i can surely say 'we never hear...' in this case :-)
3 ปีที่แล้ว +1
@@AndreyRubtsovRU Indeed! The world needs more double-concertos which combines string and wind instruments! We have viola/clarinet, violin/oboe and this piece for violin/horn, but not so much else (at least that I'm aware of)...
@ yeah. i am working on that here too but wasn't too succesful. It works more for double combinations with piano, but not with double combinations with orchestra somehow. I guess orchestras don't like to explore and risk.
Yes the player plays one note and sings another and it produces a chord. Weber uses the technique in is Horn Concertino. It’s very hard to bring off satisfactorily.
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Very cool piece. Love the second movement especially.
Very interesting work, it is not everyday we hear a double-concerto for this combination of instruments! Inspiring! Thank you for uploading this!
i can surely say 'we never hear...' in this case :-)
@@AndreyRubtsovRU Indeed! The world needs more double-concertos which combines string and wind instruments! We have viola/clarinet, violin/oboe and this piece for violin/horn, but not so much else (at least that I'm aware of)...
@ yeah. i am working on that here too but wasn't too succesful. It works more for double combinations with piano, but not with double combinations with orchestra somehow. I guess orchestras don't like to explore and risk.
Second movement actually begins around 9:40
Whooops, thanks, fixed! :)
Marvellous representation!!!!
Interesting notation of the 'sung' horn chords in the finale
I'm not even sure what's happening in those measures... Do you think the hornist is singing?
Yes the player plays one note and sings another and it produces a chord. Weber uses the technique in is Horn Concertino. It’s very hard to bring off satisfactorily.
3:48