Did the original MIG-50 rely on power tube distortion for dirty tones, or was it mostly preamp distortion? I ask because, my understanding is that the SLO 100 distortion is mostly from the preamp tubes, and so the distortion in your video would be purely from the preamp pedal. I'm not that familiar with Sovtek amps though. Either way, it sounds better to me through the SLO effects loop than alone with an IR.
The original is based off plexi type designs (think somewhere between a bassman and a jtm) so a lot of it comes from power amp saturation. However one of my bandmates has an EHX reissue and with the volume/master up this pedal recreates that squashed saturated breakup quite well
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It sounds weird with the delay and reverb effects pre as opposed to post preamp as it should be.
For a silent stage, could I put this last and go into a DI box?
i would recommend adding a cab sim / IR loader between this and the DI box.
Are the IR's just loaded into your DAW or are you using something else?
Yeh loaded into a plug-in in the DAW
Did the original MIG-50 rely on power tube distortion for dirty tones, or was it mostly preamp distortion? I ask because, my understanding is that the SLO 100 distortion is mostly from the preamp tubes, and so the distortion in your video would be purely from the preamp pedal. I'm not that familiar with Sovtek amps though. Either way, it sounds better to me through the SLO effects loop than alone with an IR.
I like even better in front of the SLO =)
The original is based off plexi type designs (think somewhere between a bassman and a jtm) so a lot of it comes from power amp saturation. However one of my bandmates has an EHX reissue and with the volume/master up this pedal recreates that squashed saturated breakup quite well
@@NOKnova Awesome, thanks!