. I knew I would kick myself the rest of my life if I didn’t take the apprenticeship. My very young wife was not exactly happy with my choice. Once I knew moldmaking, they let me apprentice to a 73 year old sculptor. The 5 years I spent there taught me everything I needed to know to make a living as a sculptor, and gave me the chance to hone my skills. At NIU a sculpture student might make 1 or 2 sculptures in a year. At the statuary, I worked on 40 to 50 per year in every imaginable subject. Thing is, I knew I was lucky from the first day on the job. It was a rare and wonderful education. And that is why I have offered apprenticeships to young sculptors my entire career. I should mention, however, that I had been sculpting every day of my life since the age of 4. In plastilene. So my good fortune was to know at a very young age what I wanted to do with my life.
Hola, sería muy bueno que este contenido se tradujera al Español, o añadieran subtítulos en Español. Es un contenido escaso y muy interesante, que merece atravesar barreras del idioma en beneficio de la educación. Gracias por entregar este contenido ❤️
Lo siento si la traducción no es muy precisa, todavía estoy aprendiendo a hablar español, ¡así que principalmente uso un traductor! A pesar de que su comentario se hizo hace un tiempo, pensé que sería útil para otras personas que también quisieran una traducción.
You know Paris, France? In English, they pronounce it “Paris,” but everyone else pronounces it without the “s” sound, like the French do. But with Venezia, everyone it the English way, “Venice.” Like The Merchant of Venice and Death in Venice . . . Why though?! Why isn’t the title Death in Venezia?! Are you friggin’ mocking me?! It takes place in Italy so use the Italian word, damn it! That shit pisses me off! Bunch of dumbasses!
Respect to the early artist like Michelangelo and others who had to sculpt without these modern and complex tools but still were able to produce most of the great works in this field.
If Michelangelo had access to power tools, he would have used them. That's not what makes him the better artist. The poetry of his work is what sets him so immeasurable far above the "Chick in Skimpy Sheet" brigade.
There's a facet to this that's both beautiful and sad. We're destroying whole landscapes for chunks of marble to craft, throw away, and/or possibly immortalize in places that few see. We're exchanging natural beauty for man-made "beauty".
Marble Mountains r very precious, sculptures can made using any other material, really feel sad, sculptures can never give that much happiness as compared viewing the mountains
Um, all our granite table tops, chairs, beds are all made with materials from forests and mountains. Why dont you stop all that. A little beautification by a rare talent isn't gonna kill anyone.
What is this really. Do we stop buying cars and polluting the world just because our elders walked to places? No right? Do we stop cutting down trees for our own greed? No right? This is like that. This man finds pleasure in making beautiful things from marble. Maybe his house doesn't have all the furniture and crockery your house has because that is his sacrifice. You people like to comment just something just to seem like you're moral.
bruh marbles a super hecking neat material for sculpting, its even part of standard danish high school curriculum to know how neat marble is tho thats a very eurocentric curriculum to be sure
Think about watching someone sweep up a workshop dealing with any fine particles without anything over their mouth and nose...when they retire, some truly retire shortly after putting 30 years in. To each his own. I am guilty of it sometimes. We all gotta die someday. I don't fear death...I fear those that walk around afraid of everything... especially in 2023...and propaganda...no mask to protect you from that other than getting rid of your television which I happily did about a decade ago. Best of luck to you and everyone out there living in the new normal.
SpongeBob: First, an artist must concentrate and visualize his concept. Squidward: Now you've got it. SpongeBob: I've gotta embrace the marble! Squidward: Right. SpongeBob: I've gotta sniff the marble! Squidward: Well, uh, ok. SpongeBob: I've gotta lick the marble! Squidward: Uhh... SpongeBob: [washes the marble in a washing machine] I've gotta wash the marble! I've gotta date the marble! [expands himself so that he's the same size as the marble] I've gotta be the marble! I've got it! I have see the sculpture within. There ya go, bud.
This was rather painful to see: the creation of embarrassing marble figures that result in more "bad art" in the world. Everything about them is maudlin and unartistic. If art is a reflection of the soul, here we have a very shallow soul, indeed.
In India, entire Temple complexes, complex buildings have been carved out of a single rock of Granite...not marble but granite....which is much harder than marble.
I agree with your opinion. It is also interesting to know your opinion about my videos. In one of the videos, I made a sapphire ring out of a titanium tube.
I like that it actually looks like a person and with incredible detail. As opposed to these multi million dollar pieces of garbage they're putting up in cities lately
Watching this work executed with all ease with modern tools can you imagine Michelangelo using only carved, hammers and rases? What an amazing man!
