Tracklist 00:00:00 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Thema 00:01:10 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 1 00:02:17 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 2 00:03:04 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 3 00:04:16 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 4 00:05:05 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 5 00:05:52 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 6 00:06:47 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 7 00:07:48 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 8 00:08:40 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 9 00:09:21 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 10 00:10:46 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 11 00:12:33 Johann Adam Reincken: Suite No. 7 in G Major: I. Allemande 00:15:36 Johann Adam Reincken: Suite No. 7 in G Major: II. Couran 00:17:40 Johann Adam Reincken: Suite No. 7 in G Major: III. Sarabande 00:20:12 Johann Adam Reincken: Suite No. 7 in G Major: IV. Gigue 00:22:43 Johann Adam Reincken: Suite No. 5 in E Minor: I. Allemande 00:25:31 Johann Adam Reincken: Suite No. 5 in E Minor: II. Courante 00:27:32 Johann Adam Reincken: Suite No. 5 in E Minor: III. Sarabande 00:29:57 Johann Adam Reincken: Suite No. 5 in E Minor: IV. Gigue 00:31:40 Johann Adam Reincken: Toccata in A Major 00:37:57 Johann Adam Reincken: Chorale fantasia “An Wasserflüssen Babylon” 00:55:57 Johann Adam Reincken: Toccata in G Minor 01:01:44 Johann Adam Reincken: Suite No. 8 in B-Flat Major: I. Allemande 01:04:20 Johann Adam Reincken: Suite No. 8 in B-Flat Major: II. Courante 01:06:28 Johann Adam Reincken: Suite No. 8 in B-Flat Major: III. Sarabande 01:08:06 Johann Adam Reincken: Suite No. 8 in B-Flat Major: IV. Gigue 01:09:41 Johann Adam Reincken: Suite No. 6 in F Major: I. Allemande 01:12:21 Johann Adam Reincken: Suite No. 6 in F Major: II. Courante 01:14:09 Johann Adam Reincken: Suite No. 6 in F Major: III. Sarabande 01:15:49 Johann Adam Reincken: Suite No. 6 in F Major: IV. Gigue 01:17:13 Johann Adam Reincken: Suite No. 1 in C Major: I. Allemande 01:20:04 Johann Adam Reincken: Suite No. 1 in C Major: II. Courante 01:21:48 Johann Adam Reincken: Suite No. 1 in C Major: III. Sarabande 01:23:34 Johann Adam Reincken: Suite No. 1 in C Major: IV. Gigue 01:25:00 Johann Adam Reincken: Fugue in G Minor 01:29:28 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 1 01:30:58 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 2 01:32:21 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 3 01:33:38 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 4 01:34:42 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 5 01:35:50 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 6 01:36:56 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 7 01:38:07 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 8 01:39:06 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 9 01:40:11 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 10 01:41:37 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 11 01:42:32 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 12 01:44:22 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 13 01:45:27 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 14 01:46:38 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 15 01:47:57 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 16 01:50:15 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 17 01:52:15 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 18 01:53:15 Johann Adam Reincken: Chorale fantasia “Was kann uns kommen an für Not” 02:05:54 Johann Adam Reincken: Suite No. 4 in C Major: I. Allemande 02:08:41 Johann Adam Reincken: Suite No. 4 in C Major: II. Courante 02:10:26 Johann Adam Reincken: Suite No. 4 in C Major: III. Sarabande 02:14:09 Johann Adam Reincken: Suite No. 4 in C Major: IV. Gigue 02:17:00 Johann Adam Reincken: Holländische Nachtigall: No. 1, Thema 02:19:54 Johann Adam Reincken: Holländische Nachtigall: No. 2, Variatio 02:22:13 Johann Adam Reincken: Suite No. 2 in C Major: I. Allemande 02:25:35 Johann Adam Reincken: Suite No. 2 in C Major: II. Courante 02:27:54 Johann Adam Reincken: Suite No. 2 in C Major: III. Sarabande 02:29:49 Johann Adam Reincken: Suite No. 2 in C Major: IV. Gigue 02:31:58 Johann Adam Reincken: Suite No. 3 in C Major: I. Allemande 02:34:46 Johann Adam Reincken: Suite No. 3 in C Major: II. Courante 02:36:52 Johann Adam Reincken: Suite No. 3 in C Major: III. Sarabande 02:40:04 Johann Adam Reincken: Suite No. 3 in C Major: IV. Gigue 02:43:22 Johann Adam Reincken: Toccata in G Major
Reinken was a very gifted composer and interpret. As an anecdote, he is told to have been able to sit at an organ, playing violin while playing the bass with organ pedals.
