Thomas as always... Just right on time and topic that I've been dying of curiosity.. Pure respect. Everybody tries but we'll never be able to tell you about how you are fcking helpful
Hey, Thomas. Just passing by to say THANK YOU! Your content help me a lot. I wish i had the money to become a member and show my gratitute for your work here!
Thanks Thomas for sharing your valuable information about audio post..One thing I wanna ask you that how LFE tracks are treated to get such a very nice sub base...in our film s igetting very irritating base ..getting ear fatigue...could you tell me the solution please.?
Thomas as always... Just right on time and topic that I've been dying of curiosity.. Pure respect. Everybody tries but we'll never be able to tell you about how you are fcking helpful
Hey, Thomas. Just passing by to say THANK YOU! Your content help me a lot. I wish i had the money to become a member and show my gratitute for your work here!
Thanks Thomas for sharing your valuable information about audio post..One thing I wanna ask you that how LFE tracks are treated to get such a very nice sub base...in our film s igetting very irritating base ..getting ear fatigue...could you tell me the solution please.?
Avid Prosubharmonic or another subharmonic generator. Don’t use it too much. Lfe is like heavy spice, very easy to overdo it
@@ThomasBoykin Thank you sir.....do you use reverb for LFE ...could you make a video on this topic( how to use LFE ) ...would be very helpful....
Hey Thomas
Could you please make a detailed video on the field recorder guide track workflow.
Thank you so much for this video! Dirt is so messy. I've heard of using decomposed granite. What are your thoughts?
Crunchy sound, preferred by a lot of foley studios
What hapenned to Andrew at 14:33? We'd all enjoy a show about 'limiters' and the two specs for online and broadcast, for instance. Lock him up.