Not just that, but the marble he was given was of the lowest grade because the people who gave it to him thought he couldn't pull it off
@Masnsen i can't remember what sculpture, but the quality of the marble was so bad, onlookers broke either the penis or the head off of it with rocks. The artist wasn't as loved and supported as he is now.
If you visit the museum currently holding the masterpiece, you can still see the damage done to it today. If you ask me, it was the vandalists who worked with demons.
Same Thing Popped Up On My Mind :v
@@cccvvv630 it very well be the case that I'm wrong, since i don't remember all the details
I got this information from a youtube video about a behind-the-scenes restoration of (what i thought was) one of his statues. I'll see if i can find it, we can both watch it, and see what mistakes i made, hm?
Here, i have found it
th-cam.com/video/GsrKhGI9uow/w-d-xo.html
In the time i have posted this, i haven't rewatched it yet, but I'm about to
@@cccvvv630 you're right i did mess quite a bit up.
I mixed up the riots that broke Michael's arm off (not his head) with everyone disliking him. And he wasn't given low grade marble, he CHOSE it because no one else was taking the block.
First, an artist must concentrate and visualize his concept. You gotta embrace the marble. You gotta sniff the marble. You gotta lick the marble. You gotta wash the marble. You gotta date the marble. You gotta be the marble.
Replace all those "You"s with "I've" and you've got it.
And lastly, to shape the sculpture, you must _consume_ the marble.
And lastly, to give that marble its life like appearance, you gotta *FUCK* the marble
False, the marble must become you
I feel like I've watched this somewhere
Why does the narrator sound like he’s from pokemon
Wait what?
Lyndis he sounds like the narrator from pokemon
Lol he does! I think its the tone
Holy shit I just realised!
That makes me think about a steel or rock gym champion who would be a sculptor artist. That would be very cool
Everyone is always so surprised how detailed artists in the past got their work, but it always made sense to me. They didn't have the internet, or globalization, or really anything to distract them. They weren't exposed to a million different cultures and ideas on the daily from the internet. They just had their small, localized way of life and thinking. Mastering their craft was really all they had to do.
That's true, I always found it very tough sometimes as an artist in moments where you're in a block and there are multiple distractions readily at your disposal.
All that can actually hone your craft to even higher heights. The issue today, is there's no market for art. If there were, I'm sure the greatest art in history would be made right now, spanning influences from all genres, mediums and cultures.
Like, Adam Savage mail ordered notebooks by Leonardo Da Vinci, and if you ever watched Antiques Roadshow, you'll see all the antiques are depreciating. People today don't like art, or even history for that matter. They like information. And they don't like well crafted information, but they like easily digested information, that takes three seconds to understand, and probably just thought up five seconds ago..
In other words, nobody wants to think. That, and the art that is valuable looks like it could be made by two year olds. It's sad, really. Nobody can, because it's also looked down upon to take your craft seriously. Everyone wants ugly art. They don't want to establish aesthetic norms, except ones that are gross. Jeff Bezos spent an insane amount of money on what is essentially an electric blue painted canvas with yellow font. The font is nice, but that's what he spent a TON OF MONEY on. It's insane how much he spent on that piece. But, that's what sells.
noh
Looking at all the equipments and machineries, I start to appreciate the effort and time spent by the past artists to make these sculptures with simple tools. They really devoted their lives to their passion.
Imagine what MichaelAngelo used for sculpting... only hammer with chisel....!!!
AMAGE-VERSE and probably a curved blade of sorts to get dem smooth textures
No, he use telekinesis
He learn from spongebob
No no no you got it all wrong they say that every statue is in all slabs of marble you just got to bring it out. so he knocked on the marble and waited to hear "get me the hell out of here!!!" and went at it like triple H with a sledge hammer after he spits a mist of wine into the air.
And abrasive paper of course, i wonder what kind of abrasive paper was before modern world
Michel angelo should learn from the maestro of arts, sir squidward tenvoles
Indeed
Squidward tortellini
Squidward pentopel
ITS TENNISBALLS! NO TENTACLES!
MICHELANGELO
imagine how superior classical artists are since they weren’t using power tools back then, yet some of their works have the most detailed, life-like features.
yeah but they worked for years before finishing it
@@bernalesjames9110 ok, this is something we can talk about them so: their patience
@Keith Perez no sense commentary
@Keith Perez Someone uses power tools 😞
@Keith Perez do you need help?
1:32 Most marble sculptures are just not made this way.
