@@dotxh4 Now you can have completely different backgrounds and lighting shot at the same time. You can have a background and lighting that better suit each camera angle, with no need of reshoot. You can explore other variables while shooting the scene.
I am SO GLAD that Marques led me to your channel. I’m already enjoying your content. You have an amazingly clear voice, both in writing and narrating your work. If you have a team backing you up, they are top notch. I love what I’ve seen so far. Kudos!
6:11 - the amazing part about this is that when you’re shooting something complex and you’re unsure if it’ll need additional fixes later on, you can capture one camera with a baked in background and one camera with a greenscreen and layer in VFX elements easily. Amazing stuff!
As a 3D artist, it's so amazing to see Unreal Engine not just being capable of doing this but actually being used in big productions. Like, this originally solely was a freaking game engine, and now we're at such a photorealistic level that it can be used in movies and shows
My only take from this video: Please keep collaborating. The chemistry between you two is so natural. Also, the content you guys bring out together. First supercomputers and now this XR stage. I'm very much engrossed in the tech world and I keep reading about these things a lot. Only reason I watch you guys is the way you people simplify the information and make it accessible. Both of you are amazing, keep making amazing content.
The frame rate switching trick is also used in sports media. To show different stadium ads to different TV audiences around the world, the displays sync with the cameras in the same way.
I just assumed that all the camera angles were figured out ahead of time so that the virtual cameras could switch at the same time that the real cameras start/stop recording, unless it turns out that all of the real cameras record everything at the same time and the cuts are decided on afterwards
@@JIEON.C Thanks....because it's July 2024 now, I did not know right away who Marques was mimicking.....BTW...when Will Smith did slap Chris Rock years ago...at first I thought it was a stunt...took a little time (very little) to realize it had more real than fake....couldve been worse, Will Smith coulda punched Chris Rock in front of everyone (the world).....
This is awesome and scary at the same time. Imagine how it's going to affect politics, blackmail, commercials, porn, etc. In a not so distant future, it's going to be so difficult to tell the difference between real and generated.
Oh wow . I wonder how many people , like myself , have never thought of that ? That could turn in to a serious problem very quickly . You're a very insightful person mate . Cheers . 🎸
@@litapd311 This is how 3D TVs work (with "shutter" glasses that block one of your eyes at a time alternating left and right). In that case, there's an infrared LED on the TV that pulses to set the sync of the shutter glasses. I assume there is a similar clock/timing signal for the cameras (although it might be wired, not IR).
@@litapd311 I work at this stage, we use a masterclock that generates a 59.94 tri-level genlock signal on separate outputs. We use a timing offset in the clock, so the second camera has a timing offset of a certain number of sync lines that lines up with the same offset in the processor.
I'm a potential filmmaker and you - giving insight in the emerging accessible tech in filmmaking industry makes me really excited for the future of the filmmaking. Thank you both, you did an amazing job guys
You two are great together. I felt like this was a Marques shopping spree. I could see the cogs whirring "how could I use this giant led screen". He's totally gonna get one
I’m so in love of your videos! It’s just outstanding what you’re doing and the way you mix your storytelling with visual tech like the animations and stuff… so amazing!!
I wish you would’ve spoke about the danger of the digital copies. The SAG-AFTRA strike is partially about the possible dangers of the tech you looked at in this video.
If this piques your interest, Corridor has a whole VFX Artists React series which is all about how the sausage is made. Tons of directors and VFX supervisors chatting about their work. They actually had the dude who created the scanner you just used on the most recent ep.
Nailed it at the end, it's always about the stories. These are just tools to say our stories. Say your story, do it however you can, with whatever tool is available.
Great video. Corridor crew introduced me to this technology and they'd definitely be in their element here. You did a fantastic job explaining complex concepts in a very simple yet elegant way. Great to see Marques in different spaces. The refresh rate tech was so cool 😂
Can we get a cost estimate for how much they would bill the studios for the time you had on set. That's impressive access! I'm sure the hourly rate on a studio like that is immense, All those camera stats 🤯
That isn't exactly what he said. He's trying to figure out a way he can integrate some of that tech in some way in his studio. I imagine it will be a very scaled down and slightly home brewed version that allows him to do something cool but in a pretty limited way
The balancing act of these videos such as the amount of educational value versus the weight of information is so perfectly excecuted on such a consistent basis. Some of the best videos out in the world.
