I think the most fun and addictive thing about Ableton is that it doesn't matter what skills you acquire, or what tricks you know, there is always a new idea, a new concept, which many times makes you feel like you are just another apprentice, it strips us in front of to creativity, making us all equal.
for sure man, resampling a few passes with one at 1/16 one at 1/8 and then maybe one triplet 16ths or something, then doing the take lane thing is really sick. really fun with full tracks too!
i watched this video about a month ago. i was so intrigued and did some research but didn't come up with much. its awesome you did a video on this. really digging your content man! keep it up!
Great technique. Is there a way to replicate the looping function, though? This is more or less exactly how the iPad app Samplr works, so that's an alternative.
Yes sir, you can midi map the clip "start" and freely adjust it. i was trying to see if you could use the max for live lfo but i haven't found a way to map it.
I think the most fun and addictive thing about Ableton is that it doesn't matter what skills you acquire, or what tricks you know, there is always a new idea, a new concept, which many times makes you feel like you are just another apprentice, it strips us in front of to creativity, making us all equal.
Agreed max for live for life
Was just thinking about how Ableton, FL and other DAWs that mimic basically a video game have been the great equalizer for music production!
feeling like no quantizing has way more soul than the 1/16
I've always loved that four tet clip and this recreation is really dope. the 1/16th quantization just hits instantly
for sure man, resampling a few passes with one at 1/16 one at 1/8 and then maybe one triplet 16ths or something, then doing the take lane thing is really sick. really fun with full tracks too!
i watched this video about a month ago. i was so intrigued and did some research but didn't come up with much. its awesome you did a video on this. really digging your content man! keep it up!
Thanks!
Such a good piece of advice! Thanks
I thought this was going to be terrible. I was massively wrong. Top technique.
Thanks I just saw that video today a few hours ago. I was looking for a way in fl😂. But the idea of a another mix channel to record is a good way.
Awesome stuff, Corey! You need more subscribers. Woo!
Don't want anything growing too fast here lol!
That first little sample at 1/16 was so sick. Didn’t know this was a thing. Thank you.
Big Ups Nick
this is sick, definitely going to try it out
Great technique. Is there a way to replicate the looping function, though? This is more or less exactly how the iPad app Samplr works, so that's an alternative.
I love this tip
Dope. Just dope.
I appreciate this too so much!
Nice tip man, big ups!!
Can you do a tutorial on how to recreate sounds of kill paris?
Cold.
Wow🤯
NICE
i think there's also the Granulator Max For Live unit that can do that effect and you can automate the position that way, not 100% sure tho
for sure! you can also midi map the start head of an audio clip and just keep retriggering the clip while messing with that start head. pretty sick!
Would there be a way to do the grain effect in a live setting using midi instead of a mouse?
Yes sir, you can midi map the clip "start" and freely adjust it. i was trying to see if you could use the max for live lfo but i haven't found a way to map it.
@@CoreyBakerCoreyBaker why can't you map it?
Basically manual granular synthesis lol
"back in ma day, we had to manually granulate our audio" - any producer before 2010
Sounds dope. Will try this in Akai Beats
wow, did not know this one. great tip.
Jeesh, when you changed it to 16th notes it burst to life
it's wild man!
Keep in mind adobe bought CEPro and it became audition. Surprisingly they never wrecked it; it’s still 90% the same.
holy shoot! i didn't know that!
Any recs on how to do this in Logic?
Can't say I do!
cool