The sculptor in this video uses a well known but fairly uncommon method for working in marble. Though it is fairly common for carved wooden statues.
It's more common with stone to sketch potential ideas for sculptures in flat drawings.
Then a clay or wax maquette (bozetto in Italian) or rough scale model in is made as an experiment in the subject, proportions, posing and overall composition. As well as giving hints as to practicality, eg. to visualise what support might be needed.
Once the sculptor is happy with one of the many maquettes they might make, most of which might never to see expression in any larger sculpture, they go about transferring the idea to marble.
They may for reasonably sized statues actually make a full sized clay more or less final version.
That is often cast in hollow plaster for ease of use, or sometimes the clay is hollowed out and dried and maybe fired in a kiln.
Then that is copied somewhat mechanically. By measuring the plaster master with calipers or a pointing machine.
Skill is still required as this only gives the basic forms, and surface details need to be put in by hand, but that's far easier when you've got the shape right. And it is far less hit and miss than just chipping away semi randomly at a block of stone, which isn't very forgiving and very expensive if you mess up.
It's also far less mysterious a process.
Also far less artistic and less valuable..in my opinion.
@@sissyrayself7508 why? Even the great masters like Michelangelo used these sorts of techniques.
@@sissyrayself7508 They still had to sculpt it first. To me that technique is just common sense. Why just start carving without planning it out first, especially considering the finer grades of marble are increasingly rare and expensive?
Спасибо. Очень интересная информация.😊
Measure twice chisel once@@sissyrayself7508
I went to the art Academy of Carrara - not only Statuario marble is used for sculpture - actually there is not much Statuario left - but there is still a lot of Carrara marble, which is a cooler white and has som gray lines in it. Statuario is considered the finest with a warmer color …a bit like cream 🙂💁🏼♀️
Hello Helena I have a question I hope you help me , if I want to look in the internet for someone to make sculpture my own drawing where I should look and what should I write in the search to reach artist who can do it ?
@@EARTHKEENING do you ever figure it out?
Your profile picture gives me nightmares
Literally : SpongeBob can make it in one touch
I thought so 😂
Iyo yo mas
One punch
Stop
Klo ga bisa pake format meme, yaa ga usah soksokan..
Still didnt explain what I wanna see I wanna see how Michelangelo was able to make his sculptures so smooth and lifelike was it just really really fine picks or some custom tool
He had skill not special things.
It's files. You can do the same with sandpaper.
And praxiteles is better than Michelangelo. Also check the boxer at rest sculpture by other artists.
God spoke throug Michelangelo. You cant compare them
@@The-illuminated michelangelo kinda hated the church bro
As a person who watched spongebob as a youth, I always thought it just took a single well placed strike with a hammer and chisel to reveal the art from the marble.
Squidward could give the chisel a slight tap and the entire thing turns into a pile of chips and dust.
Well that's how the pro's does it, this guy is a noob.
The way they make fabric draped of the body look so natural is amazing
Yes, it really caught my eye as well......its amazing! Even trying to draw realistic drapery or fabric draping a human form is difficult.
I love the way it looks
"Angle grinders with diamond blades."
The old masters: adorable.
Honestly it’d probably be more like…
The old masters: “I could’ve made so many more sculptures if I had one of those…”
@@AverageTrainEnthusiast still, The fact that people working with chisels could create such life-like statues before calculators and before modern measuring instruments, to have their measuring instruments be physical (not calculators or lasers) and precise is absolutely mind-boggling, like using a slide rule instead of a calculator to make a rocket with 100,000 times less computing power for guidance than a smart phone land on the moon
This might sound like exaggeration, but we still can’t mass produce Roman concrete, we still can’t rebuild The Vatican, we can’t rebuild the Reichstag, we still can’t rebuild the Palais Garnier that was built with the modern equivalent of €313 million, which is less than it cost to build a modern Opera Bastille which was 147% of the cost.
@UCaQbNwQqi5HfNDPiLnMMR5A Part of it is regulation and taxes: large hallways, high ceilings, and enough room to put columns takes up area that could've otherwise housed businesses, apartments, and has to receive enough income, per taxed story, to justify the orientation of the building. Older buildings were preserved and partially immune to taxes due to landmark classification and various exemptions and benefits given to keep them in blue cities that favor high taxes.
The other part is Masonry has upkeep cost that buildings with no extrusions or detachable sections has.
Remember in 1890-1910 people could justify these costs still to themselves so it isn't infeasible and is still workable.
Keep in mind the cost is still that: Only the high earners tend to be able to afford to frequent these beaux arts areas and especially live in them since regulations and taxes were imposed.
