Christophe Rousset, Bach English Suite in A minor BWV 807

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  • เผยแพร่เมื่อ 24 ธ.ค. 2024

ความคิดเห็น • 38

  • @Sizzlesubs
    @Sizzlesubs 7 หลายเดือนก่อน +2

    I FINALLY FOUND THIS SONG!!! I’ve been looking for it for years now.

  • @donaldwright6617
    @donaldwright6617 10 ปีที่แล้ว +25

    This recording is marvelous! What a spirited performance, and the tonal quality of the instrument is superb. (Thank you for posting, Val!)

  • @TwoCatsUp
    @TwoCatsUp 5 ปีที่แล้ว +9

    His playing never ceases to amaze me, and the choice of instruments here is perfect and fabulous. I'd call Rousset the Leonhardt of his time.

  • @jesusgarate7080
    @jesusgarate7080 6 ปีที่แล้ว +10

    The sound of the instrument is brilliant!.. You can met bach in the piano, but his instrument is this, colorful!

    • @flyingdutchman773
      @flyingdutchman773 5 ปีที่แล้ว +5

      A harpsichord always has a golden and warm sound to me. I don't know if other people hear the same thing.

    • @gonsonandenschinder
      @gonsonandenschinder 3 ปีที่แล้ว +2

      @@flyingdutchman773 I think it sounds very "spikey" "high" and "silver", a piano for me is - in comparison - very mellow, smooth and much deeper, more like navy blue up to a baby blue. I really like both instruments tho

  • @michaelkac9158
    @michaelkac9158 4 ปีที่แล้ว +10

    If you listen carefully you'll hear dynamic contrasts (if not necessarily vivid ones). CR is playing on an instrument with two manuals, which enables differences of both dynamic level and timbre. But expressiveness is achieved on the harpsichord more by means of ornamentation, phrasing and articulation than dynamics. To appreciate that you have to adjust your hearing away from what we've become used to since the advent of the piano and become attuned to a different set of interpretive practices.

    • @yaaaaay24
      @yaaaaay24 ปีที่แล้ว

      Thanks for the in-depth explanation. I was always enamored with the rhythmic customs of harpsichord performance, i.e. excess rubato and complete liberation of phrasing. It would be interesting to hear the expressive techniques of the harpsichord employed on the piano, in tandem with those of the piano.

  • @fernandohidalgo5941
    @fernandohidalgo5941 2 ปีที่แล้ว +2

    Que bello ese fraseo de esas hermosas suites del gran Bach !! 👏👏👏Christoph !!!

  • @erichall7068
    @erichall7068 ปีที่แล้ว

    I believe it is the sarabande part that is so luscious and soulful. Soo much better on the harpsichord. I get chills -:-)😊❤

  • @mereyeslacalle
    @mereyeslacalle 8 ปีที่แล้ว +4

    Fantástico Christophe Rousset !!

  • @gianlucamarcialis3595
    @gianlucamarcialis3595 5 ปีที่แล้ว

    Bella esecuzione, con una tavolozza di colori espressivi molto ampia. L'allemande è uno dei pezzi che preferisco, dove Bach fonde Dieupart e Froberger in una visione meno cantabile ma simile a quella handeliana.

  • @michelroussanne906
    @michelroussanne906 6 ปีที่แล้ว +1

    Merci !

  • @phpn99
    @phpn99 7 ปีที่แล้ว +3

    The instrument was not restored in 1787... that would mean Mr von Nagel is actually more than 300 years old. I know he looks like an old sage but he's younger than that ;-)

  • @fernandohidalgo5941
    @fernandohidalgo5941 2 ปีที่แล้ว

    Saludos desde Patagonia Argentina Fernando Raúl Hidalgo 3° 🇦🇷🇦🇷

  • @jeanpierrecarabas5508
    @jeanpierrecarabas5508 6 ปีที่แล้ว +4

    un tour de force - trop vite ! Les nuances se perdent ... les nuances ça fait la nuance!!

    • @philippethomas3291
      @philippethomas3291 6 ปีที่แล้ว

      C'est le défaut de la génération actuelle des clavecinistes français: une virtuosité excessive qui, en dominant l'exécution, réduit d'autant la part du goût et de la sensibilité.

    • @philippethomas3291
      @philippethomas3291 5 ปีที่แล้ว

      je maintiens mon avis: on sent la recherche de la performance: il n'y a rien, ou bien peu, de ressenti. Question de goût. Le goût ne se chiffre pas en notes.@8620marc

    • @JLouchet
      @JLouchet 5 ปีที่แล้ว

      je ne trouve pas, il fait extraordinairement chanter l'instrument ... comme peu savent faire ! J'aimerais arriver à faire 50% de ce qu'il fait ! Je n'arrive pas à me décrocher, c'est fantastique !

  • @excelsior999
    @excelsior999 3 ปีที่แล้ว

    Very well-played. Too much echo in the recording, however. Totally unnecessary. It greatly interferes with a Clean listening to Bach's music.
    BTW, who highlights a "Highlighted reply"? TH-cam?
    I don't understand why a reply as condescending and rude as that of "Fernweh N" would be highlighted by anyone. When a society (such as ours) is in a state of decline, some of the things to go first are rational discourse, civility and respect for others who have a different POV.

  • @mishootiashvili6087
    @mishootiashvili6087 8 ปีที่แล้ว +1

    why is he playing on the same level of voice?

    • @VERITS99
      @VERITS99 8 ปีที่แล้ว +2

      +Misho Otiashvili You mean dynamics are missing? Well, dynamics are virtually non-existent for harpsichords: they have no pedals like those of pianos.

    • @mishootiashvili6087
      @mishootiashvili6087 8 ปีที่แล้ว

      +VERITS99 no I mean all time is forte.

    • @mishootiashvili6087
      @mishootiashvili6087 8 ปีที่แล้ว

      +VERITS99 and there are no focuses. he plays like a robot, no emotionally.

    • @VERITS99
      @VERITS99 8 ปีที่แล้ว +5

      +Misho Otiashvili >all time is forte< Dynamics include forte, piano, etc. There is no mechanism provided for harpsichords to implement dynamics.

    • @mishootiashvili6087
      @mishootiashvili6087 8 ปีที่แล้ว +1

      +VERITS99 thats not truth.

  • @陽天-g8g
    @陽天-g8g 3 ปีที่แล้ว

    グールドに比べて恐ろしく下手くそ。

    • @excelsior999
      @excelsior999 3 ปีที่แล้ว

      Exactly.

    • @VERITS99
      @VERITS99 3 ปีที่แล้ว +4

      This is one of the silliest comments I have ever seen.