A galaxy of possibilities out there for entertainment! I love that you published this video alongside LTT's new game linked production explanation video last week. I've learned so much about production tech the last two weeks my head is spinning
What people don't seem to get about art as the world tech progresses rapidly... we don't _want_ to level the playing field. In art, this just means reducing effort, and reducing effort reduces the entire point of art, what makes it art, why we appreciate it.
7:33 this in particular is so mind blowing to me that means you can have six different light combinations for the cameras, but each individual camera will see only what it needs. What a Time to be alive. It’s still hard for me to wrap my head around this.
I’m mad: How come YT algos haven’t shown me a single video from this channel, yet? MKBHD brought me here. And this content here is totally the stuff that interests me! And Cleo has such pleasant enthusiasm. Subscribed instantly.
Cleo, you seem like genuinely the nicest person I've ever known in my life, if you're half as nice as you appear to be, you're a wonderful person and I hope to see you more in the future with more incredible videos.
In theory, since the screen can support multiple cameras at once, you could take a pair of active shutter 3D glasses, place tracking markers on them, synchronize them to the screen, and create the immersion experience Cleo was expecting at 3:01. This could be useful for allowing a director to see what a set "really" looks like.
There was one time where a german radio- orchestra did a crossover with a french artist sitting in france while travel restrictions were in place using volumetric video... That was nice.
I love how genuinely excited you are about the things you make videos on, Cleo! I also really like your collaborations with Marques -long may they prosper.
The multi camera alternating FPS setup was crazy!! The implications of all this is unparalleled. I was super surprised to learn that Pedro Pascal didn’t touch the set for the entire of Season 3 of the Mandalorian, he had a double. Where is the line drawn
In all honesty this is the best channel on TH-cam, in my humble opinion!! The videos keep getting better and better. I only subscribed like a month ago and already watched everything.
The refreshing at 120 fps and capturing at 60 fps bit is also how 3D tvs with active glasses used to work. Both sides contained liquid crystal and would turn opaque to change what each eye see. This way you wouldn't lose resolution or color, like in polarizing or red/cyan glasses.
Fun fact: both of Denis Villeneuve’s Dune movies were shot with barely any green screens, it was mostly shot on sets in Saudi Arabia and of course the desert.
These are the conversations that need to be had. How do we live in a world where every image or video may or may not be real. As for an actor's image as IP, that needs sorting and I am fully behind the actors and writers strike.
This girl Cleo is the first TH-camr who seems like they have decided to be a TH-camr instead of working for a top legit tv network. Proper classy. (And movie star good looks)
Amazing colab, and while that tech is amazing, ity's also incredibly scary. Imagine someone using something like this to blackmail a politician etc. The criminal uses are almost too scary to contemplate.
It can go further than just holding your phone to look around a 3D MKBHD or Huge if True video. Imagine putting on a VR headset and sitting across the table from Cleo or Marques as they hold out a new piece of tech for you to look at. This can be such a powerful tool for immersion, and I can't wait to see what people do next with it!
Tapping into our brains to record our dreams. Merging our brains with A.I. Combining the two to have A.I. fuel our dreams and then post process our dreams as it records them.
I'm an engineer in my late 60s. In college I realized that I was in a "computer revolution". The computer enabled so many different ways of solving problems. About 20 years ago I realized that the next revolution was "modeling". What can we model, and how realistic can we make it. Look at what we've done with 3D virtual modeling, 3D printing, speech modeling, weather modeling, gene modeling. AI is modeling of the brain, or intelligence. I didn't think that we'd be modeling actors. Modeling is advancing so quickly.