Another is oddly enough, political will on the federal level. Trump wished to implement a restriction in which classical buildings for federal buildings would be built, but was stopped.
Some say it's skilled labor relative to material costs, but doubt is wise as this mansion only cost 12 million to build th-cam.com/video/j5aFoPmFIT4/w-d-xo.html
I have a feeling that some of the answers might lie between 1890 and 1910, because pictures of the 1920s start to feature the prominent purpose built facades.
better than those who use Quantum Grinders and Adamantium Blades
Sculptors back then also had several assistants, up to 2 dozen, helping them at a time.
Congratulations....
The TH-cam algorithm has chosen you to watch this video.
Nostalgic or You have an Art History class and this is one of the videos
That algorithm got me.
I *was* taking a sculpting class in school, but this randomly popped up
Daniel Duntavs Saunders that too haha:)
Fresh
The best marble sculpture i have ever seen is the mountains.
Gay
Minesonic says the person with an mlp pfp
That has got to hurt
@@sirsupesafro7637 no
Yes, friend. Indeed Mother Nature is the greatest artist!
I just love how they used the Statue of David to brag about the quality of the marble as if that statue wasn't built using extremely low grade marble.
I'm not doubting that the marble there is good.
But they chose a horrible example and clearly didn't do their research lmao.
I mean, I don't claim to be an expert, but that's one of the first things you learn about the statue of David once you research beyond surface level information.
Lmao ikr
And Michelangelo only chose it cause no one else would
@@Qowowoeeoeo I think I've heard someone dared him
Creepy Artist It wasn’t a dare. The block had been started by two other sculptors and they abandoned it because the quality sucked.
1:11 Jesus that is so fucking dangerous, if he leaned forward ANY he wouldn’t have a stomach anymore.
Ikr I was just wondering what would happen if he tripper or sumn
🤭
Imagine the force he’s using.
Not to mention the lack of eye or lung protection.
If i remember correctly. Stone cutting blades is not sharp as a wood cutting blade. Instead of cutting, it grinds it down. While a wood cutting blade would open his stomach up in a split second, a stone cutting blade would not. It would leave a mark tho.
Any art, whether it be artist, sculptor, musician, singer, any form of art......is a gift from god. Real art makes people happy.
This I can agree with. Thank YOU!!!!
1:11 Man he could have sliced his gut.
1:10 good thing he is in full control of the whole process from start to finish
The blade is basically smooth with diamond particles imbedded. If it were a wood cutting blade, that would be very dangerous.
@@iraomar1 what??? Sorry but thats the stupidest thing I heard all day. Blade that cuts through hard materials can cut human flesh no problem
DevRoot have you ever used an angle grinder with one of these types of blades? I have.
@@iraomar1 And you tried to cut yourself yes?
Im more concern about the marble mountain being gone few years from now...
Poor laborers have cut down so much wood, so much granite, mined so much metal for your tables, beds, shelves what not for your excesses. And you have a problem with a few amazing artists creative beautiful things that represent their times? Very valid.
@phillyrick I work in a mine in northern Pakistan and I've seen one of world most unique marble mountains gone within years. Wood can grow, not marble. these mountains have been kept under special quarrying conditions that's why still there but with time, they will be gone!
@@AliKhan-kj2pp true man these beautiful mountains at one time will be just beautiful memories
See thats why i sculpt using my own poop.
@phillyrick what year did the human started to extract petroleum? And yet it's not much left years later. The end
“The result is always original, one of a kind work”...
Displays 4 different “woman clad only in a drape of cloth” statues
Lol ok 😂
Marble’s only other reason to exist outside fancy kitchen tops and Art History books. :)
I would sculpt beefy werewolf and sell it for half a million to the furry community.
@@VulpinetideCuteTimes0w0 That's
That's
FANTASTIC
@@VulpinetideCuteTimes0w0 actually that's more original than "a woman who wears a drape of cloth"
Edit : pls do it irl
Yeah those sculpture's are crap in its discourse as art. BUT the originality that the narrator refferes its about the material creation of a marble sculpture, opposed to (for example) cast sculpture, wich had a mold. (Sorry is my english is bad)
What the classical sculptors did is nothing short of magic, but we still have to give love to the modern artists. Although the tools have advanced, as with any craft, and thus the process has been expedited, the vision is what matters in the end. When all is said and done, the beauty of one’s creation transcends one’s tools or lack thereof.
I'm a 67 year old wood sculptor and would love working a piece in stone with this guy. Great Job
Today’s episode of where did quarantine take me...