I even didn't know that a harpsichord can have so many timbres. And wonderful music, of course, thanks so much for another great and underrated composer!
I am so greatful for theses artists like Stella who go back in time and show us that baroque music is by far more than just Bach and Handel, Telemann and Scarlatti. Especially Reincken is a great discovery for me. Well done Mr. Stella! No showing off, just dedicated to the music. And thanks to Brilliant Classic for uploading this!
One tends to focalize any given period on a single or very few great figures. However, great musicians tend to appear in places and times where music flourishes in a culture or a society. One instance is the Vienna of the XVIII and XIX centuries; One focuses on Haydn, Mozart and Beethoven, while there were thousands of musicians of high quality and music was a dominant part of practically every family life. Geniuses do not grow in complete isolation. Same thing happened in Germany, Bach was not an isolated phenomenon. He was the son of musicians and the husband and father of four great ones. His time was filled with organists and harpsichordists of the quality of Dietrich Buxtehude and violinists such as Biber, truly gigantic figures. Moreover, music was a significant part of life for most people, in religious services and in practically everybody's home. Music was (is) a dominant force in Europe until today. It does not surprise me to find, thanks to Brilliant Classics, a really significant musician such as Reincken; there were surely many more composers of the time deserving recognition and admiration.
Reincken? I didn't know, but a beautiful cover I thought, let's hear a little and let's read a little. Yes, the young Bach visited him in Hamburg, then I remembered the name, recently I read the biography of Bach - Thank you for always put the composer into context with other composers, within the musical history!!! That makes this channel so great.
Wunderschöne und fehlerlose Interpretation dieser fein komponierten doch selten aufgeführten Meisterstücke im gut phrasierten Tempo mit hauptsächlich schimmerndem Klang des Cembalos und mit sorgfältig kontrollierter Dynamik. Echt genialer Virtuose!
This gives me a better understanding of the musical milieu that Bach was part of at the time. It reminds me of other great figures of the European Enlightenment: Kant, Newton, and Samuel Johnson, who were all geniuses able to take everything that had come before them, master it and expand upon it in new ways. Would Bach's achievements have been possible without the Buxtehude and Reincken to influence him? He obviously greatly surpassed both, but I think I can hear the influence. Newton famously said, "If I have seen further it is by standing on the shoulders of giants."
What does this even mean? This is incredible music and gives us an insight into the type of music Bach himself was familiar with. Your comment makes no sense sir..