THIS is what I find so fascinating about Apple Vision Pro: with it's automatic background removal, motion-tracked camera in the headset, not to mention depth scanner, you can effectively shrink 'the volume' down into a headset. So you're wearing the camera/volume and you are shooting another person in a blank space. The background and lighting is composited with your subject in using 'deep compositing' in Vision Pro on the fly. It's more appropriate for TV right now, but there's no reason cinematic results are not possible. I also think it's a beautiful historical replay of shrinking the camera obscura - the 1st camera was a room - which with film, we could shrink down into a box that fits in your hand
Great video! I think it's awesome that you're including Marques. I love his channels too. Off-topic question: How many times do people say that you bear an uncanny resemblance to Keira Knightley?
What incredible tech, I mean the initial cost has to be unreal, but I would imagine that this would pay itself off fairly quickly, the production cost are probably cut in half or more. Great story.
A livestream where you are really IN "the studio" and can chose to sit in the room you are doing the podcast or chat or whatever OR you can just walk around and look at whatever else os going on in the virtual studio at the time and then come back to the conversation whenerver you like ... Gonna be fun . And scary...
It’s nice of cleo to feature small creators like MKBHD
Dude😂
Waiting for the dude that'll get whooshed
😂😂😂 she is actually attracting the 'Tech Nerds' from Marques fanbase into her videos. And that's why collabs are done
@@mahtab.tonmoy woosh
The TH-cam Subscription numbers speak for themselves 😊
Cleo and Marques give off such amazing vibes when they get so excited about tech
And
@@dandao2594 iM LOVING THIS
I agree….I would take it a step further say they have really good chemistry!! hmm…sorry significant others!
They are definitely..
@@mashpayne😂😂
Cleo and MKBHD are an iconic duo, indisputably
I'm seeing a pattern 😏
Clarques
Mareo
Maybe they might date 😏😏😏😏
@@CodyX7MAKshe's married
@@FracasKapesa really how u know
OK that xr screen alternating thing is kinda insane
yo, gimme a free keyboard
On what switch did you write this on?
I didn't understand that properly..Can anyone please explain what was that and why it was significant in simple terms..
@@dotxh4
Now you can have completely different backgrounds and lighting shot at the same time. You can have a background and lighting that better suit each camera angle, with no need of reshoot. You can explore other variables while shooting the scene.
@@gabrielgingras814 thanks
More of this collab, please. You guys look good together!
Yes they do, I like watching both of them 😊
Wait as a couple?
Wow! Two great tech influencers collabing?! This just made my day better
truly love it!
they did this before too about quantum computer
i love being influenced
I don't think Cleo is a Tech Influencer.
@@tanmaybhosale1844 ... i think so
I am SO GLAD that Marques led me to your channel. I’m already enjoying your content. You have an amazingly clear voice, both in writing and narrating your work. If you have a team backing you up, they are top notch.
I love what I’ve seen so far. Kudos!
@@Ryanlexz why are writing this in every comment? are you mad?
also shes hot af
Thank you MKBHD for introducing me to Cleo’s channel.
Using a high frame rate display for different camera angles is beautifully efficient
It's mind-blowing to me that they can perfectly synchronize multiple cameras. ;o
6:11 - the amazing part about this is that when you’re shooting something complex and you’re unsure if it’ll need additional fixes later on, you can capture one camera with a baked in background and one camera with a greenscreen and layer in VFX elements easily. Amazing stuff!
As a 3D artist, it's so amazing to see Unreal Engine not just being capable of doing this but actually being used in big productions. Like, this originally solely was a freaking game engine, and now we're at such a photorealistic level that it can be used in movies and shows
God I love your enthusiasm for tech and science. It's so contagious :D
so true, Cleo are very enthusiastic, clever and beautiful sciences trailblazer. 😍
My only take from this video: Please keep collaborating. The chemistry between you two is so natural. Also, the content you guys bring out together. First supercomputers and now this XR stage.
I'm very much engrossed in the tech world and I keep reading about these things a lot. Only reason I watch you guys is the way you people simplify the information and make it accessible. Both of you are amazing, keep making amazing content.
Didn’t expect my favorite TH-cam crossover to come back so soon!
The frame rate switching trick is also used in sports media. To show different stadium ads to different TV audiences around the world, the displays sync with the cameras in the same way.
What a collab. Never seen so many smiles on Marquees’ face. 😇😊
I think he has a crush
@@Ryanlexz okay
What a nice duo, I bet collab with this unknown Marques guy is gonna give him millions of subs
Great to see Cleo helping out small TH-camrs
😂
@@UnderCtrlI see what you did there ?