Go Dawgs. Long live the weasel logo.
And you still haven't stumbled upon *Event 201*
Hi ❤️Ladies & Gentleman ❤️ could you please help me to get 500 subscribers , I'll be very thankful ❤️❤️❤️
more like quarry-tine lol
he has the skill of cutting and sculpting, that's amazing
So, I'm Italian and it took me some time to realize he was actually saying Carrara XD
English accent is so strange lol
This is the marble of Cauoauoa...
I'm brazilian and felt the same xD
de marbbol of cauoua
I cringed so hard at how he pronounced it and my first language is Spanish.
CAWWAWA
My goodness what a beautiful works, Thank God for what you gave us materials on this earth and still many people not happy about it, Thank you for your amazing works in this solid marble, Your statues they just need is to speak, God bless you.
Preacher!
I have never been envious of anyone with wealth or fame. I am a bench joiner . I appreciate people that have these kinds of skill. And these are the people I am envious of. I would love to have their level of artistic skill. My work is more practical. Bravo to that gentleman on creating such a piece of art. 👍👍
This video makes me wanna make an sculpture when I can't even draw
Call_Me_ Karay I mean, sculpting is very different from drawing, since drawing is the illusion of depth (and much more) and sculpting is how to handle that depth in reality.
@@theplumscrub1627 Sounds difficult :"/ I'm not seeing myself talented enough to do a decent sculpture ^^
Call_Me_ Karay You don’t need to do a decent sculpture though, you just need to do a sculpture!
There’s no fun in trying to be good at everything you do at first try, that’ll just burn you out! Go for it, if you want to make a sculpture then do it! And let that sculpture be part of the learning process :D
@@theplumscrub1627 Wow, Thank you so much :0, I feel more confident now, I think I might try to do something, I have a bit of clay, Thank you again! You're so kind! ^w^
Call_Me_ Karay You too pal! You’re awesome for being so brave to try it out!
It’s really demotivating when we fail, but if we see it as learning then it’s suddenly easier!
Thank you for being awesome too, and have fun :D
I have so much respect for this people, they really hustle for that to look like we want. Incredible.
I don't have this talent .. at all, but know how to admire the skill. Great, Amazing, I can feel, see the artist "put their soul to their work ".
*Thank you Varo Sculpture*
My job is sculpting cement art. I send you my best wishes
2:55 absolutely gorgeous - the lines, the movement, the muscles
Imagine doing this in the medieval time carving using chisel and hammer and without using power tools it's really really hard
Artists, especially sculptors, seldom work alone or do all the work themselves. They set up a shop and hire workers to do the rough work and polishing usually after creating a life sized model in clay.
The fact that he isn't wearing a respirator or a mask is unsettling
jellyw yeah, he’ll have marble lungs....
@@joeylawn36111 Marble is mostly Calcium Carbonate.
antiacid Tums is basically Calcium Carbonate.
you can eat it. breathing it may not be a great idea.
@@davidjacobs8558 Yeah, there are several materials that you can safely digest, but fine dust you wouldn't want to breathe, like silicon dioxide.
Oh please..quit being such a snowflake.
Using our radio wave electronic devices for years is probably going to cause all of us more cancer ..in the long run..than the marble scultpters will ever get from breathing marble dust.
Italians are lucky they have preserved their ancient art where as in India the fine art of sculpting is long gone and no one creates such magnificent sculptures like our ancestors did. There are still sculptures but the art is not flourished as it did in the ancient times.
Damn bro thats sad
I think u have to make little search on
BAPS ORGANISATION
WHO BUILT Delhi axardham
@@patelnirav017 thanks for the info. I will look into it
@@kishor565
Baps have built 80 plus large scale temple
And currently building another axardham in America
Also baps have there own staff of technician of 4000 person in Rajasthan pindwara
U can also visit ..you tube video
th-cam.com/video/V8oidZbgQoM/w-d-xo.html
Time frame 13:00 to 20:00
बड़े कमाल की बात हैं ना
आंखें तालाब नही है लेकिन फिर भी भर आती हैं,
और इंसान मौसम नही है फिर भी बदल जाता हैं..!!
🌼🦋┄┅══❁♥❁════┅🦋🌼
किसी की तारिफ करने के लिए जिगर चाहिए,
बुराई तो बिना हुनर के किसी की भी की जा सकती हैं..!!..
The amount of effort spent on theses sculptures is unbelievable
"This natural and spiritual journey keeps the artist inspired and happy" _proceeds to show only sculptures of sexy ladies._
To make a sculpture, you technically have to be a really good artist. Best artist be damned, these people draw just as good!
if you can make a pillow that looks soft and yet have detail,but is full marble. well then you are a god at art
That's absolutely incredible.
