Producent Phil Weeks ma taką metodę, że na komputerze odznacza wycinki sampli, które go interesują i z wyjścia interfejsu zgrywa do MPC 3000. Oczywiście uzależnia się wtedy pracę z komputerem no ale jeżeli już w domu się produkuję to czemu nie. Metod właściwie tyle, że zależy co komu pasuję i czego oczekuje. W DAW upuszcza się sampel do slicera i pyk już jest pocięty.
it’s not about how fast u can do it, mpc gives you a different approach and mindset, which directly affects how ur beat will sound in the end. Also the A/D converters give the machine a unique sound that is inimitable on computer
broos no1 i meant desktop computer, don’t be that person that picks on the little details to avoid my point. I don’t wanna cause an argument, just wanted to say that mpc will make you think in a different way, and maybe it takes longer to chop your sample, but the workflow can be benificial for your beats :-) have a nice day
@@aurelienvillie5176 Its so hard to replicate the feel of these older MPC beats in DAW. Nothing beats the ease of modern day gear, but older gear makes you think, worker slower. I always get what I feel a different feeling beat from my MPC or ASR, then my ableton. I'm not saying one better then the other - but def different feel.
4 ปีที่แล้ว
How do you time stretch the samples on this mpc model?
Sounds so crunchy at the end. Love it bru
I see what you did . You play the loop back a few times and record each part as a chop
Ah so this is similar to your trick for the MPC 500. NICE!!
Dope! Great video!
Shit is ill son. Sounds dope. Pozdro!
Producent Phil Weeks ma taką metodę, że na komputerze odznacza wycinki sampli, które go interesują i z wyjścia interfejsu zgrywa do MPC 3000. Oczywiście uzależnia się wtedy pracę z komputerem no ale jeżeli już w domu się produkuję to czemu nie. Metod właściwie tyle, że zależy co komu pasuję i czego oczekuje. W DAW upuszcza się sampel do slicera i pyk już jest pocięty.
Robiłem tak na 2000 classic, ale osobiście odciąłem komputer z produkcji ;)
Można prosić o coś takiego po polsku? Po to sprawdzam twoje poradniki żeby coś zrozumieć
XD
would love to see an unedited beatmaking video
Hmmm but You know that would be hour video at least :D ?
vubeatz yup :D i would watch it tho!
@@oussmayo You can go to my facebook page (link in description)- and there is a live stream from 9 Feb - 52 minutes, uncut, making beat on MPC 60 :)
vubeatz ok thx bruv!
nice
it takes sooooooo long yo. love me some fruity loops i have it immediately.
it’s not about how fast u can do it, mpc gives you a different approach and mindset, which directly affects how ur beat will sound in the end. Also the A/D converters give the machine a unique sound that is inimitable on computer
@@aurelienvillie5176 dude an mpc IS A COMPUTER
broos no1 i meant desktop computer, don’t be that person that picks on the little details to avoid my point. I don’t wanna cause an argument, just wanted to say that mpc will make you think in a different way, and maybe it takes longer to chop your sample, but the workflow can be benificial for your beats :-) have a nice day
The MP has a unique sound when sampled into it, I use fl and a mp, I know what I’m talking about, tho the MPC is a computer as well
@@aurelienvillie5176 Its so hard to replicate the feel of these older MPC beats in DAW. Nothing beats the ease of modern day gear, but older gear makes you think, worker slower. I always get what I feel a different feeling beat from my MPC or ASR, then my ableton. I'm not saying one better then the other - but def different feel.
How do you time stretch the samples on this mpc model?
There is no time stretch on the 60. Even with vimana/valixi os 3.15
quicker to just record the whole sample instead of piece by piece, then do your editing
I can't agree.
@@vubeatz sample it all, then duplicate and trim , easy peasy and quick
I know because I have the 3000 and it’s the same interface