How can people not like this ??? She has everything emotion, pathos, expressive timbre, amazing vibrato, well elaborated registers from the top the bottom ,,, So far the best after CALLAS
@MisterPapageno Her vibrato (typical for the eastern singers) makes her voice very emotioning. It is the glow of her voice . I think this is one of the best Coppia Iniquas I have ever heard
E un grande piacere vedere ed sentire questa voce albanese che mi porta al mio paese.Non e stupenda non s.assomiglia ala la grande Calas? Non so comme ringraziarla.Brava brava ed tanti tanti auguri.
SPYRIDON ROUMELIOTIS It’s impossible to hear what’s not there. She simply cannot do them. It’s merely her normal vibrato we hear, not the clear articulation between two notes.
Shahrdad I am sorry but (at least to my knowledge) what I am hearing is trilling. Of course she is not doing all the trills of the score (no one is Callas) but at some points she is clearly trilling
It's funny to see such comments like "the new Callas" or "the best since...". Yes, it's pretty fierce, but let's limit to what it actually is and not get overexcited. That uneven vibrato makes it hard to listen and at the end she simply makes up the words....exactly like late Caballé. The voice itself is nothing really special, very limited vocal material, second rate. At "cielo, ai miei lunghi spasimi" there is no trace of piano and so on....
I, too, am not very happy with her performance, especially not with her overacting as Traviata in the laatest Covent Garden presentation with the deplorable Domingo as Germont. Her phraseology and her slight vibrato are detrimental to the the fluency of italianità ( L'essere conforme a ciò che si considera peculiarmente italiano o proprio degli Italiani nella lingua, nell'indole, nel costume, nella cultura, nella civiltà. La coscienza di sentire l'appartenenza alla civiltà, alla storia, alla cultura e alla lingua italiana). Just compare how Elena Souliotis 'handles' this partition: th-cam.com/video/Q7eTCWrKfQ0/w-d-xo.html
Thank you for your ART, Ermonella !
How can people not like this ??? She has everything emotion, pathos, expressive timbre, amazing vibrato, well elaborated registers from the top the bottom ,,, So far the best after CALLAS
operaclassicc where are all the trills Donizetti wrote??
Absolutely Sulbime! Nje Perle e vertete. Great artist, great soul. Keep on shining
Amazing ,e mrekullueshme :) Pune dhe talent !
@MisterPapageno Her vibrato (typical for the eastern singers) makes her voice very emotioning. It is the glow of her voice . I think this is one of the best Coppia Iniquas I have ever heard
Very promising and very good! Exciting conducting too!
Brava cara ..
E bellissimo...
Electrifying great voice allot of emontion beatiful just beautiful
E un grande piacere vedere ed sentire questa voce albanese che mi porta al mio paese.Non e stupenda non s.assomiglia ala la grande Calas? Non so comme ringraziarla.Brava brava ed tanti tanti auguri.
No, ci spiace, non assomiglia per nulla alla Callas.
Beautiful voice
❤️👏👏👏👏
Brava, brava, brava!!!!
Stimmt! Her Suor Angelica (Covent Garden) here on YT is heart rendering and exquisitely sung!
Is somebody shaking her body?
Die Stimme erinnert an Pilar Lorengar-virtuos geführt,kolloraturfähig mit einem
Wiedererkennungseffekt!!! Danke Tirana1974--
me gustas anna ♥
Where are the trills??
Aren’t you able to hear?
SPYRIDON ROUMELIOTIS It’s impossible to hear what’s not there. She simply cannot do them. It’s merely her normal vibrato we hear, not the clear articulation between two notes.
Shahrdad I am sorry but (at least to my knowledge) what I am hearing is trilling. Of course she is not doing all the trills of the score (no one is Callas) but at some points she is clearly trilling
SPYRIDON ROUMELIOTIS It might be Thrilling, but it’s in no way, shape, or form Trilling. It’s merely her vibrato.
Turn off your troll-o-phones and you'll hear the trills.
It's funny to see such comments like "the new Callas" or "the best since...". Yes, it's pretty fierce, but let's limit to what it actually is and not get overexcited. That uneven vibrato makes it hard to listen and at the end she simply makes up the words....exactly like late Caballé. The voice itself is nothing really special, very limited vocal material, second rate. At "cielo, ai miei lunghi spasimi" there is no trace of piano and so on....
ma ci sei o ci fai?
I would leave Caballé out of the discussions...thank you
wat een arrogantie
I can't believe the career this woman has. She is so bloody dull. Her Violetta was the only one to leave my dry eyed. Terrible.
Congratulations! You will never die cos you're some sort of fucking android.
Nothing good or promising about this! How does she even have a career?
I, too, am not very happy with her performance, especially not with her overacting as Traviata in the laatest Covent Garden presentation with the deplorable Domingo as Germont. Her phraseology and her slight vibrato are detrimental to the the fluency of italianità ( L'essere conforme a ciò che si considera peculiarmente italiano o proprio degli Italiani nella lingua, nell'indole, nel costume, nella cultura, nella civiltà. La coscienza di sentire l'appartenenza alla civiltà, alla storia, alla cultura e alla lingua italiana).
Just compare how Elena Souliotis 'handles' this partition: th-cam.com/video/Q7eTCWrKfQ0/w-d-xo.html
Non è suo repertoiro