Magnificent artworks from a really talented artist😍
Even with all our tools, we don’t come close to the pure perfection of the first century sculptors.
You are very inspiring artist,I like how you find the solution’s for every difficulty on your work process..awesome artwork 😍😍👏👏👏👏
Красота от мрамор, браво!
I watched this 3 years ago. I'm glad this got recommended to me again.
This actually reminds me of how 3d modeling works. I didn't realize the similarity in technique
I can't even draw what he drew at the beginning ,this guy is really a master at his work
I doubt Michelangelo had access to an angle grinder when he created David but this man’s creations are magnificent , just to have the imagination to see this finished sculpture on a large rectangular block of marble is amazing .
You are wrong. In the past there were "angle grinder" - It's called apprentice. The master will give to the apprentice to cut off the big shapes, also called to "block-in the form". This stage doesn't require much masterful skill, so skipping it was a practice for the master - since forever. But can help the apprentice to develop some synhronisation of the motion apparatus and to learn how the stone behave.
It takes extreme talent to do it with power tools. So imagine how talented they were back then, they had no power tools, just a hammer, and other simple tools
How you ACTUALLY make a large scale marble sculpture. You start with a gestural maquette. Michangelo was known to make very small ones in wax. Then from that you make a larger maquette at a scale you can easily work on, say 20-30” tall. The old masters usually used stoneware clay ( stoneware clay does not shrink so much as it dries and so less likely to crack ) or terra cotta. This can be finished to very high detail. Once you are happy with that Michelangelo would make a sacrificial mold in plaster, soap the inside and cast it full of plaster, then chip away the mold to reveal a more durable plaster cast of the maquette. Then he would build a box around it and fill it with water that had mortar dye in it. Let it sit for five minutes or so, and then drain off a measured amount of the water. Say 1”. Let it sit and Then drain off another inch. This would leave a stain in the plaster that got darker as he lowered the water level, basically staining the maquette in bands of color that were exactly level with the ground and exactly parallel to mark exact height all around the maquette. Then he would build a Pointing Frame around the maquette that had gradations listed in X, Y, and Z dimensions. A surface gauge was then used to record 3 numbers for each point in space from the reference rail on the surface gauge to the surface of the maquette. Inches above the bottom, from the left of the frame, and distance to the surface of the model from the frame. You did this for all 4 sides of the maquette to end up with a table of figures. Then you made a second table with each of those numbers multiplied by your scale factor to full size. Say Times 3. You then built a LARGER pointing frame, exactly 3 times larger and you had your apprentices do most of the roughing out. Having them cut into the stone but stopping half or quarter inch from the Depth number on each grid point. At this point the master sculptor could assess the rough carving and determine if any minor changes were needed to adjust for the larger scale at which you would be seeing the figure. And then he and his best apprentices would gradually work the surface to the stone down to the correct measure.
Final finishing would be done with rifflers, files, sand paper, and even polishing rouge.
When Michelangelo TRIED sculpting direct in marble, freehand, He usually abandoned the work partway thru because they were unsatisfactory.
This process is called Pointing Up. And you end up recording maybe 1,200 points on the maquette and translating them to the full scale stone.
Today, I use a scanner to scan a plastilene maquette, and a 7 axis mill to carve the figure in Urethane foam. Then I cover the foam with a few mm of plastilene and Finish the surface for a mold, when it’s going to bronze or stainless, OR there are places that run 7 axis mills that can carve it directly in marble or granite.
If you want to do top quality work, you HAVE to do it this way because for anything large, when you are close enough to use a chisel, you can’t see the effect of what you are doing on the overall work. And when you are far enough back to visually assess what needs doing, your arm is too short to reach the stone. Anyone wanting to understand how large sculptures have been made since the renaissance can read Eduardo Lanteri’s books on sculpting. He’s the guy Rodin studied under.
I've read lots and lots of crap on the internet. You may be the first I've ever read who seems to know what they're talking about.
@@ANDROLOMA Not that I am not full of crap on other topics, but in this particular subject, I do know. I served an old world style apprenticeship with a passel of old Italians as a young man and I have been a professional sculptor for 45 years, embracing emerging technology to stay on the cutting edge ever since.
@@christopherpardell4418 Sir, please consider me jealous. My life has been defined by three lousy opportunities I got to improve it, and I'm grateful forever to those lousy little opportunities. I would have loved to be where you are. I really do adore sculpture.