Tracklist
00:00:00 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Thema
00:01:10 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 1
00:02:17 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 2
00:03:04 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 3
00:04:16 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 4
00:05:05 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 5
00:05:52 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 6
00:06:47 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 7
00:07:48 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 8
00:08:40 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 9
00:09:21 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 10
00:10:46 Johann Adam Reincken: Ballett, Partite diverse in E Minor: Variatio 11
00:12:33 Johann Adam Reincken: Suite No. 7 in G Major: I. Allemande
00:15:36 Johann Adam Reincken: Suite No. 7 in G Major: II. Couran
00:17:40 Johann Adam Reincken: Suite No. 7 in G Major: III. Sarabande
00:20:12 Johann Adam Reincken: Suite No. 7 in G Major: IV. Gigue
00:22:43 Johann Adam Reincken: Suite No. 5 in E Minor: I. Allemande
00:25:31 Johann Adam Reincken: Suite No. 5 in E Minor: II. Courante
00:27:32 Johann Adam Reincken: Suite No. 5 in E Minor: III. Sarabande
00:29:57 Johann Adam Reincken: Suite No. 5 in E Minor: IV. Gigue
00:31:40 Johann Adam Reincken: Toccata in A Major
00:37:57 Johann Adam Reincken: Chorale fantasia “An Wasserflüssen Babylon”
00:55:57 Johann Adam Reincken: Toccata in G Minor
01:01:44 Johann Adam Reincken: Suite No. 8 in B-Flat Major: I. Allemande
01:04:20 Johann Adam Reincken: Suite No. 8 in B-Flat Major: II. Courante
01:06:28 Johann Adam Reincken: Suite No. 8 in B-Flat Major: III. Sarabande
01:08:06 Johann Adam Reincken: Suite No. 8 in B-Flat Major: IV. Gigue
01:09:41 Johann Adam Reincken: Suite No. 6 in F Major: I. Allemande
01:12:21 Johann Adam Reincken: Suite No. 6 in F Major: II. Courante
01:14:09 Johann Adam Reincken: Suite No. 6 in F Major: III. Sarabande
01:15:49 Johann Adam Reincken: Suite No. 6 in F Major: IV. Gigue
01:17:13 Johann Adam Reincken: Suite No. 1 in C Major: I. Allemande
01:20:04 Johann Adam Reincken: Suite No. 1 in C Major: II. Courante
01:21:48 Johann Adam Reincken: Suite No. 1 in C Major: III. Sarabande
01:23:34 Johann Adam Reincken: Suite No. 1 in C Major: IV. Gigue
01:25:00 Johann Adam Reincken: Fugue in G Minor
01:29:28 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 1
01:30:58 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 2
01:32:21 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 3
01:33:38 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 4
01:34:42 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 5
01:35:50 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 6
01:36:56 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 7
01:38:07 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 8
01:39:06 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 9
01:40:11 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 10
01:41:37 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 11
01:42:32 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 12
01:44:22 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 13
01:45:27 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 14
01:46:38 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 15
01:47:57 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 16
01:50:15 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 17
01:52:15 Johann Adam Reincken: Partite diverse sopra l’Aria “Schweiget mir von Weiber nehmen”: Variatio 18
01:53:15 Johann Adam Reincken: Chorale fantasia “Was kann uns kommen an für Not”
02:05:54 Johann Adam Reincken: Suite No. 4 in C Major: I. Allemande
02:08:41 Johann Adam Reincken: Suite No. 4 in C Major: II. Courante
02:10:26 Johann Adam Reincken: Suite No. 4 in C Major: III. Sarabande
02:14:09 Johann Adam Reincken: Suite No. 4 in C Major: IV. Gigue
02:17:00 Johann Adam Reincken: Holländische Nachtigall: No. 1, Thema
02:19:54 Johann Adam Reincken: Holländische Nachtigall: No. 2, Variatio
02:22:13 Johann Adam Reincken: Suite No. 2 in C Major: I. Allemande
02:25:35 Johann Adam Reincken: Suite No. 2 in C Major: II. Courante
02:27:54 Johann Adam Reincken: Suite No. 2 in C Major: III. Sarabande
02:29:49 Johann Adam Reincken: Suite No. 2 in C Major: IV. Gigue
02:31:58 Johann Adam Reincken: Suite No. 3 in C Major: I. Allemande
02:34:46 Johann Adam Reincken: Suite No. 3 in C Major: II. Courante
02:36:52 Johann Adam Reincken: Suite No. 3 in C Major: III. Sarabande
02:40:04 Johann Adam Reincken: Suite No. 3 in C Major: IV. Gigue
02:43:22 Johann Adam Reincken: Toccata in G Major
Reinken was a very gifted composer and interpret. As an anecdote, he is told to have been able to sit at an organ, playing violin while playing the bass with organ pedals.
That was Nicolaus Bruhns, not Rincken.
he is an extremist, dans le bon sens du terme.
I even didn't know that a harpsichord can have so many timbres. And wonderful music, of course, thanks so much for another great and underrated composer!
