ฝัง
- เผยแพร่เมื่อ 18 ก.ค. 2016
- Soprano Nadine Sierra sings Zerlina's aria "Batti, batti, o bel Masetto" from Mozart's Don Giovanni in the WQXR studio. Bryan Wagorn accompanies her on piano.
Video: Kim Nowacki
Audio Engineer: Irene Trudel
Producer: Amanda Angel
© WQXR 2016 - เพลง
The pianist's impish smile is so wonderful. He seems to enjoy Nadine Sierra's performance so much. I feel about her performance the same way as he!
So eine Arie gefällt halt den Männern
Una Zerlina meravigliosa!! seducente ed ammiccante con una voce di grande bellezza. Ho idea che Mozart l'avrebbe adorata in tutti i sensi, vista anche la bellezza incantevole e disarmante di Nadine, peraltro grandissima Gilda.
A remarkable, captivating talent. I can't stop listening.
Love the Pianist!!!!
OMG! 😍😍😍 She's great!!! 😍😍😍👍👍👍💐💐💐💐
how lovely !
Grandiose,Amazing,Wonderful...
Listening to this in my Pure Float Pod. Fantastic!
Great singer, and I love the acting, but Lucia Popp's version on Pavarotti's My Favorite Mozart CD is so beautiful, and made me love this. There is a place for both interpretations. I love the beauty of this melody.
great!!!!!❤️
Wow what playing and singing
Amazing, captivating, and mesmerizing performance...and I haven't even begun on the voice! WOW just WOW!
really nice voice
Angelic !
lovely😄
Brilliant pianist!
amazing..
Very nice!
Praised for her vocal beauty, seamless technique, and abundant musicality, Nadine Sierra is being hailed as one of the most promising, young talents in opera today. She was named the Richard Tucker Award Winner in 2017 and was awarded the 2018 Beverly Sills Artist Award by the Metropolitan Opera. Having made a string of successful debuts at the Met, Teatro alla Scala, Opéra national de Paris, and Staatsoper Berlin, she has become a fixture at many of the top houses around the world. On August 24th, 2018, her debut album, There’s a Place for Us, was released under the Deutsche Grammophon/Universal Music labels.
I got chills
Brava!!! Meravigliosa!!
belle interprétation de N.Sierra! 👏
I love her outfits 2
Lo simple que lo hace parecer, impresionante😮❤❤
This really is beautiful singing !
Belcanto👏🏻
IS PERFECT
Brava
她是很棒的花腔女高音声音感染力和穿透性很强！喜欢她！还年轻才三十三岁88年出生，前途無量！👍🌹
Ça tombe bien, c'est exactement en Zerlina que je l'ai découverte.
complimenti, bravissima
Пианист тоже молодечик!!!
Шикарная!
Cristal Clear Mozart vocal perfomance, but also, she convinces us, bewithes us, a real sorceress!!
Claudio Altamirano she convinced us that she wants us to beat her ?
Amadeus e Lorenzo così ti pensarono, magnifica Zerlina.
Умница и Молодец !!!
Nadine Sierra needs to be singing at the Kennedy Center!!!!!!!!!!!
Gorgeous. Excellent pianist, this aria is surprisingly awkward to play!
True
yes, so true..
塞拉她是很棒的花腔女高音声音感染力和穿透性很强！喜欢她！还年轻才三十三岁88年出生，前途無量！👍🌹
Good legato
arranging this into a piano-voice duet was a splendid idea
That reverb sounds fake 🤔
Maybe because the sound of piano has no echo…🤔
Es un placer oir a Nadine , es dueña de una voz primorosa .
good acting
Aria cantata da una bella voce giovane brava
Very nice and powerful control of her vocal range. However, this piece requires less heavy force and more coquettish playful elegance. I think Cecilia Bartoli nails the right tone in performing this piece!
3:27 Beautiful pasage
🎈🎈🎈
I love Nadine's voice, but here the echo is very loud and uncomfortable, I don't know if it because the microphone or the place, 'cause the piano doesn't sound with echo
dommage pour le geste final
Luisa Tetrazzini the best....
0:21
2:35
(For me 📝)
It is interesting to read the varied opinions in the comments. Is she as elegant as Renee Fleming maybe not, I am certainly not an expert but I know what I like and I think she is Terrific .
I've watched her live in Sonnambula and she was worth every cent, especially for a role debut, but I'd like to watch her perform some Mozart, be it Zerlina, Donna Elvira, Susanna or Countess Almaviva.
Absolut kein Mozartgesang!!
Какая прелесть....но звук пестрый, неровный, форсирует и ширит местами ...слишком много ужимок и переигранности..
el pianista no lo puede creer
Tiene cara de otra cosa...
Is this a song of masochist?
kind of
Not really; she is teasing Masetto more than she is being serious
bellissima giovane donna che sta cantonando Mozart con una voce bella...
nel finale un prodotto artistico poco convincente....
questa musica si canta in modo dolcissimo e con una vocalità ''vergine''...
sempre dolce senza nessun ''crescendo'' nella voce...
nella vita come fare ''dolce'' le donne sanno benissimo...
nell'arte è la stessa cosa ....
qua sentiamo à volte una vocalità aggressiva e poco adatta à questo personaggio...
bodiloto tipica mentalità rigida e autoreferenziale del pubblichino (e non solo!) medio della musica classica.
amico, purtroppo non si capisce niente del tuo commento .
bodiloto non mi stupisco del tuo non capire
nessuno è perfetto, io meno degli altri .