😂
I had no idea the LED Volume tech could do the 120fps into two 60fps outputs thing. That is incredible and I had the exact reaction as Marques.
I just assumed that all the camera angles were figured out ahead of time so that the virtual cameras could switch at the same time that the real cameras start/stop recording, unless it turns out that all of the real cameras record everything at the same time and the cuts are decided on afterwards
I was curious why you two dropped videos around the same time! Seriously love your take on tech & science! Really are all here for such an approach.
9:47 Did not expect to be able to guess a celebrity impression so easily. I'm dying.
And a little later when he makes a cameo 10:42 😂
@@abdulhamidhamdiyewill smith
I'm still trying to figure out what he's referencing that involves Will Smith?
@@JIEON.C Thanks....because it's July 2024 now, I did not know right away who Marques was mimicking.....BTW...when Will Smith did slap Chris Rock years ago...at first I thought it was a stunt...took a little time (very little) to realize it had more real than fake....couldve been worse, Will Smith coulda punched Chris Rock in front of everyone (the world).....
Love it when you and Marques do a collab. The sum is always greater than the parts.
Whaaa??? Different cameras capturing different images from the same screen depending on frame rate is mind blowing!
You two need to make these collabs happen more often, love the chemistry
Cleo and Marques' styles complement each other so well. More collabs please.👏🏾👏🏾👏🏾
This is awesome and scary at the same time. Imagine how it's going to affect politics, blackmail, commercials, porn, etc. In a not so distant future, it's going to be so difficult to tell the difference between real and generated.
Oh wow . I wonder how many people , like myself , have never thought of that ? That could turn in to a serious problem very quickly .
You're a very insightful person mate . Cheers . 🎸
It already has
@@sailaab Yeah. Deepfake p*rn is already a problem
I think the default view will be that everything is fake/computer generated until proven real
Cyberpunk is here
That is such a god damn elegant solution to the multi camera problem. I woulda never thought of frame rate being used in this way
i was hoping they'd talk more about how exactly they get the cameras to sync up!
@@litapd311 This is how 3D TVs work (with "shutter" glasses that block one of your eyes at a time alternating left and right). In that case, there's an infrared LED on the TV that pulses to set the sync of the shutter glasses. I assume there is a similar clock/timing signal for the cameras (although it might be wired, not IR).
@@litapd311 I work at this stage, we use a masterclock that generates a 59.94 tri-level genlock signal on separate outputs. We use a timing offset in the clock, so the second camera has a timing offset of a certain number of sync lines that lines up with the same offset in the processor.
I'm a potential filmmaker and you - giving insight in the emerging accessible tech in filmmaking industry makes me really excited for the future of the filmmaking. Thank you both, you did an amazing job guys
Now this is legit tech content...the enthusiasm and everything . So on point. Plus the narration 🎯❤
You two are great together. I felt like this was a Marques shopping spree. I could see the cogs whirring "how could I use this giant led screen". He's totally gonna get one
I’m so in love of your videos! It’s just outstanding what you’re doing and the way you mix your storytelling with visual tech like the animations and stuff… so amazing!!
Cleo x Marques videos are the tech duo I never knew I needed or wanted
I wish you would’ve spoke about the danger of the digital copies. The SAG-AFTRA strike is partially about the possible dangers of the tech you looked at in this video.
If this piques your interest, Corridor has a whole VFX Artists React series which is all about how the sausage is made. Tons of directors and VFX supervisors chatting about their work. They actually had the dude who created the scanner you just used on the most recent ep.
Thanks! Look forward to it too.
Nailed it at the end, it's always about the stories. These are just tools to say our stories. Say your story, do it however you can, with whatever tool is available.
Y'all should do an ongoing show!
Always enjoy these collabs so much!
