Lydian #2 #6 Hungarian minor mode 6 (dbl harm min) Or double harmonic major mode 2 however you want to look at it. That scale works over almost every chord. It works very nicely with both major and minor. This is a very easy approach to using Lydian #2 #6
Another good lesson. Key here is the rhythm (IMHO). If one is 'in the rhythm' one can almost play anything and it will sound good. I.e. if you play outside notes with purpose, with the rhythm and then resolve the the good notes on the right beats, it will all work. Thanks David for leading to this; most helpful - as always!
Yes. Playing in-time; with the rhythm, is the key to sounding like you're playing with conviction. This took me years to figure out on my own. And, playing with conviction allows you to play any dissonant note in passing and sound "good".
I started off like most learning the boxes .. it gave me a foundation to build off .. I know what key I'm in and use the extra notes from experience to build from there too many young people get scaled to death and are not using their ears to make music ..just their fingers
Thanks so much for finally cracking the elusive 'outside' code for me after all these years. Used to wonder how all those seventies fusion/prog guys did it , now I know 😉👍
Matt Mendians what do you mean you can’t play scales? Learn the pentatonic scale to start and once you have that, move on to major or blues, then move on to the modes and you’ll be shredding in no time
WooW It Was Great Outstanding I love it really I love Jazz Fusion & Jazz Rock great Lesson can you play on this backing track next time this kind of Solo just play on that Dangerous Backing track I want to listen to full song improvisation ..... it’s important to to get more inspiration please play for us ...... (people from Planets Jupiter&Mars) I mean the Guitar players thank you for That Performance Sir ....... ..... ... 💫🎸🔥🎖🔥🎸💫 ......
really helps that this is a 10 minute video, you take forever to get to the scale, and that none of your frets are labelled with the traditional dots most guitars use for reference points... on a video where you teach SCALES
I always find it funny that when one overlays out notes after having begun by overlaying in notes over the chords, once you switch to out playing and return back to the in notes the in notes always sound so much worse and it takes so much longer to transition back to in key, vs going from in to out usually involves just a second or two of wrong sounding. Like our brains are more willing to accept out notes and then they sound way better but once you've adjusted the regular old notes sound so boring
Great lesson but if I could give you one word of advice, for these kind of video's always use a guitar with fretmarkers. Makes what you are explaining so much more easy to visualise for your viewers. Just a thought...
Tried this. All about conviction and rhythm. Found the main issue is I sound good for about 20 seconds and then run out of steam and start either repeating myself or stuff going of the rails .
Thank you David on your, as always, very helpful lesson ! Can you say something about ear training because I think it is the most important, when someone wont to reach your playing skills ! Cheers !
Lydian #6 #2 Hungarian minor (aka double harmonic minor) mode 6 Or double harmonic major mode 2 I guess it's missing one note. Lydian #6 #2 can be used over almost any chord
As a kid I defined Jazz as a group of people that all play the same song but not at the same time, and fusion as a band that all play different songs but at the same time. Nowadays I love fusion. Nice lesson. I play for 40 years for most soloing and do not know theory but I play all over the fretboard. I now try to learn theory to know what to play instead of going autopilot . What I love, playing without thinking while watching a movie or so.
1 #2 3 #4 5 #6 7 Lydian #2 #6 He said r min3rd b5 5 min7 maj7 ( 1 b3 b5 5 b7 7) but he forgot the major 3rd which is on the high e string. It all reformulates to 1 #2 3 #4 5 #6 7 7 notes not 6 Lydian #6 #2 Your welcome everybody
I believe there's actually 7 notes there and it's Lydian #6 #2 Hungarian minor mode 6 Aka double harmonic minor mode 6 aka double harmonic major mode 2
Lydian #6 #2 works over almost any chord Probably sounds best over a dominant 7 chord #2 3 manipulates the 3rd #6 (b7) 7 manipulates the b7 to the leading tone 7 resolving to 1 It has the #4 so it doesn't spoil the resolution the #4 resolves to 4 wich will be 1 when the dominant 7 ( v chord) resolves to the I chord
Fusion Jazz is something I will always admire and aspire to play in! Awesome and helpful lesson indeed! Cheers!
OMG he really Is the Bob Ross of guitar instruction.
Haha!
BWWWWAAAAA!!!
Lydian #2 #6
Hungarian minor mode 6 (dbl harm min)
Or double harmonic major mode 2 however you want to look at it.
That scale works over almost every chord. It works very nicely with both major and minor.
This is a very easy approach to using Lydian #2 #6
No! Dude. The notes - you can’t really explain them.
