Nice episode...🥰🥰 One tip even for a beginner while dealing with Arabhi ragam is that the notes N3 and G3 cannot be used as a starting or ending note in itself (N3 always accompanies S and G3 always accompanies M1). Since they are weak, D2 will come immediately after N3 and R2 will come immediately after G3. So in short one cannot stay at N3 and G3 alone. If it happens, then the raga changes...
Very Lively Madam. When a demo is made with a Pallavi line at least we cud get a glimpse of this tough deciphering exercise a bit better. From our childhood, most of us always used to amire most of our Teachers for their patience, tolerance & affection, next to our Mothers. In fact, it's these traits that make students more comfortable with their teachers than their masters. We see the same great quality in you here Madam. Shri Ram Sir, one Request: pls don't mind even if you feel tentative in your attempts, just kindly raise your voice Sir so that we cud clearly hear which notes U R uttering since a feeble voice may reduce our enthusiasm to listen to the programme. Kindly go ahead Sir as this's a Learning curve only for most of us and U R making yr attempts genuinely. Thank both of you..
Good !! An entirely new representation mathod .Very interesting.and useful.
Very useful in identifying notes pronounced.
Nice episode...🥰🥰
One tip even for a beginner while dealing with Arabhi ragam is that the notes N3 and G3 cannot be used as a starting or ending note in itself (N3 always accompanies S and G3 always accompanies M1). Since they are weak, D2 will come immediately after N3 and R2 will come immediately after G3. So in short one cannot stay at N3 and G3 alone. If it happens, then the raga changes...
Thank you mam
It"s very useful to learn and find out the swarasthanas
Excellent mam .. Please do More videos like this
Incredible way of identifying the swaras👏👏 🙏
Good explanation ..Thank u madam 😊
Very Lively Madam. When a demo is made with a Pallavi line at least we cud get a glimpse of this tough deciphering exercise a bit better. From our childhood, most of us always used to amire most of our Teachers for their patience, tolerance & affection, next to our Mothers. In fact, it's these traits that make students more comfortable with their teachers than their masters. We see the same great quality in you here Madam. Shri Ram Sir, one Request: pls don't mind even if you feel tentative in your attempts, just kindly raise your voice Sir so that we cud clearly hear which notes U R uttering since a feeble voice may reduce our enthusiasm to listen to the programme. Kindly go ahead Sir as this's a Learning curve only for most of us and U R making yr attempts genuinely. Thank both of you..
Wish I could like it more than once :)
Very useful video. Thanks for the lesson. 👍👌🙏
Motivating me to concentrate more on swaras. Thanks Uma ji!
I feel I look at my mother when I look at you madam.. bless me please!
Madam too good
You could have glided through entire Kriti madam
Even listeners would attempt and learn in full madam
very nice explained....very useful
Want more episodes of this session❤️
incredibly helpful, and Ram is my level as well :D
Very natural and laymen can try to understand difference between various swaras ....but still one has to have sharp ears to differentiate 🙏
இந்த ஸ்வர படுத்தரது எவ்வளவு கஷ்டம் என்பது இப்போது புரிகிறது.
Very difficult for the common folk (who knows to enjoy)to ஸ்வர படுத்தல்,
Are you singing in a 5 kattai Shruthi?
🙏🙏🙏🙏🙏🙏🙏👍👍👍👍👍
🙏🙏🙏
❤🎉
👃👃👃👃👃
என்ன வச்சி எதுவும் காமெடி கீமடி ஏதும் பண்ணலையே ....