Carstensen, Collier, Sirkis and Mularkey performing "James" by Pat Metheny

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  • เผยแพร่เมื่อ 19 ก.ย. 2024
  • Stian Carstensen, Jacob Collier, Asaf Sirkis and Robin Mularkey.
    Jamming the song "James" by Pat Metheny

ความคิดเห็น • 29

  • @bjrnwinnss4521
    @bjrnwinnss4521 3 ปีที่แล้ว +24

    Stian Carstensen is a multy musician. The accordion is his main. Just tell him a rhythm; he will do it, from his experience through many years with bulgarian musicians. Just check him out. Not a coincidence that Collier found him. Or vice versa...

  • @kyrrefredriksen7015
    @kyrrefredriksen7015 4 ปีที่แล้ว +24

    So funny Collier grabed the striped tshirt to this gig:)

  • @scoopjazzjazzbass7708
    @scoopjazzjazzbass7708 8 หลายเดือนก่อน

    two brothers in soul

  • @Rhymeconstructa
    @Rhymeconstructa 3 ปีที่แล้ว +16

    Dette fins. :)

  • @disndat1000
    @disndat1000 3 ปีที่แล้ว +19

    The drummer be like: "They're actually doing this..."

  • @bungogrooves
    @bungogrooves 3 ปีที่แล้ว +3

    Insane

  • @jay_adams__
    @jay_adams__ 5 ปีที่แล้ว +1

    love this !

  • @AntonioGilloComposerOfficial
    @AntonioGilloComposerOfficial 5 ปีที่แล้ว +1

    Awersome!!!

  • @igorcatarino
    @igorcatarino 3 ปีที่แล้ว +2

    E P I C

  • @fistnamelastname5130
    @fistnamelastname5130 3 ปีที่แล้ว +10

    Leon

  • @grande1900
    @grande1900 2 ปีที่แล้ว +3

    I love how the accordion sounds like an organ, though they are both reed instruments.

    • @guitsynthcw
      @guitsynthcw 2 ปีที่แล้ว +2

      Sort of sounds like it might have a MIDI output to a synth.

  • @SchoolofRockNRoll
    @SchoolofRockNRoll 3 ปีที่แล้ว

    im screAM:ING

  • @eyelidman09
    @eyelidman09 3 ปีที่แล้ว +3

    “It’s not the notes you play, it’s the notes you don’t play.” Miles Davis. Too many notes (for me). Heres a live version by Pat Metheny who composed the tune:
    th-cam.com/video/7kobWJm761U/w-d-xo.html

    • @xavierjarvis588
      @xavierjarvis588 3 ปีที่แล้ว +15

      completely different type of music buddy

    • @eyelidman09
      @eyelidman09 3 ปีที่แล้ว +7

      As a jazz musician myself, I couldn’t agree more. Compositions need to be explored and reinterpreted for different audiences and generations - and no: it would be extremely naive of anyone to consider an original version as a ‘correct version’ - it is merely an ‘original version’ or ‘first version’, as you say. We live in a free world and music evolves, particularly in Jazz: through reinvention. Jazz can indeed be both complex and intricate, I agree. However, as I wrote in the original comment; there are simply too many notes ‘for me’ on this occasion, bearing in mind the beauty of the original composition. I don’t think ostensibly ‘shredding’ Metheny’s piece in a jam session pays either respect or due regard to the composer or the subtetly of the original composition - in my humble opinion - which is why I included it. But, oy vey - what do I know?🙏☀️🙏

    • @dyllanusher1379
      @dyllanusher1379 3 ปีที่แล้ว +1

      @@eyelidman09 even the concept of a completely original piece seems I'll defined to me.

    • @memyselfi4815
      @memyselfi4815 3 ปีที่แล้ว

      @@eyelidman09 I’m very familiar with the original so couldn’t agree more. It’s a superbly well structured piece of music that takes you on a journey which ends where it started. I like Jacob Collier but this just sounds like a load of pretentious crap and, just because you can play fast doesn’t mean you (always) should! Write an original piece of music if you want to create a stress inducing cacophony of noise, but don’t do it to a classic like James. And that is my final answer 🙉

    • @StefanScripca
      @StefanScripca 2 ปีที่แล้ว +7

      @@memyselfi4815 guys... they were just jamming...