One of those opportunities was an apprenticeship... in plumbing. Which was nice, engineering piping systems. But my heart was where yours went.
@@ANDROLOMA I dropped out of a university sculpture degree program when I realized they did not actually know how to make things. And ended up finding a job as an apprentice moldmaker at an Italian immigrant owned statuary in Chicago when I was 20. At the time, I had a choice between taking a job my executive father had found for me that paid $40k a year ( in 1979 dollars ) in management, or taking the apprenticeship that paid minimum wage and was a 2 hour commute away. I knew I would kick myself the rest of my life if I didn’t take the apprenticeship. My very young wife was not exactly happy with my choice. Once I knew moldmaking, they let me apprentice to a 73 year old sculptor. The 5 years I spent there taught me everything I needed to know to make a living as a sculptor, and gave me the chance to hone my skills. At NIU a sculpture student might make 1 or 2 sculptures in a year. At the statuary, I worked on 40 to 50 per year in every imaginable subject.
Thing is, I knew I was lucky from the first day on the job. It was a rare and wonderful education. And that is why I have offered apprenticeships to young sculptors my entire career. I should mention, however, that I had been sculpting every day of my life since the age of 4. In plastilene. So my good fortune was to know at a very young age what I wanted to do with my life.
@@christopherpardell4418 "It is the capricious whims of fate that determine the variables of a human life."
-Juvenal
Bro this is amazing
Hola, sería muy bueno que este contenido se tradujera al Español, o añadieran subtítulos en Español. Es un contenido escaso y muy interesante, que merece atravesar barreras del idioma en beneficio de la educación. Gracias por entregar este contenido ❤️
Lo siento si la traducción no es muy precisa, todavía estoy aprendiendo a hablar español, ¡así que principalmente uso un traductor! A pesar de que su comentario se hizo hace un tiempo, pensé que sería útil para otras personas que también quisieran una traducción.
@@iib.mp3 dude. you dropped this 👑
in 2022 youtube auto translates any subtitle... not to all languages but major ones.
when torrena wrote his comment, it didn't
Pero sería más bueno que tu aprendas inglés en vez de esperar como un holganzan a que todo te lo traduzcan.
@@PrincipeCaspianX Keşke dünya üzerindeki herkes ingilizce öğrense ve amerikalılar yabancı dil öğrenmek zorunda kalmasa. Ne güzel olurdu, değil mi?
I'm gonna get a marble statue of Rouge the Bat when I have the money
based
1:34 I don't know why but this made me laugh
lmao nice catch
वाह क्या मूर्ती बनाई है बहुत बढिया, thanku for it from india.
Michaelangelo used only chisel bits with hand. breathtaking
Just recently learned that these statues were more often painted over with bright vivid colors. I honestly like them as they are in exposed marble
just iunno hang up some expensively dyed banners bruh and flex that marble instead
Not in the renaissance. More in Ancient Greece and rome
When I saw this video I Immediately knew there was gonna be spongebob references in the comments
Looks pretty straightforward, I'm ready to start
Please americans, pronounce Michelangelo as “meekelangelo”!! 😂
Meighshellarnchelloo
I was screaming that everytime they said it!
Also known as Meek Mill.
You know Paris, France? In English, they pronounce it “Paris,” but everyone else pronounces it without the “s” sound, like the French do. But with Venezia, everyone it the English way, “Venice.” Like The Merchant of Venice and Death in Venice . . . Why though?! Why isn’t the title Death in Venezia?! Are you friggin’ mocking me?! It takes place in Italy so use the Italian word, damn it! That shit pisses me off! Bunch of dumbasses!
@@tea1696 its just a pasta lol
This made my low quality sketches easy
Respect to the early artist like Michelangelo and others who had to sculpt without these modern and complex tools but still were able to produce most of the great works in this field.
If Michelangelo had access to power tools, he would have used them. That's not what makes him the better artist. The poetry of his work is what sets him so immeasurable far above the "Chick in Skimpy Sheet" brigade.
There's a facet to this that's both beautiful and sad. We're destroying whole landscapes for chunks of marble to craft, throw away, and/or possibly immortalize in places that few see. We're exchanging natural beauty for man-made "beauty".
Marble Mountains r very precious, sculptures can made using any other material, really feel sad, sculptures can never give that much happiness as compared viewing the mountains
Um, all our granite table tops, chairs, beds are all made with materials from forests and mountains. Why dont you stop all that. A little beautification by a rare talent isn't gonna kill anyone.