Great video. Corridor crew introduced me to this technology and they'd definitely be in their element here. You did a fantastic job explaining complex concepts in a very simple yet elegant way. Great to see Marques in different spaces. The refresh rate tech was so cool 😂
Can we get a cost estimate for how much they would bill the studios for the time you had on set. That's impressive access! I'm sure the hourly rate on a studio like that is immense, All those camera stats 🤯
What's even crazier is Marques Brownlee is considering buying one for his studio lmao
That isn't exactly what he said. He's trying to figure out a way he can integrate some of that tech in some way in his studio. I imagine it will be a very scaled down and slightly home brewed version that allows him to do something cool but in a pretty limited way
It's broken down by day rate and type of project. Also how much tech is being used for the type of shoot (plates vs real-time).
The balancing act of these videos such as the amount of educational value versus the weight of information is so perfectly excecuted on such a consistent basis. Some of the best videos out in the world.
A galaxy of possibilities out there for entertainment! I love that you published this video alongside LTT's new game linked production explanation video last week. I've learned so much about production tech the last two weeks my head is spinning
U read the description box🙌
I love the AD timer. I've noticed I watch your ads more because of it.
The joy of seeing a notification of your new upload is unreal 🥳🥳
As a vfx student this is such a great explainer video. Sometimes its so hard to explain this stuff but you did it in the easiest way possible.
What people don't seem to get about art as the world tech progresses rapidly... we don't _want_ to level the playing field. In art, this just means reducing effort, and reducing effort reduces the entire point of art, what makes it art, why we appreciate it.
7:33 this in particular is so mind blowing to me that means you can have six different light combinations for the cameras, but each individual camera will see only what it needs. What a Time to be alive. It’s still hard for me to wrap my head around this.
I was smiling and laughing whole the time watching all this awesome and mind bending tech, Thanks for such a great video... ❤
I’m mad: How come YT algos haven’t shown me a single video from this channel, yet? MKBHD brought me here. And this content here is totally the stuff that interests me! And Cleo has such pleasant enthusiasm. Subscribed instantly.
Cleo, you seem like genuinely the nicest person I've ever known in my life, if you're half as nice as you appear to be, you're a wonderful person and I hope to see you more in the future with more incredible videos.
My mind just melted with the fps trick with multiple cameras. Mind blowing but it makes logical sense. I just never would’ve thought of it
Having two cameras look at the scene is like having two eyes looking at the real world
I noticed that something was off. But it was because of the audio, not the background. Really good stuff!
Very great video😊
Fantastic colab! You and Marques are both lovers of what you do and it shows in your content. Keep up the great work Cleo.
Cant believe will smith had a cameo on this one.😂
In theory, since the screen can support multiple cameras at once, you could take a pair of active shutter 3D glasses, place tracking markers on them, synchronize them to the screen, and create the immersion experience Cleo was expecting at 3:01. This could be useful for allowing a director to see what a set "really" looks like.
Need BLACKED version of this
Don't hold your breath; but you may choke your chicken.
There was one time where a german radio- orchestra did a crossover with a french artist sitting in france while travel restrictions were in place using volumetric video... That was nice.
Another offering from the world's hottest scientist.
🤨
nah im jk
Don't know who's my favorite pale noodle, Cleo Abram or St. Vincent.
Me switching between Cleo and Marques same as the VR screen. Just insanely mind-blowing tech!! Such a time to be alive
MrWhosetheboss: “Jeez you two… get a room”
mkbhd & Cleo: “ok” “sure”
This is wild to think about, especially during a writers strike and actors strike fighting it
Love the vid! Excited for the future. Thumbs up all around 👍👍👍👍
I want more videos wiith Cleo and Marques! Love their dynamic together
I love how genuinely excited you are about the things you make videos on, Cleo! I also really like your collaborations with Marques -long may they prosper.
I spy Elena Piech! 👀 Congrats to the Zero Space team on this! 👏🏻
Welcome to our mocap world!! This is so awesome!!! Subscribed :)
The multi camera alternating FPS setup was crazy!! The implications of all this is unparalleled. I was super surprised to learn that Pedro Pascal didn’t touch the set for the entire of Season 3 of the Mandalorian, he had a double. Where is the line drawn
Was blown away by the XR stage. Sooo mind blowing!!!!!
In all honesty this is the best channel on TH-cam, in my humble opinion!! The videos keep getting better and better. I only subscribed like a month ago and already watched everything.