Gino negli anni 70 una volta mi disse :
- Carissimo, non parlare mai con i dilettanti .
per Gino ''dilettanti'' erano tutti quelli che non appartenevano alla professione.
tra i '' dilettanti '' per lui erano anche i critici,direttori dei teatri e direttori d'orchestra.
il mondo della lirica negli anni 58-68 dipendeva di noi i cantanti lirici mi spiego - noi eravamo le stelle e l'orchestra guidato dal maestro d'orchestra era il fondo dell'universo... vivevamo insieme in una armonia totale.
oggi tutto dipende dei registi,direttori dei teatri e dei maestri d'orchestra che purtroppo conoscano poco lo strumento ''voce lirica'' ...
1 in 50 anni gli eredi fedeli al loro idolo Karajan hanno cambiato il mondo della lirica in tale modo che oggi una vocalità come questa è considerata una dei migliori soprani del mondo ...
negli anni 1958 Nadine poteva cantare soltanto come una corista visto che ha un bel fisico ...
ma se mi ricordo bene anche negli anni 1958 le donne erano bellissime e avevano delle voci molto più bella di questa brava ragazza.
2 avete ucciso l'arte più bella del mondo con la vostra mediocrità,
basta ricordarsi chi erano i protagonisti alla Scala,à MET, à Parigi, à Londra,in Italia... negli anni 1958-68 e di rendersi conto chi sono i cantanti lirici che stanno cantonando nei stessi teatri da 20 anni ...
no comment .
la vocalità di Nadine non ha niente à vedere con lo stile mozartiano quello vero,io la penso così.
questo modo di cantonare era poco consigliato 60 anni fa per tantissime ragioni allegate con i stili e l'interpretazione per non dire altro ...
preferisco il silenzio .
da 30 anni / e di più.../ i vostri allievi sono preparati tecnicamente malissimo, è un fatto.
questa è la mia modesta opinione .
ps.
sono uno della professione, da anni sono un vecchio in pensione e sono veramente stupito dalla mediocrità artistica che c'è intorno à voi ...
ancora un po' e vado di cantare con i miei amici ...
me ne vado con un piacere immenso dal vostro mondo falso e ottuso,un mondo volgare e poco preparato nella materia arte lirica.
la prova ?
1 e 2 etc.etc.etc.etc.etc.etc.............................
Totalement d'accord avec vous, Bodilotto.......
I like her voice and she is a good singer but i dont like the way she interpreters this role/i don't like her acting.it seems unnatural for me.but this is of course only my opinion.
shartrez little i agree with you!!!
she is gorgeous, extremely pretty!
Its more interesting because she is acting it.
No one would have a clue about its content unless you spoke the language if you didn't have this acting.
@@thaliarice3891 No one will listen to a still stick, true. I prefer To have the singer in recital with facial expression, Vocal nuance, and body attitude. Far more riveting and classy than overacting . Watch Callas or Corelli or any legends. Leave the overt acting for the opera production.
Que boca é essa? Kkkk
Nah…..
never realized what a sexist song this is hahaha
Júlia Requião sexist?
Maybe sexist isn't the best word? But basically in this aria Zerlina tells Masetto that she'll let him beat her etc etc(he was upset because he thought she's cheating on him with Don Giovanni so maybe this was her way of trying to calm him down? Like even beat me gauge my eyes out etc but don't be mad lol)
Angela Borta tv
Júlia Requião arena verona
Soprano Ruth Iniesta Arena Verona
Shouldn't someone tell her that there are other dynamics apart from forte? o____Ö
She is a "soprano lyrique spinto" so she do any forte..
Wieder kübstlich die Stimme vergrößern? Diese moderne Art und Mode ist gegen Natur, gegen Musik und Estetik. Hören Sie Teresa Bergansa, Hilda Güden an.
For me her approach is not Mozartesque. Listen to Battle, Popp and Upshaw huge difference! Nice instrument, but not for Mozart!
I agree
She is a MEZZO soprano!!!!! Why is she singing light repetoire????
Joylinda Jenner she isn't a mezzo-soprano, she sing Gilda and it's a very light role...
She’s a soprano. I promise.
Why do people always have to categorize, to compare....especially in music? For me it doesn't matter if she is soprano, mezzo or bass... if she moves my heart all this stuff is completely unimportant.
first she is not a mezzo, second Zerlina could be sung by mezzos as well. Listen to Berganza, Vesselina Katsarova, Cecilia Bartoli.. they are all mezzo sopranos
Zerlina was actually written for the same singer as Cherubino. While Zerlina is usually sung by light sopranos, her ensemble work is identical to Cherubino, which sits low and needs to be a bit beefy. I feel, as a mezzo who has sung Zerlina, that it's beautiful for all voices. I personally prefer a bit of a darker/heavier sound as Zerlina isn't a child (like Barbarina for example), she is a woman who should have a womanly, seductive quality. For me that quality is nicely presented with a richer colour in the voice. To each their own, tomato/tomato.
Too vulgar for me. Please let us keep opera for ourselves…
塞拉她是很棒的花腔女高音声音感染力和穿透性很强！喜欢她！还年轻才三十三岁88年出生，前途無量！👍🌹