What is this really. Do we stop buying cars and polluting the world just because our elders walked to places? No right? Do we stop cutting down trees for our own greed? No right? This is like that. This man finds pleasure in making beautiful things from marble. Maybe his house doesn't have all the furniture and crockery your house has because that is his sacrifice. You people like to comment just something just to seem like you're moral.
bruh marbles a super hecking neat material for sculpting, its even part of standard danish high school curriculum to know how neat marble is tho thats a very eurocentric curriculum to be sure
All those modern tools, and it still looks like crap compared to what they used to do with just a chisel
Using power tools on marble without wearing a respirator is like working in an asbestos mine.
Think about watching someone sweep up a workshop dealing with any fine particles without anything over their mouth and nose...when they retire, some truly retire shortly after putting 30 years in. To each his own. I am guilty of it sometimes. We all gotta die someday. I don't fear death...I fear those that walk around afraid of everything... especially in 2023...and propaganda...no mask to protect you from that other than getting rid of your television which I happily did about a decade ago. Best of luck to you and everyone out there living in the new normal.
How were the ancient sculptures made without the powertools?
I saw the Pieta at the 1964 Worlds Fair in New York. It was so smooth and shiny. Just incredible to look at.
Mesmo com toda tecnologia para fabricação dessas estátuas modernas, ainda acho impressionante como as antigas estátuas gregas foram feitas
Haha "co-raw-rah"
Very nice and interesting video , thank' s !
Omg that is beautiful!!!!!
There's no UNDO button when sculpting with marble. How nerve-wracking that must be. RESPECT.
1:50
He draws on marble like we do in 3D
or
we do like him
or what ever
0:57
*holds nose* “Plastacy”
The lack of Spongebob reference comments is disturbing....
Because we're grown. I like SpongeBob too, but this is serious work.
Mary Johnson I know, just some silly nostalgia when ever I hear marble haha. :)
SpongeBob: First, an artist must concentrate and visualize his concept.
Squidward: Now you've got it.
SpongeBob: I've gotta embrace the marble!
Squidward: Right.
SpongeBob: I've gotta sniff the marble!
Squidward: Well, uh, ok.
SpongeBob: I've gotta lick the marble!
Squidward: Uhh...
SpongeBob: [washes the marble in a washing machine] I've gotta wash the marble! I've gotta date the marble! [expands himself so that he's the same size as the marble] I've gotta be the marble! I've got it! I have see the sculpture within.
There ya go, bud.
Vidéo très intéressante et instructive.
Sincères remerciements.
J'ai beaucoup aimé.
👍👍👍👍
Makes me think if someone already made a marble statue of handsome squidward
This was rather painful to see: the creation of embarrassing marble figures that result in more "bad art" in the world. Everything about them is maudlin and unartistic. If art is a reflection of the soul, here we have a very shallow soul, indeed.
As an Italian, the way he say Carrara makes me die of laughter. "CRRRRarrra" I'm literally dead
And I thought clay sculpting is amazing. You guys are instane, in a good way.
In India, entire Temple complexes, complex buildings have been carved out of a single rock of Granite...not marble but granite....which is much harder than marble.
That's really cool.
This is absolute art
This is MARBLElous
“The sculpture begins in the quarry-“ Pause. Playback Speed 2x. Play.
1:11 that's extremely dangerous. Imagine going hips in that thing. Instant death.
Even I thought that it was very dangerous position.
It gave chills even thinking about it!!
Obviously that's just because you never use that grinder
Nice ArtWork ....! Greetings Art ... From Artist Painting, Borobudur, Magelang, indonesia....!
Amazing!!!!!!!!!!!!!!!!!!!!!!! Work😇😇😇 i like it
I agree with your opinion. It is also interesting to know your opinion about my videos. In one of the videos, I made a sapphire ring out of a titanium tube.
Menos mal no tiene audio jaja. Por que pobres vecinos. Entre la cierra electrica y el polvillo... te imaginas vivir cerca?
English people pronouncing "carrara" is the funniest thing ever😂😂
"Cahuahua"
@@342Rodry HAHAHA
The same here...italian pronouncing american words like new york and cheeseburgers is equally hilarious....cheers 🤣🤣
2:54 anything about it if anyone knows
What makes you admire and appreciate people like Michelangelo is the fact that they had no hand grinder or any electric tools back then.
I like that it actually looks like a person and with incredible detail. As opposed to these multi million dollar pieces of garbage they're putting up in cities lately
Abstract art it's a excuse to make money easily, literally anyone can make a dot in a canvas and call it art
Spongebob : are you challenge me?!!😂😂
Remember : There's no ctrl + z