I am so greatful for theses artists like Stella who go back in time and show us that baroque music is by far more than just Bach and Handel, Telemann and Scarlatti. Especially Reincken is a great discovery for me. Well done Mr. Stella! No showing off, just dedicated to the music. And thanks to Brilliant Classic for uploading this!
One tends to focalize any given period on a single or very few great figures. However, great musicians tend to appear in places and times where music flourishes in a culture or a society. One instance is the Vienna of the XVIII and XIX centuries; One focuses on Haydn, Mozart and Beethoven, while there were thousands of musicians of high quality and music was a dominant part of practically every family life. Geniuses do not grow in complete isolation. Same thing happened in Germany, Bach was not an isolated phenomenon. He was the son of musicians and the husband and father of four great ones. His time was filled with organists and harpsichordists of the quality of Dietrich Buxtehude and violinists such as Biber, truly gigantic figures. Moreover, music was a significant part of life for most people, in religious services and in practically everybody's home. Music was (is) a dominant force in Europe until today. It does not surprise me to find, thanks to Brilliant Classics, a really significant musician such as Reincken; there were surely many more composers of the time deserving recognition and admiration.
Nowadays we dealing with Tiesto and Armin
@@MasterOZero I guess they represent the times we live in.
I have not known of composer Reincken, but enjoy his music completely!
The An Wasserflüssen Babylon is one of my favorites.
Reincken? I didn't know, but a beautiful cover I thought, let's hear a little and let's read a little.
Yes, the young Bach visited him in Hamburg, then I remembered the name, recently I read the biography of Bach - Thank you for always put the composer into context with other composers, within the musical history!!!
That makes this channel so great.
Excellent recording. I love the music. Wonderful coloration. You can see what Bach learned from this great master.
Wunderschöne und fehlerlose Interpretation dieser fein komponierten doch selten aufgeführten Meisterstücke im gut phrasierten Tempo mit hauptsächlich schimmerndem Klang des Cembalos und mit sorgfältig kontrollierter Dynamik. Echt genialer Virtuose!
good harpsichord + organ + underrated composer made my day! Thanks Brilliant Classics!
Beautiful and relaxing music. Thanks to all
Very nice harpsichord music ! Thanks ! The picture is from Claude Lorrain - Landscape with Nymph and Satyr Dancing (1641)
Stella also did a nice job on the Froberger recordings.
Well played! What a great composer. You can tell he was a big influence on J. S. Bach.
Brilliant. Reincken is unjustly neglected. This is music Bach must have been familiar with.
Beautiful instrument with great tuning and played masterfully.
Je découvre avec merveille une oeuvre remarquable .
Very beautiful, Thanks!!!
Это шедевр, братья
This gives me a better understanding of the musical milieu that Bach was part of at the time. It reminds me of other great figures of the European Enlightenment: Kant, Newton, and Samuel Johnson, who were all geniuses able to take everything that had come before them, master it and expand upon it in new ways. Would Bach's achievements have been possible without the Buxtehude and Reincken to influence him? He obviously greatly surpassed both, but I think I can hear the influence. Newton famously said, "If I have seen further it is by standing on the shoulders of giants."
BEST CHANNEL ON YOU TUBE❤️
Wow! Thank you!
Thank you again, Brilliant.
beautiful thank you very much
Brilliant
Thank you so much for these great recordings. Absolutely brilliant
You're more than welcome. Thank you for listening
Muchísimas gracias!
Hermosi
❤️🎶❤️🎶❤️🎶🌹🌹🌹🌹
1時間28分からフローベルガーの「マイヤー夫人に基づくパルティータ」が出てくるのはどうして？
A little Bach's Influence
!!
*music by which someone murders another and plays in the corpse - OR - washing the kitchen walls (not necessarily the same thing).*
What does this even mean? This is incredible music and gives us an insight into the type of music Bach himself was familiar with. Your comment makes no sense sir..
@@alishalileh I think a reference to the Hannibal Lecter films.. whatever they were called lolz