Another good lesson. Key here is the rhythm (IMHO). If one is 'in the rhythm' one can almost play anything and it will sound good. I.e. if you play outside notes with purpose, with the rhythm and then resolve the the good notes on the right beats, it will all work. Thanks David for leading to this; most helpful - as always!
Yes. Playing in-time; with the rhythm, is the key to sounding like you're playing with conviction. This took me years to figure out on my own. And, playing with conviction allows you to play any dissonant note in passing and sound "good".
reminds me a victor Wooten vid where he makes all 12 notes sounding right on any chord changes
Thats a great one!
Can you share the link please?
Link????
I believe it is a music is win video in which he is interviewed
th-cam.com/video/PHdo1qWNWI4/w-d-xo.html
This was great. Exactly the encouragement I needed to bump myswlf up to the next level. Thank you for taking the time David.
I started off like most learning the boxes .. it gave me a foundation to build off .. I know what key I'm in and use the extra notes from experience to build from there too many young people get scaled to death and are not using their ears to make music ..just their fingers
C'est l'aventure ! I love your off-scale trip ! Thank you David.
Merci!!
Thanks so much for finally cracking the elusive 'outside' code for me after all these years. Used to wonder how all those seventies fusion/prog guys did it , now I know 😉👍
puts much into perspective when attempting to play outside the theory box; thanks! ...now i can maybe add some eloquent dissonance...
Joe Pass used to say as long as you have the minor 3rd it's minor. Use your ears for the rest.
Love your phrasing!! Helpful lesson. Thanks
Loved it! I like fusion too. As always, FANTASTIC tone!
I love that guitar! My acoustic is like that color. Of course I can’t play scales but can say great job Dave on the video production, and lessons!
Matt Mendians what do you mean you can’t play scales? Learn the pentatonic scale to start and once you have that, move on to major or blues, then move on to the modes and you’ll be shredding in no time
Best lesson ever! So appreciate your insights and sharings
Nice touch of sass in your intro David! Thank you for all of your musical tips tricks and lessons!
Much easier and more understandable way to explain what you were shooting for imho.
G'Day , Have watched your channel for years and just wanted to say Thank You so much . Cheers
Top stuff David. You've given me something I can learn from
I like that guitar and your red guitar with the backwards head stock
What a g. No wrong notes. Only I disagree with❤
So easy and Sounds brilliant! You habe an awesome time man. And that makes it so cool…
Great great lesson!
DUDE!!! This was an amazing vid, why did I never think of this?! Thanks dude!!
Lydian #6 #2
Very cool! Love these improv vocabulary builders!
WooW It Was Great Outstanding I love it really I love Jazz Fusion & Jazz Rock great Lesson can you play on this backing track next time this kind of Solo just play on that Dangerous Backing track I want to listen to full song improvisation ..... it’s important to to get more inspiration please play for us ...... (people from Planets Jupiter&Mars) I mean the Guitar players thank you for That Performance Sir
....... ..... ... 💫🎸🔥🎖🔥🎸💫
......
Excellente et instructive vidéo... merci.
Aula super fantástica....!!!!
The best of the best music instructor on TH-cam.
Plus... awesome guitar sound, always!! What do you use for the drives?
really helps that this is a 10 minute video, you take forever to get to the scale, and that none of your frets are labelled with the traditional dots most guitars use for reference points... on a video where you teach SCALES
I always find it funny that when one overlays out notes after having begun by overlaying in notes over the chords, once you switch to out playing and return back to the in notes the in notes always sound so much worse and it takes so much longer to transition back to in key, vs going from in to out usually involves just a second or two of wrong sounding. Like our brains are more willing to accept out notes and then they sound way better but once you've adjusted the regular old notes sound so boring
BS"D
You never cease to amaze and inspire! Thank you so much! 🙏
Great lesson but if I could give you one word of advice, for these kind of video's always use a guitar with fretmarkers. Makes what you are explaining so much more easy to visualise for your viewers. Just a thought...
Yes, Hexa is 6 ;)
Your comment now has Hexa likes : ), for now : )
@ 😁
Thanks a lot!
CAn you furst lurn us how to get that sound wat we al neat for it
Tried this. All about conviction and rhythm. Found the main issue is I sound good for about 20 seconds and then run out of steam and start either repeating myself or stuff going of the rails .
he finally gets to the point around the 4 minute mark
Hexatonic David
Awesome lesson
And you make me play my 92 Carvin Dc135 koa 😁 love that Kiesel
Hepta is seven. Hexa is six.
@@vent676 I actually just came to correct that!! 🤭 I meant hexa but typed hepta...thx!
