Thank you! It’s really fantastic! Thank you also for not editing the video it makes your explanations very clear as we can see live how the inks works on the wooden plate
Lovely videos! There is a real lack of info about this process online so great to see :) I teach mokulito up here in Yorkshire so I will direct my students to your videos. I'd love to see the results of your trials with end-grain blocks.
Great to see all the different marks from the various materials - I didn't know about the oil (was that veg oil?) or some specific oil. I also didn't realise you could make marks with the lithographic ink as well. I dont have that but might try a bit of intaglio ink (oil based) and I will also try some Akua intaglio ink (Soya oil based) . I would like to see this print a little closer up ........the spatter marks were nice too.
Dear Aine, Thank you for your comments and my apologies for taking so long to reply, I'm still getting used to the TH-cam set up. I use lithographic ink to make marks quite a lot, including onto stone. It is a great way to integrate a stamping, or quite graphic quality, and further if you wish to integrate a repeat stamp pattern. If you further combine it with the use of masks to protect certain areas of your drawing, then you can create some wonderful graphic contrast areas. I have not used the Akua inks, although I have heard through friends of friends they are a little too runny for mokulito, but please do not take this as a fact and give it a go. I will get a close up organised or indeed re-do a film of some of the textures with close ups. Thank you for the comment and I hope you have managed to have an explore.
Thank you! It’s really fantastic! Thank you also for not editing the video it makes your explanations very clear as we can see live how the inks works on the wooden plate
Awesome, the best explanation of the technique I've found
Lovely videos! There is a real lack of info about this process online so great to see :) I teach mokulito up here in Yorkshire so I will direct my students to your videos. I'd love to see the results of your trials with end-grain blocks.
Great to see all the different marks from the various materials - I didn't know about the oil (was that veg oil?) or some specific oil. I also didn't realise you could make marks with the lithographic ink as well. I dont have that but might try a bit of intaglio ink (oil based) and I will also try some Akua intaglio ink (Soya oil based) . I would like to see this print a little closer up ........the spatter marks were nice too.
Dear Aine, Thank you for your comments and my apologies for taking so long to reply, I'm still getting used to the TH-cam set up. I use lithographic ink to make marks quite a lot, including onto stone. It is a great way to integrate a stamping, or quite graphic quality, and further if you wish to integrate a repeat stamp pattern. If you further combine it with the use of masks to protect certain areas of your drawing, then you can create some wonderful graphic contrast areas. I have not used the Akua inks, although I have heard through friends of friends they are a little too runny for mokulito, but please do not take this as a fact and give it a go. I will get a close up organised or indeed re-do a film of some of the textures with close ups. Thank you for the comment and I hope you have managed to have an explore.