Yes!! The best collab 🤩🤩
This is so well shot
I’m so jealous of this collab I almost didn’t watch the video.
- Caya
The refreshing at 120 fps and capturing at 60 fps bit is also how 3D tvs with active glasses used to work. Both sides contained liquid crystal and would turn opaque to change what each eye see. This way you wouldn't lose resolution or color, like in polarizing or red/cyan glasses.
ok im finally subscribing... I have seen quite a few of your videos now but this is the one that made me go ok. She deserves it now. haha
Fun fact: both of Denis Villeneuve’s Dune movies were shot with barely any green screens, it was mostly shot on sets in Saudi Arabia and of course the desert.
These are the conversations that need to be had. How do we live in a world where every image or video may or may not be real. As for an actor's image as IP, that needs sorting and I am fully behind the actors and writers strike.
The way I gasped at the 120/60 fps thing. That's so smart and so cool.
Here from marques's video. This is so exciting. Great collab.
This is blowing my mind on so many levels, and not being able to fully comprehend this is truly painful.
Every time I click the video for Cleo and get amazed by the content. I'm in love...
Cleo X MKBHD have to be the most compatible duo on this site⚡
This girl Cleo is the first TH-camr who seems like they have decided to be a TH-camr instead of working for a top legit tv network. Proper classy. (And movie star good looks)
coming in from the MKBHD channel. The two of you make a great YT pair
10 thousand years later someone is going to find your digital twins and create new content with it 😅
Thanks for the share ✌️
What a tech, cool thanks for bringing in this episode
more videos like thissss😍😍😍
Amazing colab, and while that tech is amazing, ity's also incredibly scary. Imagine someone using something like this to blackmail a politician etc. The criminal uses are almost too scary to contemplate.
Hey Cleo I have subscribed, nice video with Marques but am curious about the future tech.
Thanks cleo for feat. Marques
It can go further than just holding your phone to look around a 3D MKBHD or Huge if True video. Imagine putting on a VR headset and sitting across the table from Cleo or Marques as they hold out a new piece of tech for you to look at. This can be such a powerful tool for immersion, and I can't wait to see what people do next with it!
Tapping into our brains to record our dreams. Merging our brains with A.I. Combining the two to have A.I. fuel our dreams and then post process our dreams as it records them.
I'm an engineer in my late 60s. In college I realized that I was in a "computer revolution". The computer enabled so many different ways of solving problems. About 20 years ago I realized that the next revolution was "modeling". What can we model, and how realistic can we make it. Look at what we've done with 3D virtual modeling, 3D printing, speech modeling, weather modeling, gene modeling. AI is modeling of the brain, or intelligence. I didn't think that we'd be modeling actors. Modeling is advancing so quickly.
My two favorite creators in the same video, love it
Marques and Cleo, are definitely friends with benefits - Tech Benefits!
So many stories to tell and yet Disney can't get one right!
Great video.
I had no idea about the alternating frames on the LED wall, that's awesome
Thanks for helping small TH-camrs
THIS is what I find so fascinating about Apple Vision Pro: with it's automatic background removal, motion-tracked camera in the headset, not to mention depth scanner, you can effectively shrink 'the volume' down into a headset. So you're wearing the camera/volume and you are shooting another person in a blank space. The background and lighting is composited with your subject in using 'deep compositing' in Vision Pro on the fly. It's more appropriate for TV right now, but there's no reason cinematic results are not possible.
I also think it's a beautiful historical replay of shrinking the camera obscura - the 1st camera was a room - which with film, we could shrink down into a box that fits in your hand
Great video! I think it's awesome that you're including Marques. I love his channels too. Off-topic question: How many times do people say that you bear an uncanny resemblance to Keira Knightley?
What incredible tech, I mean the initial cost has to be unreal, but I would imagine that this would pay itself off fairly quickly, the production cost are probably cut in half or more. Great story.
A livestream where you are really IN "the studio" and can chose to sit in the room you are doing the podcast or chat or whatever OR you can just walk around and look at whatever else os going on in the virtual studio at the time and then come back to the conversation whenerver you like ... Gonna be fun . And scary...