Funny thing he mis counted and forgot the major 3rd
It's a heptatonic scale
Lydian #2 #6
You’re just awesome David
Would be easier to follow if your guitar had fret markers.
If you had a good ear you wouldn't need little dots.
Jacob Lewis what does having a good ear have to do with what fret and position of the pentatonic he is demonstrating this technique on?
@@salsplace If your ear was good then you would hear what fret he's on. Duh.
Sal Don't let the trolls wind you up. Fret markers would help. If Jacob Lewis had good brain he wouldn't need to comment.
@@vent676 Y'all are so cute
Hello David. So this is for a minor chord. Question. How can we do it on a major chord? or what is the major chord version of this?
GREAT LESSON ..WHAT WERE THE CHORDS U PLAYED?
Thank you
Sweet Keisel!!! 👍😎🍺
Thank you David on your, as always, very helpful lesson ! Can you say something about ear training because I think it is the most important, when someone wont to reach your playing skills ! Cheers !
According to Ian Ring‘s scale finder, it‘s called Raga Jivantini
ianring.com/musictheory/scales/3273
Lydian #6 #2
Hungarian minor (aka double harmonic minor) mode 6
Or double harmonic major mode 2
I guess it's missing one note.
Lydian #6 #2 can be used over almost any chord
As a kid I defined Jazz as a group of people that all play the same song but not at the same time, and fusion as a band that all play different songs but at the same time. Nowadays I love fusion.
Nice lesson. I play for 40 years for most soloing and do not know theory but I play all over the fretboard. I now try to learn theory to know what to play instead of going autopilot . What I love, playing without thinking while watching a movie or so.
4:10
1 #2 3 #4 5 #6 7
Lydian #2 #6
He said r min3rd b5 5 min7 maj7
( 1 b3 b5 5 b7 7) but he forgot the major 3rd which is on the high e string. It all reformulates to 1 #2 3 #4 5 #6 7
7 notes not 6
Lydian #6 #2
Your welcome everybody
Thank you, exactly what I was looking for!
Septa tonics thanks
Rhythm is important so you make the bad notes sound good............ Killer line David. That is a true music (and life) lesson right there.
Thank you Larry!
I mostly play 'outside' notes :(
Bonjour, très bonne vidéo,
Dommage pas en français,
Excellent....
Hola! Saludos desde Chile! Hi! Greetings from Chile!!. The first coment
Man...so cool,great lesson! ✌
When I play outside I wear the appropriate hat and footwear
Thanks David!!!🎼
Is your tone here coming exclusively through the Ax-Fx?
Yeah!
Nice!
But you said chart of the chord on the screen but ....
Thanx
Ciao
Cool
Time for progressive metal! Opeth 🤘
It is hexa David, penta is 5
He invented a scale guys, hexatonic.
hexatonic is a TYPE of scale, and there are hundreds of them.
I believe there's actually 7 notes there and it's Lydian #6 #2
Hungarian minor mode 6
Aka double harmonic minor mode 6 aka double harmonic major mode 2
Hexatonic is 6.
Diatonic = 2 Tritonic = 3 Tetratonic = 4 Pentatonic = 5 Hexatonic = 6 Septatonic = 7 Octatonic = 8 Novematonic = 9 Decatonic = 10 Didecatonic = 11 and so on.....
Intrigued. Any further explanation?
12 equals chromatic
Penta=5, Hexa=6
Hexagon...polygon with 6 sides.....hexatonic scale = 6 note scale.
Sweet looking guitar. The Blues are strong on this guitar... Sorry.
So Hexa, according to you, means five? What about Penta? Can I ask this? Does PENTA tonic ring a bell? LOL
People can't count. There are 7 notes
Hopefully you realized to always use a guitar with dots lol.
I was hoping for sex god, but ok. 😉
Does that too if you play your strings right...
Has aspects of the Hungarian minor mode.
Lydian #2 #6
Subtitle - How David makes wrong notes right! 💣 = 🌈
PLEASE!! Lose the guitar without fret markers....
Really a error on this is the guitar lesson is the guitar witout point on fretss i can stand nothing
??
Sorry, but this isn't jazz fusion. However, it might just be confusion.
That sounded kinda awful, even in the context of using chromatic leading notes
Yeah man, it’s a bit out there!
Lydian #6 #2 works over almost any chord
Probably sounds best over a dominant 7 chord
#2 3 manipulates the 3rd
#6 (b7) 7 manipulates the b7 to the leading tone 7 resolving to 1
It has the #4 so it doesn't spoil the resolution the #4 resolves to 4 wich will be 1 when the dominant 7 ( v chord) resolves to the I chord